Things We Didn’t See Coming

by Steven Amsterdam

Margo Character Analysis

Margo is the narrator’s on-again-off-again girlfriend, whom he meets when both are stealing jewelry from an abandoned store. Like the narrator, Margo is flexible, adaptive, and able to survive even under extreme duress. Unlike the narrator, Margo craves solitude, and she frequently disappears without saying a word to the narrator—to find drugs or ex-lovers in the city, or just to be by herself once the couple decamps to the desert. Though the narrator remains intensely loyal to Margo, she frequently has affairs, temporarily leaving the narrator for the more easygoing Shane; later, after they have entered into a practical union contract, she flaunts her intimacies with powerful senator Juliet and many of the people on Juliet’s staff. The narrator, almost chemically attracted to Margo, is also conflicted in his feelings about her. On the one hand, he admires that she “knows all the nuts and berries” and “the value of everything,” that she is a “real survivor”; on the other hand, the narrator constantly misses Margo and wishes for more consistency from her, admitting that as long as he has known her, he has never “known peace.”

Margo Quotes in Things We Didn’t See Coming

The Things We Didn’t See Coming quotes below are all either spoken by Margo or refer to Margo. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Morality and Survival Theme Icon
).

Cake Walk Quotes

Sometimes when she's not here I try to dissolve into this one feeling of missing her and it pushes away everything else—this guy going through our stuff, the virus. It's not uncomfortable missing her, actually, and with him down there leering at me with his glazed glassy eyes and bloody mouth and nose, concentrating on her and our future is the only way to believe this will pass. It's like wanting her to be here makes me forget she's not.

Related Characters: The Narrator (speaker), The Sick Man , Margo
Page Number and Citation: 82
Explanation and Analysis:

It's instinct for me, the desire to go see what's been left, to put a price on every bit of it, to figure out what I can use and what I can haul away, to imagine the people who bought it all and laugh at their futility, to move in and make their world mine. But if we continue walking toward this mirage, if we change our shells even this one more time, I am sure in my blood we’ll doom ourselves to always live exactly as we have lived, inhabiting whatever corner of the world isn't nailed down, never staying anywhere long enough to make anything real. We will be the ghosts that feed off the edges of life.

Related Characters: The Narrator (speaker), Margo
Page Number and Citation: 89
Explanation and Analysis:

Uses for Vinegar Quotes

It was on a street of townhouses that had these identical miniaturized plantation facades. Unnecessary double staircases curved four steps up, and a tiny useless balcony over the front door was held up by plaster pillars. Most of these had had their back walls blasted off from one of the explosions […]

I was about to call rescue to tell them to seal the place against looters, when I saw her standing in a bedroom. Little Margo, wearing all this tough yellow gear. She was stealing again, like when we met, jamming useless objects into her fire suit. I hadn't clipped anything since conning my way into verification, but I could still enjoy watching someone else do it, especially her.

Related Characters: The Narrator (speaker), Margo
Page Number and Citation: 95
Explanation and Analysis:

Most evacuees don't learn. They try to start over someplace exciting (a target) or temperate (subject to floods, fires or earthquakes). Or they identified this month's most thermal politically neutral region. They assume they're not going to have to pack again. Even though it may be the third or fourth time for some of them, they're still completely tweaked with relocation fever. Full of piss and, as the expression goes, vinegar. They take their first steps around their new home and get confidence; make friends, buy appliances, plant tomatoes. You want to shake them: Do you really think this time it's going to be different?

Related Characters: The Narrator (speaker), Margo
Related Symbols: Fire
Page Number and Citation: 104
Explanation and Analysis:

Her pack is on both shoulders, her bedroll and her jug of water hanging off it. My equipment is at my feet. A dozen times we would have died, but Margo saved us. She knows all the nuts and berries. And how to find your way by the stars. And the value of everything. She's just given Shane the bad news and I don't care. It feels like it used to. She's a real survivor […]

When she speaks, her mouth is right in front of mine and it almost feels like I'm saying the words with her. We’ll fix it, like there's something I have to fix too.

I nod. I'm granted another kiss.

Related Characters: The Narrator (speaker), Margo (speaker), Shane
Page Number and Citation: 109
Explanation and Analysis:

The Forest for the Trees Quotes

The reason Juliet chose us, it turned out, is we're heterosexual. Voters are fine about ignoring her personal life, to a point. Since the various media outlets forced them to read endlessly about her night crawls, which usually involves some variation of the women we danced through to get to her, they want variety of gender. In the first month, she dressed me up in rubber and had me fuck her on the main stage of just about every flesh club in her constituency—the million-dollar landscaped one in the cities and the back-road barns in the country. […] In the old days, the candidate had to eat a lot of doughnuts to get their message through, but Juliet 's calculations about the addition of us to her entourage were correct.

Related Characters: The Narrator (speaker), Margo, Juliet
Page Number and Citation: 121
Explanation and Analysis:

Her goal, [Juliet] says, is to connect the coast and the north-south borders with great corridors of wild land—farms, forests, suburbs reclaimed by nature. One day there will be no more cities—their shells will be ghostly interruptions of the new nation, which will be composed of rural communities linked in all directions. Even if we aren't here, the land will be: My money will keep it safe. When the rain comes back—ever the optimist—this is where her utopia will be.

Related Characters: The Narrator (speaker), Juliet (speaker), Margo
Page Number and Citation: 125
Explanation and Analysis:

If my desperate fifteen-year-old self were here, it would marvel at my excellent fortune. It's all been the result of my insistence on the practical union in the first place. I opted for it to protect—I thought—my heart, but Margot exploited it to expand our world. When I proposed, getting down on one knee even, she said, “If you want it, I'm going to make you use it.”

Name an act, a theft, a drug, a social rung, a job, a dream: we have tried it or abstained only for reasons of health or sanity or law. The goals don't always entice me, but they entice Margo, and I will be quiet or charming or rough in order to reach them.

Related Characters: Margo (speaker), The Narrator (speaker)
Page Number and Citation: 126
Explanation and Analysis:

There's a spark in front of us as [Juliet] lights two long white candles with a match. She hands one to each of us. “Go on. We’re protected.” She holds her arms open to the woods. “It's time for it to go. Do the honors. Don't think about it, we're safe in the suits, the vehicle is secure, the edges of the forest are protected. Everyone, everything is safe. It will all grow back. The forest needs the fire.”

Margo's eyes are shining. “Yes! Yes!” she yells, as she pushes her little flame against one twig and then another. She turns to me in lecturing ecstasy, “You don't even comprehend it do you? […] We’re three already, you don't need documentation! You've got your security and all the love you'll ever need!”

Related Characters: Margo (speaker), Juliet (speaker), The Narrator (speaker)
Related Symbols: Fire
Page Number and Citation: 135
Explanation and Analysis:
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Margo Character Timeline in Things We Didn’t See Coming

The timeline below shows where the character Margo appears in Things We Didn’t See Coming. The colored dots and icons indicate which themes are associated with that appearance.
Cake Walk
Apocalypse vs. Routine Theme Icon
Care and Companionship under Crisis Theme Icon
After breakfast, Margo does her stretches and then walks off—though the narrator had offered to join her, Margo... (full context)
Morality and Survival Theme Icon
Care and Companionship under Crisis Theme Icon
...never get close enough to the man to use it. They have a gun, but Margo has taken it on her walk. (full context)
Apocalypse vs. Routine Theme Icon
Care and Companionship under Crisis Theme Icon
...blow germs towards him. He then climbs a tree and watches for hours, furious at Margo for having left him like this. Day turns into night, and the sick man starts... (full context)
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
Back in the city, Margo and the narrator used to share an apartment on the 20th floor of their building;... (full context)
Care and Companionship under Crisis Theme Icon
...that the wandering would stop once they built the desert camp. But after 10 days, Margo’s trips had resumed, as had the false excuses—though since there are no exes or drug... (full context)
Morality and Survival Theme Icon
Care and Companionship under Crisis Theme Icon
...want and expect a response that’s going to make you feel any better.” People like Margo or the sick man are always trying to stall or find loopholes, especially in hard... (full context)
Care and Companionship under Crisis Theme Icon
To calm himself, the narrator thinks about his morning routine with Margo: she gets up first, then collects dew in a rag for both of them to... (full context)
Morality and Survival Theme Icon
Care and Companionship under Crisis Theme Icon
...sick man and says that he lives alone; when the sick man spots one of Margo’s bras, he assumes she has died. As the sick man drones on, lamenting his plight... (full context)
Care and Companionship under Crisis Theme Icon
When the narrator wakes up, he has fallen to the foot of the tree; Margo tends to his sore body, using water from the pit. To the narrator’s surprise, Margo... (full context)
Body as Currency vs. Body as Liability Theme Icon
Care and Companionship under Crisis Theme Icon
...water jug (because it was all likely infected). The day is cooling down, and both Margo and the narrator privately wonder if they’re getting sick or if it’s just cold outside.... (full context)
Morality and Survival Theme Icon
Care and Companionship under Crisis Theme Icon
...way they used to describe people in political campaigns. At the same time, he and Margo are bonded by their thievery—they met ransacking a jewelry store, when she was pinching a... (full context)
Body as Currency vs. Body as Liability Theme Icon
Care and Companionship under Crisis Theme Icon
Margo notices the narrator’s quiet, and she wonders if he is lying about whether or not... (full context)
Care and Companionship under Crisis Theme Icon
Margo claims she was trying to prevent the narrator from getting his hopes up, but he... (full context)
Morality and Survival Theme Icon
Apocalypse vs. Routine Theme Icon
...narrator wants to steal, but he is sure that if he does so, he and Margo will be “doomed” forever. Before he can decide what to do, Margo spots people—the camp... (full context)
Apocalypse vs. Routine Theme Icon
Care and Companionship under Crisis Theme Icon
...him, this is proof that he is on the right moral path. Though he and Margo have nothing left but their water jug, they eat the plant and calm down. The... (full context)
Uses for Vinegar
Apocalypse vs. Routine Theme Icon
...makes his way through the line of bedraggled civilians, the narrator is shocked to see Margo among them: clean and low-key, as if she has planned to see him here. The... (full context)
Apocalypse vs. Routine Theme Icon
Care and Companionship under Crisis Theme Icon
The narrator flashes back to the collapse of his relationship with Margo. After his new job forced him to stay at disaster sites longer (during the “Summer... (full context)
Wealth, Privilege, and Value Theme Icon
The last time the narrator saw Margo, she had just started working in Grief (though they were both helping out in Rescue).... (full context)
Morality and Survival Theme Icon
...though he barely sleeps because his head is so full of images of devastation. When Margo gets to the front of the line, she asks to talk. The narrator notices that... (full context)
Morality and Survival Theme Icon
Care and Companionship under Crisis Theme Icon
The narrator questions why Margo would jeopardize herself by lying to him like this; she replies that “I wanted to... (full context)
Body as Currency vs. Body as Liability Theme Icon
Care and Companionship under Crisis Theme Icon
...away. The psych counselor can’t sleep sober, so he is just about to black out. Margo arrives, telling the narrator that she wants to leave Shane and run away with him... (full context)
Morality and Survival Theme Icon
Wealth, Privilege, and Value Theme Icon
...deal with their lost assets. He even called in a favor with Relocation to get Margo and Shane on the first bus out. The psych doctor, noticing that the narrator is... (full context)
Wealth, Privilege, and Value Theme Icon
...grant, each new destination—which the narrator knows is foolish. He is disappointed to see that Margo and Shane are still there, having not gotten on the bus. (full context)
Apocalypse vs. Routine Theme Icon
Body as Currency vs. Body as Liability Theme Icon
Care and Companionship under Crisis Theme Icon
Margo shows up the next morning, when the narrator has just gotten out of the shower;... (full context)
Care and Companionship under Crisis Theme Icon
Margo and the narrator make a plan: he will falsify Margo and Shane’s records, giving them... (full context)
Morality and Survival Theme Icon
Body as Currency vs. Body as Liability Theme Icon
...asks questions about the narrator’s break-up. The narrator tells the doctor everything, “absolv[ing]” and “canoniz[ing]” Margo in the process; he even mentions their theory about the chemical basis for their relationship,... (full context)
Body as Currency vs. Body as Liability Theme Icon
Wealth, Privilege, and Value Theme Icon
...stares at himself in the mirror. He looks sick, and he wonders what’s happening with Margo and Shane. (full context)
Apocalypse vs. Routine Theme Icon
Care and Companionship under Crisis Theme Icon
The narrator waits for Margo to meet him at the northbound bus depot. In front of him is a peppy... (full context)
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
...down his parents, now separated. But before he can get too deep into his thoughts, Margo arrives, tickets in hand. At last, they kiss. The narrator admires Margo, who “knows all... (full context)
The Forest for the Trees
Morality and Survival Theme Icon
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
...lawn, the narrator takes a break from writing a speech about male infertility. He and Margo are close to the end of their second practical union, so they need to re-sign... (full context)
Care and Companionship under Crisis Theme Icon
...that they take a shower together, his desire growing, but Juliet prefers to shower with Margo (the narrator’s scent is “too manly”). The narrator tries to go back to work, but... (full context)
Apocalypse vs. Routine Theme Icon
...but she is not annoyed. Later tonight, Juliet wants to go on “an overnight” with Margo and the narrator. Juliet aims to go to the country, which the narrator is surprised... (full context)
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
...sends Juliet the male fertility speech he’s been working on. When he goes to greet Margo inside, he sees the curtains are closed—the sign that she is having sex with someone... (full context)
Body as Currency vs. Body as Liability Theme Icon
During their first practical union, Margo became insistent that the narrator needed to have “extra-union” sex, more for her sense of... (full context)
Wealth, Privilege, and Value Theme Icon
The narrator had started dancing with Margo and Juliet, who was thrilled by the dynamic. Soon enough, they made their way from... (full context)
Body as Currency vs. Body as Liability Theme Icon
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
...be between three people, not just two. One of the statistics advisors sneaks out of Margo’s room, a man she’s been with before; the narrator compares his body to the advisor’s. (full context)
Apocalypse vs. Routine Theme Icon
Body as Currency vs. Body as Liability Theme Icon
Juliet loves hearing about the past thefts and scams that Margo and the narrator have engaged in, particularly the stories about Margo and drug dealers. Though... (full context)
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
...that Juliet’s “casual” approach to relationships means that she could get rid of him and Margo as quickly as she pulled them into her orbit. He is therefore excited about the... (full context)
Morality and Survival Theme Icon
Apocalypse vs. Routine Theme Icon
In the truck on the way to the overnight, Juliet makes calls while Margo and the narrator watch RoboCop; they are tickled by how wrong that movie’s vision of... (full context)
Morality and Survival Theme Icon
Apocalypse vs. Routine Theme Icon
Wealth, Privilege, and Value Theme Icon
As they pull up to Juliet’s property, Margo determines that Juliet will only agree to join the union if she feels like it... (full context)
Body as Currency vs. Body as Liability Theme Icon
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
While the guards unload fruits, vegetables, and wine, Margo starts outlining a plan to get Juliet to sign. Juliet interrupts the conversation, asking how... (full context)
Morality and Survival Theme Icon
Apocalypse vs. Routine Theme Icon
They enter the house, Margo calm as always. The narrator recalls his final trip to visit his mother, who at... (full context)
Morality and Survival Theme Icon
Wealth, Privilege, and Value Theme Icon
Night is falling, so Juliet gives some new pills to Margo and the narrator. Then they feast, eating only the freshest vegetables (all of which are... (full context)
Morality and Survival Theme Icon
Care and Companionship under Crisis Theme Icon
Margo, ever crafty, starts daydreaming out loud about security forever, expressing her desire for a quiet... (full context)
Care and Companionship under Crisis Theme Icon
The spell is broken when somebody’s nibbles on Margo’s body are too rough. Juliet sits up, embarrassed, and leads her two companions to the... (full context)
Apocalypse vs. Routine Theme Icon
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
The three climb into oxygen tanks, suits, and helmets. Margo, at the most intense moment of her high, starts suggesting that they should all share... (full context)
Morality and Survival Theme Icon
Apocalypse vs. Routine Theme Icon
Care and Companionship under Crisis Theme Icon
...any clarity. Still, he is able to reflect that “as long as I have known [Margo], I have never known peace.” Juliet breaks his reverie by announcing that she has planned... (full context)
Wealth, Privilege, and Value Theme Icon
Care and Companionship under Crisis Theme Icon
Overcome with joy, Margo strikes a match, while Juliet drones on about how safe they are (and about how... (full context)