LitCharts assigns a color and icon to each theme in The Turning, which you can use to track the themes throughout the work.
Trauma and Memory
Family, Violence, and Love
Addiction
Belonging and Escape
Regret and Forgiveness
Summary
Analysis
The Lang family arrive at their destination, White Point, after dark and much later than planned, in a state of tension. Vic is frustrated with both his domineering grandmother, Nanna, and his Uncle Ernie, who he blames for their lateness. A flashback shows that when Vic’s family and Nanna arrived at Ernie’s to leave for their trip, they found Vic’s cousins waiting outside while Ernie and his wife Cleo fought. Vic is not fond of his extended family, describing Ernie’s daughters as his wobbegong cousins. Despite Ernie making them late with both his domestic squabbles and, later, reckless driving, Nanna will not let anyone criticize him; Ernie is her favored son, and she refuses to hear him spoken ill of.
The narrative immediately establishes the Langs as a family in conflict, and their behavior foreshadows a difficult vacation together. The story portrays Vic as the odd one out in his family, or at least his extended family. The family’s conflict clearly has deep roots, stemming from repeated behavior rather than a single incident, with grievances building up over time.
Active
Themes
Having arrived at White Point, the Langs set up their tents and campground along the beach, and Vic drifts off to sleep. When he wakes up, Vic’s father and Ernie are already preparing craypots; Vic goes out with them in the dinghy to set the traps offshore, though Ernie’s steering of the dinghy is as careless as his driving. Feeling alienated from his family, Vic wishes he had been able to bring a friend with him on this trip, as they are celebrating the new year, 1973. Back on shore, Vic observes Ernie and Cleo, whose real name is actually Cloris, and how different they are from his parents. While Ernie is “a live wire,” Vic’s father, a policeman, plays the role of the responsible brother and frequently cleans up after him, even doing his job delivering milk for him.
The story further underscores Vic’s sense of not belonging as it provides context for the Lang family’s trip. The beach on which the family sets up camp anchors a number of “turnings” to come: most obviously the new year, but also Vic’s adolescence.
Active
Themes
Vic leaves the others to surf, walking far away down the beach. Not a particularly good surfer, he is unembarrassed to be struggling alone until he sees someone is watching him from the shore. Waiting for them to leave, Vic does not see large waves behind him, and is knocked down and thrown up on the beach. The stranger, an attractive, slightly older girl (Melanie), is amused, but apologizes for surprising him. She asks to use his surfboard, which he allows, and also struggles to surf. As they talk, Vic reveals his family recently moved to Angelus from the city. He then notices that she is missing a finger, which she reveals she lost in a hay baler accident; she goes to boarding school on a farm.
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Active
Themes
Vic asks the girl if her accident hurt, and she replies that it did, but pain is what makes an event important. She then abruptly pinches his ear, hard, and then kisses him, telling him he will not forget his first real kiss now. As they keep talking, she refers to her missing finger as her “abbreviation,” and reveals her conflict with her parents. Her name is Melanie, and she is staying nearby with her family, who are carefully listening to the weather reports as the harvest may be imminent, at which point they will leave. They part ways, Vic filled with both excitement and disappointment.
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Later that day, Vic fishes with Vic’s father and Uncle Ernie. That evening, they light a bonfire and the family eats and drinks together. Vic goes to look for more firewood, sees Melanie’s family’s bonfire, and goes to take a look unobserved. Melanie surprises him once more, sneaking up behind him. As they walk on the beach together she asks him to cheer her up, and he tells her about his family. Melanie has a bottle of cheap alcohol, which they drink together, but her melancholic mood does not dissipate; she is going back to the farm for several months before school. They kiss again, both on the lips and on her hand and missing finger, but as Vic touches her, Melanie begins to cry.
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Vic returns to his family’s bonfire at midnight, where the celebrations are ongoing. No one asks where he has been. Eventually they all sleep, but Vic is woken up by the sounds of Ernie and Cleo loudly having sex nearby. Vic listens, full of both longing for Melanie and confusion, unable to understand her sadness.
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Vic’s father wakes Vic up first thing in the morning, and they go out with Ernie to draw in their craypots. The first pot has a full catch and they begin to celebrate, but suddenly realize a large wave is bearing down on them. The dinghy is rocked but does not capsize, but the next wave is even larger. Ernie ignores Vic’s father’s instructions and steers the boat the wrong way, and the wave picks them up into the surf; for a moment the boat rides the wave like a surfboard, but then is abruptly flipped over. Vic finds himself stuck underneath, with a fishhook in his leg. With difficulty, his father and Ernie, who has lost his shorts and is now naked, flip their dinghy back over and row back to shore, the motor no longer working.
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Back on the shore, Vic’s family extract the fishhook from his leg, painfully. As they remove it, Vic thinks of Melanie, and afterwards set off to give her the extracted hook. When he reaches her family’s campsite, however, it is clear they have already departed for the harvest, with only empty bottles and cans and the remains of a bonfire left. Vic looks at the hook in his hand and out to sea, trying to observe the change in the weather that would have prompted their departure, but he can only see clear, empty sky, and he feels empty, too.
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