The Vanishing Half

by Brit Bennett

Kennedy Sanders Character Analysis

Kennedy is Stella’s daughter. She doesn’t know that Stella is Black, meaning that she sees herself as a white person—which is exactly how Stella and her husband, Blake, have raised her. Kennedy grew up spoiled and privileged, and she hasn’t outgrown her sense of entitlement as a young adult. Although her grades in high school were terrible, she got into USC because her parents made a sizable donation. Instead of seizing this educational opportunity, though, she spends her time getting high and goofing around. After being put on academic probation, she drops out of school to become an actress. Stella can’t believe her daughter would do such a thing, especially since Stella herself sacrificed so much to give Kennedy the opportunities and privileges that come with being white. When Kennedy stars in a local musical, Stella tries to convince her to stop acting and return to school, but she doesn’t listen—she just feels unsupported by her mother, whom she’s never felt close to because Stella keeps her at an arm’s length, not wanting Kennedy to learn about her past. But Kennedy soon becomes close with her cousin Jude, since Jude’s friend, Barry, is in the same musical as Kennedy. Through Jude, Kennedy learns that Stella is a light-skinned Black woman who left her twin to lead the life of a white woman. Kennedy resents her mother for lying to her and doesn’t know what to do with this new information about her own racial identity—after all, she has lived her entire life as a white person. Although she has spent the years since she left college pursuing an acting career, she abandons her dreams to travel in Europe, hoping to “find” herself. When she returns, she works as a real estate agent, finding it easy to help clients imagine new lives for themselves. This outcome suggests that she, like her mother, has come to believe it’s possible for people to take control of their own lives and determine for themselves how they want to live.

Kennedy Sanders Quotes in The Vanishing Half

The The Vanishing Half quotes below are all either spoken by Kennedy Sanders or refer to Kennedy Sanders. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Race and Identity Theme Icon
).

Chapter 11 Quotes

Only a lazy girl would get caught, and her daughter was clever but lazy, blissfully unaware of how hard her mother worked to maintain the lie that was her life.

Related Characters: Stella Vignes, Kennedy Sanders
Page Number and Citation: 226
Explanation and Analysis:

Chapter 13 Quotes

“You know I don’t mean anything by it. I’m just saying. Your men usually like the light girls, don’t they?”

Years later, she would always wonder what exactly pushed her. That sly smile, or the way she’d said your men so casually, as if it didn’t include her. Or maybe it was because Kennedy was right. She knew how lucky Jude felt to be loved. She knew, even though Jude tried to hide it, exactly how to hurt her.

Related Characters: Kennedy Sanders, Jude Vignes
Page Number and Citation: 251
Explanation and Analysis:

But sometimes lying was an act of love. Stella had spent too long lying to tell the truth now, or maybe, there was nothing left to reveal. Maybe this was who she had become.

Related Characters: Stella Vignes, Blake Sanders, Kennedy Sanders
Page Number and Citation: 259
Explanation and Analysis:

Chapter 15 Quotes

“You shouldn’t tell people the truth because you want to hurt them. You should tell me because they want to know it. And I think you want to know now.”

Related Characters: Jude Vignes (speaker), Kennedy Sanders
Page Number and Citation: 250
Explanation and Analysis:

Chapter 16 Quotes

The language bothered Stella most of all. You didn’t just find a self out there waiting—you had to make one. You had to create who you wanted to be.

Related Characters: Kennedy Sanders, Stella Vignes
Page Number and Citation: 305
Explanation and Analysis:
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Kennedy Sanders Character Timeline in The Vanishing Half

The timeline below shows where the character Kennedy Sanders appears in The Vanishing Half. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 7
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
...herself and revealing that she’s passing as white. When she was pregnant with her daughter Kennedy, she thought constantly about whether or not the baby would come out with light or... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
As a very young child, Kennedy once asked Stella where she was from. Even though she had never told Blake the... (full context)
Chapter 8
Race and Identity Theme Icon
Class and Privilege Theme Icon
Stella looks out the window one morning and sees Kennedy playing with the girl across the street. Without thinking, she runs outside and grabs her... (full context)
Race and Identity Theme Icon
Companionship, Support, and Independence Theme Icon
Class and Privilege Theme Icon
...her time with Loretta. But she never tells Blake about their friendship. She even asks Kennedy not to mention it, urging her daughter to keep quiet about the frequent playdates she... (full context)
Chapter 9
Race and Identity Theme Icon
On Christmas day, Stella looks out the window and sees Kennedy, who has been playing with other children outside. Now, though, there’s no other children. Only... (full context)
Chapter 10
Companionship, Support, and Independence Theme Icon
...catered several years ago. Jude learns from reading the playbill that the girl’s name is Kennedy Sanders. After the musical, Jude waits outside until Kennedy comes out. To her surprise, Kennedy... (full context)
Race and Identity Theme Icon
Class and Privilege Theme Icon
Kennedy mentions that her parents disapprove of her acting career, instead wanting her to focus on... (full context)
Chapter 11
Race and Identity Theme Icon
Class and Privilege Theme Icon
Stella takes Kennedy to lunch one day with the intention of gently persuading her to go back to... (full context)
Race and Identity Theme Icon
Class and Privilege Theme Icon
At lunch, Stella and Kennedy argue about whether or not Kennedy should return to school. Stella insists that she could... (full context)
Chapter 12
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
Jude becomes an usher so that she can get closer to Kennedy, working at the theater in the hopes of eventually meeting Stella. She and Kennedy develop... (full context)
Chapter 13
Loss, Memory, and Inheritance Theme Icon
On the last night of the musical, Kennedy arrives early at the theater. She talks to Jude about what she’s going to do... (full context)
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
...comes along and spends the evening taking pictures of the cast while Jude sits with Kennedy, who’s upset because she thinks her mother didn’t come to see her in the musical.... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
Class and Privilege Theme Icon
Jude wants to leave the cast party early. When Kennedy tries to get her to stay, she says that she can’t, adding that Reese is... (full context)
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
On her way out the door that morning, Stella is surprised to run into Kennedy, who has decided to move in with her parents. And Kennedy, for her part, is... (full context)
Race and Identity Theme Icon
Class and Privilege Theme Icon
In the coming months, Kennedy periodically asks Stella questions about her past. Stella tells Blake about Jude, but she makes... (full context)
Race and Identity Theme Icon
Companionship, Support, and Independence Theme Icon
Class and Privilege Theme Icon
Standing in the kitchen one day, Kennedy asks Stella if she ever had a sister, prompting Stella to once again tell her... (full context)
Chapter 14
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
Kennedy becomes a daytime television actor. In 1988, she lands a recurring role on a soap... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
When seven-year-old Kennedy brought up what Stella told her about Mallard, Stella denied it, acting like her daughter... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
Before landing her role as a soap opera actor in 1988, Kennedy moves to New York to pursue her dreams of performing on Broadway. She gets cast... (full context)
Race and Identity Theme Icon
Companionship, Support, and Independence Theme Icon
In New York, Kennedy starts dating a Black scholar named Frantz. One night, she asks what he’d do if... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
Kennedy works at a coffee shop when she’s not at rehearsal or giving a performance. While... (full context)
Chapter 15
Race and Identity Theme Icon
Class and Privilege Theme Icon
Kennedy gets Jude and Reese tickets to her play and ends up having the best performance... (full context)
Race and Identity Theme Icon
Companionship, Support, and Independence Theme Icon
Class and Privilege Theme Icon
Admitting that Jude’s right, Kennedy asks why she wanted to meet, and Jude gives her an old photograph. She says... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
After looking at the photograph in the bathroom, Kennedy goes home with Frantz. The next morning, she feels overwhelmed by what Jude has shared... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
...out of surgery, but Jude isn’t allowed to see him because she’s not considered family. Kennedy feels sorry for her, saying that it’s ridiculous she’s not allowed in—Reese should marry Jude,... (full context)
Race and Identity Theme Icon
Before parting ways again, Kennedy asks Jude what Mallard is like. Jude tells her it’s a terrible place where everyone... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
Kennedy stays in New York for a little while after her play ends, and then she... (full context)
Chapter 16
Race and Identity Theme Icon
Class and Privilege Theme Icon
After Stella claims that she’s not in the photograph Kennedy shows her, Kennedy accuses her of being a liar. She’s so frustrated with her mother... (full context)
Race and Identity Theme Icon
Class and Privilege Theme Icon
Stella blames Jude for derailing her and Kennedy’s lives. Hoping to get Kennedy back on track, she decides to finally return to Mallard... (full context)
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
...was so cold to Jude. She pleads with Desiree to tell Jude to stop contacting Kennedy, which offends Desiree, who points out that it wouldn’t be the end of the world... (full context)
Race and Identity Theme Icon
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
Not long after, Kennedy comes back to Los Angeles. Stella is relieved to see her, but when Kennedy asks... (full context)
Chapter 17
Loss, Memory, and Inheritance Theme Icon
Companionship, Support, and Independence Theme Icon
...as he stands shirtless in the kitchen (he’s always shirtless these days). Later, Jude calls Kennedy to tell her the news. Kennedy is as upset as she could be about the... (full context)