The Vegetarian
by Han Kang
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Chapter 1: The Vegetarian Quotes

Before my wife turned vegetarian, I'd always thought of her as completely unremarkable in every way.

Related Characters: Mr. Cheong (speaker), The Brother-in-Law / In-hye’s Husband, Yeong-hye, In-hye
Page Number and Citation: 9
Explanation and Analysis:
This opening sentence of The Vegetarian sets the scene for the upheaval to come. First, it is worth noting the perspective of the passage: despite the fact that Yeong-hye is arguably the main character and the instigator of the action in The Vegetarian, Han almost never reveals her thoughts or tells the story from her perspective (the largest exceptions are the snippets of the dreams that Yeong-hye recounts in this first section). Instead, the first section is narrated by Yeong-hye’s husband, Mr. Cheong; the second from the perspective of Yeong-hye’s brother-in-law; and the third from the perspective of Yeong-hye’s sister, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedi

“Have you lost your mind? Why on earth are you throwing all this stuff out?”

I hurriedly stumbled my way through the plastic bags and grabbed her wrist, trying to pry the bags from her grip. Stunned to find her fiercely tugging back against me, I almost faltered for a moment, but my outrage soon gave me the strength to overpower her.

Related Characters: Mr. Cheong (speaker), Yeong-hye
Related Symbols: Meat
Page Number and Citation: 16
Explanation and Analysis:
When Mr. Cheong wakes up to find that Yeong-hye is throwing away all of the meat instead of waking him up and helping him get ready for work, he is outraged. This exchange exposes the fragility of their relationship and some of the factors that have prompted Yeong-hye’s rebellion. Yeong-hye’s decision to become a vegetarian stems from a desire to pursue bodily autonomy and escape the violence of humanity. But Mr. Cheong tramples both of these wishes as he attempts to subvert his wife’s agency while also violently wrenching away the meat from her. Mr. Cheong’s questioning of Yeong-hye’s sanity Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque pl

In that barn, what had I done? Pushed that red raw mass into my mouth, felt it squish against my gums, the roof of my mouth, slick with crimson blood.

Related Characters: Yeong-hye (speaker), Mr. Cheong
Related Symbols: Meat, Plants
Page Number and Citation: 18
Explanation and Analysis:
This quote, which takes place in a snippet of the first of Yeong-hye’s dreams, is one of the rare times in which Han writes from Yeong-hye’s perspective. Han uses fragments and visceral, chaotic phrases to convey the confusion and dream state that Yeong-hye is experiencing. Though Han doesn’t reveal the full story, she implies that Yeong-hye has brutally killed an animal and is eating the meat raw. This first dream is the reason that Yeong-hye decides to give up consuming meat, as she grows haunted by the violence and the killing that is inherent in the act of eating meat. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae vo

“I couldn't let those things stay in the fridge. It wouldn't be right.”
How on earth could she be so self-centered? I stared at her lowered eyes, her expression of cool self-possession. The very idea that there should be this other side to her, one where she selfishly did as she pleased, was astonishing. Who would have thought she could be so unreasonable?

Related Characters: Yeong-hye (speaker), Mr. Cheong (speaker)
Related Symbols: Meat
Page Number and Citation: 19
Explanation and Analysis:
The night following Yeong-hye’s decision to become a vegetarian, Mr. Cheong questions her decision and asks her why she decided to throw all of the meat out of their home. She first tries to describe the violent dream that she had, and then she tries to elaborate that eating meat doesn’t feel morally sound to her. Yeong-hye’s decision is a way of asserting her own autonomy, and gaining control over her body. Mr. Cheong, on the other hand, views her decision not as a choice for her moral and mental well-being, but instead as a deliberate act of defiance against Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Di

“What’s the problem, exactly?”
“I'm tired.”
“Well then, that means you need to eat some meat. That's why you don't have any energy anymore, right? You didn't used to be like this, after all.”
“Actually . . .”
“What?”
“. . . it's the smell.”
“The smell?”
“The meat smell. Your body smells of meat.”

Related Characters: Mr. Cheong (speaker), Yeong-hye (speaker)
Related Symbols: Meat
Page Number and Citation: 22
Explanation and Analysis:
A few months after Yeong-hye decides to become a vegetarian, Mr. Cheong notices that she is avoiding having sex with him, and she finally admits to being repulsed by the smell of meat coming from his body. This assertion links the two kinds of bodily autonomies for which Yeong-hye yearns: she wants to determine what she does and does not put into her body by refusing to eat meat, and also regains control over her sexuality (or attempts to) by choosing not to have sex with Mr. Cheong. This statement not only implies what Yeong-hye is rejecting, but also what Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. C

By the time the twelve magnificent courses were over, my wife had eaten nothing but salad and kimchi, and a little bit of squash porridge. She hadn't even touched the sticky-rice porridge, as they had used a special recipe involving beef stock to give it a rich, luxurious taste. Gradually, the other guests learned to ignore her presence and the conversation started to flow again.

Related Characters: Mr. Cheong (speaker), Yeong-hye
Related Symbols: Meat
Page Number and Citation: 30
Explanation and Analysis:
Some months after Yeong-hye’s decision to become a vegetarian, she and Mr. Cheong are invited to a dinner with his boss and co-workers. At the dinner, she announces that she is a vegetarian, and refuses to eat many of the 12 courses, which are served family style. Her unusual diet, in combination with the fact that she does not tactfully engage with the others’ questions about her vegetarianism, makes them uncomfortable, and they gradually stop talking to her and even Mr. Cheong. Thus, Han demonstrates how Yeong-hye’s choice to break a variety of social conventions eventually leads to her being Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volupt

Can only trust my breasts now. I like my breasts, nothing can be killed by them. Hand, foot, tongue, gaze, all weapons from which nothing is safe. But not my breasts. With my round breasts, I’m okay. Still okay. So why do they keep on shrinking? Not even round anymore. Why? Why am I changing like this? Why are my edges all sharpening—what I am going to gouge?

Related Characters: Yeong-hye (speaker)
Related Symbols: Meat, Plants
Page Number and Citation: 39
Explanation and Analysis:
A few days before Yeong-hye’s family gathers to intervene about her new diet, Yeong-hye continues to have dreams and visions as she slips in and out of consciousness for a few minutes at a time. This is another rare excerpt of Yeong-hye’s thoughts as she recognizes the harsh changes her body is undergoing now that she is not eating meat. Han reveals the concerns that Yeong-hye has about her body are not about her weight loss, but instead about the potential violence that comes from having a human body. As she dreams of herself killing and harming other beings, she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

Though In-hye sprang at him and held him by the waist, in the instant that the force of the slap had knocked my wife's mouth open he'd managed to jam the pork in. As soon as the strength in Yeong-ho's arms was visibly exhausted, my wife growled and spat out the meat. An animal cry of distress burst from her lips.

Related Characters: Mr. Cheong (speaker), Yeong-hye’s Father, Yeong-hye, In-hye, Yeong-ho
Related Symbols: Meat, Plants
Page Number and Citation: 46
Explanation and Analysis:
When Yeong-hye’s family gathers to stage a kind of intervention for her, they grow more and more frustrated with her obstinacy. Her father eventually takes the extreme action of forcing Mr. Cheong and her brother Yeong-ho to hold her arms as he hits her and jams the piece of pork into her mouth. This shocking action demonstrates how and why Yeong-hye might feel that she has no sense of autonomy and why she might be trying to reclaim it: her family feels that they have a right to decide what she does and does not do with her body, even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in.

Chapter 2: Mongolian Mark Quotes

In precisely that moment he was struck by the image of a blue flower on a woman’s buttocks, its petals opening outward. In his mind, the fact that his sister-in-law still had a Mongolian mark on her buttocks became inexplicably bound up with the image of men and women having sex, their naked bodies completely covered with painted flowers. The causality linking these two things was so clear, so obvious, as to be somehow beyond comprehension, and thus it became etched into his mind.

Related Characters: Yeong-hye, The Brother-in-Law / In-hye’s Husband, In-hye
Related Symbols: Plants
Page Number and Citation: 65
Explanation and Analysis:
One day, when In-hye is giving Ji-woo a bath, she casually remarks that Yeong-hye still has a Mongolian mark. The brother-in-law becomes obsessed with this image as it becomes tied to sexuality within his artwork and also inspires his attraction to Yeong-hye. The obsession with these images in his artwork is what prompts him to break common social boundaries as he concocts a plan to film Yeong-hye and a man having sex together, and eventually for him to seduce her. Yeong-hye’s Mongolian mark sets up a dichotomy between Yeong-hye’s view of herself and the brother-in-law’s view of her. While throughout Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accu

When it was all over, she was crying. He couldn't tell what these tears meant—pain, pleasure, passion, disgust, or some inscrutable loneliness that she would have been no more able to explain than he would have been to understand. He didn't know.

Related Characters: In-hye, The Brother-in-Law / In-hye’s Husband, Ji-woo, Yeong-hye
Page Number and Citation: 87
Explanation and Analysis:
After visiting Yeong-hye, the brother-in-law returns to bed, filled with lust. He has sex with In-hye, imagining that she is her sister and covering her mouth to keep her from speaking. Passages like this, which are littered throughout the second section of the novel, establish the brother-in-law and In-hye’s relationship as a cold and distant one. Even in their moments of intimacy, they are unable to connect with and understand one another. This prompts their isolation, and is what drives each of them (particularly the brother-in-law) to try to create a means of escape for them. For the brother-in-law, he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia e

Seeing how utterly baffled he was, she laughed quietly. A melancholic laugh. “Didn’t I say you wouldn’t understand?”

He couldn’t ask: in that case, why did you use to bare your breasts to the sunlight, like some kind of mutant animal that had evolved to be able to photosynthesize? Was that because of a dream too?

Related Characters: Yeong-hye, The Brother-in-Law / In-hye’s Husband
Related Symbols: Plants
Page Number and Citation: 96
Explanation and Analysis:
After the brother-in-law paints Yeong-hye for the first time and asks her to model, the two go to a vegetarian restaurant. There, he asks her why she decided to become a vegetarian, and when she responds that her choice was prompted by a dream, she laughs at the fact that he doesn’t understand. This is another instance in which two characters try to connect with one another, and yet continue to be met with isolation, feeling that they do not understand each other. The irony here, however, is that the brother-in-law perhaps understands Yeong-hye better than anyone else does, recognizing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem a

She rubbed her neck against J’s like they were two birds caressing, almost as if she’d seen his sketches and knew exactly what he wanted her to do.

Related Characters: Yeong-hye, J, The Brother-in-Law / In-hye’s Husband
Related Symbols: Plants
Page Number and Citation: 108
Explanation and Analysis:
When the brother-in-law asks J to film with Yeong-hye, he starts to direct them in poses. Even though he only addresses J and tells him how to touch Yeong-hye, he is surprised to see Yeong-hye take the initiative. This moment is significant for two reasons: it shows Yeong-hye’s genuine desire and agency in the situation. Even though most of the time she is passive, she is both in control of her body and in control of how it is being viewed. This is another instance of her attempts to assert agency over herself and her body. This passage is also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum v

He stood up, stepped close to her and pushed her still-fevered body up against the wall. But when he pressed his lips firmly against hers, probing with his tongue, she shoved him away again.
“Why shouldn't we? Because I'm your brother-in-law?”
“No, it’s nothing to do with that.”
“Then why not? Come on, you said you were all wet!” She was silent. “Did you fancy that kid?”
“It wasn’t him, it was the flowers . . .”

Related Characters: The Brother-in-Law / In-hye’s Husband (speaker), Yeong-hye (speaker), In-hye, J
Related Symbols: Plants
Page Number and Citation: 111
Explanation and Analysis:
After J storms out of the shoot with Yeong-hye, Yeong-hye admits that she is “all wet.” Overcome with desire, the brother-in-law starts to pull her pants down but she says no and adamantly shoves him away. This action continues  to affirm Yeong-hye’s agency in the situation. Even though In-hye later believes that the brother-in-law took advantage of an unwell Yeong-hye, the situation is more complicated than that in reality. Yeong-hye has no problem dictating the terms of her own consent to the brother-in-law, who decides to oblige and seeks out another artist friend named P in order to paint flowers Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque pla

He held her at the waist and stroked the mark, wishing that he could share it with her, that it could be seared onto his skin like a brand. I want to swallow you, have you melt into me and flow through my veins.

“Will the dreams stop now?" she muttered, her voice barely audible.

“Dreams? Ah, the face…that's right, you said it was a face, no?” he said, feeling drowsiness slowly creep through his body. “What kind of face? Whose face?”

Related Characters: The Brother-in-Law / In-hye’s Husband (speaker), Yeong-hye (speaker)
Related Symbols: Plants
Page Number and Citation: 119-120
Explanation and Analysis:
After the brother-in-law returns to the art studio covered in painted flowers, he and Yeong-hye have sex several times (during which, at the end, Yeong-hye starts to cry and protest for the brother-in-law to stop). Afterwards, they start to talk, though the difference in what they are thinking about and the way in which they are unable to connect with one another foreshadows their eventual disconnection. The brother-in-law sees Yeong-hye as a sexual object and something that he can literally consume, as he demonstrates here. He is unable to understand the dreams that she has attempted to explain to him. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. V

He had to rush out onto the veranda, now, and throw himself over the railing against which she was leaning. He would fall down three floors and smash his head to pieces.

Related Characters: Yeong-hye, In-hye, The Brother-in-Law / In-hye’s Husband
Page Number and Citation: 119
Explanation and Analysis:
When In-hye discovers the video of her husband and sister having sex, she decides to call the police on him, assuming that he is not in his right mind and that he has taken advantage of Yeong-hye, whom she believes to also be unwell. This demonstrates two key arguments that Han makes within The Vegetarian. The first is the complicated relationship between misunderstanding, isolation, and madness: the brother-in-law feels both isolated and misunderstood, as In-hye doesn’t comprehend the full situation, nor does she try to listen to the brother-in-law’s thoughts and motivations. Because of this, he attempts to kill himself, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in

Chapter 3: Flaming Trees Quotes

Look, sister, I'm doing a handstand, leaves are growing out of my body, roots are sprouting out of my hands…they delve down into the earth. Endlessly, endlessly…yes, I spread my legs because I wanted flowers to bloom from my crotch, I spread them wide…

Related Characters: Yeong-hye (speaker), In-hye
Related Symbols: Plants
Page Number and Citation: 131
Explanation and Analysis:
At the beginning of the third section, In-hye reveals that Yeong-hye had recently escaped the psychiatric hospital in which she had been staying, and was later found in the forest acting like a tree. After being informed that Yeong-hye has been found, In-hye has a vision of Yeong-hye doing handstands and acting like a tree. It is unclear whether this is a memory at the time, or whether this is something that Yeong-hye does and says later on, as she does grow obsessed with doing handstands and speaks about the trees as brothers and sisters. In this way, Han demonstrates Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non

No one can understand me…the doctors, the nurses, they’re all the same…they don't even try to understand…they just force me to take medication, and stab me with needles.

Related Characters: Yeong-hye (speaker), In-hye
Page Number and Citation: 160
Explanation and Analysis:
As In-hye sits with a sleeping Yeong-hye, she recalls a visit in which Yeong-hye had asked for In-hye’s help to get out of the psychiatric ward. In-hye had told her that she could get Yeong-hye released—but only if she promised to eat. Yeong-hye, in response, asserted that In-hye was just like the doctors, and that everyone  misunderstands her. Han again reinforces the way in which being misunderstood allows others to label a person as mad, as In-hye and the doctors do with Yeong-hye. Of course, it’s possible that if Yeong-hye felt like others understood her better, she might not be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt

“I don't know you,” she muttered, tightening her grip on the receiver, which she’d hung back in the cradle but was still clutching. “So there's no need for us to forgive each other. Because I don't know you.”

Related Characters: In-hye (speaker), Ji-woo, The Brother-in-Law / In-hye’s Husband
Page Number and Citation: 163
Explanation and Analysis:
As In-hye sits with Yeong-hye, she recalls how her husband had recently called her, asking if he could see Ji-woo. In-hye hung up without speaking to him, but affirmed that her husband was a stranger to her, talking to the already hung up receiver. The end of the brother-in-law’s arc here emphasizes two of Han’s major themes: first, how those who break society’s conventions, as the brother-in-law did in his provocative art and his affair with Yeong-hye, are often outcast from it. The brother-in-law had completely given up his responsibilities as a father, and thus was punished by being prevented Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor

It's your body, you can treat it however you please. The only area where you're free to do just as you like. And even that doesn't turn out how you wanted.

Related Characters: In-hye (speaker), Yeong-hye
Page Number and Citation: 179
Explanation and Analysis:
In the climax of the book, In-hye watches as doctors insert a tube into Yeong-hye’s nose in order to force-feed her, then pull out a syringe to try and tranquilize her so that she doesn’t throw up the food, which she is prone to doing. In-hye is extremely disturbed watching this, and tries to prevent them from doing so. Yeong-hye becomes violent and blood gushes out of her mouth, forcing her to be transferred to a general hospital. In the bathroom before they leave, In-hye becomes sick and thinks to herself that Yeong-hye deserves to have agency over her body. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimu

If her husband and Yeong-hye hadn't smashed through all the boundaries, if everything hadn't splintered apart, then perhaps she was the one who would have broken down, and if she'd let that happen, if she'd let go of the thread, she might never have found it again.

Related Characters: Ji-woo, Yeong-hye, The Brother-in-Law / In-hye’s Husband, In-hye
Page Number and Citation: 184
Explanation and Analysis:
While thinking back on various visits to Yeong-hye and the events in her life that led to this moment, In-hye has a realization about Yeong-hye, her husband, and herself. She sees, first, the way that Yeong-hye and her husband both subverted social expectations during their lives, and perhaps even recognizes the appeal of doing so when she thinks about how easy it had been for her to travel up the mountain and abandon Ji-woo, if only for a short while. As a result of their nonconformity, however, the brother-in-law and Yeong-hye were completely destroyed by society, which is the reason Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Reru

“Perhaps this is all a kind of dream.” She bows her head. But then, as though suddenly struck by something, she brings her mouth right up to Yeong-hye's ear and carries on speaking, forming the words carefully, one by one. “I have dreams too, you know. Dreams…and I could let myself dissolve into them, let them take me over…but surely the dream isn’t all there is? We have to wake up at some point, don’t we?”

Related Characters: In-hye (speaker), Yeong-hye
Page Number and Citation: 185
Explanation and Analysis:
In the final moments of the novel, In-hye rides with Yeong-hye in the ambulance to go to another hospital. In-hye confesses to Yeong-hye that she could also allow herself to get caught up in dreams. In her thoughts, In-hye at first finds some peace in the idea that a person could escape reality and turn their back on societal limitations. Yet she quickly backtracks, ultimately affirming that it is better to live in reality—likely due to seeing the condition that her sister is in. In-hye recognizes the negative and even dire consequences of being completely absorbed by one’s dreams. In-hye Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo
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