The Wind-Up Bird Chronicle

The Wind-Up Bird Chronicle

by Haruki Murakami

May Kasahara Character Analysis

May Kasahara is a teenager who lives in Toru’s neighborhood across from the Miyawaki house. She promises to help Toru find his cat, though really, she seems more interested in companionship. As Toru gets to know May, he discovers she is obsessed with death and dying. Though sometimes outspoken to the point of being rude, May is mature for her age, and she genuinely seems to want to help Toru. However, in the middle of the story, she does almost kill Toru by leaving him down in the well. When Toru questions her about the incident, she gives him an explanation that is both sinister and seemingly borne out of genuine curiosity—she wanted to know what it would be like to have someone’s life in her hands. Later in the novel, Toru discovers that May’s erratic behavior likely stems from the recent death of her boyfriend, who died in a motorcycle accident for which she was largely responsible. Ultimately, Toru perceives May as a kindred spirit who is trying to find her way in the world just like him.

May Kasahara Quotes in The Wind-Up Bird Chronicle

The The Wind-Up Bird Chronicle quotes below are all either spoken by May Kasahara or refer to May Kasahara. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Reality and Subjective Experience Theme Icon
).

Book 1, Chapter 1 Quotes

I wish I had a scalpel. I’d cut it open and look inside. Not the corpse. . .the lump of death. I’m sure there must be something like that. Something round and squishy, like a softball, with a hard little core of dead nerves. I want to take it out of a dead person and cut it open and look inside. I always wonder what it’s like. Maybe it's all hard, like toothpaste dried up inside the tube. That's it, don't you think? No, don't answer. It’s squishy on the outside, and the deeper you go inside, the harder it gets. I want to cut open the skin and take out the squishy stuff, use a scalpel and some kind of spatula to get through it, and the closer you get to the center, the harder the squishy stuff gets, until you reach this tiny core. It’s sooo tiny, like a tiny ball bearing, and really hard. It must be like that, don't you think?

Related Characters: May Kasahara (speaker), Toru Okada, Malta Kano
Page Number: 19-20
Explanation and Analysis:

Book 1, Chapter 9 Quotes

“I'm only sixteen,” she said, “and I don't know much about the world, but I do know one thing for sure. If I'm pessimistic, then adults in this world who are not pessimistic are a bunch of idiots.”

Related Characters: May Kasahara (speaker), Kumiko Okada, Toru Okada
Page Number: 113
Explanation and Analysis:

Book 2, Chapter 10 Quotes

Well that's what we were trying to do when we got married. I wanted to get outside myself: the me that had existed until then. And it was the same for Kumiko. In that new world of ours, we were trying to get hold of new selves that were better suited to who we were deep down. We believed we could live in a way that was more perfectly suited to who we were.

Related Characters: Toru Okada (speaker), May Kasahara, Kumiko Okada, The Miyawakis
Related Symbols: The Well
Page Number: 261
Explanation and Analysis:

Book 2, Chapter 11 Quotes

And so time flowed on through the darkness, deprived of advancing watch hands: time undivided and unmeasured. Once it lost its points of demarcation, time ceased being a continuous line and became instead a kind of formless fluid that expanded or contracted at will.

Related Characters: Toru Okada (speaker), The Miyawakis, May Kasahara
Related Symbols: The Well
Page Number: 265
Explanation and Analysis:

Book 2, Chapter 15 Quotes

You know, Mr. Wind-Up Bird, just about the whole time you were down in the well, I was out here sunbathing. I was watching the garden of the vacant house, and baking myself, and thinking about you in the well, that you were starving and moving closer to death little by little. I was the only one who knew you were down there and couldn't get out. And when I thought about that, I had this incredibly clear sense of what you were feeling: the pain and anxiety and fear. Do you see what I mean? By doing that, I was able to get sooo close to you! I really wasn't gonna let you die. This is true. Really. But I wanted to keep going. Right down to the wire. Right down to where you would start to fall apart and be scared out of your mind and you couldn’t take it anymore. I really felt that that would be the best thing—for me and for you.

Related Characters: May Kasahara (speaker), Toru Okada, Creta Kano
Related Symbols: The Wind-Up Bird, The Well
Page Number: 320
Explanation and Analysis:

Book 3, Chapter 18 Quotes

That mark is maybe going to give you something important. But it also must be robbing you of something. Kind of like a trade-off. And if everybody keeps taking stuff from you like that, you’re going to be worn away until there’s nothing left of you.

Related Characters: May Kasahara (speaker), Toru Okada
Page Number: 463
Explanation and Analysis:
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May Kasahara Character Timeline in The Wind-Up Bird Chronicle

The timeline below shows where the character May Kasahara appears in The Wind-Up Bird Chronicle. The colored dots and icons indicate which themes are associated with that appearance.
Book 1, Chapter 1
Reality and Subjective Experience Theme Icon
...at the vacant house with the bird statue. There, Toru encounters a teenage girl named May Kasahara sunbathing in the yard of the neighboring house. Toru describes the missing cat to... (full context)
Social Alienation Theme Icon
May takes Toru to her house and invites him to sit next to her on a... (full context)
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Instead, May shares with Toru that a family named the Miyawakis used to reside in the now-deserted... (full context)
Desire and Irrationality Theme Icon
May leaves for a few minutes and then returns with a Coke for herself. Then, she... (full context)
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May tells Toru that, despite being 16 years old, she is taking time off from school... (full context)
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Social Alienation Theme Icon
May tells Toru that since taking a break from school, she has had a lot of... (full context)
Reality and Subjective Experience Theme Icon
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Upon waking up, Toru finds that May and his cat are nowhere in sight. He walks back home and begins preparing dinner,... (full context)
Book 1, Chapter 5
Reality and Subjective Experience Theme Icon
Free Will Theme Icon
Desire and Irrationality Theme Icon
Toru returns to the abandoned house where he met May a few days before. Something about the abandoned house attracts Toru. He looks around to... (full context)
Reality and Subjective Experience Theme Icon
Free Will Theme Icon
Suddenly, a voice interrupts Toru’s search. Toru turns around and sees May. May asks Toru what he is doing, and Toru says he is looking for his... (full context)
Social Alienation Theme Icon
May looks at Toru and tells him that his hair is thinning. May’s comment bothers Toru,... (full context)
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Then, May asks Toru if he wants to see a dried-up well near the abandoned house. Toru... (full context)
Book 1, Chapter 7
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The day after Toru’s second encounter with May, Toru runs some errands and reorganizes his house. He goes to the laundromat where he... (full context)
Book 1, Chapter 9
Desire and Irrationality Theme Icon
Social Alienation Theme Icon
Shortly after Toru’s call with Kumiko, Toru hears May calling to him from the garden. She tells him she is about to go to... (full context)
Book 1, Chapter 10
The Personal Impact of War Theme Icon
...the phone with his uncle and asks him about the abandoned house across from where May lives. Toru’s uncle knows a great deal about the house’s history, and he begins sharing... (full context)
Book 2, Chapter 2
Free Will Theme Icon
...knowing where else to go or what else to do, Toru decides to head to May’s house. May sees him outside and greets him. Toru asks May for a favor; he... (full context)
Social Alienation Theme Icon
In the evening, May comes over to keep Toru company. May asks Toru if anything good has happened since... (full context)
Desire and Irrationality Theme Icon
May switches the conversation topic to Kumiko. She asks Toru if he will take Kumiko back... (full context)
Book 2, Chapter 4
Desire and Irrationality Theme Icon
Toru walks over to May’s house and stands outside, hoping she will catch a glimpse of him. He waits for... (full context)
Book 2, Chapter 5
Free Will Theme Icon
Desire and Irrationality Theme Icon
...Toru’s surprise, the person on the other end of the line turns out to be May. May chastises Toru for having phone sex with women other than his wife. After all,... (full context)
Reality and Subjective Experience Theme Icon
Free Will Theme Icon
After he gets off the phone with May, Toru begins packing a bag, which includes a rope ladder and a flashlight. Then, he... (full context)
Book 2, Chapter 9
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Toru wakes up to the sound of May’s voice. May is standing at the top of the well and looking down on Toru.... (full context)
Book 2, Chapter 10
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Desire and Irrationality Theme Icon
Toru comes out of his meditative state because he hears the sound of May’s voice. May tells Toru she has been thinking about him a lot since he went... (full context)
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May begins to philosophize about humankind’s relationship to death. She posits that death is necessary for... (full context)
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...he has other matters that are more pressing for him at the moment. He tells May about Kumiko’s affair and how he does not understand how it took place right under... (full context)
Book 2, Chapter 11
Reality and Subjective Experience Theme Icon
Social Alienation Theme Icon
...he realizes that the air in the well is barely breathable at this point because May has shut the lid. For some time, he feels he will suffocate to death because... (full context)
Book 2, Chapter 12
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Then, Toru looks over at May’s house to see if she is there. However, he does not see anyone. As he... (full context)
Book 2, Chapter 15
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Desire and Irrationality Theme Icon
The following day, May calls Toru and invites him to come over to see her. When Toru arrives at... (full context)
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Social Alienation Theme Icon
Toru questions why May frequently discusses death. Instead of directly answering him, May explains that every person’s actions are... (full context)
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Toru inquiries about the fate of May’s boyfriend, and she says that he died as a result of the accident. Then, May... (full context)
Book 3, Chapter 1
Reality and Subjective Experience Theme Icon
Social Alienation Theme Icon
...bother him. However, he cannot acclimate himself to the loneliness he feels. The Kano sisters, May, and Kumiko have all disappeared from his life. Overwhelmed by loneliness, Toru writes a letter... (full context)
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Desire and Irrationality Theme Icon
Toru frequently visits the demolished Miyawaki house in search of May, who is no longer there. One day in February, he goes to his uncle’s real... (full context)
Book 3, Chapter 5
Social Alienation Theme Icon
May reaches out to Toru through a letter, sharing an update on her current situation. She... (full context)
Social Alienation Theme Icon
Despite her circumstances, May expresses her longing for Toru and confesses that she often desires to see him again.... (full context)
Book 3, Chapter 10
Social Alienation Theme Icon
May sends Toru another letter talking about her current employment at a wig manufacturing facility. Although... (full context)
Book 3, Chapter 15
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May sends a third letter to Toru, expressing her satisfaction with her job at the wig... (full context)
Book 3, Chapter 18
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Free Will Theme Icon
In her fourth letter to Toru, May expresses her sense of not belonging within her mundane and unimaginative family. While her parents... (full context)
Book 3, Chapter 28
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May writes a fifth letter to Toru, expressing her contemplations about the Miyawaki family. During her... (full context)
Book 3, Chapter 35
Reality and Subjective Experience Theme Icon
Free Will Theme Icon
Social Alienation Theme Icon
...water resurface in Toru’s mind. Determined, Toru decides to reactivate his imagination, and he envisions May opening the well’s cover. Suddenly, he hears May’s voice calling out to him. (full context)
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Free Will Theme Icon
May asks if he is afraid of dying, and Toru says that he is. May says... (full context)
Book 3, Chapter 36
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May composes a sixth letter to Toru, sharing details about the pond near her workplace where... (full context)
Book 3, Chapter 39
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Toru visits May at the factory, and together they sit beside the pond. However, this time there are... (full context)
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May asks Toru if he received any of the letters she sent him. Toru says that... (full context)