The Woman in White

The Woman in White

by

Wilkie Collins

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The Woman in White: The Second Epoch: Part 1, Chapter 5 Summary & Analysis

Summary
Analysis
That evening at dinner, Count Fosco is lively and entertaining. Marian remarks that she and Laura are almost as mesmerized by his stories as Madame Fosco is, and that women are unable to resist a man “who knows how to talk to them.” After dinner, she and Laura take a walk through the plantation to the boathouse. It is a still, dreary evening, and a heavy mist hangs over the grounds.
Although women were not considered to be men’s equals in conversation or intelligence in the nineteenth century, Collins undermines this idea by suggesting that women like to be spoken to like equals, which shows that they are just as capable of conversation as men are.
Themes
Marriage and Gender Theme Icon
Once at the boathouse, Laura begins to tell Marian about her marriage. She is deeply ashamed and confesses that it has been humiliating to discover that her husband does not care about her. She tells Marian about a day in Rome when she felt affectionate towards Sir Percival and made an effort to connect with him.
Laura feels rejected and ashamed because of Sir Percival’s cruelty towards her. Like many women who are abused by their husbands, she believes that his treatment of her is somehow her fault, even though, of course, it is not.
Themes
Marriage and Gender Theme Icon
They were on a visit to a tomb which was built by a man to commemorate his wife. Laura asked Sir Percival if he would build her a tomb and he callously joked that, if he did, he would “build it with her own money.” Seeing that this upset her, Sir Percival told her that she was hard work and told her to imagine that he had treated her lovingly and paid her compliments. This exchange hardened Laura’s heart against Sir Percival and, after this, she never again prevented herself from thinking about Walter Hartright.
Laura feels especially rejected by Sir Percival because she has tried to make the effort to connect with him and he has responded sarcastically. He implies that he does not care about her but only cares about her money. His statement about building a tomb with her money is also very sinister because it suggests that Sir Percival may kill her himself.
Themes
Evidence and Law Theme Icon
Morality, Crime, and Punishment Theme Icon
Identity and Appearance Theme Icon
Marriage and Gender Theme Icon
Quotes
Laura confesses that Sir Percival left her alone a lot during their honeymoon and that she often imagined what it would be like if she were with Walter instead. Marian begs Laura to be discreet. She is worried that they will be overheard, but Laura replies that Sir Percival knows everything, even Walter’s name.
Laura sees that she will not succeed in making Sir Percival love her, so she abandons herself to memories of her true love: Walter.
Themes
Marriage and Gender Theme Icon
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She tells Marian that one day, when they were in Rome, they met a woman in a gallery who asked Laura if she liked drawing. Laura said that she used to, and the woman said that the best drawing master she ever had was a man named Walter Hartright. Laura tried to conceal her embarrassment, but she saw from Sir Percival’s face that he understood everything. When they returned to their hotel room Sir Percival forced her down into a chair and announced that she had spared him the trouble of seeking out the name of her lover for himself and that now, Walter Hartright would be made to pay.
Sir Percival reveals that he never had kind intentions towards Laura and that his behavior at Limmeridge was all an act. Before their marriage, he pretended to admire her honesty when she told him that she loved another man, but now he reveals that he is secretly bitter and jealous   and has planned to get revenge on Walter. This shows that he also has a possessive attitude toward Laura and sees her as one of his belongings.
Themes
Morality, Crime, and Punishment Theme Icon
Identity and Appearance Theme Icon
Marriage and Gender Theme Icon
Laura tells Marian that Sir Percival uses this knowledge against her every time they have a disagreement. Marian is heartbroken to hear Laura’s story and regrets that she is the one who sent Walter Hartright away from Limmeridge “for the sake of Sir Percival Glyde.”
Marian deeply regrets that she encouraged Walter to leave. She sees now that, despite their difference in class and wealth, Walter truly loved Laura and would have treated her far better than Sir Percival does.
Themes
Marriage and Gender Theme Icon
Class, Industry, and Social Place Theme Icon
Marian begins to cry, and Laura comforts her. After a long while they realized that it has almost grown dark and that they must walk back through the plantation to the house in the gloomy dusk. Just as they make up their minds to leave the boathouse, they see a figure—half concealed in the mist—travel along the bank past the boathouse and vanish into the plantation. They are frightened and cannot tell if the figure is a man or a woman.
This figure seems ghostly and mysterious in the dusk, which adds to Laura and Marian’s apprehension about their safety at Blackwater, as well as the overall sinister mood of the book at this point.
Themes
Morality, Crime, and Punishment Theme Icon
Marian eventually convinces Laura to enter the plantation—where the mysterious figure has disappeared and which they must go through to reach the house—and the women cautiously begin their journey home, traveling as fast as they can. At one point, they hear a rustling behind them which sounds like footsteps, and they reach the house shaken by what has occurred.
It seems that the unknown figure is on the plantation with them and possibly even following and spying on them.
Themes
Morality, Crime, and Punishment Theme Icon
Marian tells Laura to go straight to her room and begins to make investigations to see if anyone is missing from the house—and if this might be the figure that they saw. She finds Count Fosco and Madame Fosco in the library and is convinced that they have not been out in the plantation, because Count Fosco questions Marian about where she has been. On her way to bed, she meets a servant who confirms that none of the maids have been away from the house, and Marian goes to bed wondering who the strange figure could be.
Marian demonstrates her intelligence and investigative abilities, using a similar technique to that used by Count Fosco when he questioned the groom about Sir Percival’s horse. She asks the servants indirect questions about their activities that evening to find out where they were and if any of them could have been the mysterious figure.
Themes
Evidence and Law Theme Icon