Family Theme Analysis

I picture the farm as a giant parquet dance floor he balances on his head, the trees growing up from the little squares. The fruit that must be picked, the branches that must be pruned, the fertilizer and insecticide (just try growing cherries without it), the barn full of broken machinery along with the new tractor we can’t afford and the goats that seemed like such a good idea five years ago when Benny first suggested them for weed management and cheese, the workers whose children are sick and the workers who need money to go home to see their children and the little house whose roof leaks and the stacks of twenty-pound plastic lugs with Three Sisters Orchard printed on the side, and me and Emily and Maisie and Nell, all of it is on him.

Two years later, Emily decided Duke was her father, Maisie decided Emily had been possessed by Satan, and Nell decided she wanted to be an actress who would never come home again, though that might have happened anyway. Thanks to his ubiquitous presence in the world, the man I’d spent a summer with took up residence in our home, and still I thought of him remarkably little.

Since then my husband has whispered his dreams to me alone, in the winter, in our bed late at night. Emily and Benny would marry and join the farms. We would fix up the little house, put on a proper porch, a new kitchen, a real master bedroom, everything on one floor. Joe and I would move to the little house and give our house to Emily and Benny so they could have children here, children who may one day marry the children of the Otts or the Whitings nearby, weaving together an ever greater parcel, because even if a person can’t work the land they have, they will still want more.

Hazel heads up the hill to the cemetery where generations of my husband’s people are buried behind a low iron fence, and for whatever reason I follow the dog. […] The cemetery is the highest point on the property and would have been the logical site for a house, the way it overlooks the trees and the barn and all the way to the edge of the lake, but those first settlers gave the best land to their dead, the very first a two-year-old named Mary. One by one they followed her up the hill until twenty-nine of them were resting beneath the mossy slabs, and there they wait for us to join them. That’s what life was like back in the day, you buried your children, your husband, your parents right there on the farm. They had never been anywhere else. They had never wanted to be anywhere else.

There is no explaining this simple truth about life: you will forget much of it. The painful things you were certain you’d never be able to let go? Now you’re not entirely sure when they happened, while the thrilling parts, the heart-stopping joys, splintered and scattered and became something else. Memories are then replaced by different joys and larger sorrows, and unbelievably, those things get knocked aside as well, until one morning you’re picking cherries with your three grown daughters and your husband goes by on the Gator and you are positive that this is all you’ve ever wanted in the world.

I am making our three daughters quilts from my grandmother’s dresses, from their grandmother’s dresses and my dresses and the dresses they wore as children. I started collecting the fabric when I was a child because even then I knew I would have daughters one day and I would make them quilts. My daughters will give these quilts to their daughters and those daughters will sleep beneath them. One day they will wrap their own children in these quilts, and all of this will happen on the farm.

[Joe’s] thinking about what will happen to the farm without another generation of family to protect it after we’re gone, after Emily and Benny are gone. He is thinking about Emily and Benny being gone. He is thinking about the developers who relentlessly sniff the perimeter of our land, the strangers who knock on our door in February to ask if we wouldn’t rather spend the winter in Florida. They are the enemies of stone fruit. They would leave just enough trees in the ground to justify calling the place Cherry Hills or Cherry Lane, then pull the rest up and build pretty white summer houses with picture windows and wraparound porches, places we could never afford. And that’s the good scenario. The bad scenario, the one where the trees eventually die? Joe isn’t thinking about that one and I know this because I’m not thinking about it either.

“Could you walk at all?” Emily asks. Why does it matter so much, the way she’s looking at me this minute? Like I am on the tennis court curled on my side and she is there, her hand on my shoulder.

Like Uncle Wallace, Duke had three wives, and like Uncle Wallace, he wasn’t married to any of them in the end. For all his glory, he is left with us and the wide blue sky and the high white clouds and the straight lines of trees stretching out towards the dark woods and then, on the other side, the lake. We can see everything from here. I would say that there has never been such a beautiful day, but I say that all the time. I can see how right Duke was. He only needed such a little space. There is room here for all of us, for me and for Joe and our daughters, for their partners and their children, because this is the thing about youth: You change your mind.