Troilus and Cressida

by William Shakespeare

Cressida Character Analysis

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Cressida is a Trojan woman. The daughter of the traitorous Calchas, she remains in the city—under the protection of her uncle, Pandarus—after Calchas flees to the Greek camp. Although she is initially (and briefly) the cherished beloved of Troilus, she comes to represent inconstancy and disloyalty both for him and for the play as a whole. A cautious and worldly woman, Cressida is keenly aware of the value she holds in Trojan society, especially the way it is linked to her sexual charm. Although she returns Troilus’s amorous feelings quickly, she plays hard to get for a long time afterward, fearful that if she’s too easy a conquest, he will respect her less. Her love seems real, since she is just as heartbroken as he is over their impending separation when the Trojans agree to exchange her for Antenor. Cressida makes it clear that she’d prioritize her love for Troilus over her duty toward her father if she had the choice. Although her thought processes become hidden after she leaves the city, she nevertheless comes across as shrewd. Although she blames what she calls her weak feminine nature for her betrayal of Troilus, the play shows that she feels conflicted about taking Diomedes as a lover and at least opens the possibility that she may have done so out of self-protection. She disappears from the play after the scene in which Troilus watches her accept Diomedes’s romantic pursuit.

Cressida Quotes in Troilus and Cressida

The Troilus and Cressida quotes below are all either spoken by Cressida or refer to Cressida . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
War Theme Icon
).

Prologue Quotes

In Troy there lies the scene. From Isles of Greece
The princes orgulous, their high blood chafed,
Have to the port of Athens sent their ships
Fraught with the ministers and instruments
Of cruel war. Sixty and nine, that wore
Their crownets regal, from th’ Athenian bay
Put forth toward Phrygia, and their vow is made
To ransack Troy, within whose strong immures
The ravished Helen, Menelaus’ queen,
With wanton Paris sleeps; and that’s the quarrel.
[…]And hither am I come,
A prologue armed, but not in confidence
Of author’s pens or actor’s voice, but suited
In like conditions as our argument,
To tell you, fair beholders, that our play
Leaps o’er the vaunt and firstlings of these broils,
Beginning in the middle, starting thence away
To what may be digested in a play.

Related Characters: Prologue (speaker), Cressida , Helen, Menelaus, Paris, Troilus
Page Number and Citation: 13
Explanation and Analysis:

Act 1, Scene 1 Quotes

PANDARUS An her hair were not somewhat darker than Helen’s—well, go to—there were no more comparison between the women. But, for my part, she is my kinswoman; I would not, as they term it, praise her, but I would somebody had heard her talk yesterday, as I did. I will not dispraise your sister Cassandra’s wit, but—

TROILUS
O, Pandarus! I tell thee, Pandarus:
When I do tell thee there my hopes lie drowned,
Reply not how many fathoms deep
They lie indrenched. I tell thee I am mad
In Cressid’s love. Thou answer’st she is fair;
Pourist in the open ulcer of my heart
Her eyes, her hair, her cheek, her gait, her voice;
[…]
But, saying thus, instead of oil and balm
Thou lay’st in every gash that love hath given me
The knife that made it.

Related Characters: Pandarus (speaker), Troilus (speaker), Cressida , Cassandra, Helen
Page Number and Citation: 17-18
Explanation and Analysis:

Act 1, Scene 2 Quotes

PANDARUS […] But to prove to you that Helen loves Troilus—

CRESSIDA Troilus will stand to the proof if you’ll prove it so.

PANDARUS Troilus? Why he esteems her no more than I esteem an addle egg.

CRESSIDA If you love an addle egg as well as you love an idle head, you would eat chickens i’ th’ shell.

PANDARUS I cannot choose but laugh to think ho she tickled his chin. Indeed, she has a marvelous white hand, I must needs confess—

CRESSIDA Without the rack.

PANDARUS And she takes upon her to spy a white hair on his chin.

CRESSIDA Alas, poor chin! Many a wart is richer.

PANDARUS But there was such laughing! Queen Hecuba laughed that her eyes ran o’er—

CRESSIDA With millstones.

PANDARUS And Cassandra laughed—

CRESSIDA […] Did her eyes run o’er too?

PANDARUS And Hector laughed.

CRESSIDA At what was all this laughing?

PANDARUS Marry, at the white hair that Helen spied on Troilus’ chin.

Related Characters: Cressida (speaker), Pandarus (speaker), Hector, Troilus, Calchas, Cassandra, Hecuba, Helen
Page Number and Citation: 31
Explanation and Analysis:

PANDARUS You are such a woman a man knows not at what ward you lie.

CRESSIDA Upon my back to defend my belly, upon my wit to defend my wiles, upon my secrecy to defend mine honesty, my mask to defend my beauty, and you to defend all these; and at all these wards I lie, at a thousand watches.

PANDARUS Say one of your watches.

CRESSIDA Nay, I’ll watch you for that, and that’s one of the chiefest of them too. If I cannot ward what I would not have hit, I can watch you for telling how I took the blow—unless it swell past hiding, and then it’s past watching.

Related Characters: Cressida (speaker), Pandarus (speaker), Calchas, Troilus
Page Number and Citation: 39
Explanation and Analysis:

Act 1, Scene 3 Quotes

NESTOR […] In the reproof of chance
Lies the true proof of men. The sea being smooth,
How many shallow bauble boats dare sale
Upon her [patient] breast, making their way
With those of nobler bulk!
But let the ruffian Boreas once enrage
The gentil Thetis, and anon behold
The strong-ribbed bark through liquid mountains cut,
Bounding between the two moist elements,
Like Perseus’s horse. Where’s then the saucy boat
Whose weak untimbered sides but even now
Corrivaled greatness? Either to harbor fled
Or made a toast of Neptune. Even so
Doth valor’s show and valor’s worth divide
In storms of Fortune.

Related Characters: Nestor (speaker), Agamemnon, Troilus, Cressida , Hector
Page Number and Citation: 43-45
Explanation and Analysis:

ULYSSES […] When that the general is not like the hive
To whom the foragers shall all repair,
What honey is expected? Degree being vizarded,
Th’ unworthiest shows as fairly in the mask.
The heavens themselves, the planets, and this center
Observe degree, priority, and place,
Insisture, course, proportion, season, form
Office, and custom, in all line of order.
And therefore is the glorious planet Sol
In noble eminence enthroned and sphered
Amidst the other, whose med’cinable eye
Corrects the influence of evil planets,
And posts, like the commandment of a king,
Sans checks, to good and bad. But when the planets
In evil mixture to disorder wander,
What plagues and what portents what mutiny,
What raging of the sea, shaking of earth,
Commotion in the winds, fights, changes, horrors
Divert and crack, rend and deracinate
The unity and married calm of states
Quite from their fixture!

Related Characters: Ulysses (speaker), Achilles, Cressida , Agamemnon, Nestor
Page Number and Citation: 47
Explanation and Analysis:

AENEAS […] “If there be one among the fair’st of Greece
That holds his honor higher than his ease,
That seeks his praise more than he fears his peril,
That knows his valor and knows not his fear,
That loves his mistress more than in confession
With truant vows to her own lips he loves
And dare avow her beauty and her worth
In other arms than hers—to him this challenge.
Hector, in view of Trojans and of Greeks,
Shall make it good, or do his best to do it,
He hath a lady wiser, fairer, truer
Than ever Greek did couple in his arms
And will tomorrow with his trumpet call,
Midway between your tents and walls of Troy,
To rouse a Grecian that is true in love.
If any come, Hector shall honor him […]

Related Characters: Aeneas (speaker), Cressida , Troilus, Andromache, Patroclus , Achilles, Hector
Page Number and Citation: 57
Explanation and Analysis:

Act 3, Scene 2 Quotes

CRESSIDA Hard to seem won; but I was won, my lord,
With the first glance that ever—pardon me;
If I confess much, you will play the tyrant.
I love you now, but till now not so much
But I might master it. In faith, I lie;
My thoughts were like unbridled children grown
Too headstrong for their mother. See, we fools!
Why have I blabbed? Who shall be true to us
When we are so unsecret to ourselves?
But though I loved you well, I wooed you not;
And yet, good faith, I wished myself a man;
Or that we women had men’s privilege
Of speaking first. Sweet, bid me hold my tongue,
For in this rapture I shall surely speak
The thing I shall repent. See, see, your silence,
Cunning in dumbness, from my weakness draws
My very soul of counsel! Stop my mouth.

Related Characters: Cressida (speaker), Troilus, Pandarus
Page Number and Citation: 127-129
Explanation and Analysis:

Act 4, Scene 1 Quotes

AENEAS And thou shalt hunt a lion that will fly
With his face backward. In human gentleness,
Welcome to Troy. Now, by Anchises’ life,
Welcome indeed. By Venus’ hand I swear
No an alive can love in such a sort
The thing he means to kill more excellently.

DIOMEDES We sympathize. Jove, let Aeneas live,
If to my sword his fate be not the glory,
A thousand complete courses of the sun!
But in mine emulous honor let him die
With every joint a wound and that tomorrow.

AENEAS We know each other well.

DIOMEDES We do, and long to know each other worse.

PARIS This is the most despiteful gentle greeting,
The noblest hateful love, that e’er I heard of.

Related Characters: Diomedes (speaker), Paris (speaker), Aeneas (speaker), Antenor, Hector, Prologue, Helen, Paris, Menelaus, Cressida , Calchas
Page Number and Citation: 159
Explanation and Analysis:

PARIS Who, in your thoughts, deserves fair Helen best,
Myself or Menelaus?

DIOMEDES Both alike.
He merits well to have her that doth seek her,
Not making any scruple of her soilure,
With such a hell of pain and world of charge;
And you as well to keep her that defend her,
Not palating the taste of her dishonor,
With such a costly loss of wealth and friends.
He, like a puling cuckold, would drink up
The lees and dregs of a flat tamèd piece;
You, like a lecher, out of whorish loins
Are pleased to breed out your inheritors.
Both merits poised, each weighs nor less nor more;
But he as he, the heavier for a whore.

PARIS You are too bitter to your countrywoman.

DIOMEDES She’s bitter to her country. […]
For every false drop in her bawdy veins
A Grecian’s life hath sunk; for every scruple
Of her contaminated carrion weight
A Trojan hath been slain.

Related Characters: Paris (speaker), Diomedes (speaker), Troilus, Cressida , Helen
Page Number and Citation: 161
Explanation and Analysis:

Act 4, Scene 2 Quotes

CRESSIDA I will not, uncle. I have forgot my father.
I know no touch of consanguinity,
No kin, no love, no blood, no soul so near me
As the sweet Troilus. O you gods divine,
Make Cressid’s name the very crown of falsehood
If ever she leave Troilus! Time, force, and death
Do to this body what extremes you can,
But the strong base and building of my love
Is as the very center of the earth,
Drawing all things to it. I’ll go in and weep—

PANDARUS Do, do.

CRESSIDA Tear my bright hair, and scratch my praisèd cheeks,
Crack my clear voice with sobs and break my heart
With sounding “Troilus.” I will not go from Troy.

Related Characters: Pandarus (speaker), Cressida (speaker), Antenor, Troilus, Aeneas, Helen, Diomedes, Calchas
Page Number and Citation: 169-171
Explanation and Analysis:

Act 4, Scene 4 Quotes

TROILUS I will corrupt the Grecian sentinels
To give thee nightly visitation.
But yet, be true.

CRESSIDA O heavens! “Be true” again?

TROILUS Hear why I speak it, love.
The Grecian youths are full of quality,
Their loving well composed, with gift of nature flowing,
And swelling o’er with arts and exercise.
How novelty may move, and parts with person,
Alas, a kind of godly jealousy—
Which I beseech you call a virtuous sin—
Makes me afeard.

CRESSIDA O heavens, you love me not!

TROILUS Die I a villain then!
In this I do not call your faith in question
So mainly as my merit. I cannot sing,
Nor heel the high lavolt, nor sweeten talk,
Nor play at subtle games—fair virtues all,
To which the Grecians are most prompt and pregnant.
But I can tell that in each grace of these
There lurks a still and dumb-discursive devil
That tempts cunningly. Be not tempted.

Related Characters: Troilus (speaker), Cressida (speaker), Diomedes, Helen
Page Number and Citation: 177-179
Explanation and Analysis:

Act 4, Scene 5 Quotes

PATROCLUS The first was Menelaus’ kiss; this mine
Patroclus kisses you.

MENELAUS O, this is trim!

PATROCLUS Paris and I kiss evermore for him.

MENELAUS I’ll have my kiss, sir.—Lady, by your leave.

CRESSIDA In kissing, do you render or receive?

MENELAUS Both take and give.

CRESSIDA I’ll make my match to live,
The kiss you take is better than you give.
Therefore no kiss.

MENELAUS I’ll give you boot: I’ll give you three for one.

CRESSIDA You are an odd man. Give even, or give none.

MENELAUS An odd man, lady? Every man is odd.

CRESSIDA No, Paris is not, for you know ’tis true
That you are odd, and he is even with you.

MENELAUS You fillip me o’ th’ head.

CRESSIDA No, I’ll be sworn.

ULYSSES It were no match, your nail against his horn.
May I, sweet lady, beg a kiss of you?

CRESSIDA You may.

ULYSSES I do desire it.

CRESSIDA Why, beg two.

Related Characters: Ulysses (speaker), Cressida (speaker), Patroclus (speaker), Menelaus (speaker), Paris, Helen, Nestor, Pandarus, Troilus
Page Number and Citation: 187
Explanation and Analysis:

Act 5, Scene 2 Quotes

THERSITES Why, his masculine whore. Now the rotten diseases of the south, the guts-griping, ruptures, catarrhs, loads o’ gravel in the back, lethargies, cold palsies, raw ees, dirt-rotten livers, whissing lungs, bladders full of impostume, sciaticas, limekilns i’ th’ palm, incurable bone-ache, and the rivelled fee-simple of the tetter, take and take again such preposterous discoveries.

PATROCLUS Why, thou damnable box of envy, thou, what means thou to curse thus?

THERSITES Do I curse thee?

PATROCLUS Why, no, your ruinous butt, you whoreson indistinguishable cur, no.

THERSITES No? Why art thou then exasperate, thou idle immaterial skein of sleave-silk, thou green sarsenet flap for a sore eye, thou tassel of a prodigal’s purse, thou? Ah, how the poor world is pestered with such waterflies, diminutives of nature.

Related Characters: Thersites (speaker), Patroclus (speaker), Troilus, Hecuba, Achilles, Cressida , Helen
Page Number and Citation: 211-213
Explanation and Analysis:

ULYSSES May worthy Troilus be half attached
With that which here his passion doth express?

TROILUS Ay, Greek, and that shall be divulged well
In characters as red as Mars his heart
Inflamed with Venus. Never did young man fancy
With so eternal and so fixed a soul.
Hark, Greek: as much as I do Cressid love,
So much by weight hate I her Diomed.
That sleeve is mine that he’ll bear on his helm.
Were it a casque composed by Vulcan’s skill,
My sword should bite it. Not the dreadful spout
Which shipmen do the hurricano call,
Constringed in mass by the almighty sun,
Shall dizzy with more clamor Neptune’s ear
In his descent than shall my prompted sword
Falling in Diomed.

THERSITES He’ll tickle it for his concupy.

TROILUS O Cressid! O false Cressid! False, false false!
Let all untruths stand by thy stained name
And they’ll seem glorious.

Related Characters: Thersites (speaker), Ulysses (speaker), Troilus (speaker), Cressida , Diomedes, Helen
Related Symbols: Sleeve
Page Number and Citation: 233
Explanation and Analysis:

Act 5, Scene 5 Quotes

ULYSSES O courage, courage, princes! Great Achilles
Is arming, weeping, cursing, vowing vengeance.
Patroclus’ wounds have roused his drowsy blood,
Together with his mangled Myrmidons,
That noseless, handless, hacked and chipped, come to him,
Crying on Hector. Ajax hath lost a friend
And foams at the mouth, and he is armed and at it,
Roaring for Troilus, who hath done today
Mad and fantastic execution,
Engaging himself and redeeming of himself
With such a careless force and forceless care
As if that luck, in spite of very cunning,
Bade him win all.

Related Characters: Ulysses (speaker), Helen, Diomedes, Troilus, Hector, Achilles, Ajax, Patroclus , Menelaus, Cressida
Page Number and Citation: 249-251
Explanation and Analysis:

Act 5, Scene 11 Quotes

PANDARUS Why should our endeavor be so loved and the performance so loathed? What verse for it? What instance for it? Let me see:

Full merrily the humble-bee doth sing,
Till he hath lost his honey and his sting;
And being once subdued in armed tail,
Sweet honey and sweet notes together fail.

Good traders in the flesh, set this in your painted cloths:
As many as be here of panders’ hall,
Your eyes, half out, weep out at Pandar’s fall;
Or if you cannot weep, yet give some groans,
Though not for me, yet for your aching bones.
Brethren and sisters of the hold-door trade,
Some two months hence my will shall here be made.
It should be now, but that my fear is this:
Some galled goose of Winchester would hiss.
Till then I’ll sweat and seek about for eases,
And at that time bequeath you my diseases.

Related Characters: Pandarus (speaker), Prologue, Hector, Cressida , Troilus
Page Number and Citation: 263-265
Explanation and Analysis:
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Cressida Character Timeline in Troilus and Cressida

The timeline below shows where the character Cressida appears in Troilus and Cressida. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 1
War Theme Icon
Love and Selfishness Theme Icon
Fate and Fortune Theme Icon
...the Greeks that day, because he is consumed by his unrequited love for the beautiful Cressida. Pandarus, a relative of Cressida’s who has also been ferrying messages between her and Troilus,... (full context)
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
Fate and Fortune Theme Icon
Troilus and Pandarus both saw Cressida the previous evening at a dinner hosted by Troilus’s father, King Priam. Troilus says that... (full context)
Act 1, Scene 2
War Theme Icon
On another day, Cressida watches Queen Hecuba and Helen pass below her window as she and her serving man,... (full context)
War Theme Icon
Honor  Theme Icon
Commodification of Women Theme Icon
...better warrior than Hector—at least when he isn’t as distracted as he has been recently. Cressida says that she finds Hector the better fighter. Next, Pandarus says that Troilus is more... (full context)
Honor  Theme Icon
Commodification of Women Theme Icon
With lots of sarcastic and witty asides and interjections from Cressida, Pandarus tells a story about how Helen recently complimented Troilus on his beauty. And she... (full context)
Love and Selfishness Theme Icon
Honor  Theme Icon
Commodification of Women Theme Icon
Before Pandarus can reply, horns announce the Trojans’ daily retreat from the battlefield. Pandarus and Cressida go to the window to watch the returning warriors. As Aeneas, Antenor, Hector, and Paris... (full context)
Act 3, Scene 1
War Theme Icon
Honor  Theme Icon
...King Priam’s feast that evening? Paris agrees, assuming that his brother will be dining with Cressida instead. Pandarus denies this and demands to know where Paris got that idea. Paris replies... (full context)
Act 3, Scene 2
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
Troilus and Pandarus meet at the gates of Cressida’s estate. While Pandarus goes inside to bring his niece out, a nervously excited Troilus muses... (full context)
Love and Selfishness Theme Icon
Cressida is nervous and reluctant to fully commit herself to Troilus. When he chides her, she... (full context)
Love and Selfishness Theme Icon
...time to fall in love, they’re extremely loyal when they do. And Troilus has won Cressida’s love, she now confesses. Indeed, he won it long ago, although she didn’t encourage him... (full context)
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
This flusters Cressida even more, and she asks Troilus to leave. Why? Troilus asks. Because she’s unsure of... (full context)
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
That, Pandarus says, sounds like a fair deal. He binds Troilus’s and Cressida’s hands together, then leads them inside where there’s a bed prepared for their enjoyment. (full context)
Act 3, Scene 3
Commodification of Women Theme Icon
Fate and Fortune Theme Icon
...daughter from the city. The Greeks have several times offered to trade captured Trojans for Cressida but thus far have been rebuffed. But now that one of the Trojans’ more valuable... (full context)
Act 4, Scene 1
War Theme Icon
Honor  Theme Icon
...Diomedes. The Greek warrior has just returned Antenor to Troy and is ready to take Cressida to her father (Calchas) in the Greek camp. Although the two sides are locked in... (full context)
Honor  Theme Icon
Commodification of Women Theme Icon
Paris pulls Aeneas aside and asks him to run ahead to Cressida’s house, where he has good reason to believe Troilus is spending the night. The two... (full context)
Act 4, Scene 2
Love and Selfishness Theme Icon
After a too-short night of shared pleasure, Troilus urges Cressida to go back to bed, but she accompanies him down to the gate. The sun... (full context)
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
Fate and Fortune Theme Icon
Pandarus answers the door as Troilus and Cressida retreat into her bedroom. In answer to Aeneas’s queries, Pandarus initially tries to claim that... (full context)
Commodification of Women Theme Icon
Fate and Fortune Theme Icon
After Troilus has left, Cressida emerges from her bedroom only for Pandarus to tell her the bad news. She wishes... (full context)
Act 4, Scene 3
Commodification of Women Theme Icon
In the street, Paris instructs Troilus to fetch Cressida from her house. Calmly, Troilus says he will, casting his actions as a bloody act... (full context)
Act 4, Scene 4
Love and Selfishness Theme Icon
Fate and Fortune Theme Icon
When Troilus reenters Cressida’s house, she throws herself into his arms as Pandarus muses on painful unrequited or interrupted... (full context)
Love and Selfishness Theme Icon
Honor  Theme Icon
Cressida asks Troilus if they’ll ever see each other again. He says they will, as long... (full context)
Love and Selfishness Theme Icon
Honor  Theme Icon
Commodification of Women Theme Icon
...Diomedes arrives, Troilus promises to spare him on the battlefield if he promises to protect Cressida. Diomedes says he doesn’t need Troilus’s threats to guide him. He will protect Cressida simply... (full context)
Act 4, Scene 5
War Theme Icon
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
...to summon his opponent. Hector doesn’t appear, but the assembled men watch as Diomedes and Cressida approach the camp. Agamemnon kisses Cressida in welcome, followed by Nestor. Patroclus steals Menelaus’s turn... (full context)
Commodification of Women Theme Icon
When Ulysses asks if he can “beg” a kiss, Cressida invites him to—beg, that is, not kiss her. Offended by her impertinence, Ulysses quietly curses... (full context)
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
Fate and Fortune Theme Icon
...in Agamemnon’s tent. Only Troilus and Ulysses linger. Troilus asks Ulysses where Calchas—and by extension, Cressida—are staying. In Menelaus’s tent, Ulysses replies. Diomedes is already there. He won’t join the others,... (full context)
Act 5, Scene 2
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
Trailing Diomedes to Calchas’s tent, Ulysses and Troilus (and Thersites) hear him summon Cressida from within. When she emerges, she whispers in Diomedes’s ear in a flirtatious manner. Ulysses... (full context)
Love and Selfishness Theme Icon
Finally, Diomedes asks Cressida for some sort of token or pledge that she’ll keep her word. She retrieves the... (full context)
Love and Selfishness Theme Icon
Commodification of Women Theme Icon
Once Diomedes and Cressida have gone into the tent, Ulysses wonders why Troilus wants to linger. Troilus says it’s... (full context)
Love and Selfishness Theme Icon
Honor  Theme Icon
Commodification of Women Theme Icon
Ultimately, Troilus tells Ulysses about his love for Cressida. He swears that he will kill Diomedes in battle, if it’s the last thing he... (full context)
Act 5, Scene 3
Love and Selfishness Theme Icon
Honor  Theme Icon
...in the room. He’s joined an instant later by Pandarus, who bears a letter from Cressida. Pandarus is in rough shape, suffering from an illness (one that’s likely sexually transmitted), his... (full context)
Act 5, Scene 4
War Theme Icon
Love and Selfishness Theme Icon
Honor  Theme Icon
...field. Interested to see what the outcome will be as the two men fight over Cressida, whom Thersites casually brands a “whore,” he becomes distracted. This allows Hector to sneak up... (full context)
Act 5, Scene 5
Honor  Theme Icon
...as the spoils of war, Diomedes orders one of his servants to take it to Cressida as a gift. Then he finds himself in a hasty council with Agamemnon, Nestor, and... (full context)