The Woman Warrior
by Maxine Hong Kingston
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1. No Name Woman Quotes

“You must not tell anyone,” my mother said, “what I am about to tell you. In China your father had a sister who killed herself. She jumped into the family well. We say that your father has all brothers because it is as if she had never been born.

Related Characters: Brave Orchid (speaker), Maxine Hong Kingston, No Name Woman
Page Number and Citation: 3
Explanation and Analysis:
This quote opens both the chapter and the memoir. Brave Orchid’s message about Kingston’s aunt prepares the reader for a family history rooted in secrecy. Despite No Name Woman’s suicide being a family secret, Brave Orchid clearly and directly outlines the details of her death, as though it has frequently been detailed. Because Brave Orchid was the one who found her sister-in-law in the well, she may have committed the story to memory, both to acknowledge her trauma and the existence of the woman the men were committed to forgetting due to her transgression—that is, asserting a sexual freedom that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Exp

They expected her alone to keep the traditional ways, which her brothers, now among the barbarians, could fumble without detection. The heavy, deep-rooted women were to maintain the past against the flood, safe for returning. But the rare urge west had fixed upon our family, and so my aunt crossed boundaries not delineated in space.

Related Characters: Maxine Hong Kingston (speaker), Old Man and Old Woman, Father
Page Number and Citation: 8
Explanation and Analysis:
No Name Woman, like other women, had a responsibility to remain in the village and to secure its traditions, whereas the men in her family were permitted the right to move West and forge new traditions. They could make mistakes in the new country and no one would know, while everyone would know No Name Woman’s errors and transgressions. The boundaries that she crossed were moral and generational, which was less forgivable than moving to a new country. Both she and her brothers, however, were trying to live different lives. What separated her from them was a responsibility imposed on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam conseq

It could very well have been, however, that my aunt did not take subtle enjoyment of her friend, but, a wild woman, kept rollicking company…

Related Characters: Maxine Hong Kingston (speaker), No Name Woman
Page Number and Citation: 8
Explanation and Analysis:
Kingston is contemplating the context in which her aunt met the man who impregnated her. She briefly considers the possibility that her aunt may have been free with sex, but quickly dismisses the idea, not only because it was unlikely for her time, but also because Kingston herself is not free with sex, and does not know many other people who are either. This interpretation is a vague attempt to place No Name Woman in the context of 1970s free love in America, but it is not sensible enough to be convincing even to Kingston as she reimagines the story.

In the village structure, spirits shimmered among the live creatures, balanced and held in equilibrium by time and land. But one human being flaring up into violence could open up a black hole, a maelstrom that pulled in the sky. The frightened villagers, who depended on one another to maintain the real, went to my aunt to show her a personal, physical representation of the break she had made in the “roundness.” Misallying couples snapped off the future, which was to be embodied in true offspring. The villagers punished her for acting as if she could have a private life, secret and apart from them.

Related Characters: Maxine Hong Kingston (speaker), No Name Woman
Related Symbols: Ghosts
Page Number and Citation: 12-13
Explanation and Analysis:
Kingston attempts to explain what inspired the villagers’ violent retribution against her aunt and the rest of the family. In a culture where all were perceived as one people, interconnected and interdependent, Kingston’s aunt could not have a private life or commit a transgression that did not involve the whole community. In a culture where women bore the sole responsibility for perpetuating the next generation, her actions were seen as an abdication of her responsibility to the community. Worse, their superstitions fostered the belief that calamity was always a possibility. By having an affair, she had a child whose existence Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia ape

My aunt haunts me—her ghost drawn to me because now, after fifty years of neglect, I alone devote pages of paper to her, though not origamied into houses and clothes. I do not think she always means me well. I am telling on her, and she was a spite suicide, drowning herself in the drinking water.

Related Characters: Maxine Hong Kingston (speaker), No Name Woman
Related Symbols: Ghosts
Page Number and Citation: 16
Explanation and Analysis:
Kingston explains her choice to write about her aunt in the context of Mao’s tradition of encouraging Chinese people to create paper replicas of aspects of the modern world to share with dead ancestors. Kingston commits her aunt to writing, which is not an act of symbolism, but a commitment to giving her a history. Kingston suspects that her aunt would not want a history, however—that she would not want anyone to remember her shame or her tragedy. Kingston claims to feel haunted by “her ghost,” but perhaps this is also her own fear of unearthing what her family hoped Dolorem et quae.

2. White Tigers Quotes

After I grew up, I heard the chant of Fa Mu Lan, the girl who took her father’s place in battle…. I had forgotten this chant that was once mine, given me by my mother, who may not have known its power to remind. She said I would grow up a wife and a slave, but she taught me the song of the warrior woman, Fa Mu Lan. I would have to grow up a warrior woman.

Related Characters: Maxine Hong Kingston (speaker), Brave Orchid, Fa Mu Lan
Page Number and Citation: 20
Explanation and Analysis:
The chant of Fa Mu Lan is the most memorable and important of the “talk-story,” or traditional narratives, that Brave Orchid passes on to Kingston. It was a story that Brave Orchid told in passing, not realizing that it would serve as an inspiration and would become the tool with which Kingston would challenge her mother’s unfair and sexist expectations. The story of Fa Mu Lan revealed that there was room in Chinese culture to defy rigid gender norms and to triumph, even as a woman. The story of No Name Woman need not be the only outcome of transgression. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaeca

I saw two people made of gold dancing the earth’s dances. They turned so perfectly together they were the axis of the earth’s turning [….] Chinese lion dancers, African lion dancers in midstep. I heard high Javanese bells deepen in midring to Indian bells, Hindu Indian, American Indian [….] Then the dancers danced the future—a machine-future—in clothes I had never seen before. I am watching the centuries pass in moments because suddenly I understand time, which is spinning and fixed like the North Star. And I understand how working and hoeing are dancing; how peasant clothes are golden, as king’s clothes are golden; how one dancer is always a man and the other a woman.

Related Characters: Maxine Hong Kingston (speaker), Fa Mu Lan
Page Number and Citation: 27
Explanation and Analysis:
Kingston / Fa Mu Lan is hallucinating as a result of starving in the forest. Her hallucination is of a world in harmony. Here, Kingston uses the traditions of China, the United States, and other cultures to create a vision of humanity which she defines as being more similar than different. Thus, the Chinese lion dancers become African, and the peals of indigenous American bells just as easily sound like Hindu Indian bells. She imagines a balance between the classes and the sexes, as well. The vision that Fa Mu Lan has on her spirit journey may reflect a similar Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut o

“I’m not a bad girl,” I would scream. “I’m not a bad girl. I’m not a bad girl.” I might as well have said, “I’m not a girl.”

Related Characters: Maxine Hong Kingston (speaker), Brave Orchid
Page Number and Citation: 46
Explanation and Analysis:
Kingston here responds to the condemnation she receives from her mother and other members of their Chinese community due to her tendency to argue and throw tantrums. She resists their judgment, but she is not yet capable enough with language to form an effective argument in response to those judgments. Instead, she meets their criticisms with repeated denials and fits of temper, which merely confirm their worst ideas. Note also Kingston’s assertion that with these words, she might as well have denied being a girl altogether. “Badness” and “girl” are synonymous in her household. Her denial is a form of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt.

It is confusing that my family was not the poor to be championed. They were executed like the barons in the stories, when they were not barons. It is confusing that birds tricked us.

Related Characters: Maxine Hong Kingston (speaker), The Baron
Page Number and Citation: 51
Explanation and Analysis:
Kingston reflects on the stories she heard about her relatives in Communist China. Uncles were killed for owning land or for trying to feed their families, and elderly relatives were killed for no longer being capable of work. This confuses Kingston, for she had always envisioned herself and her family as less privileged, despite the laundry business, both due to their modest income and their status as ethnic minorities. However, in the context of Communist China, they were very privileged, and were presented as enemies of the people in Maoist propaganda. Thus, she learns that interpretations of stories can change, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores s

The swordswoman and I are not so dissimilar. May my people understand the resemblance soon so that I can return to them. What we have in common are the words at our backs. The idioms for revenge are “report a crime” and “report to five families.” The reporting is the vengeance—not the beheading, not the gutting, but the words. And I have so many words— “chink” words and “gook” words too—that they do not fit on my skin.

Related Characters: Maxine Hong Kingston (speaker), Fa Mu Lan
Page Number and Citation: 53
Explanation and Analysis:
Kingston concludes her retelling of Fa Mu Lan’s story by contrasting herself with the woman warrior—she did not perform well in fights, and her mother shielded her from viewing dead bodies around the neighborhood. What they have in common, though, is a need to seek revenge both through and for language. In both Kingston’s case and Fa Mu Lan’s, they seek retribution for their people who have been wronged by those with more privilege and status. In Fa Mu Lan’s story, she seeks out the baron; in Kingston’s, she seeks out readers in a society that tolerated discrimination against her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequun

3. Shaman Quotes

But the Communists wear a blue plainness dotted with one red Mao button. My mother wore a silk robe and western shoes with big heels, and she rode home carried in a sedan chair. She had gone away ordinary and come back miraculous, like the ancient magicians who came down from the mountains. “When I stepped out of my sedan chair, the villagers said, ‘Ahhh,’ at my good shoes and my long gown. I always dressed well when I made calls. Some villages brought out their lion and danced ahead of me. You have no idea how much I have fallen coming to America.”

Related Characters: Maxine Hong Kingston (speaker), Brave Orchid
Page Number and Citation: 76-77
Explanation and Analysis:
Brave Orchid explains how she returned to her village in triumph after becoming a doctor. Despite the ancient Chinese aversion to female scholars, she was highly regarded, but also met with disbelief. Her elegance was an indication of her singularity among other villagers, who all wore the same Communist uniform—indeed, under Mao’s regime at the time, any kind of association with Western-ness or wealth was usually condemned. Brave Orchid thinks that she has “fallen” since “coming to America” due to no longer being able to practice medicine. She thinks that this is because she cannot speak English, but she also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati

Nor did she change her name: Brave Orchid. Professional women have the right to use their maiden names if they like. Even when she emigrated, my mother kept Brave Orchid, adding no American name nor holding one in reserve for American emergencies.

Related Characters: Maxine Hong Kingston (speaker), Brave Orchid
Page Number and Citation: 77
Explanation and Analysis:
Brave Orchid had to make many compromises when she moved to America, but she would not change her name, not even to take that of her husband. The decision may have been her attempt to maintain some connection to the prestige she had enjoyed in China, which she can never know again—both because they cannot go back to China, and because the country would never again allow her such a status, not even as a doctor. Her aversion to American names is part of her unwillingness to take the nation seriously, though she eventually relents to it being her home. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam conseq

My mother’s enthusiasm for me is duller than for the slave girl; nor did I replace the older brother and sister who died while they were still cuddly. Throughout my childhood my younger sister said, “When I grow up, I want to be a slave,” and my parents laughed, encouraging her.

Related Characters: Maxine Hong Kingston (speaker), The Slave Girl, Brave Orchid
Page Number and Citation: 82
Explanation and Analysis:
Kingston compares her mother’s recollection of buying the slave girl to her recollection of giving birth to Kingston. One would think that the birth of a child would be a great moment of pride, but Brave Orchid reserves this feeling for her ability to bargain successfully for a sixteen-year-old girl. Sensing her mother’s favor for a slave, Kingston’s younger sister identifies as such, which amuses and pleases her parents who expect obedience from their daughters. Kingston places her mother’s affection somewhere between Brave Orchid’s love for her deceased children, who are eternally frozen in newborn perfection for eternity, and her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut

I hope this holeless baby proves that my mother did not prepare a box of clean ashes beside the birth bed in case of a girl. “The midwife or a relative would take the back of a girl baby’s head in her hand and turn her face into the ashes,” said my mother. “It was very easy.” She never said she herself killed babies, but perhaps the holeless baby was a boy.

Related Characters: Maxine Hong Kingston (speaker), Brave Orchid
Page Number and Citation: 86
Explanation and Analysis:
Kingston recalls her mother’s story about delivering a baby born without an anus. Brave Orchid never identifies the gender of the baby, but recalls how it whimpered and struggled, as though trying to make a bowel movement. The fact that the baby was allowed to live long enough to feel his pain indicates that he was probably a boy. Nevertheless, Brave Orchid never tells her daughter if she herself ever killed a female infant, despite recalling how “easy” it looked when others did it. Kingston hopes that her mother did not participate in the ritual of murdering infant daughters, both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam v

The Japanese, though “little,” were not ghosts, the only foreigners not considered ghosts by the Chinese. They may have descended from the Chinese explorers that the First Emperor of Ch’in (221-210 B.C.) had deployed to find longevity medicine. They were to look for an island beyond the Eastern Ocean, beyond the impassable wind and mist. On this island lived phoenixes, unicorns, black apes, and white stags. Magic orchids, strange trees, and plants of jasper grew on Penglai, a fairy mountain, which may have been Mount Fuji. The emperor would saw off the explorers’ heads if they returned without the herbs of immortality. Another ancestor of the Japanese is said to be an ape that raped a Chinese princess, who then fled to the eastern islands to have the first Japanese child. Whichever the case, they were not a totally alien species…

Related Characters: Maxine Hong Kingston (speaker)
Related Symbols: Ghosts
Page Number and Citation: 93
Explanation and Analysis:
The Chinese attitude toward the Japanese, which was, according to Kingston, to regard them as actual people instead of alien phantoms, reveals a sense of commonality. The Chinese seemed to see the Japanese as a part of them (albeit an antagonistic part)—distant brethren who split off from the family tree at some point in history. The Chinese myth that connects the Japanese to explorers caters to the notion of the Japanese as a sea-faring people with an appetite for conquest. Perhaps they continued this habit out of fear of a wrathful and murderous emperor. The second myth gives them a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Ac

But America has been full of machines and ghosts—Taxi Ghosts, Bus Ghosts, Police Ghosts, Fire Ghosts, Meter Reader Ghosts, Tree Trimming Ghosts, Five-and-Dime Ghosts. Once upon a time the world was so thick with ghosts, I could hardly breathe; I could hardly walk, limping my way around the White Ghosts and their cars. There were Black Ghosts too, but they were open eyed and full of laughter, more distinct than White Ghosts.

Related Characters: Maxine Hong Kingston (speaker)
Related Symbols: Ghosts
Page Number and Citation: 97
Explanation and Analysis:
Brave Orchid has taught Kingston to regard Americans as ghosts—unreal, transparent creatures that have no connection to them or the real world which, for Brave Orchid, was China. “Machines” and “ghosts” are non-entities with no soul. Every ghost in America serves a social function, and this function names them. Kingston recalls a world crowded with ghosts, particularly White Ghosts, whose only reference to anything real was their cars. Thus, Kingston defines “White Ghosts” by their materialism, whereas “Black Ghosts” are distinguished more by physical and emotional expression.  Both, however, are distant and unfamiliar, despite Kingston’s family’s co-existence with them.

Whenever my parents said “home,” they suspended America. They suspended enjoyment, but I did not want to go to China. In China my parents would sell my sisters and me. My father would marry two or three more wives, who would spatter cooking oil on our bare toes and lie that we were crying for naughtiness. They would give food to their own children and rocks to us. I did not want to go where the ghosts took shapes nothing like our own.

Related Characters: Maxine Hong Kingston (speaker), Father, Brave Orchid
Related Symbols: Ghosts
Page Number and Citation: 99
Explanation and Analysis:
Kingston’s parents remained insistent on going back to China, though their children knew nothing about this country other than what their mother had told them during talk-story. From the stories, China seemed like a place where Kingston and her siblings would endure subjugation within a hierarchy of other children and family members, due to the assumption that their father would take more wives and those wives would hate Brave Orchid’s children. Kingston’s greater fear is that she and her siblings would be totally alienated in China, for the customs and habits of the people would be so different from what Dolorem et quae. Exercita

“This is a terrible ghost country, where a human being works her life away,” she said. “Even the ghosts work, no time for acrobatics. I have not stopped working since the day the ship landed. I was on my feet the moment the babies were out. In China I never even had to hang up my own clothes. I shouldn’t have left, but your father couldn’t have supported you without me. I’m the one with the big muscles.”

Related Characters: Brave Orchid (speaker), Father, Maxine Hong Kingston
Related Symbols: Ghosts
Page Number and Citation: 104
Explanation and Analysis:
Kingston has returned home to visit her mother, who admits to missing her and the other children now that they have all moved away. Brave Orchid does not like America, which is why she held out hope for so long of moving back to China, and tried to convince her children that America was a “ghost country,” in which nothing was real, as in China. Work—the menial physical labor of doing laundry—has characterized her life in the United States. In China, however, she enjoyed a higher status and made enough money to hire servants. Thus, while in the U.S. she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. V

4. At the Western Palace Quotes

“A long time ago,” began Brave Orchid, “the emperors had four wives, one at each point of the compass, and they lived in four palaces. The Empress of the West would connive for power, but the Empress of the East was good and kind and full of light. You are the Empress of the East, and the Empress of the West has imprisoned the Earth’s Emperor in the Western Palace. And you, the good Empress of the East, come out of the dawn to invade her land and free the Emperor. You must break the strong spell she has cast on him that has lost him the East.”

Related Characters: Brave Orchid (speaker), Moon Orchid’s Husband , Moon Orchid
Page Number and Citation: 143
Explanation and Analysis:
On the drive to Los Angeles to reunite Moon Orchid with her husband, Brave Orchid begins this talk-story to encourage Moon Orchid to fight for her right to be back in her husband’s life after years of abandonment. In her descriptions of the figurative Empresses of the East and West, Brave Orchid expresses her contempt for Western life and its false promises. It is a place that casts a strong spell, causing some people to forget the East, which is “good and kind and full of light.” Moon Orchid, with her lack of guile, fits this description, but her husband Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur molliti

“Oh, Sister, I am so happy here. No one ever leaves. Isn’t that wonderful? We are all women here. Come. I want you to meet my daughters.” She introduced Brave Orchid to each inmate in the ward—her daughters. She was especially proud of the pregnant ones. “My dear pregnant daughters.” She touched the women on the head, straightened collars, tucked blankets. “How are you today, dear daughter?” “And, you know,” she said to Brave Orchid, “we understand one another here. We speak the same language, the very same. They understand me, and I understand them.” Sure enough, the women smiled back at her and reached out to touch her as she went by. She had a new story, and yet she slipped entirely away, not waking up one morning.

Related Characters: Maxine Hong Kingston (speaker), Moon Orchid (speaker), Brave Orchid
Page Number and Citation: 160
Explanation and Analysis:
Brave Orchid visits Moon Orchid in a state asylum after Moon Orchid’s daughter commits her, due to her mother suffering a series of paranoid attacks. Moon Orchid is comforted in what would normally be perceived as a very uncomfortable place. She finds constancy in the other women’s madness, as well as a common language between them. It is possible that the women communicate to each other silently, given that Moon Orchid does not speak English. This would indicate that silence has the power to connect people, too. By designating the women as her daughters and taking a concern in their Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo min

5. A Song for a Barbarian Reed Pipe Quotes

“I cut it so that you wouldn’t be tongue-tied. Your tongue would be able to move in any language. You’ll be able to speak languages that are completely different from one another. You’ll be able to pronounce anything. Your frenum looked too tight to do those things, so I cut it.”

Related Characters: Brave Orchid (speaker), Maxine Hong Kingston
Page Number and Citation: 164
Explanation and Analysis:
Brave Orchid responds to Kingston’s question of why she cut Kingston’s frenulum under her tongue when Kingston was a baby. It is not certain whether this event actually occurred, or if it is just “talk-story.” Still, Brave Orchid expresses a wish for her daughter to have fluency and fluidity in speech. Later, Kingston suspects that the purpose of the tongue-cutting was to do just the opposite, to make her less capable of expressing herself, though her mother insists otherwise. Brave Orchid does not want Kingston to suffer the limitation that she endured due to being unable to learn English. She Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offici

Normal Chinese women’s voices are strong and bossy. We American-Chinese girls had to whisper to make ourselves American-feminine.

Related Characters: Maxine Hong Kingston (speaker)
Page Number and Citation: 172
Explanation and Analysis:
Kingston contrasts the expression of voice. Kingston separates herself from “normal Chinese” women—that is, those who were born in China and have an instinctive sense of the language derived from living on the land—and American-Chinese, like Kingston, who have learned the language second-hand and apply an American cadence. Kingston grew up in California in the 1950s, when femininity, particularly that which was portrayed in the films Kingston enjoyed watching in her youth, portrayed girlish women whose voices were small—a contrast to the “strong and bossy” voices she was accustomed to hearing. Kingston’s voice did not fit either of these modes, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam

Lie to the Americans. Tell them you were born during the San Francisco earthquake. Tell them your birth certificate and your parents were burned up in the fire. Don’t report crimes; tell them we have no crimes and no poverty. Give a new name every time you get arrested; the ghosts won’t recognize you. Pay the new immigrants twenty-five cents an hour and say we have no unemployment. And, of course, tell them we’re against Communism. Ghosts have no memory anyway and poor eyesight.

Related Characters: Maxine Hong Kingston (speaker)
Related Symbols: Ghosts
Page Number and Citation: 184-185
Explanation and Analysis:
Kingston contemplates her Chinese community’s method of dealing with Americans, particularly authorities. The rule is subterfuge and to reveal as little about one’s background as possible. Kingston constructs nearly every sentence as an imperative, emphasizing the sense of these being rules that one ought to follow to thrive in the new country. In this passage, Kingston subtly addresses the way subterfuge allowed the Chinese to shift socially from an ostracized and scorned group to a “model minority.” By maintaining social cohesion—collectively refusing to report crimes and keeping quiet about illegal immigrants amongst them—they eluded suspicion and reproach. They relied on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Pro

Maybe because I was the one with the tongue cut loose, I had grown inside me a list of over two hundred things that I had to tell my mother so that she would know the true things about me and to stop the pain in my throat.

Related Characters: Maxine Hong Kingston (speaker), Brave Orchid
Page Number and Citation: 197
Explanation and Analysis:
Kingston adopts the Catholic habit of confession, which she has learned from her Mexican and Filipina friends. She thinks that by confessing all of the improper things that she has ever done or thought about doing, she can grow closer to her mother, though this does not work. Kingston’s desire to confess is rooted in a need to cast off the traditional habit of secrecy and to try to establish new, more American traditions, which allow people to speak about their experiences and thoughts without shame. The “pain in [Kingston’s] throat” is seemingly the physical result of withholding secrets. Ironically, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptate

What I’ll inherit someday is a green address book full of names. I’ll send the relatives money, and they’ll write me stories about their hunger […] I’ve been making money; I guess it’s my turn. I’d like to go to China and see those people and find out what’s a cheat story and what’s not. Did my grandmother really live to be ninety-nine? Or did they string us along all those years to get our money? Do the babies wear a Mao button like a drop of blood on their jumpsuits? When we overseas Chinese send money, do the relatives divide it evenly among the commune? Or do they really pay 2 percent tax and keep the rest? It would be good if the Communists were taking care of themselves; then I could buy a color t.v.

Related Characters: Maxine Hong Kingston (speaker)
Page Number and Citation: 206
Explanation and Analysis:
Kingston’s questions about her family history, which she posits at the end of the novel, concern what is real and what is apocryphal. The beginning of the novel addresses the supposed impermeability of the silence around No Name Woman, but now Kingston seeks to go to China and find the answers to her own questions about the gaps in her family’s stories. She seems less convinced that their suffering is as thorough as they say. It is possible, too, that the Communists are as prone to materialism as anyone else and might, just like their brethren in the West, tell Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupta
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