Tomas’s son. Tomas abandons Simon when he is just an infant and leaves him with his mother, a staunch Communist. Once Simon is old enough, he moves out of his mother’s house, leaving both her and the regime. Rebelling against his mother and against Communism, Simon becomes a devout Christian, which is exceedingly rare in the state atheism of the Communist regime. Simon spends most of his adult life trying to reconnect with his father, and after Tomas writes an article, disavowing Czech Communists, Simon and the editor try to get Tomas to sign a petition seeking to grant amnesty to political prisoners. Tomas refuses to sign, and he doesn’t hear from Simon for a long time, until Simon begins sending him letters. Simon longs for the “imaginary eyes” of his father to look at him, and after Tomas’s death, Simon sends letters to Sabina instead so there is still a set of imaginary eyes looking at him. After Tomas’s death, Simon rushes to make his funeral arrangements and has Tomas’s tombstone engraved with the following words: “HE WANTED THE KINGDOM OF GOD ON EARTH.” Simon knows that his father would have never said such a thing, but Simon doesn’t care and does what he wants. In this way, Simon is kitsch, as he willfully ignores that which is not acceptable to his world.
Simon Quotes in The Unbearable Lightness of Being
The The Unbearable Lightness of Being quotes below are all either spoken by Simon or refer to Simon. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
).
Part 6, Chapter 29
Quotes
What remains of the dying population of Cambodia?
One large photograph of an American actress holding an Asian child in her arms.
What remains of Tomas?
An inscription reading HE WANTED THE KINGDOM OF GOD ON EARTH
What remains of Beethoven?
A frown, an improbably man, and a somber voice intoning “Es muss sein!”
What remains of Franz?
An inscription reading A RETURN AFTER LONG WANDERINGS.
And so on and so forth. Before we are forgotten, we will be turned into kitsch. Kitsch is the stopover between being and oblivion.
Related Characters:Tomas, Simon, Marie-Claude, The American Actress, Franz
Related Themes:
Page Number and Citation:
277-8
Explanation and Analysis:
This quote occurs near the end of the novel, after the Grand March has ended and after both Franz and Tomas have died, and it is significant because it underscores the inescapabilty of kitsch, as well as the nonexistence of eternal return. Ultimately the Grand March is unsuccessful in helping the Cambodian people and all that remains is a photograph of the American actress with a Cambodian girl. This is undeniably kitschy by Kundera’s definition. The actress cares nothing of about the actual people of Cambodia, she only cares about her own image and appearing to care. Similarly, all that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perfere
Get the entire The Unbearable Lightness of Being LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Simon Character Timeline in The Unbearable Lightness of Being
The timeline below shows where the character Simon appears in The Unbearable Lightness of Being. The colored dots and icons indicate which themes are associated with that appearance.
Part 1, Chapter 4
...way of living. Tomas, who has long since divorced his wife and abandoned his son, Simon, is a bachelor, and he is unable to sleep next to a woman. He has...
(full context)
Part 1, Chapter 5
...he divorced his wife, and while he initially fought for custody of his infant son, Simon, he quickly decided not to see him anymore either. Tomas’s parents were furious with his...
(full context)
Part 3, Chapter 10
...Sabina lives in Paris for nearly three years, and then she receives a letter from Simon, Tomas’s son, which informs her of Tomas and Tereza’s deaths.
(full context)
According to Simon’s letter, Tomas and Tereza had lived the last few years in a small town in...
(full context)
Part 5, Chapter 13
...had mentioned. A second man is present, and Tomas immediately recognizes him as his son, Simon.
(full context)
The editor and Simon do not want Tomas to wash the windows; they want him to sign a petition....
(full context)
Part 5, Chapter 14
The editor tells Tomas that he really enjoyed the Oedipus article, and Simon comments that some ideas are very powerful. Tomas says that because of the Oedipus article,...
(full context)
Part 6, Chapter 23
...Franz fits, require imaginary eyes. These people are the dreamers, the narrator says. Tomas’s son, Simon, belongs in the fourth group as well, and he is only interested in being seen...
(full context)
Part 6, Chapter 24
Simon lives in the country like Tomas, and a few years back, he began to send...
(full context)
Part 6, Chapter 25
Sabina receives many letters from Simon, but she doesn’t read them, as she ignores most things from Czechoslovakia. The elderly man...
(full context)
Part 6, Chapter 28
As soon as Simon hears about Tomas’s death, he runs to handle the funeral arrangements. On Tomas’s gravestone, Simon...
(full context)
Part 7, Chapter 7
...again sitting at his desk with a letter, but this letter is from his son, Simon. Simon has sent many letters over the years, but he gives no return address, and...
(full context)
Tereza convinces Tomas to invite Simon to visit. They can tell by the postmark which collective farm he lives on, so...
(full context)