The Turning

The Turning

by

Tim Winton

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Regret and Forgiveness Theme Analysis

Themes and Colors
Trauma and Memory Theme Icon
Family, Violence, and Love Theme Icon
Addiction Theme Icon
Belonging and Escape Theme Icon
Regret and Forgiveness Theme Icon
LitCharts assigns a color and icon to each theme in The Turning, which you can use to track the themes throughout the work.
Regret and Forgiveness Theme Icon

As the characters of The Turning look back at their lives, many of them feel regret, shame, and disappointment in their actions or the actions of those around them. Some characters are consumed by the past, thinking about and reliving it all the time. Others have repressed their memories so effectively that it takes a major disruption to their routine to reveal the trauma that has been haunting them. In all of these situations, however, Winton argues that it is not enough to realize what one has done or seen and regret it. Rather, to truly overcome the pain of the past, a person has to learn to forgive both themselves and the people around them.

It is precisely this struggle that defines the difficulties in Vic and Gail’s marriage. Vic is self-aware enough to live deep in regret but struggles to bring himself to forgive. He can forgive his mother, and perhaps even his father—but he cannot forgive himself, as his obsessive memory of the Aboriginal boy he played basketball with, which he reveals to Gail in “Defender,” demonstrates. This dynamic is equally definitive for Frank and Max, though Winton leaves ambiguous what the outcome of their reunion is, both literally and for Frank’s psyche. Similarly, Brakey’s regrets regarding Agnes Larwood are something he is never able to let go of, adversely impacting his relationships with other women and causing him to live in fear of accidentally encountering her on the street. Jackie, on the other hand, ultimately does bring herself to forgive Boner McPharlin after his death, even though doing so demands a painful reexamination of what set him on the path that he took later in life. Moreover, Winton emphasizes throughout that overcoming regret through forgiveness is not a single action or moment, but a process—sometimes a very slow and difficult one—in which there is always still hope, as the book’s optimistic conclusion for Vic shows.

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Regret and Forgiveness ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Regret and Forgiveness appears in each chapter of The Turning. Click or tap on any chapter to read its Summary & Analysis.
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Regret and Forgiveness Quotes in The Turning

Below you will find the important quotes in The Turning related to the theme of Regret and Forgiveness.
Big World Quotes

After five years of high school the final November arrives and leaves as suddenly as a spring storm. Exams. Graduation. Huge beach parties. Biggie and me, we’re feverish with anticipation; we steel ourselves for a season of pandemonium. But after the initial celebrations, nothing really happens, not even summer itself. Week after week an endless drizzle wafts in from the sea. It beads in our hair and hangs from the tips of our noses while we trudge around town in the vain hope of scaring up some action. The southern sky presses down and the beaches and bays turn the colour of dirty tin. Somehow our crappy Saturday job at the meatworks becomes full-time and then Christmas comes and so do the dreaded exam results. The news is not good.

Related Characters: The Narrator of “Big World” (speaker), Biggie
Related Symbols: The Beach, The Open Sky
Page Number: 1
Explanation and Analysis:

Right then I can’t imagine and end to the quiet. The horizon fades. Everything looks impossibly far off. In two hours I’ll hear Biggie and Meg in his sleeping bag and she’ll cry out like a bird and become so beautiful, so desirable in the total dark that I’ll begin to cry. In a week Biggie and Meg will blow me off in Broome and I’ll be on the bus south for a second chance at the exams. In a year Biggie will be dead in a mining accident in the Pilbara and I’ll be reading Robert Louis Stevenson at his funeral while his relatives shuffle and mutter with contempt. Meg won’t show. I’ll grow up and have a family of my own and see Briony Nevis, tired and lined in a supermarket queue, and wonder what all the fuss was about. And one night I’ll turn on the TV to discover the fact that Tony Macoli, the little man with the nose that could sniff round corners, is Australia’s richest merchant banker. All of it is unimaginable.

Related Characters: The Narrator of “Big World” (speaker), Biggie, Tony Macoli, Briony Nevis, Meg
Related Symbols: The Open Sky
Page Number: 14-15
Explanation and Analysis:
Aquifer Quotes

From one summer to the next water restrictions grew more drastic and people in our neighborhood began to sink bores to get water. The Englishman next door was the first and then everyone drilled and I thought of Alan Mannering raining silently down upon the lawns of our street. I thought of him in lettuce and tomatoes, on our roses. Like blood and bone. I considered him bearing mosquito larvae – even being in mosquito larvae.

Related Characters: The Narrator of “Aquifer” (speaker), Alan Mannering
Page Number: 48-49
Explanation and Analysis:

I was right to doubt the 1194 man on the telephone. Time doesn’t click on and on at the stroke. It comes and goes in waves and folds like water; it flutters and sifts like dust, rises, billows, falls back on itself. When a wave breaks, the water is not moving. The swell has travelled great distances but only the energy is moving, not the water. Perhaps time moves through us and not us through it. Seeing the Joneses out on the street, the only people I recognized from the old days, just confirmed what I’ve thought since Alan Mannering circled me as his own, pointed me out with his jagged paling and left, that the past is in us, and not behind us. Things are never over.

Related Characters: The Narrator of “Aquifer” (speaker), Alan Mannering
Page Number: 52-53
Explanation and Analysis:
Damaged Goods Quotes

I suppose the sources of obsession are at once mundane and mysterious. If it wasn’t for my sister’s own fixation I’d be less forgiving about Vic and the weight of his past. I wouldn’t understand at all. I’d be long gone.

Related Characters: Vic’s Wife (Gail) (speaker), Vic Lang
Page Number: 56
Explanation and Analysis:

I’m ten years younger than Vic. I was brought up in the suburbs. So much of his youth seems to have taken place in an altogether different country – the teenage pregnancies, the roll-call of who died or went to jail before they reached majority – and the soundtrack of his youth is different from mine, but we do share a sense of having lived under siege. We each knew about the transmission of fear, and the fatigue associated with living in a circumscribed world. For me it was the church and for him the town, and for both of us the weird culture of family. When Vic and I met we were emerging from lives of vigilance and I think we liberated each other. Which is why I don’t give up on him. We’re part of each other’s survival. But it’s gone awry since his parents died. He’s frozen over, shut down.

Related Characters: Vic’s Wife (Gail) (speaker), Vic Lang
Page Number: 62-63
Explanation and Analysis:
Small Mercies Quotes

On all fours, dripping and panting until he began to sob and cause people to step around him in consternation, he knew that things were wrong, that he had to make a change. Everything here was tainted now. Continuing to pretend otherwise was simply and finally beyond him.

Related Characters: Peter Dyson, Sophie, Ricky
Page Number: 71
Explanation and Analysis:
Cockleshell Quotes

Brakey has the rest of his life to remember Agnes Larwood and the hunger he had for her those weeks the year he turned fifteen. He’ll live to see Cockleshell disappear altogether and the luxury estate, Spinnaker Waters, take its place. Until she dies, his poor lonely mother will punctuate all talk of human affairs with the tart summation that they all leave in you in the end. Yet he often wonders about Eric Larwood, the man who wouldn’t leave. They dragged the charred shell of him out on a vinyl sheet. Agnes and her family bedded down one last time at Brakey’s place but nobody slept. Next day the Welfare people came and they were never seen in town again.

Related Characters: Brakey, Agnes Larwood, Brakey’s Mother, Eric Larwood, Agnes’s Mother
Page Number: 130-131
Explanation and Analysis:
The Turning Quotes

She was tired, yet it wasn’t ordinary fatigue. It was a deeper exhaustion. She was sick of herself, appalled at what she’d been thinking only minutes ago, ashamed of what she was, a mother who didn’t much care. Maybe someone like her didn’t deserve better than Max. She didn’t love him at all. But she was too scared to leave him, and not just because she was afraid of what he’d do to her or the girls if she did. No, she was really more frightened of being alone.

Related Characters: Max, Raelene, Raelene’s Daughters
Related Symbols: The Beach, The Open Sky
Page Number: 145-146
Explanation and Analysis:

In the spill of light at the bedside she saw the little dome and her man upon the waves. She said his name, too, said it aloud with love enough to send a shudder through Max as he pushed her down. She knew she was safe from him now, not safe from tonight but gone from him altogether. He smelt of death already, of burning, of bile and acid. He was crying and she did not pity him. He was gone and it didn’t matter when. Everything was new. In her dome it snowed birds as the van rocked, birds like stars. The moment Max speared into her and tore open her insides she was full of hot and certain feeling. She was free. She had already outlived him.

Related Characters: Max, Raelene
Page Number: 160-161
Explanation and Analysis:
Family Quotes

It was you, said Leaper.

Max said nothing.

You, he thought. When the grass suddenly went hard underfoot, and the ball forever out of reach, it was you lurking at the back of my mind. That’s what fucked it, that’s why I started to care. There you were, bro. Just the thought of you was a weight in my legs, and the more I cared the worse it was.

Related Characters: Frank (Leaper) (speaker), Max
Page Number: 187
Explanation and Analysis:

A bigger wave came upon them. Before Leaper could surrender to it he had to earn it. He kicked so hard he felt poison in his legs. But he got them the wave. Max’s head was loose on his neck.

They bellied down the long, smooth face and beneath them the reef flickered all motley and dappled, weaves of current and colour and darting things that were buried with Max and him as a thundering cloud of whitewater overtook them. The blast of water ripped through Leaper’s hair and pounded in his ears. The reef was all over him but he held fast to his brother, hugging him to the board, hanging on with all the strength left in his fingers, for as long as he could, and for longer than he should have.

Related Characters: Frank (Leaper), Max
Related Symbols: The Beach
Page Number: 187-188
Explanation and Analysis:
Commission Quotes

Once upon a time it had been true. Honest Bob. He was straight as a die and what you saw was what you got. I believed in him. He was Godlike. His fall from grace was so slow as to be imperceptible, a long puzzling decline. Even during that time he was never rough or deliberately unkind. If he had been it would have been easier to shut off from him. He just disappeared by degrees before our eyes, subsiding into a secret disillusionment I never understood, hiding the drink from my mother who, when she discovered it, hid it from me in turn for fear I would lose respect for him. She turned herself inside out to protect him and then me. And at such cost. All for nothing. He ran away. Left us. I grew up in a hurry.

Related Characters: Vic Lang (speaker), Vic’s Father (Bob Lang), Vic’s Mother (Carol Lang)
Page Number: 225
Explanation and Analysis:

Drugs, I spose. Never really understood it. Just that he’d fallen foul of em. And any question, any witness account died on the vine, didn’t matter who it came to. Felt like, whatever was going on I was the only bloke not in on it. And the city blokes were in on it; it was bigger than that little town, that’s for sure. So who do you talk to? Even if you’ve got the balls, who can you trust? It ate me alive. Ulcers, everything. I should have quit but I didn’t even have the courage to do that. Would have saved us all a lot of pain. But it’s all I ever wanted to do, you see, be a cop. And I hung on till there was nothing left of me, nothing left of any of us. Cowardice, it’s a way of life. It’s not natural, you learn it.

Related Characters: Vic’s Father (Bob Lang) (speaker), Vic Lang, Boner McPharlin (The Boy in the Sheepskin Jacket), The Detectives, Jackie
Page Number: 230-231
Explanation and Analysis:
Fog Quotes

No, he decided. He’d say nothing. It was what he was best at now. When you’ve lost your pride there’s nothing left to say.

He lay there to wait it out. At the first break in the fog he’d take the camera up the rock and set the flash off at regular intervals. Eventually he’d guide the vollies up to where he was. It’d come out alright. They wouldn’t freeze to death. The girl, Marie, would forget her blubbering fear because she’d get her rescue piece on the front page. She’d have her victim, her ordeal, her stoic hero. It’d be a great story, a triumph, and none of it would be true.

Related Characters: Vic Lang, Vic’s Father (Bob Lang), The Missing Climber, The Journalist (Marie)
Related Symbols: The Open Sky
Page Number: 249
Explanation and Analysis:
Boner McPharlin’s Moll Quotes

All I knew was this, that I hadn’t been Boner’s friend at all. Hadn’t been for years. A friend paid attention, showed a modicum of curiosity, made a bit of an effort. A friend didn’t believe the worst without checking. A friend didn’t keep her eyes shut and walk away. Just the outline now, but I was beginning to see.

They’d turned me. They played with me, set me against him to isolate him completely. Boner was their creature. All that driving, the silence, the leeway, it had to be drugs. He was driving their smack. Or something. Whatever it was he was their creature and they broke him.

I sat in the car beneath the lighthouse and thought of how I’d looked on and seen nothing. I was no different to my parents. Yet I always believed I’d come so far, surpassed so much. At fifteen I would have annihilated myself for love, but over the years something had happened, something I hadn’t bothered to notice, as though in all that leaving, in the rush to outgrow the small-town girl I was, I’d left more of myself behind than the journey required.

Related Characters: Jackie (speaker), Boner McPharlin (The Boy in the Sheepskin Jacket), The Detectives
Page Number: 292
Explanation and Analysis:
Defender Quotes

Do you realize that every vivid experience in your life comes from your adolescence? You should hear yourself talk. You’re trapped in it Nothing you do now holds your attention like the past. Not me, not even your work, these days. I feel like I’m getting less real to you by the day, that I’m just part of some long, faded epilogue to your real life. Last year I put up with it. It was lonely, Vic, but now it’s worse. Shingles, twice in two months. That’s a physical breakdown. How long before you cave in altogether?

Related Characters: Vic’s Wife (Gail) (speaker), Vic Lang, Fenn, Daisy
Page Number: 302
Explanation and Analysis:

The neuralgia rattled him. It was usually the precursor to a relapse. And, God, he didn’t want to return to how he was at Christmas – the searing headaches, the blisters. Gail was right to be afraid. It frightened him too, this total collapse, because he felt his mind teetering t its limit. He’d been this close before but he’d never told her. At this great distance he could still see himself, the boy behind the curtain, cradling death in his arms. He was forty-four years old but he felt just as helpless. He knew what the boy didn’t, that you couldn’t keep soldiering on indefinitely. But beyond that, even at this age, he still didn’t know the first thing about saving himself.

Related Characters: Vic Lang, Vic’s Wife (Gail)
Page Number: 308-309
Explanation and Analysis:

Pull!

He led but did not fire. He thought of the boy lurking behind the curtain. The skeet hummed off into the twilight. It was important to know he could resist the urge.

Again? Called Fenn.

Yeah, said Vic. Pull.

He hit both targets and felt his face crease into a smile that tested every scab. This was different. It was strangely untroubling in its pointlessness. Fenn was right. Nothing got hurt.

He stood there firing until Keira went inside and the smell of roasting lamb wafted across the grass. He blasted away, pull after pull after pull, until he was covered in sweat and they were out of ammo and he realized that darkness had fallen around him and he was happy.

Related Characters: Vic Lang (speaker), Fenn (speaker), Vic’s Wife (Gail), Keira
Related Symbols: The Open Sky
Page Number: 317
Explanation and Analysis: