The Trojan Women
by Euripides
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Hecuba Character Analysis

The former Queen of Troy. She is arguably the play’s protagonist; she never exits the stage, and acts as the Trojan Women’s emotional heart. Once a proud noblewoman, a loving wife, and a doting mother, with Troy’s defeat Hecuba has been reduced to a slave. However, even as she prepares herself for her bleak future, she holds on to her former values and as much of her former dignity as she can. She remains practical, always thinking about her family and what remains of her legacy. She deeply loves her sons and daughters, and although their safety is out of her control, she exercises what small power she has to try and help them. She has a deep capacity for emotion — love for those who she respects, and hatred for those, like Helen, who she sees as immoral or unethical.

Hecuba Quotes in The Trojan Women

The The Trojan Women quotes below are all either spoken by Hecuba or refer to Hecuba. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Cost of War Theme Icon
).

Line 98-294 Quotes

Rise, stricken head, from the dust;
lift up the throat. This is Troy, but Troy
and we, Troy’s kings, are perished.
Stoop to the changing fortune.
Steer for the crossing and your fortune,
hold not life’s prow on the course against
wave beat and accident.
Ah me,
what need I further for tears’ occasion,
state perished, my sons, and my husband?
O massive pride that my fathers heaped
to magnificence, you meant nothing.
Must I be hushed? Were it better thus?

Related Characters: Hecuba (speaker), Hector, Priam
Page Number and Citation: 98
Explanation and Analysis:
These are Hecuba’s first lines in the play. Greek forces have recently overtaken Troy, slaughtered its men, and rounded up its women to be allocated as servants or sex slaves to various Greek warriors. Hecuba clearly illustrates the steep cost of war, both by listing its casualties and expressing the emotional cost through her emotional speech. Not only have faceless, nameless men been killed, but her husband and her sons have been taken from her. The cost of war is not abstract to her, but real and painful. She also compares her body and the body of the other Trojan Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo m

I am led captive
from my house, an old, unhappy woman,
like my city ruined and pitiful.
Come then, sad wives of the Trojans
whose spears were bronze,
their daughters, brides of disaster,
let us mourn the smoke of Ilium.
And I, as among winged birds
the mother, lead out
the clashing cry, the song; not that song
wherein once long ago,
where Priam leaned on his scepter,
my feet were queens of the choir and led
the proud dance to the gods of Phrygia.

Related Characters: Hecuba (speaker), Priam
Page Number and Citation: 140
Explanation and Analysis:
Hecuba explicitly lays out here how she feels about her current status. Once a queen who led dances at court, now she leads songs of mourning. Her fortune has drastically and irrevocably fallen, and she is now no longer noble and proud, but “captive,” “old,” and “unhappy.” Once again, Hecuba draws a parallel between her body and the city, as she describes both as “ruined and pitiful.” This helps strengthen the reader’s sense of the destruction and indignity both bodies have been forced to endure; one has endured a literal siege and a metaphorical rape, the other a metaphorical siege, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus t

And I,
whose wretched slave
shall I be? Where, in my gray age,
a faint drone,
poor image of a corpse,
weak shining among dead men? Shall
I stand and keep guard at their doors,
Shall I nurse their children, I who in Troy
held state as a princess?

Related Characters: Hecuba (speaker)
Page Number and Citation: 190
Explanation and Analysis:
In the aftermath of the Fall of Troy, as she awaits a ship to come and take her away to Greece, Hecuba continues her lamentations. In this post-Trojan War world, the women have few opportunities. All the Trojan women are now property of Greek men, and most of them are expected to serve as “wives” or extramarital sex slaves. These young women are reduced to the most basic functions of their gender—they are become sex objects, and fertile wombs. Hecuba, who is older, and presumably too old to bear children, wonders where she fits in. Although she does not compare Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minu

Hecuba: Who was given my child? Tell me, who shall be lord
of my poor abused Cassandra?
Talthybius: King Agamemnon chose her. She was given to him.
Hecuba: Slave woman to that Lacedaemonian wife?
My unhappy child!
Talthybius: No. Rather to be joined with him in a dark bed of love.
Hecuba: She, Apollo’s virgin, blessed in the privilege
the gold-haired god gave her, a life forever unwed?
Talthybius: Love’s archery and the prophetic maiden struck him hard.
Hecuba: Dash down, my daughter,
the twigs of your consecration,
break the god’s garland to your throat gathered.
Talthybius: Is it not high favor to be brought to a king’s bed?

Related Characters: Hecuba (speaker), Talthybius (speaker), Cassandra, Agamemnon
Page Number and Citation: 247
Explanation and Analysis:
Talthybius, a Greek herald, has arrived onstage. Hecuba has asked him for news of her daughters. He has already tried to tell her that her daughter, Polyxena, has been killed, and now is delivering the news that the Greek King Agamemnon has claimed another of her daughters, Cassandra, as a slave. In his reaction to this decree, and in his response to Hecuba’s grief, Talthybius demonstrates a key difference in the way that Greek men and Trojan women interpret the women’s imminent enslavement. Talthybius considers it “high favor” to be “brought to a king’s bed,” whether or not the bringing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis

Line 294-461 Quotes

O Mother, star my hair with flowers of victory.
This is a king I marry; then be glad; escort
the bride—and if she falters, thrust her strongly on.
If Loxias lives, the Achaeans’ pride, great Agamemnon
has won a wife more fatal than ever Helen was.
Since I will kill him, and avenge my brothers’ blood
and my father’s in desolation of his house.
But I leave this in silence and sing not now the axe
to drop against my throat and other throats than mine,
the agony of the mother murdered, brought to pass
from our marriage rites, and Atreus’ house made desolate.

Related Characters: Cassandra (speaker), Helen, Agamemnon, Hecuba
Page Number and Citation: 354
Explanation and Analysis:
Cassandra is able to see the future. However, she has been cursed, and therefore no one will ever believe her prophecies. In this speech, she is looking ahead to see how her enslavement to Agamemnon will play out. She sees that she will marry Agamemnon, but their union will lead to her death, his death, and the death of his entire family (the house of Atreus). She compares this fatal marriage to Helen’s marriages to Menelaus and Paris, which famously led to the Trojan War and thousands of casualties. Because Hecuba cannot see the future, and is doomed not to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rer

Line 568-797 Quotes

Hecuba: O my children….
Andromache: …once. No longer.
Hecuba: Lost, lost, Troy our dominion…
Andromache: …unhappy…
Hecuba: …and my lordly children.
Andromache: Gone, alas!
Hecuba: They were mine.
Andromache: Sorrows only.
Hecuba: Sad destiny…
Andromache: …of our city…
Hecuba: …a wreck, and burning.

Related Characters: Andromache (speaker), Hecuba (speaker)
Page Number and Citation: 581
Explanation and Analysis:
Hecuba and her daughter-in-law Andromache are reunited after the Fall of Troy. Both women are full of sorrow at their bleak futures as slaves, and at the loss of their husbands and families. The pair sings a song of mourning together. Through their song, they demonstrate the horror of war, specifically its emotional effects on the women left behind. They are filled with “sorrows only,” and look forward to a “sad destiny.” In their song the two women also draw parallels between their own bodies and their beloved city of Troy. Their alternating speech, as well as the use of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. S

We are the hated of the gods, since once your youngest, escaping
death, brought down Troy’s towers in the arms of a worthless woman;
piled at the feet of Pallas the bleeding bodies of our young men
sprawled, kites’ food, while Troy takes up the yoke of captivity.

Related Characters: Andromache (speaker), Helen, Hecuba
Page Number and Citation: 597
Explanation and Analysis:
Andromache, in conversation with Hecuba, wonders why the Trojans have fallen so low. The only explanation she can think of that would explain how dramatically they lost the war after holding their own for so long, is that the gods must have turned their backs on them (because of the sins of Paris, Hecuba’s “youngest). In truth, some gods continued to support Troy until the end, but they proved less powerful than fate and the gods backing the Greek army. Vivid imagery is used to highlight the immense human cost of the Trojan War. Andromache describes the “bleeding bodies of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim n

O my sons, this city and your mother are desolate of you.
Sound of lamentation and sorrow,
tears on tears shed. Home, farewell.
The dead have forgotten all sorrows.

Related Characters: Hecuba (speaker), Andromache
Page Number and Citation: 603
Explanation and Analysis:
As other characters argue throughout the play, Hecuba also makes the claim that the dead are luckier than the living; although dead, they no longer experience any suffering or sorrow. The living women are left to make sounds of “lamentation and sorrow,” shedding “tears on tears.” The dead, meanwhile, are left with no memory and no troubles. The plight of the living is then only amplified in contrast to the peaceful sleep of the dead—only women living in misery would wish for death.  Hecuba also uses language that unites Troy and its women when she remarks, “this city and your Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste.

Andromache: She is dead, and this was death indeed; and yet to die
as she did was happier than to live as I live now.
Hecuba: Child, no. No life, no light is any kind of death,
since death is nothing, and in life the hopes live still.
Andromache: O Mother, our mother, hear me while I reason through
this matter fairly—might it even hush your grief!
Death, I am sure, is like never being born, but death
is better thus by far than to live a life of pain,
since the dead, with no perception of evil, feel no grief,
while he who was happy once and then unfortunate
finds his heart driven far from the old lost happiness.
She died; it is as if she never saw the light
of the day, for she knows nothing now of what she suffered.

Related Characters: Andromache (speaker), Hecuba (speaker), Talthybius
Page Number and Citation: 630
Explanation and Analysis:
As they talk, Andromache reveals to Hecuba that Polyxena has been killed. Earlier, Talthybius tried to tell Hecuba that Polyxena was dead, but spoke in metaphor and so Hecuba did not understand. Andromache, however, uses explicit language—“She is dead, and this was death indeed”—to get her point across. Andromache believes her life and her future to be so bleak that death seems like a welcome alternative. She sees Polyxena as lucky, because death is “better thus by far than to live a life of pain,” as the dead can feel nothing and remember no unhappiness or indignity. The dead do Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectet

…I gave
my lord’s presence the tribute of hushed lips, and eyes
quietly downcast. I knew when my will must have its way
over his, knew also how to give way to him in turn.
Men learned of this; I was talked of in the Achaean camp,
and reputation has destroyed me now. At the choice
of women, Achilles’ son picked me from the rest, to be
his wife: a murderer’s house and I shall be his slave.
If I dash back the beloved memory of Hector
and open wide my heart to my new lord, I shall be
a traitor to the dead love, and know it; if I cling
faithful to the past, I win my master’s hatred…
I hate and loathe that woman who cast away the once
beloved, and takes another in her arms of love.
Even the young mare torn from her running mate and teamed
with another will not easily wear the yoke. And yet
this is a brute and speechless beast of burden, not
like us intelligent, lower far in nature’s scale.

Related Characters: Andromache (speaker), Hecuba, Hector, Neoptolemus
Page Number and Citation: 653
Explanation and Analysis:
As Andromache talks to Hecuba about their uncertain futures as slaves to Greek warriors, Andromache reflects on her past. Neoptolemus, Achilles’ son, has claimed Andromache as his own. She despises him, and theorizes as to why he chose her. During her marriage to her husband, Hector, Andromache did her best to be a perfect wife for him. According to contemporary customs she was often silent and reserved, deferring to Hector’s judgments. However, when the situation called for it she could also knew when to speak up and push back. Now, Andromache regrets, if not her role as a dutiful wife, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At

Andromache: No, Hecuba; can you not see my fate is worse
than hers you mourn, Polyxena’s? The one thing left
always while life lasts, hope, is not for me. I keep
no secret deception in my heart—sweet though it be
to dream—that I shall ever be happy any more.
Chorus Leader: You stand where I do in misfortune, and while you mourn
your life, you tell me what I, too, am suffering.

Related Characters: Andromache (speaker), The Chorus (speaker), Hecuba
Page Number and Citation: 679
Explanation and Analysis:
Andromache and Hecuba argue about whether it is better to be alive and suffering, or dead. This helps illustrate the horrors of war, and the horrors of its aftermath—that life could be so terrible the living would wish they could join the unfeeling dead. Polyxena, Hecuba’s daughter, has been murdered, but Andromache argues that her fate is better than either Andromache’s or Hecuba’s. Hecuba has argued that the living at least can cling on to hope, whereas the dead feel nothing, but Andromache rejects this line of thinking. In her mind, there is no hope, and hope itself is a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque e

He must be hurled down from the battlements of Troy.
Let it happen this way. It will be wiser in the end.
Do not fight it. Take your grief nobly, as you were born;
give up the struggle where your strength is feebleness
with no force anywhere to help. Listen to me!
Your city is gone, your husband. You are in our power.
How can one woman hope to struggle against the arms
of Greece? Think, then. Give up the passionate contest.
Don’t…do any shameful thing, or any deed of hatred.
And please—I request you—hurl no curse at the Achaeans
for fear the army, save over some reckless word,
forbid the child his burial and the dirge of honor.
Be brave, be silent; out of such patience you’ll be sure
the child you leave behind will not lie unburied here,
and that to you the Achaeans will be less unkind.

Related Characters: Talthybius (speaker), Astyanax, Andromache, Hecuba
Page Number and Citation: 725
Explanation and Analysis:
Talthybius has received an order from his superiors that Andromache’s son, Astyanax, must be put to death. This is one of the few acts of violence that occurs during the play itself (although the murder happens offstage) and one of the clearest illustrations of the cost of war—the unnecessary death of a baby, whose father has already been slaughtered and whose city has already been razed. Talthybius delivers this news as gently as he can. In his delivery he makes it clear he does not agree with this order, and refuses to carry out the murder himself, but nonetheless allows Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui

Line 860-1059 Quotes

Hecuba: O power, who mount the world, wheel where the world rides,
O mystery of man’s knowledge, whosoever you be,
named Zeus, nature’s necessity or mortal mind,
I call upon you; for you walk the path none hears
yet bring all human action back to right at last.
Menelaus: What can this mean? How strange a way to call on gods.
Hecuba: Kill your wife, Menelaus, and I will bless your name.
But keep your eyes away from her. Desire will win.
She looks enchantment, and where she looks homes are set fire;
she captures cities as she captures the eyes of men.
We have had experience, you and I. We know the truth.

Related Characters: Hecuba (speaker), Menelaus
Page Number and Citation: 884
Explanation and Analysis:
When Menelaus comes to the Trojan women’s tent to reclaim his ex-wife Helen, first he must talk to Hecuba. Hecuba, who blames Helen for the war and for the deaths of her family, encourages Menelaus to kill Helen as an act of revenge for all the Trojan and Greek lives lost for her sake. Before telling Menelaus to kill his wife, Hecuba prays to the gods. However, as Menelaus comments, her prayer is “strange.” This is because, due to her steep fall in fortune, Hecuba no longer fully trusts the gods to look out for her, or to even listen Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi q

She mothered the beginning of all this wickedness.
For Paris was her child. And next to her the old king,
who would not destroy the infant Alexander, that dream
of the firebrand’s agony, has ruined Troy and me.
This is not all; listen to the rest I have to say.
Alexander was the judge of the goddess trinity.
Pallas Athena would have given him power, to lead
the Phrygian arms on Hellas and make it desolate.
All Asia was Hera’s promise, and the uttermost zones
of Europe for his lordship, if her way prevailed.
But Aphrodite, marveling at my loveliness,
promised it to him, if he would say her beauty surpassed
all others. Think what this means, and all the consequence.
Cypris prevailed, and I was won in marriage: all
for Greek advantage. You are not ruled by barbarians,
you have not been defeated in war nor serve a tyrant.
Yet Hellas’ fortune was my own misfortune. I,
sold once for my body’s beauty, stand accused, who should
for what has been done wear garlands on my head.

Related Characters: Helen (speaker), Hecuba, Aphrodite, Hera, Athena, Priam, Paris, Menelaus
Page Number and Citation: 919
Explanation and Analysis:
After Menelaus has told Helen that he plans to kill her, she asks for a moment to speak in her own defense. She uses this opportunity to attempt to prove that she had little agency in the events that led to the Trojan War, and that she, like Menelaus, was merely swept along by fortune. Helen blames Hecuba for giving birth to Paris, and Paris for bewitching her. She blames the gods, specifically Aphrodite, for trading her to Paris. In Helen’s mind, or at least in Helen’s speech, she was given no choices, no agency. She was bandied about by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit be

My son was handsome beyond all other men.
You looked at him, and sense went Cyprian at the sight,
since Aphrodite is nothing but the human lust,
named rightly, since the world of lust begins the god’s name.
You saw him in the barbaric splendor of his robes,
gorgeous with gold. It made your senses itch. You thought,
being queen only in Argos, in little luxury,
that once you got rid of Sparta for the Phrygian city
where gold streamed everywhere, you could let extravagance
run wild. No longer were Menelaus and his house
sufficient for your spoiled luxurious appetites.
So much for that. You say my son took you away
by force. What Spartan heard you cry for help? You did
cry out? Or did you? Castor, your brother, was there, a young
man, and his twin not yet caught up among the stars.
Then when you had reached Troy, and the Argives at your heels
came, and the agony of the murderous spears began,
when the reports came in that Menelaus’ side
was winning, you would praise him, simply to make my son
unhappy at the strength of his love’s challenger,
forgetting your husband when the luck went back to Troy.
You worked hard: not to make yourself a better woman,
but to make sure always to be on the winning side.
You claim you tried to slip away with ropes let down
form the ramparts, and this proves you stayed against your will?
Perhaps. But when were you ever caught in the strangling noose,
or sharpening a dagger? Which any noble wife
would do, desperate with longing for her lord’s return.
Yet over and over again I gave you good advice:
“Make your escape, my daughter; there are other girls
for my sons to marry…Let the Greeks, and us,
stop fighting.”

Related Characters: Hecuba (speaker), Helen, Paris, Aphrodite, Menelaus
Page Number and Citation: 987
Explanation and Analysis:
When Menelaus and Helen are reunited outside the fallen city of Troy, Menelaus announces his plan to transport Helen back to Sparta and kill her. Helen is understandably opposed to this plan, and gives an impassioned speech on her own behalf. Meanwhile Hecuba, who has watched the reunion, gives her own speech to Menelaus, arguing that Helen deserves to die and outlining the ways in which she believes Helen betrayed her husband, country, and gender. Hecuba rebuts Helen’s argument point by point. Her biggest issue with Helen seems to be a sense that Helen is disloyal, and is motivated only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima

Line 1060-1332 Quotes

Achaeans! All your strength is in your spears, not in
the mind. What were you afraid of, that it made you kill
this child so savagely? That Troy, which fell, might be
raised from the ground once more? Your strength meant nothing, then.
When Hector’s spear was fortunate, and numberless
strong hands were there to help him, we were still destroyed.
Now when the city is fallen and the Phrygians slain,
this baby terrified you? I despise the fear
which is pure terror in a mind unreasoning.

Related Characters: Hecuba (speaker), Andromache, Astyanax, Talthybius, Hector
Page Number and Citation: 1158
Explanation and Analysis:
The Greeks have ordered Talthybius and his men to kill Andromache’s young son Astyanax. Andromache was forced to give up her child and a board a Greek ship as a slave, and so only Hecuba is left to deliver funeral rites to the toddler. As she prepares Astyanax’s body, Hecuba emphasizes how senseless and tragic his death is. This illustrates the horrible cost of war. Astyanax was a baby, and was in no way a direct threat to the Greek forces. Hecuba argues that a kind of reductive view of masculinity contributed to the death of her grandson. Although only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta.

What would the poet say,
what words might he inscribe upon your monument?
“Here lies a little child the Argives killed, because
they were afraid of him.” That? The epitaph of Greek shame.
You will not win your father’s heritage, except
for this, which is your coffin now: the brazen shield.
O shield, that guarded the strong shape of Hector’s arm:
the bravest man of all, who wore you once, is dead.
How sweet the impression of his body on your sling,
and at the true circle of your rim the stain of sweat
where in the grind of his many combats Hector leaned
his chin against you, and the drops fell from his brow!
Take up your work now; bring from what is left some fair
coverings to wrap this poor dead child. The gods will not
allow us much. But let him have what we can give.
That mortal is a fool who, prospering, thinks his life
has any strong foundation; since our fortune’s course
of action is the reeling way a madman takes,
and no one person is ever happy all the time.

Related Characters: Hecuba (speaker), Hector, Astyanax
Related Symbols: Hector’s Shield
Page Number and Citation: 1188
Explanation and Analysis:
After the Fall of Troy, a group of Greek soldiers decrees that Astyanax, who is Andromache’s son and Hecuba’s grandson, must die. Andromache is taken away on a Greek ship before she has the opportunity to deliver funeral rites to her child. Instead, Hecuba is left to bury her grandson. She delivers an elegy as she treats his wounds, which touches on the horror and unfairness of his murder. Hecuba concludes that Astyanax was killed because the Greeks saw him as a potential Trojan man, not as a harmless child. Unable to understand that he posed no true threat, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium e

The gods mean nothing except to make life hard for me,
and of all cities they chose Troy to hate. In vain
we sacrificed. And yet had not the very hand
of a god gripped and crushed this city deep in the ground,
we should have disappeared in darkness, and not given
a theme for music, and songs of men to come.
You may go now, and hide the dead in his poor tomb;
he has those flowers that are the right of the underworld.
I think it makes small difference to the dead, if they
are buried in the tokens of luxury. All that
is an empty glorification left for those who live.

Related Characters: Hecuba (speaker), Astyanax
Page Number and Citation: 1240
Explanation and Analysis:
By the end of the play, Hecuba has lost nearly everything. Not only is her husband dead and her city destroyed, but her daughters have been taken from her on enemy ships (and one of them murdered), and her one male heir, the infant Astyanax, has been killed by the Greek army. Hecuba emphatically believes that fortune is unpredictable, and that the gods are not watching over her. In fact, she believes they may actively be working against her to maximize her suffering. Although earlier in the play Hecuba argued that it is better to be alive than dead, because Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur e
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Hecuba Character Timeline in The Trojan Women

The timeline below shows where the character Hecuba appears in The Trojan Women. The colored dots and icons indicate which themes are associated with that appearance.
Line 1-97
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...claimed as slaves by the Greek men. He mentions Helen dismissively, but feels pity for Hecuba, who has lost many members of her family, including her daughter Polyxena and husband Priam—who... (full context)
Line 98-294
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Hecuba lies on the stage in despair. She slowly gets up and begins to speak. She... (full context)
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Hecuba begins to sing. The intended recipient is Helen, although she is not present. According to... (full context)
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Now, Hecuba is “an old, unhappy woman, like my city ruined and pitiful.” She blames Helen for... (full context)
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Hecuba sees herself as a mother hen, leading her chicks (the other women of Troy) in... (full context)
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Half of the Chorus enters the stage from the tent. They begin to sing with Hecuba, and the song becomes a call and response. The chorus asks Hecuba why she is... (full context)
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Hecuba hopes that Cassandra will not come to see her in this moment. Seeing her daughter,... (full context)
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The second half of the Chorus enters from the tent. They begin to sing with Hecuba as well. Hecuba, an old woman, wonders what will happen to her. She was once... (full context)
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...a group of soldiers, enters from offstage. Although he is a Greek herald, he and Hecuba know each other from earlier in the war and are friendly. Hecuba and the Chorus... (full context)
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Hecuba wonders where her daughter Cassandra will go. Talthybius says Agamemnon has claimed her as a... (full context)
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Hecuba hopes Cassandra will tear the sacred garlands of the gods off of her body in... (full context)
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Hecuba asks who has claimed her youngest daughter, Polyxena. Talthybius tells her Polyxena no longer feels... (full context)
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Hecuba is devastated to learn that Odysseus has claimed her for himself. She despises Odysseus, who... (full context)
Line 294-461
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...Hymen. She announces she feels blessed to “lie at a king’s side.” While her mother Hecuba cries over the loss of her husband and city, Cassandra will celebrate her “marriage” and... (full context)
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Cassandra implores Hecuba to dance with her. She calls out to the god Apollo, and to Hymen again.... (full context)
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The Chorus Leader asks Hecuba to stop Cassandra from dancing. Hecuba takes her torch away and gives it to the... (full context)
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Cassandra begins to see her own future, and narrates it to Hecuba. She predicts that as a wife she will be “more fatal than Helen ever was.”... (full context)
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...one’s home. She compares herself to warriors in her “marriage” to Agamemnon. She explains to Hecuba that only her enslavement will “bring to destruction those whom you and I have hated... (full context)
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Before she leaves, Cassandra delivers one final speech. She wonders why she predicted that Hecuba would die in Troy, when it seems as though Odysseus will take her to be... (full context)
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...take my mate.” In anticipation of her defilement, Cassandra takes off her holy jewelry, bids Hecuba goodbye, and promises her dead brothers and dead father that “I will be with you... (full context)
Line 461-567
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Hecuba collapses to the ground in tears. The Chorus Leader tries to help her, but Hecuba... (full context)
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Hecuba considers asking the gods for help, but realizes that they have allowed her to suffer... (full context)
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Hecuba’s own enslavement is just one additional indignity added to a pile of many. Still, it... (full context)
Line 568-797
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...wagon, piled with other spoils of war. The Chorus announces her arrival and calls to Hecuba to come see her daughter-in-law and her grandchild. (full context)
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Hecuba and Andromache begin to sing together, alternating phrases. Andromache announces that she will soon go... (full context)
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Andromache calls out to Hector, her dead husband and Hecuba’s son. Andromache wants to die and join him. She believes the people of Troy must... (full context)
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The two women stop singing and begin to speak. Hecuba says she sees the destruction of Troy as “the work of gods who pile tower-high... (full context)
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Andromache reveals that Hecuba has lost another daughter; Polyxena was killed to “pleasure dead Achilles’ corpse.” Hecuba, who had... (full context)
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Hecuba begins to mourn Polyxena. Andromache tries to comfort her. Andromache saw Polyxena die, and was... (full context)
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...will be nothing like the love she felt for her husband. Andromache then turns to Hecuba. She argues that her fate, which binds her to Neoptolemus, is worse than Polyxena’s. She... (full context)
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Hecuba describes her own suffering through metaphor. As she grapples with an onslaught of woe, she... (full context)
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Hecuba advises Andromache to serve her master well, and to make him love her as protection.... (full context)
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...too much pity, too much shame to kill a child. He exits after the guards. Hecuba begins to chant. She wonders what suffering could possibly be left for her and the... (full context)
Line 860-1059
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Hecuba, who has remained onstage watching Menelaus’s speech, takes a moment to invoke the gods. She... (full context)
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...kill her. Helen asks if she’ll be allowed to make an argument for her life. Hecuba presses Menelaus to at least listen to Helen, although she also wants Helen dead. Menelaus... (full context)
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...She argues based on points she anticipates Menelaus will use against her. First, she accuses Hecuba, the mother of Paris, as being to blame for the conflict. Then she blames Paris... (full context)
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The Chorus Leader, having listened to Helen’s defense, implores Hecuba to “break down the beguilement” of this well-spoken but wicked woman. (full context)
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Hecuba begins her rebuttal by defending the gods. She is skeptical that Hera and Athena were... (full context)
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Hecuba also attacks Helen’s claim that she was taken by force. She wonders if any Spartans... (full context)
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Furthermore, Hecuba argues that if Helen really wanted to escape she would have tried to kill herself,... (full context)
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Hecuba feels that Helen should at least seem repentant, and believes she retains her “old impudence,”... (full context)
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Menelaus agrees with Hecuba’s assessment of Helen and her story. He thinks her talk of Aphrodite is “for pure... (full context)
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Hecuba urges Menelaus to think of his fallen friends and soldiers. She also tells him, if... (full context)
Line 1060-1332
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...city, accompanied by Greek soldiers. They carry Astyanax’s lifeless body on Hector’s shield. Talthybius tells Hecuba that the ships have been leaving. Neoptolemus left with Andromache, who was unable to bury... (full context)
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Talthybius urges Hecuba to hurry, but promises to give her the time she needs. He has already cleaned... (full context)
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Hecuba wonders why the Greek army found it necessary to kill a child. Were they afraid... (full context)
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Hecuba remembers when Astyanax was alive, and how he would jump on her bed and promise... (full context)
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The Chorus begins to sing in conversation with Hecuba, who continues to speak. Hecuba drapes Astyanax in a robe, which she notes that he... (full context)
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Hecuba feels that the gods have joined together to ruin her life. She believes Troy’s destruction... (full context)
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...of Troy. When the trumpet calls, it is their signal to board the Greek ships. Hecuba unhappily prepares to leave. She reflects on how Troy, once so powerful, will have its... (full context)
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Hecuba wonders if she should call out to the gods. She reflects that she had asked... (full context)
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Hecuba and the Chorus sing together as the city burns behind them. Hecuba wonders if Zeus... (full context)
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Hecuba and the Chorus describe the flames and smoke of the burning city, pausing when they... (full context)