The Turning

The Turning

by

Tim Winton

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Family, Violence, and Love Theme Analysis

Themes and Colors
Trauma and Memory Theme Icon
Family, Violence, and Love Theme Icon
Addiction Theme Icon
Belonging and Escape Theme Icon
Regret and Forgiveness Theme Icon
LitCharts assigns a color and icon to each theme in The Turning, which you can use to track the themes throughout the work.
Family, Violence, and Love Theme Icon

Many of the stories in The Turning feature or are connected by families. Winton depicts not only a great variety of family structures and habits, but a wide spectrum of healthy and toxic relationships within these families. Frequently, the more broken families are shaped by violence, whether domestic or outside the home. In focusing on the tension between familial love and familial violence, Winton shows how the family, as a basic unit of society, is not free of the dysfunctions around it and often recreates or even models them, while still providing avenues for healing, too.

The most common expression of familial violence in The Turning is abandonment. Many of the characters’ fathers (and, less commonly, mothers) leave them, running away for one reason or another. Still more have parents who are physically present but detached. These forms of neglect inflict a kind of psychic injury on the children, leaving them with lasting trauma which often metastasizes. Max, for example, blames Frank for their mother leaving them—an unreasonable, cruel response, to be sure—and in persecuting him, he hurts Frank for something Frank not only did not do, but is also a victim of himself. As the case of Max shows, the long-term effects of family disintegration can be much more harmful than just absence, spilling over into physical abuse: as an adult, Max beats his wife Raelene viciously. This is not entirely the result of his childhood family life, of course—Max also takes out his shame and resentment, stemming from his lack of career success, on Raelene—but they are inextricably connected. At the same time, many of the book’s moments of reconciliation and understanding emerge from positive engagement within the family. While seeing his father Bob again does not free Vic of his anger, it is a necessary step in that direction, and an important reminder that despite his grievances, he can still feel—and express—love for him.

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Family, Violence, and Love ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Family, Violence, and Love appears in each chapter of The Turning. Click or tap on any chapter to read its Summary & Analysis.
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Family, Violence, and Love Quotes in The Turning

Below you will find the important quotes in The Turning related to the theme of Family, Violence, and Love.
Big World Quotes

Right then I can’t imagine and end to the quiet. The horizon fades. Everything looks impossibly far off. In two hours I’ll hear Biggie and Meg in his sleeping bag and she’ll cry out like a bird and become so beautiful, so desirable in the total dark that I’ll begin to cry. In a week Biggie and Meg will blow me off in Broome and I’ll be on the bus south for a second chance at the exams. In a year Biggie will be dead in a mining accident in the Pilbara and I’ll be reading Robert Louis Stevenson at his funeral while his relatives shuffle and mutter with contempt. Meg won’t show. I’ll grow up and have a family of my own and see Briony Nevis, tired and lined in a supermarket queue, and wonder what all the fuss was about. And one night I’ll turn on the TV to discover the fact that Tony Macoli, the little man with the nose that could sniff round corners, is Australia’s richest merchant banker. All of it is unimaginable.

Related Characters: The Narrator of “Big World” (speaker), Biggie, Tony Macoli, Briony Nevis, Meg
Related Symbols: The Open Sky
Page Number: 14-15
Explanation and Analysis:
Damaged Goods Quotes

I suppose the sources of obsession are at once mundane and mysterious. If it wasn’t for my sister’s own fixation I’d be less forgiving about Vic and the weight of his past. I wouldn’t understand at all. I’d be long gone.

Related Characters: Vic’s Wife (Gail) (speaker), Vic Lang
Page Number: 56
Explanation and Analysis:

I’m ten years younger than Vic. I was brought up in the suburbs. So much of his youth seems to have taken place in an altogether different country – the teenage pregnancies, the roll-call of who died or went to jail before they reached majority – and the soundtrack of his youth is different from mine, but we do share a sense of having lived under siege. We each knew about the transmission of fear, and the fatigue associated with living in a circumscribed world. For me it was the church and for him the town, and for both of us the weird culture of family. When Vic and I met we were emerging from lives of vigilance and I think we liberated each other. Which is why I don’t give up on him. We’re part of each other’s survival. But it’s gone awry since his parents died. He’s frozen over, shut down.

Related Characters: Vic’s Wife (Gail) (speaker), Vic Lang
Page Number: 62-63
Explanation and Analysis:
Small Mercies Quotes

On all fours, dripping and panting until he began to sob and cause people to step around him in consternation, he knew that things were wrong, that he had to make a change. Everything here was tainted now. Continuing to pretend otherwise was simply and finally beyond him.

Related Characters: Peter Dyson, Sophie, Ricky
Page Number: 71
Explanation and Analysis:
On Her Knees Quotes

My mother had a kind of stiff-necked working class pride. After the old man bolted she became a stickler for order. She believed in hygiene, insisted upon rigour. She was discreet and deadly honest, and those lofty standards, that very rigidity, set her apart. Carol Lang went through a house like a dose of salts. She earned a reputation in the riverside suburbs where, in time, she became the domestic benchmark. She probably cleaned the houses of some of my wealthy classmates without any of us being the wiser.

Related Characters: Vic Lang (speaker), Vic’s Father (Bob Lang), Vic’s Mother (Carol Lang), Vic’s Wife (Gail)
Page Number: 102
Explanation and Analysis:
Cockleshell Quotes

Brakey has the rest of his life to remember Agnes Larwood and the hunger he had for her those weeks the year he turned fifteen. He’ll live to see Cockleshell disappear altogether and the luxury estate, Spinnaker Waters, take its place. Until she dies, his poor lonely mother will punctuate all talk of human affairs with the tart summation that they all leave in you in the end. Yet he often wonders about Eric Larwood, the man who wouldn’t leave. They dragged the charred shell of him out on a vinyl sheet. Agnes and her family bedded down one last time at Brakey’s place but nobody slept. Next day the Welfare people came and they were never seen in town again.

Related Characters: Brakey, Agnes Larwood, Brakey’s Mother, Eric Larwood, Agnes’s Mother
Page Number: 130-131
Explanation and Analysis:
The Turning Quotes

She was tired, yet it wasn’t ordinary fatigue. It was a deeper exhaustion. She was sick of herself, appalled at what she’d been thinking only minutes ago, ashamed of what she was, a mother who didn’t much care. Maybe someone like her didn’t deserve better than Max. She didn’t love him at all. But she was too scared to leave him, and not just because she was afraid of what he’d do to her or the girls if she did. No, she was really more frightened of being alone.

Related Characters: Max, Raelene, Raelene’s Daughters
Related Symbols: The Beach, The Open Sky
Page Number: 145-146
Explanation and Analysis:

In the spill of light at the bedside she saw the little dome and her man upon the waves. She said his name, too, said it aloud with love enough to send a shudder through Max as he pushed her down. She knew she was safe from him now, not safe from tonight but gone from him altogether. He smelt of death already, of burning, of bile and acid. He was crying and she did not pity him. He was gone and it didn’t matter when. Everything was new. In her dome it snowed birds as the van rocked, birds like stars. The moment Max speared into her and tore open her insides she was full of hot and certain feeling. She was free. She had already outlived him.

Related Characters: Max, Raelene
Page Number: 160-161
Explanation and Analysis:
Sand Quotes

His brother rolled over. A fat red moon emerged from behind the highest, farthest dune. Frank felt sand in his shorts. His undies sagged, full and bulky with it, the way they were the day he pooped his pants at school. He remembered the way he had to wide-leg it to the toilets. With all the kids laughing. And how he locked himself inside to wait for his mother. How Max came in and said he’d kill him if he didn’t stop bawling and clean himself up. You’re adopted, he said, they found you on the tip, in a kennel. The day went on forever and their mother never came.

Related Characters: Frank (Leaper), Max
Related Symbols: The Beach, The Open Sky
Page Number: 167
Explanation and Analysis:
Family Quotes

It was you, said Leaper.

Max said nothing.

You, he thought. When the grass suddenly went hard underfoot, and the ball forever out of reach, it was you lurking at the back of my mind. That’s what fucked it, that’s why I started to care. There you were, bro. Just the thought of you was a weight in my legs, and the more I cared the worse it was.

Related Characters: Frank (Leaper) (speaker), Max
Page Number: 187
Explanation and Analysis:

A bigger wave came upon them. Before Leaper could surrender to it he had to earn it. He kicked so hard he felt poison in his legs. But he got them the wave. Max’s head was loose on his neck.

They bellied down the long, smooth face and beneath them the reef flickered all motley and dappled, weaves of current and colour and darting things that were buried with Max and him as a thundering cloud of whitewater overtook them. The blast of water ripped through Leaper’s hair and pounded in his ears. The reef was all over him but he held fast to his brother, hugging him to the board, hanging on with all the strength left in his fingers, for as long as he could, and for longer than he should have.

Related Characters: Frank (Leaper), Max
Related Symbols: The Beach
Page Number: 187-188
Explanation and Analysis:
Long, Clear View Quotes

You can’t leave the window. You’re not sure what to look for but you know you have to be ready. From here you have a long, clear view. Responsibility is on you now, formless and implacable as gravity. You’re just waiting for them to make a move. Let them. Yes, let them try.

The stock of the weapon warms your cheek, keeps you steady. You can’t look at the bed for fear that you’ll lie down and sleep. You can do this. You can hold out for as long as it takes to have everyone home safe, returned to themselves and how things used to be. You cock you weapon.

Related Characters: Vic Lang (speaker), Vic’s Father (Bob Lang) (speaker)
Page Number: 204
Explanation and Analysis:
Commission Quotes

I felt strangely short of breath and when I followed him indoors. I was unprepared for how strongly the shack smelled of him. It was not an unpleasant odour, that mix of shaving soap, leathery skin and sweat, but the sudden familiarity of it overwhelmed me. It was the scent of a lost time, how my father smelled before the funk of antacids and the peppermints that never quite hid the stink of booze. I nearly fell into the wooden chair he pulled out for me. While he stoked up the old Metters stove and set the blackened kettle on it I tried to compose myself.

Related Characters: Vic Lang (speaker), Vic’s Father (Bob Lang)
Page Number: 223
Explanation and Analysis:

Once upon a time it had been true. Honest Bob. He was straight as a die and what you saw was what you got. I believed in him. He was Godlike. His fall from grace was so slow as to be imperceptible, a long puzzling decline. Even during that time he was never rough or deliberately unkind. If he had been it would have been easier to shut off from him. He just disappeared by degrees before our eyes, subsiding into a secret disillusionment I never understood, hiding the drink from my mother who, when she discovered it, hid it from me in turn for fear I would lose respect for him. She turned herself inside out to protect him and then me. And at such cost. All for nothing. He ran away. Left us. I grew up in a hurry.

Related Characters: Vic Lang (speaker), Vic’s Father (Bob Lang), Vic’s Mother (Carol Lang)
Page Number: 225
Explanation and Analysis:
Fog Quotes

No, he decided. He’d say nothing. It was what he was best at now. When you’ve lost your pride there’s nothing left to say.

He lay there to wait it out. At the first break in the fog he’d take the camera up the rock and set the flash off at regular intervals. Eventually he’d guide the vollies up to where he was. It’d come out alright. They wouldn’t freeze to death. The girl, Marie, would forget her blubbering fear because she’d get her rescue piece on the front page. She’d have her victim, her ordeal, her stoic hero. It’d be a great story, a triumph, and none of it would be true.

Related Characters: Vic Lang, Vic’s Father (Bob Lang), The Missing Climber, The Journalist (Marie)
Related Symbols: The Open Sky
Page Number: 249
Explanation and Analysis:
Defender Quotes

Do you realize that every vivid experience in your life comes from your adolescence? You should hear yourself talk. You’re trapped in it Nothing you do now holds your attention like the past. Not me, not even your work, these days. I feel like I’m getting less real to you by the day, that I’m just part of some long, faded epilogue to your real life. Last year I put up with it. It was lonely, Vic, but now it’s worse. Shingles, twice in two months. That’s a physical breakdown. How long before you cave in altogether?

Related Characters: Vic’s Wife (Gail) (speaker), Vic Lang, Fenn, Daisy
Page Number: 302
Explanation and Analysis:

The neuralgia rattled him. It was usually the precursor to a relapse. And, God, he didn’t want to return to how he was at Christmas – the searing headaches, the blisters. Gail was right to be afraid. It frightened him too, this total collapse, because he felt his mind teetering t its limit. He’d been this close before but he’d never told her. At this great distance he could still see himself, the boy behind the curtain, cradling death in his arms. He was forty-four years old but he felt just as helpless. He knew what the boy didn’t, that you couldn’t keep soldiering on indefinitely. But beyond that, even at this age, he still didn’t know the first thing about saving himself.

Related Characters: Vic Lang, Vic’s Wife (Gail)
Page Number: 308-309
Explanation and Analysis:

Pull!

He led but did not fire. He thought of the boy lurking behind the curtain. The skeet hummed off into the twilight. It was important to know he could resist the urge.

Again? Called Fenn.

Yeah, said Vic. Pull.

He hit both targets and felt his face crease into a smile that tested every scab. This was different. It was strangely untroubling in its pointlessness. Fenn was right. Nothing got hurt.

He stood there firing until Keira went inside and the smell of roasting lamb wafted across the grass. He blasted away, pull after pull after pull, until he was covered in sweat and they were out of ammo and he realized that darkness had fallen around him and he was happy.

Related Characters: Vic Lang (speaker), Fenn (speaker), Vic’s Wife (Gail), Keira
Related Symbols: The Open Sky
Page Number: 317
Explanation and Analysis: