The Woman in White

The Woman in White

by

Wilkie Collins

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The Woman in White: The Second Epoch: Part 1, Chapter 7 Summary & Analysis

Summary
Analysis
Sir Percival goes out early the next morning. Laura and Marian plan to keep their meeting with Anne Catherick and Laura sets out alone, while Marian prepares to follow her. After waiting a short time, Marian sets out into the plantation. While she is moving through it, she hears footsteps—they sound like a woman’s followed by a man’s—and tries to find the source. She cannot locate them and becomes confused and, eventually, without finding Laura or Anne, returns to the house.
This suggests that the women are being spied on and followed by the men in the house.
Themes
Morality, Crime, and Punishment Theme Icon
When Marian arrives back at the house, the housekeeper tells her that Sir Percival brought Laura back to the house not long ago. She says that they have had a huge argument and Sir Percival has fired Laura’s maid, Fanny. He has given no reason for this, and Marian is concerned, as Fanny is one of the only people they can trust in the house.
Sir Percival’s behavior seems irrational but also suggests that he wants to keep Anne and Laura from meeting. His dismissal of Fanny is more evidence that Sir Percival is isolating Laura from her friends and connections so that he can totally control her.
Themes
Morality, Crime, and Punishment Theme Icon
Marriage and Gender Theme Icon
Marian runs to Laura’s room and finds the door guarded by Margaret Poacher, a stupid, spiteful servant. Furious, Marian flies to the library and finds Sir Percival, Count Fosco, and Madame Fosco there. Marian tells Sir Percival that there are laws in England which prevent men keeping their wives as prisoners, and Sir Percival cautions her that he may lock her up too.
Although there were some laws that protected women from domestic abuse in the 1860s, the woman here are still relatively powerless since Sir Percival and Count Fosco have separated them from all their friends and prevented their communication with the outside world.
Themes
Morality, Crime, and Punishment Theme Icon
Marriage and Gender Theme Icon
Madame Fosco suddenly announces that she will not stay in a house where ladies are mistreated—something Marian feels she would not do without her husband’s permission—and Count Fosco enthusiastically agrees with her. Sir Percival is furious and confused, but he reluctantly agrees to free Laura, and Marian rushes to Laura’s room to see if she is alright.
Madame Fosco makes a show of standing up for the rights of women, but Marian suspects that this is part of a ploy by Count Fosco—that he has put her up to this and that she does not really believe what she says (although perhaps she once did, before her marriage). This is tragically ironic, since she only makes her stand for women’s rights at the command of her husband.
Themes
Morality, Crime, and Punishment Theme Icon
Identity and Appearance Theme Icon
Marriage and Gender Theme Icon
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Laura is distressed but unharmed. She asks Marian why she has been set free and Marian says that, of course, Count Fosco has intervened. Laura replies in disgust that the Count is a spy and, just then, there is a knock on the door; Madame Fosco has come up to return Marian’s handkerchief. When she opens the door, her face is white and livid, and Marian knows that she has overheard.
Laura agrees with Marian that Count Fosco has not intervened for their benefit but for some unknown reason of his own. Madame Fosco’s dramatic reaction when she overhears Laura suggests either that she is horrified by this slander against her husband or that Laura has accidentally hit upon the truth.
Themes
Morality, Crime, and Punishment Theme Icon
Identity and Appearance Theme Icon
Laura tells Marian that, when she arrived at the boathouse that morning, Anne was not there but had left a note for her buried in the sand. The note explained that Anne had been followed by a fat man—who must be Count Fosco—and that she dared not return to the spot. She wrote that she would tell Laura Sir Percival’s secret at another time. Just as Laura was reading this, Sir Percival appeared behind her, confiscated the note, and dragged her back to the house, leaving bruises on her arms. All the way, he questioned her violently about the secret. When Fanny, Laura’s maid, came upon them by accident as they entered the house, Sir Percival immediately dismissed her.
Count Fosco and Sir Percival seem to be working together against Laura and Marian, but it is unclear what Count Fosco wants with Anne. Sir Percival is driven to distraction by the idea that Laura might have learned his secret, and this provokes his violent treatment of her. It also causes his dismissal of Fanny, as he is worried that she has overheard them or that Laura may tell Fanny his secret.
Themes
Morality, Crime, and Punishment Theme Icon
Marriage and Gender Theme Icon
Marian now tells Laura that she plans to write secretly to Mr. Kyrle and Mr. Fairlie for help. The bruises on Laura’s arms are evidence of mistreatment that she will use to free Laura from her marriage. As they cannot use the postbag—which Count Fosco spies on—Marian will try to get the notes to Fanny in the village. She advises Laura to lock her door and then hurries out of the room.
If women were able to provide physical evidence of abuse (such as bruises), then the law could protect them against domestic abuse. However, because women did not have property rights or as many civil rights as their husbands, this law did not protect them from more subtle and coercive forms of abuse, such as imprisonment or exploitation, which their marriages could expose them to. Marian is now certain that Count Fosco intercepts her letters and knows that she must try to evade him if she writes again for help.
Themes
Morality, Crime, and Punishment Theme Icon
Marriage and Gender Theme Icon