LitCharts assigns a color and icon to each theme in Tracks: A Woman’s Solo Trek Across 1700 Miles of Australian Outback, which you can use to track the themes throughout the work.
Chaos vs. Order
Individuality and Interconnection
Femininity and Society
Racial Tension and Oppression
Summary
Analysis
Having seen the camels from the air, Davidson sets out on foot with Jenny and Toly to capture them. Although she is at first confident of their course, the group quickly becomes lost and Davidson is alarmed at how easily her sense of direction fails her, worrying about its consequences for her upcoming trek. Eventually, they do find the three camels and return them home. Davidson also notices that Bub’s foot is nearly healed, to her relief.
Again, Davidson relies on her friends at a crucial moment in her journey, while simultaneously bemoaning the fact that she’s not able to handle everything on her own. At this point, she still views independence and interconnection as opposites, rather than linked realities.
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Themes
Now that Davidson has settled on the trip once and for all, she is intimidated by how much work she’ll have to do to prepare and how much money she will need for supplies. One day, a friend arrives with a young photographer, Rick, who takes pictures of the farm, Davidson, and her camels. Rick tells Davidson about his career as a photographer and convinces her to write to National Geographic to ask for sponsorship for her trip. Davidson writes the letter immediately, while drunk, and then forgets all about it.
Rick’s appearance is a key moment in Davidson’s process of accepting that other people will have to play roles in her seemingly lonely journey. Her careless approach to contacting National Geographic also hints that instinct can be as powerful a guide as careful, orderly planning, a concept that Davidson will struggle to accept going forward.
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Davidson turns her attention to building packs and saddles for her trip. With her friend Toly’s help, she slowly learns how to make and fix the equipment she will need for her trip, although the skills do not come naturally to her and she sometimes finds the process agonizing. As she gets more and more anxious, Davidson’s friends convince her to go on vacation for a week, but while she is away, Zeleika gives birth to a calf: the adorable baby Goliath.
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Themes
As her preparations continue, Davidson decides that she will leave in March, about four months later. She decides to do a trial trip in a month by trekking the camels to a nearby Aboriginal settlement called Utopia, where Toly is a teacher. She diligently prepares for the trip, and eventually she and the camels depart for Utopia alongside Jenny and Toly. Ada Baxter begs Davidson not to go, saying that she will certainly die, but Davidson leaves nonetheless.
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The walk to Utopia takes eight days through extremely high temperatures, which Davidson describes as “unspeakable hell.” It quickly becomes clear that the equipment and saddles need improving, and the camels are not used to going without water. Despite these setbacks, they eventually make it to Utopia, where Davidson stays for several weeks. She continues to adjust her equipment and plan for the trek, becoming more and more anxious all the time.
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At one point during her time in Utopia, an acquaintance accuses Davidson of being a “bourgeois individualist,” which she finds very upsetting. She wonders if it’s wrong to want to take the trip on her own and feels that perhaps her very paranoia about the issue is essentially a bourgeois concern. Over time, she realizes that admitting weakness is itself something that’s often called bourgeois, and wonders if the need to admit weakness is why so many politically liberal men struggle to reckon with their own sexism. Davidson also wonders why everyone she meets seems to be so invested in her journey, and feels that the trip has already lost the simplicity she intended for it.
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While in Utopia, Davidson receives word that National Geographic has accepted her request for sponsorship. She knows that she needs the money from the magazine, but she also feels that she has sold out and wonders if she’s made the wrong choice. The contract also means that Rick will sometimes be present to take photographs, which Davidson worries will ruin the solitude she had planned on.
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Davidson flies to Sydney for an interview alongside Rick, and the magazine quickly finalizes the deal. Though she is briefly ecstatic, Davidson soon descends into self-doubt and misery. She thinks that even though Rick is nice and helpful, she doesn't want him—and his possible feelings for her—to interfere with her trip. She perceives that Rick’s investment in documenting the trip is sincere, which feels like a burden to her.
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Davidson returns to Alice Springs, wondering if she’s being unreasonable in her desire to keep her trip to herself. She continues her preparations, receives the money from the magazine, and sets a firm departure date. She also arranges when and where Rick will join her through the journey. Davidson is alarmed and excited to see how seriously everyone is taking her, as family, friends, and townspeople gather to wish her well. After much cajoling, she agrees to pack a two-way radio for emergencies, which she interprets as yet another “tiny symbol of defeat” in her efforts to make the trip truly her own.
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As she prepares to leave, Davidson’s family comes to visit and she says emotional goodbyes to her father and sister, with whom she has had rocky relationships in the past. At last, Davidson walks out into the desert with Diggity and her camels and feels the magnificence of the world around her. Then, just as she begins to feel at peace, she rounds a corner and finds Rick taking pictures. Though she feels comforted to see a friendly face, she is also annoyed at the intrusion. After a final visit from Jenny and Toly at a campsite along the way, Davidson makes final adjustments to her pack, puts the camels into their line, and departs for the first full leg of her trek.
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