They Both Die at the End

They Both Die at the End

by Adam Silvera

Rufus Emeterio Character Analysis

Rufus is one of the novel’s protagonists; he’s a 17-year-old Cuban American boy in foster care. Rufus’s last six months have been almost unbearable: he watched his parents and sister, Olivia, drown after their car drove into the Hudson River. After this, Rufus ended up in foster care, and his girlfriend Aimee recently broke up with him and began dating Peck, whom Rufus hates. Despite these circumstances, Rufus tries to make the best of it—he turns to his foster siblings, Malcolm, Tagoe, and Aimee (whom he calls the “Plutos”) for support, and he loves riding his bike. However, everything changes when Rufus receives his call from Death-Cast while he’s in the process of beating up Peck. Rufus doesn’t see himself as a violent person, so the thought that beating Peck could be his last act is disturbing. He vows to die a good person, but his attempt to have a meaningful funeral fails when the police arrive to arrest him. Rufus ultimately turns to Last Friend and meets Mateo, who awes Rufus with both his kindness and his fears. For the first few hours of their friendship, Rufus demonstrates that he can be a good friend by supporting Mateo in what he wants to do. As the day wears on, however, Rufus decides to come clean about his past. Sharing the story of his family’s deaths helps Rufus come to terms with those events, and it brings him closer to Mateo. After the boys leap into a pool at the Travel Arena, Rufus finally feels whole and like he’s left his anger behind. Rufus is open about his bisexuality and begins to suspect early on that Mateo is also non-heterosexual. They finally kiss and confess their feelings for each other at Clint’s Graveyard. Rufus is extremely angry that his and Mateo’s relationship won’t even last 24 hours, and he’s overtaken with grief when Mateo dies first. Rufus isn’t dead yet at the end of the novel, but it’s implied that he dies moments after he steps off a curb to cross the street. He vows to find Mateo and his own family in the afterlife.

Rufus Emeterio Quotes in They Both Die at the End

The They Both Die at the End quotes below are all either spoken by Rufus Emeterio or refer to Rufus Emeterio. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Mortality, Life, and Meaning Theme Icon
).

Rufus Emeterio, 1:05 a.m. Quotes

I’m trying to stay shut ‘cause I don’t wanna take my problems out on some guy doing his job, even though I have no idea why the hell anyone applies for this position in the first place. Let’s pretend I got a future for a second, entertain me—in no universe am I ever waking up and saying, “I think I’ll get a twelve-to-three shift where I do nothing but tell people their lives are over.” But Victor and others did.

Related Characters: Rufus Emeterio (speaker), Victor
Page Number and Citation: 17
Explanation and Analysis:

“You want me to get off my throne and get real with you? Okay. An hour ago I got off the phone with a woman who cried over how she won’t be a mother anymore after her four-year-old daughter dies today. [...] And then I had to put in a request to the Youth Department to dispatch a cop just in case the mother is responsible, which believe it or not, is not the most disgusting thing I’ve done for this job.”

Related Characters: Victor (speaker), Rufus Emeterio
Page Number and Citation: 20
Explanation and Analysis:

Rufus, 1:18 a.m. Quotes

I don’t wanna think about any of that, I just wanna get to Aimee and say goodbye to the Plutos as the friend they know I am, not the monster I was tonight.

Related Characters: Rufus Emeterio (speaker), Aimee Dubois, Malcolm Anthony, Tagoe Hayes, Peck/Patrick Gavin
Page Number and Citation: 32
Explanation and Analysis:

Mateo, 1:52 a.m. Quotes

But I was wrong, go figure. This is exactly the person I always wanted to be—loose, fun, carefree. No one will look at this photo and think it was out of character, because none of these people know me, and their only expectations of me are to be the person I’m presenting myself as in my profile.

Related Characters: Mateo Torrez (speaker), Rufus Emeterio
Related Symbols: Photos
Page Number and Citation: 46
Explanation and Analysis:

Mateo, 3:14 a.m. Quotes

Rufus E. (3:19 a.m.): Hey, Mateo. Nice hat.

He not only responded, but he likes my Luigi hat from my profile picture. He’s already connecting to the person I want to become.

Related Characters: Mateo Torrez (speaker), Rufus Emeterio (speaker), Lidia
Related Symbols: Photos
Page Number and Citation: 74
Explanation and Analysis:

Mateo, 4:26 a.m. Quotes

But I wasn’t honest with Rufus because, on a deep level, I do believe partying on the train is my kind of scene. It’s just that the fear of disappointing others or making a fool of myself always wins.

Related Characters: Mateo Torrez (speaker), Rufus Emeterio, Lidia
Page Number and Citation: 109
Explanation and Analysis:

Mateo, 4:58 a.m. Quotes

“I think we made his day by not pretending he’s invisible.”

Related Characters: Mateo Torrez (speaker), Rufus Emeterio, The Homeless Man
Page Number and Citation: 126
Explanation and Analysis:

Mateo, 7:22 a.m. Quotes

I believe him. He’s not monstrous. Monsters don’t come to your home to help you live; they trap you in your bed and eat you alive. “People make mistakes,” I say.

“And my friends are the ones being punished,” Rufus says. “Their last memory of me will be running out the back door from my own funeral because the cops were coming for me. I left them behind... I’ve spent the last four months feeling abandoned by my family dying, and in a split second I did the same damn thing to my new family.”

Related Characters: Mateo Torrez (speaker), Rufus Emeterio (speaker), Malcolm Anthony, Aimee Dubois, Olivia, Rufus’s Parents, Vin Pearce, Peck/Patrick Gavin, Tagoe Hayes
Page Number and Citation: 173
Explanation and Analysis:

Rufus, 7:53 a.m. Quotes

I don’t know if he’s playing it off like he doesn’t know this from my Last Friend profile or if he’s impacted by this piece of history between me and my sister or if he overlooked this on my profile and is some ass who cares about who other people kiss. I hope not. We’re friends now, hands down, and it’s not forced. I met this kid a few years ago because some creative designer somewhere developed an app to forge connections. I’d hate to disconnect.

Related Characters: Rufus Emeterio (speaker), Olivia, Dalma Young, Mateo Torrez
Page Number and Citation: 176
Explanation and Analysis:

Mateo, 11:32 a.m. Quotes

“I think we’re already dead, dude. Not everyone, just Deckers. The whole Death-Cast thing seems too fantasy to be true. Knowing when our last day is going down so we can live it right: Straight-up fantasy. The first afterlife kicks off when Death-Cast tells us to live out our day knowing it’s our last; that way we’ll take full advantage of it, thinking we’re still alive. Then we enter the next and final afterlife without any regrets.”

Related Characters: Rufus Emeterio (speaker), Mateo Torrez, Andrea Donahue
Page Number and Citation: 214
Explanation and Analysis:

Mateo, 12:22 p.m. Quotes

Twelve hours ago I received the phone call telling me I’m going to die today. In my own Mateo way, I’ve said tons of goodbyes already [...] but the most important goodbye is the one I said to Past Mateo, who I left behind at home when my Last Friend accompanied me into a world that has it out for us. Rufus has done so much for me and I’m here to help him confront any demons following him [...]

Related Characters: Mateo Torrez (speaker), Dad, Rufus Emeterio, Lidia, Mateo’s Mom
Page Number and Citation: 227
Explanation and Analysis:

Mateo, 12:58 p.m. Quotes

I buy the mystery book and the postcards, thank Joel for his help, and we leave. Rufus said the key to his relationships was speaking up. I can do this with the postcards, but I have to use my voice, too.

Related Characters: Mateo Torrez (speaker), Rufus Emeterio, Joel
Page Number and Citation: 239
Explanation and Analysis:

Deirdre Clayton, 1:50 p.m. Quotes

Deirdre reaches deep within herself, far past the place where lies and hopelessness come easily, and even beneath the very honest truth where she’s okay with the impacting the relief that comes with flying off this roof. She sees two boys living and this makes her feel less dead inside.

Intent may not be enough to cause her to actually die, she knows this from the countless other mornings when she’s woken up to ugliness, but when faced with the chance to prove Death-Cast wrong, Deirdre makes the right decision and lives.

Related Characters: Deirdre, Mateo Torrez, Rufus Emeterio
Page Number and Citation: 248
Explanation and Analysis:

Mateo, 3:26 p.m. Quotes

“Welcome to the World Travel Arena. Sorry to lose you three.”

“I’m not dying,” Lidia corrects.

“Oh. Cost for guests is going to be one hundred dollars,” the teller says. He looks at me and Rufus. “Suggested donation is one dollar for Deckers.”

I pay for all our tickets, donating an extra couple hundred dollars in the hope that the arena remains open for many, many years.

Related Characters: Lidia (speaker), Mateo Torrez (speaker), Rufus Emeterio, Victor, Deirdre
Page Number and Citation: 281
Explanation and Analysis:

Officer Andrade, 4:32 p.m. Quotes

Graham is always on Andrade’s mind, and today is no exception, with these foster kids in the holding cell who are acting out because their brother is a Decker. You don’t need matching DNA for someone to be your brother, Andrade knows this. And you definitely don’t need the same blood to lose a part of yourself when someone dies.

Related Characters: Officer Andrade, Graham, Rufus Emeterio, Malcolm Anthony, Tagoe Hayes
Page Number and Citation: 291
Explanation and Analysis:

Andrade is doing his damn best to get that snuff channel terminated by the end of the year. No way in hell he can share a beer with Graham in heaven without getting this job done. Andrade wants to focus on his real work, not babysitting. That’s why he has their foster parents signing release forms this very second. Let them go home with firm warnings so they can sleep.

And grieve.

Maybe even find their friend if he’s still alive.

Related Characters: Officer Andrade, Graham, Rufus Emeterio, Malcolm Anthony, Tagoe Hayes, Jenn Lori, Francis
Page Number and Citation: 292
Explanation and Analysis:

Mateo, 5:14 p.m. Quotes

“I know there’s no time to waste, but I had to be sure you are who I thought you were. The best thing about dying is your friendship.” I never thought I would find someone I could say words like this to.

Related Characters: Mateo Torrez (speaker), Dad, Rufus Emeterio, Mateo’s Mom
Related Symbols: Mateo’s Birth
Page Number and Citation: 308
Explanation and Analysis:

The Gang With No Name; 5:36 p.m. Quotes

Death-Cast did not call this gang of boys today, and they’re living as if this means their lives can’t be over while they’re alive. They run through the streets, not caring about traffic, as if they’re invincible against speeding cars and completely untouchable by the law.

Related Characters: Peck/Patrick Gavin, Kendrick O’Connell, Damien Rivas, Howie Maldonado, Rufus Emeterio
Page Number and Citation: 315
Explanation and Analysis:

The Plutos, 6:33 p.m. Quotes

You may be born into a family, but you walk into friendships. Some you’ll discover you should put behind you. Others are worth every risk.

Related Characters: Aimee Dubois, Malcolm Anthony, Tagoe Hayes, Peck/Patrick Gavin, Rufus Emeterio
Page Number and Citation: 334
Explanation and Analysis:

Mateo, 7:34 p.m. Quotes

“I always wanted to stumble into someone like you and it sucks that I had to find you through a stupid app.”

“I like the Last Friend app. [...] I think the app puts you out there more than anything else. For me, it meant admitting I was lonely and wanted to connect with someone.”

Related Characters: Rufus Emeterio (speaker), Mateo Torrez (speaker)
Page Number and Citation: 340
Explanation and Analysis:
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Rufus Emeterio Character Timeline in They Both Die at the End

The timeline below shows where the character Rufus Emeterio appears in They Both Die at the End. The colored dots and icons indicate which themes are associated with that appearance.
Rufus Emeterio, 1:05 a.m.
Mortality, Life, and Meaning Theme Icon
Friendship and Chosen Family Theme Icon
Rufus is in the middle of beating Peck, who stole his girlfriend, when Death-Cast calls. Mateo’s... (full context)
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When Rufus corrects him that he only has 23 hours, Victor apologizes. Rufus tries to control his... (full context)
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When the call is over, Rufus prays that he doesn’t drown like his parents and Olivia. He walks back to Peck,... (full context)
Rufus, 1:18 a.m.
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Rufus explains that he and his “boys” call themselves the Plutos. They’re all in a foster... (full context)
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Rufus calls Aimee, even though she said she needed space. He watches a priest escorting a... (full context)
Rufus, 1:41 a.m.
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Rufus, Malcolm, and Tagoe bike carefully past a Decker-friendly club called Clint’s Graveyard. They reach their... (full context)
Rufus, 1:59 a.m.
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Rufus changes into his cycling gear, grabs his helmet, and leaves the light on when he... (full context)
Rufus, 2:21 a.m.
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Aimee shoves Rufus against the fridge and asks what he was thinking. Jenn Lori presses ice to Peck’s... (full context)
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Francis speaks, and then Malcolm steps up. He says that Rufus matters more than most people. Tagoe cries and says that Rufus was supposed to be... (full context)
Rufus, 2:59 a.m.
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Rufus wishes Death-Cast had called him before he ruined his life earlier—he thinks through all the... (full context)
Mateo, 3:14 a.m.
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...named Zoe, but he ignores her when he sees a profile for a kid named Rufus pop up. Mateo has always liked the name. Rufus is Cuban American, bisexual, and wants... (full context)
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Mateo feels exposed and a bit threatened. Rufus apologizes for the video chat; he just wants to know that he can trust Mateo.... (full context)
Rufus, 3:31 a.m.
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As Rufus bikes to Mateo’s apartment, he hopes that Mateo isn’t a serial killer. He thinks that... (full context)
Malcolm Anthony, 3:34 a.m.
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...Death-Cast, but his future is still at risk. Malcolm and Tagoe informed the police that Rufus is a Decker and not worth chasing, but the police insisted they had to find... (full context)
Mateo, 3:42 a.m.
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Mateo stops pacing when he hears a knock at the door—he hopes that it’s actually Rufus and that Rufus is alone. He squints through the peephole and then opens the door.... (full context)
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Mateo looks around, thinking that everything looks different now. Rufus grabs his bike and says they need a game plan—and bucket lists are pointless. Mateo... (full context)
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...have to get it out of the street—he doesn’t think they should leave dead things. Rufus snappily says that he feels the same way. Mateo apologizes and explains that as a... (full context)
Rufus, 4:09 a.m.
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Rufus thinks that Mateo is too good, and he vows to take what he did to... (full context)
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Rufus is relieved the train came because this means they won’t die on the tracks. He... (full context)
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Once Mateo understands that Rufus is genuinely curious, he talks quickly and excitedly about robots that can do household chores... (full context)
Aimee Dubois, 4:17 a.m.
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...a call from Death-Cast and isn’t dying, but she feels as though she already lost Rufus. She storms home and tells Peck, who’s following her, that he’s a monster for trying... (full context)
Mateo, 4:26 a.m.
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...he belongs. He’s just too afraid of disappointing people or looking like a fool. Surprisingly, Rufus follows Mateo into the hospital. Mateo reads the receptionist’s nametag and asks the receptionist, Jared,... (full context)
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Mateo struggles up the stairs. From a few flights above, Rufus calls down that Mateo has to open himself up to new experiences. Mateo replies that... (full context)
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...like he was on the beach when Dad proposed to his mom the first time. Rufus interrupts, awed, and Mateo invites him in. Mateo says that his mom turned Dad down... (full context)
Rufus, 4:46 a.m.
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Rufus thinks he’s going to have to knock Mateo out to get him out of the... (full context)
Mateo, 4:58 a.m.
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...put people at the hospital at risk. He wants to listen to music, especially since Rufus caught him singing—he wants to listen to “Come What May,” which Mateo’s mom sang to... (full context)
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...lunch money. But Mateo says that he shouldn’t be the judge of who needs help. Rufus parks his bike, fishes out $20, and leads Mateo to the homeless man. He makes... (full context)
Mateo, 5:20 a.m.
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Business, Ethics, and Dehumanization Theme Icon
...He suggests they hang out in Lidia’s lobby since it’s too early to visit, but Rufus says it’s time for breakfast. Mateo is happy to follow. Rufus takes Mateo to his... (full context)
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...and tries to make small talk before asking the boys’ orders. Her nametag reads “Rae.” Rufus says he’s changing things up today, since it’s his last chance, and he asks what... (full context)
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...Mateo sizes up his French toast, which reminds him of Dad. He offers some to Rufus, but Rufus grabs Rae’s forgotten notepad, starts to draw a map, and says he wanted... (full context)
Rufus, 5:53 a.m.
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Rufus admits that he wishes he could have one last meal with the Plutos. At the... (full context)
Mateo, 6:14 a.m.
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...worst Last Friend ever and says that this is going to be awful. He tells Rufus that Lidia was destroyed when her boyfriend, Christian, died and never got to meet Penny.... (full context)
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Mateo calls Lidia. She’s awake and agrees that Mateo can visit. Rufus stays downstairs to call his friends while Mateo heads up. Lidia is frantically heating up... (full context)
Rufus, 6:48 a.m.
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Rufus scrolls through Instagram. He’s certain that Malcolm and Tagoe are asleep, since they’re not texting... (full context)
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Rufus says he didn’t get to say goodbye to his friends, but he dances around what... (full context)
 Patrick “Peck” Gavin, 7:08 a.m.
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...receive a call from Death-Cast today, so he’s not dying. He expected the call before Rufus got his, though. Peck presses a frozen hamburger patty to his face and thinks that... (full context)
 Rufus, 7:12 a.m.
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Mateo and Rufus get the same notification that there’s a Make-A-Moment location nearby. Mateo explains that the locations... (full context)
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Aimee is shocked that Rufus is alive, seems dazed when Rufus introduces Mateo, and says that things got crazy after... (full context)
Aimee Dubois, 7:18 a.m.
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Aimee stops trying to call Rufus. He might have blocked her, or he might be dead. She comments on all his... (full context)
Mateo, 7:22 a.m.
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Mateo races away from Rufus, figuring it’s better to die alone after living alone. He doesn’t want to know what... (full context)
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The boys sit on the sculpture. Mateo thinks that Rufus is awkward and silent in the same way that people were when his history teacher... (full context)
Rufus, 7:53 a.m.
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Rufus thinks he’s lucky to have a Last Friend with his support network gone; he’s able... (full context)
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Mateo tells Rufus he doesn’t have to continue, but Rufus continues the story. Olivia wanted to go to... (full context)
Mateo, 8:32 a.m.
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Rufus stops in front of a sporting goods store and shares that he and Olivia loved... (full context)
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A young black woman whose nametag reads “Deirdre” welcomes Mateo and Rufus and offers them a binder of experiences: skydiving, zip-lining, windsurfing, and more. Mateo suggests they... (full context)
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In their room, Mateo and Rufus get dressed in harnesses and ask their instructor, Madeline, to take their photo. She offers... (full context)
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After the experience, Madeline helps them out of their gear. As Mateo and Rufus pass Deirdre, Rufus suggests that they should’ve waited to swim with sharks, and Mateo thanks... (full context)
Rufus, 9:41 a.m.
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Under a highway, Rufus and Mateo stumble across abandoned payphones in a ditch. Mateo tries to protest, but he... (full context)
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Mateo apologizes for “hijacking” Rufus’s moment, but Rufus says it’s fine—he’s not interested in talking about the societal implications of... (full context)
Tagoe Hayes, 9:48 a.m.
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...call from Death-Cast today because he’s not dying, but he’ll never forget the look on Rufus’s face when Rufus received the alert. In their holding cell, he and Malcolm are surprised... (full context)
Mateo 10:12 a.m.
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As Rufus rides his bike beside Mateo, Mateo says he has one idea: he’d like to go... (full context)
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Mateo’s heart is pounding, but he aimlessly puts bricks together. Rufus asks where Mateo wanted to travel. Mateo feels suffocated—now that he’s dying and can’t travel,... (full context)
Rufus, 10:39 a.m.
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Rufus knows it sounds creepy, but he has to take a photo of Mateo sleeping. He... (full context)
Mateo, 10:42 a.m.
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Mateo isn’t on the mountain anymore—he’s on the train. He tells Rufus that he was skiing in the dream, but he lost his poles and a boulder... (full context)
Mateo, 11:32 a.m.
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...12, so he doesn’t know the fastest way to his mom’s grave. As he and Rufus wander, they discuss the afterlife. Rufus says he believes in two afterlives: the first begins... (full context)
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...almost to his mom’s grave, and next to it, a man is digging Mateo’s grave. Rufus asks the gravedigger for some privacy and shouts at him when the gravedigger says he’s... (full context)
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...He asks Mom to look after him. Then, Mateo sits down in his unfinished grave. Rufus sits in it too, and he says that he’s going to be cremated, like his... (full context)
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Mateo and Rufus talk about their different experiences in Althea Park: it’s where Dad taught Mateo about clouds,... (full context)
Mateo, 12:22 p.m.
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...more important than the one he said to Past Mateo. Past Mateo stayed home when Rufus took the current Mateo out into the world. The boys are here together, and Mateo... (full context)
Rufus, 12:35 p.m.
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Rufus is ready for anything as he follows Mateo; he got a power nap on the... (full context)
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Mateo reminds Rufus that Death-Cast is never wrong, but Rufus continues to list what he could’ve done. He... (full context)
Mateo, 12:58 p.m.
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Mateo and Rufus pass a bookstore, and Mateo thinks he needs some books after seeing a scary man... (full context)
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...books, and Joel checks him out. Mateo thinks that with the postcards, he can apply Rufus’s advice to use his voice. Mateo tells Rufus that when he was nine, he asked... (full context)
Rufus, 1:14 p.m.
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Just over 12 hours ago, Rufus learned he was going to die. Now, he sits on the curb hugging his knees,... (full context)
Mateo, 1:28 p.m.
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...but he doesn’t feel like he can waste his End Day eating when he and Rufus almost died. He sits next to Rufus and watches people talk to the police. Mateo... (full context)
Rufus, 1:46 p.m.
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Rufus needs to move. He desperately wants to see the Plutos, but he’ll settle for a... (full context)
Mateo, 1:52 p.m.
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The bike isn’t awful. Rufus dodges deliverymen who are looking up instead of paying attention to their couch, and Mateo... (full context)
Rufus, 2:12 p.m.
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As Rufus slows down and pulls into Althea Park, Mateo loosens his grip. Rufus stops, startled, and... (full context)
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Rufus says that for the past few months, his life has felt over. He’s wanted to... (full context)
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Mateo and Rufus decide to swing, and Rufus snaps more photos. Mateo asks if Rufus is going to... (full context)
Damien Rivas, 2:22 p.m.
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...on the phone. He tells Peck that it was silly to call the cops on Rufus and says they should’ve dealt with Rufus themselves. Peck agrees and says that the cops... (full context)
Mateo, 2:34 p.m.
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It starts to rain again, so Mateo and Rufus hide under a pet store awning and look at puppies as they decide what to... (full context)
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Rufus and Mateo continue the game. They make up stories for a rain-soaked businessman, a woman... (full context)
Mateo, 3:18 p.m.
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...that it’s a risk to see Lidia again, but he wants to try. He borrows Rufus’s phone after they get on the bus (after confirming that the driver isn’t a Decker)... (full context)
Peck, 3:21 a.m.
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...once by shooting the person who disrespected him. Peck retrieves the gun and opens up Rufus’s Instagram account. To his displeasure, there are lots of comments from Aimee on Rufus’s photos.... (full context)
Mateo, 3:26 p.m.
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When they reach the Travel Arena, Mateo keeps Rufus from slipping on his way off the bus. They get in the line for Deckers;... (full context)
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...with Penny in the future, they’re going to travel together now. He introduces Lidia and Rufus. At the front of the line, the teller offers condolences for all three of them.... (full context)
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Rufus suggests they take one of the tours. Mateo suggests Around the World in 80 Minutes,... (full context)
Rufus, 4:24 p.m.
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Rufus isn’t sure about jumping; he hasn’t even been in a pool since his family died.... (full context)
Officer Andrade, 4:32 p.m.
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...the holding cell, upset because their brother is a Decker. He hasn’t been looking for Rufus, since he doesn’t think Rufus will cause trouble like the Decker who killed Graham. Graham... (full context)
Patrick “Peck” Gavin, 4:59 p.m.
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Kendrick and Damien suggest that Rufus might be dead already, but Peck continues to refresh Rufus’s Instagram. Peck wants Rufus dead,... (full context)
Rufus, 5:01 p.m.; Patrick “Peck” Gavin, 5:05 p.m.
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Rufus chooses not to speculate on what it means that the line for Clint’s Graveyard is... (full context)
Mateo, 5:14 p.m.
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Mateo thinks he’s experienced miracles today. He found Rufus, their friends are joining them, and Clint’s Graveyard could be a great place for Mateo... (full context)
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Rufus reminds Mateo that he can sing when he’s ready. They watch a teenager sing karaoke... (full context)
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DJ LouOw welcomes Rufus and Mateo to the stage, and they congratulate the last performer. The boys accept their... (full context)
The Gang With No Name; 5:36 p.m.
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...of control, hits another car, and then crashes into a wall. Peck focuses on reaching Rufus and pulling out his gun. (full context)
Rufus, 5:39 p.m.
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Rufus wants to hold Mateo’s hand, but he knows he has to hug his friends. Rufus... (full context)
Mateo, 5:48 p.m.
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Mateo drags Rufus to the dance floor as a guy performs an original rap about death. In any... (full context)
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Lidia sees Rufus and Mateo holding hands. Mateo apologizes for never telling her that he likes guys; he... (full context)
Rufus, 5:59 p.m.
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At first, Rufus that Aimee brought Peck, but she stands between Peck and Rufus. He knows he can’t... (full context)
Mateo, 6:24 p.m.
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Mateo and Rufus sit against a wall, holding hands. Mateo wants to be somewhere safe, and he admits... (full context)
The Plutos, 6:33 p.m.
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...Plutos aren’t dying today, but their fourth member got the Death-Cast call. They know that Rufus won’t survive, but they’re relieved that Rufus didn’t die at Peck’s hand. They cheer as... (full context)
Rufus, 7:17 p.m.
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Rufus and Mateo pass the garden where Mateo buried the bird. Mateo asks if it’s okay... (full context)
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Mateo leads Rufus to his room—it’s a mess. Mateo starts to pick up books and explains that he... (full context)
Mateo, 7:34 p.m.
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Mateo knows that Rufus loves how he’s acting, and Mateo loves it too. They sit on the edge of... (full context)
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Mateo fetches snacks and drinks, and they talk about their histories. Rufus declares that the bed is their safe island; they can’t die if they stay put.... (full context)
Rufus, 7:54 p.m.
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Rufus says he loves Mateo too. If Rufus hadn’t worked so hard to be the person... (full context)
Mateo, 8:41 p.m.
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...he can’t die. He doesn’t check the clock as he puts his glasses on, kisses Rufus, and checks that Rufus is still alive. Mateo knows that Rufus will kill him for... (full context)
Rufus, 8:47 p.m.
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Rufus wakes up choking on smoke. He reaches for Mateo, but he’s alone. Rufus grabs his... (full context)
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At 9:16, Rufus sits on the curb as medics bag up Mateo’s body. The medics attend to Rufus... (full context)
Lidia Vargas, 10:10 p.m.
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...like she knows something is wrong. Lidia’s phone rings and she recognizes the number: it’s Rufus. Lidia knows that Mateo died and punches the couch, which scares Penny. Penny grabs Lidia’s... (full context)
Rufus, 10:14 p.m.
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Rufus’s last Instagram photo is the one of him and Mateo, with Rufus wearing Mateo’s glasses.... (full context)
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Rufus picks up the photo of Dad and Mateo on Mateo’s birthday. He wishes he’d known... (full context)