This Side of Paradise
by F. Scott Fitzgerald
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Themes and Colors
Youth, Innocence, and Coming of Age Theme Icon
Friendship and Masculinity Theme Icon
War, Modern Life, and Generations Theme Icon
Money and Class Theme Icon
Love and Sexuality Theme Icon
LitCharts assigns a color and icon to each theme in This Side of Paradise, which you can use to track the themes throughout the work.
Friendship and Masculinity Theme Icon
Friendship and Masculinity Theme Icon

In many ways, friendships between men are at the heart of This Side of Paradise. Many of Amory’s deepest, most significant relationships are with his friends from Princeton, including Thomas Park D’Invilliers, Burne Holiday, and Dick Humbird. While these relationships are all platonic, the novel suggests that admiration, aspiration, and even desire are central to these friendships: Amory (as well as the rest of the boys) seems to want to emulate his male friends, in addition to wanting to be around them. The novel suggests that this particular combination of, and tension between, identification (that is, seeing oneself in the other) and desire (that is, wanting to be like the other) that exists in friendships between men creates a unique and intense form of intimacy.

Amory spends much of the novel in all-male environments—St. Regis’, Princeton, and the army—that seem to create a particular atmosphere of camaraderie and masculine social life. Amory expresses a particular admiration for and desire to emulate Dick and Burne: regarding the former, Amory admires him as the center of attention of his social groups, thinking his conduct seems effortlessly proper and even aristocratic, an ideal to which Amory himself aspires, saying he never wants to seem like he has worked hard for what he has. When Dick dies, his memory continues to haunt Amory, who references him repeatedly throughout the novel. Regarding Burne, Amory wants to emulate his intelligence, principle, and idiosyncrasy. Amory and Burne take long walks at night together, an intimate activity Amory pursues with only one other character in the novel, Eleanor Savage, with whom he is romantically involved. While Amory self-consciously seeks companionship in women, then, it is in his male friendships that he is able to express himself most honestly.

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Friendship and Masculinity ThemeTracker

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Friendship and Masculinity Quotes in This Side of Paradise

Below you will find the important quotes in This Side of Paradise related to the theme of Friendship and Masculinity.

Book 1, Chapter 1: Amory, Son of Beatrice Quotes

Vanity, tempered with self-suspicion if not self-knowledge, a sense of people as automatons to his will, a desire to “pass” as many boys as possible and get to a vague top of the world. (… ) With this background did Amory drift into adolescence.

Related Characters: Amory Blaine
Page Number and Citation: 17-18
Explanation and Analysis:
This quote introduces core aspects of Amory’s personality that will repeatedly be referenced throughout the rest of the novel. Later, Amory will refer to this version of himself as “the fundamental Amory,” or one of the “personalities” he will pass through on his journey to becoming a “personage.” This description of Amory’s character is not particularly flattering; indeed, much of “the fundamental Amory” is egotistical, narcissistic, cruel, haughty, and selfish. This portrait of Amory is also contradictory, a contradiction in his sense of self that persists throughout the novel: Amory is both self-centered and overly confident while still being self-doubting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupta

Amory’s secret ideal had all the slicker qualifications, but, in addition, courage and tremendous brains and talents—also Amory conceded him a bizarre streak that was quite irreconcilable to the slicker proper.

Related Characters: Amory Blaine
Related Symbols: The Slicker
Page Number and Citation: 32-33
Explanation and Analysis:
Here, the concept of conformity to an upper-class social environment is introduced: that is, becoming “conventional,” an idea that remains relevant through much of the novel. “The slicker” represents conformity to the social model of masculinity that dominates in environments like St. Regis and Princeton. This quote foreshadows what will become a central struggle for Amory: namely, that he wants to be accepted and rise to the top of the social hierarchy, even if he also disdains arbitrary hierarchies and their modes of exclusion. The “ideal” of the slicker that Amory sets up is, in many ways, the type of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi

Book 1, Chapter 2: Spires and Gargoyles Quotes

“Oh, it isn’t that I mind the glittering caste system,” admitted Amory. “I like having a bunch of hot cats on top, but gosh, Kerry, I’ve got to be one of them.”

“But just now, Amory, you’re only a sweaty bourgeois.”

Amory lay for a moment without speaking.

“I won’t be—long,” he said finally. “But I hate to get anywhere by working for it. I’ll show the marks, don’t you know.”

Related Characters: Amory Blaine (speaker), Kerry Holiday (speaker)
Related Symbols: The Slicker
Page Number and Citation: 42
Explanation and Analysis:
In this quote, Amory is in his first year at Princeton and struggling to feel accepted as part of the social system. When Kerry says that Amory is “only a sweaty bourgeois,” he means that Amory cannot hide the fact that he is middle class and striving to seem upper class, while many of his classmates come from upper-class backgrounds and do not have to work to make themselves seem socially conventional. Amory resents that he has to work to fit in, worrying that it marks him as inferior. But though Amory aspires to seem leisurely and moneyed, as if Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde

Long afterward Amory thought of sophomore spring as the happiest time of his life. His ideas were in tune with life as he found it; he wanted no more than to drift and dream and enjoy and enjoy a dozen new-found friendships through the April afternoons.

Related Characters: Amory Blaine
Page Number and Citation: 67
Explanation and Analysis:
Here, the narrator reflects on a crucial point in Amory’s process of coming of age. This period in his life, almost halfway through his time in college, is the pinnacle of Amory’s youth. The United States has not yet joined World War I, and so Amory and his peers have not yet experienced the trauma that will cause them to be aimless and depressed for much of their young lives after the war. This quote, importantly, foreshadows the moment later in the novel when Amory reflects that he doesn’t “want to repeat [his] innocence” but instead wants “the pleasure of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

“No,” declared Tom emphatically, a new Tom, clothed by Brooks, shod by Franks, “I’ve won this game, but I feel as if I never want to play another. You’re all right—you’re a rubber ball, and somehow it suits you, but I’m sick of adapting myself to the local snobbishness of this corner of the world. I want to go where people aren’t barred because of the color of their neckties and the roll of their coats.”

Related Characters: Thomas Parke D’Invilliers (Tom) (speaker), Amory Blaine
Related Symbols: The Slicker
Page Number and Citation: 77
Explanation and Analysis:
In this quote, Tom describes the consequences that he has suffered from becoming “conventional.” The reference to Brooks, meaning Brooks Brothers—an iconic menswear brand that defined 19th- and 20th-century Ivy League style, creating an aesthetic that was shared by middle- and upper-class educated men—symbolizes Tom’s new conventionality. Clothing is significant to becoming “conventional” because it reflects an awareness of social conventions and an intentional attempt to conform. Earlier in the novel, Amory described “the slicker” as someone who “dresses well,” pretending “that dress is superficial—but know[ing] that it isn’t.” Thus, the symbol of “the slicker” is implicitly invoked in this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error.

Book 1, Chapter 3: The Egotist Considers Quotes

“A personality is what you thought you were, what this Kerry and Sloane you tell me of evidently are. Personality is a physical matter almost entirely; it lowers the people it acts on—I’ve seen it vanish in a long sickness. But while a personality is active, it overrides ‘the next thing.’ Now a personage, on the other hand, gathers. He is never thought of apart from what he’s done. He’s a bar on which a thousand things have been hung—glittering things sometimes, as ours are; but he uses those things with a cold mentality back of them.”

Related Characters: Monsignor Darcy (speaker), Amory Blaine, Kerry Holiday, Fred Sloane
Page Number and Citation: 95-96
Explanation and Analysis:
In this quote, Monsignor Darcy introduces the concept of a “personality” versus a “personage,” which shapes Amory’s understanding of himself for the rest of the novel. This concept introduces to Amory the idea that growing up and coming of age is not entirely a loss, but also that in gaining new experiences he is becoming a more mature version of himself. While earlier in the novel, Amory’s desire to conform has made him alter himself, this self-transformation still constitutes being a “personality” by this rubric: Amory’s steadfast belief in the social system has made him “override” the part of himself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offic

Book 1, Chapter 4: Narcissus Off Duty Quotes

The intense power Amory felt later in Burne Holiday differed from the admiration he had had for Humbird[…]. Amory was struck by Burne’s intense earnestness[…]. Burne stood vaguely for a land Amory hoped he was drifting toward—and it was almost time that land was in sight.

Related Characters: Amory Blaine, Burne Holiday, Dick Humbird
Related Symbols: The Slicker
Page Number and Citation: 112
Explanation and Analysis:
This quote illustrates the desire and aspiration that is central to Amory’s friendships with other men. Amory experiences what is described here as almost akin to an attraction to Burne, a magnetism (Burne’s “intense power”) that seems to mirror descriptions of romantic attraction elsewhere in the novel. That Amory’s attraction to Burne is different from his earlier infatuation with Dick Humbird reflects some of Amory’s maturity and development by this point in the novel: he is already coming to recognize the superficiality of hierarchy, conformity, and money—which is what he had admired about Dick. Now, what he admires about Burne Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui digni

“You know,” whispered Tom, “what we feel now is the sense of all the gorgeous youth that has rioted through here in two hundred years. (…) And what we leave here is more than one class; it’s the whole heritage of youth. We’re just one generation—we’re breaking all the links that seemed to bind us here to top-booted and high-stocked generations.”

Related Characters: Thomas Parke D’Invilliers (Tom) (speaker), Amory Blaine
Page Number and Citation: 140
Explanation and Analysis:
This quote, which Tom says to Amory on their last night at Princeton before leaving for the war, encapsulates both the emerging sense of generational identity that eventually comes to define them and the premature nostalgia for the innocence that they know they will lose in the war. While Tom knows that previous generations of Princeton men felt this time in their lives to be the high point in their youth, for Tom and Amory and their friends, this departure from college will be different because they will lose their innocence like none before them, as they are being sent Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beata

Interlude: May, 1917 – February, 1919 Quotes

This is the end of one thing: for better or worse you will never again be quite the Amory Blaine that I knew, never again will we meet as we have met, because your generation is growing hard, much harder than mine ever grew, nourished as they were in the stuff of the nineties.

Related Characters: Monsignor Darcy (speaker), Amory Blaine
Page Number and Citation: 145
Explanation and Analysis:
This quote appears in a letter that Monsignor Darcy sends to Amory during the war. Here, from an older generation’s perspective, Monsignor Darcy articulates what he sees as the significance of the emerging generational divide and beginning of the modern world. Monsignor Darcy recognizes that Amory’s generation is enduring traumatic experiences that his own generation could never have imagined. “The nineties” here means the 1890s, a period in which the United States experienced unprecedented prosperity (for elites, at least) after decades of rapid industrialization. In the 1890s, the United States was gaining unprecedented global power, and a sense of perpetual Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Duc

Book 2, Chapter 1: The Débutante Quotes

SHE: Well, Amory, you don’t mind—do you? When I meet a man that doesn’t bore me to death after two weeks, perhaps it’ll be different.

HE: Odd, you have the same point of view on men that I have on women.

SHE: I’m not really feminine, you know—in my mind.

Related Characters: Rosalind Connage (speaker), Amory Blaine (speaker)
Page Number and Citation: 159
Explanation and Analysis:
This exchange between Amory and Rosalind, which takes place right after they first meet, illustrates that much of what they are attracted to in each other is their similarities—that is, they largely like each other because they see themselves in each other. They mirror each other in their self-absorption, callousness, fickleness, and charm. While the other women with whom Amory is romantically involved are perhaps more sentimental than him, Rosalind sees herself as above femininity and the sentimentality associated with it. The distinct intensity of Rosalind and Amory’s relationship, and Rosalind’s unique capacity to hurt Amory later, perhaps reflects this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur molli

Book 2, Chapter 4: The Supercilious Sacrifice Quotes

Sacrifice by its very nature was arrogant and impersonal; sacrifice should be eternally supercilious.

Related Characters: Amory Blaine, Jill Wayne, Alec Connage
Page Number and Citation: 228
Explanation and Analysis:
Amory reflects on sacrifice when he is in Atlantic City with Alec Connage and his female companion, Jill Wayne. Amory decides to take the blame for being alone with an unmarried woman in a hotel room, sacrificing himself for Alec. This moment demonstrates the extent to which Amory’s character has developed and matured over the course of the novel: the fact that Amory is willing to make the sacrifice shows that he has become less self-interested, and the fact that he refuses to congratulate himself for his act of generosity illustrates his newfound humility. While Amory has been haughty and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

Book 2, Chapter 5: The Egotist Becomes a Personage Quotes

Life opened up in one of its amazing bursts of radiance and Amory suddenly and permanently rejected an old epigram that had been playing listlessly in his mind: “Very few things matter and nothing matters very much.”

On the contrary, Amory felt an immense desire to give people a sense of security.

Related Characters: Amory Blaine, Monsignor Darcy, Stephen Blaine
Page Number and Citation: 245
Explanation and Analysis:
This passage demonstrates Amory’s significant character development over the course of the novel, as well as his newfound ability to relinquish some of his selfishness and indifference to others. Amory has this realization after Monsignor Darcy’s funeral near the end of the novel. This internal transformation also suggests the importance of Monsignor Darcy’s mentorship for Amory. In contrast to the death of Amory’s father, which did not stir much emotion in Amory, Monsignor Darcy’s death  and his memory inspire Amory to be a better man. Monsignor Darcy’s influence also enables Amory’s to break free from the aimlessness that is common Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expe