Algerian War of Independence Term Analysis

In its bare reality, decolonization reeks of red-hot cannonballs and bloody knives. For the last can be the first only after a murderous and decisive confrontation between the two protagonists. This determination to have the last move up to the front, to have them clamber up (too quickly, say some) the famous echelons of an organized society, can only succeed by resorting to every means, including, of course, violence.

The colonized intellectual should not be concerned with choosing how or where he decides to wage the national struggle. To fight for national culture first of all means fighting for the liberation of the nation, the tangible matrix from which culture can grow. One cannot divorce the combat for culture from the people’s struggle for liberation. For example, all the men and women fighting French colonialism in Algeria with their bare hands are no strangers to the national culture of Algeria. The Algerian national culture takes form and shape during the fight, in prison, facing the guillotine, and in the capture and destruction of the French military positions.

Today I can tell just which stage the interrogation has reached by the sound of the screams. The guy who has been punched twice and given a blow behind the ear has a certain way of talking, screaming, and saying that he is innocent. After he has been hanging by his wrists for two hours, his voice changes. After the bathtub, a different voice. And so on. But it’s after the electricity that it becomes unbearable. You’d think he was going to die at any moment.