Troilus and Cressida
by William Shakespeare

Love and Selfishness Theme Analysis

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Themes and Colors
War Theme Icon
Love and Selfishness Theme Icon
Honor  Theme Icon
Commodification of Women Theme Icon
Fate and Fortune Theme Icon
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Love and Selfishness Theme Icon
Love and Selfishness Theme Icon

In the relentlessly bitter and satirical world of Troilus and Cressida, love isn’t grand, romantic, or ennobling. Instead, it’s portrayed as a debasing emotion that is bound up with shallow lust and selfishness. Troilus depends on the support and help of Cressida’s uncle, Pandarus, to make his way into her bed. After they’ve had sex, he evidently can’t wait to leave her house in the morning. And although he frets about Cressida’s fidelity to him when she’s called to the Greek camp, Troilus never so much as considers lifting a finger to try to defend or keep her in Troy. Among the Greeks, Cressida quickly accepts Diomedes as a new lover, suggesting how little her brief affair with Troilus meant to her.

Indeed, the play suggests that the only logical endpoints of physical attraction are disease, disorder, and disaster. Pandarus appears for the last time riddled with venereal diseases. Achilles’s homosexual dalliance with Patroclus not only raises eyebrows among the Greeks but also distracts Achilles from the important business of war. The war itself is a consequence of lust gone awry when Paris stole Helen from her husband, Greek king Menelaus. Troilus’s initially unrequited love makes him selfish (keeping him from fighting, much like Achilles) and his subsequent broken heart makes him bitter and nihilistically violent. The play gives love much the same bitterly critical and satirical treatment as it gives war. In both cases, Troilus and Cressida emphasizes the cruel and selfish sides of human nature, endlessly cataloguing the chaos and destruction they cause.

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Love and Selfishness Quotes in Troilus and Cressida

Below you will find the important quotes in Troilus and Cressida related to the theme of Love and Selfishness.

Act 1, Scene 1 Quotes

PANDARUS An her hair were not somewhat darker than Helen’s—well, go to—there were no more comparison between the women. But, for my part, she is my kinswoman; I would not, as they term it, praise her, but I would somebody had heard her talk yesterday, as I did. I will not dispraise your sister Cassandra’s wit, but—

TROILUS
O, Pandarus! I tell thee, Pandarus:
When I do tell thee there my hopes lie drowned,
Reply not how many fathoms deep
They lie indrenched. I tell thee I am mad
In Cressid’s love. Thou answer’st she is fair;
Pourist in the open ulcer of my heart
Her eyes, her hair, her cheek, her gait, her voice;
[…]
But, saying thus, instead of oil and balm
Thou lay’st in every gash that love hath given me
The knife that made it.

Related Characters: Troilus (speaker), Pandarus (speaker), Cressida , Cassandra, Helen
Page Number and Citation: 17-18
Explanation and Analysis:
In the play’s first real scene, Troilus abruptly changes his mind and disarms rather than going out to participate in the daily skirmishes of the Trojan War. His friend Pandarus knows why: because Troilus is beside himself out of love for Cressida. In this quote, Pandarus praises Cressida’s beauty, while Troilus reacts. Readers should note the apparently reflexive way in which Pandarus indexes Cressida’s charms against other women, namely Helen (in terms of beauty) and Cassandra (in terms of wit). This subtly suggests that women only have the value that’s assigned to them by male authorities, like Pandarus. It’s not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta.

Act 1, Scene 3 Quotes

NESTOR […] In the reproof of chance
Lies the true proof of men. The sea being smooth,
How many shallow bauble boats dare sale
Upon her [patient] breast, making their way
With those of nobler bulk!
But let the ruffian Boreas once enrage
The gentil Thetis, and anon behold
The strong-ribbed bark through liquid mountains cut,
Bounding between the two moist elements,
Like Perseus’s horse. Where’s then the saucy boat
Whose weak untimbered sides but even now
Corrivaled greatness? Either to harbor fled
Or made a toast of Neptune. Even so
Doth valor’s show and valor’s worth divide
In storms of Fortune.

Related Characters: Nestor (speaker), Agamemnon, Hector, Cressida , Troilus
Page Number and Citation: 43-45
Explanation and Analysis:
In the Greek war council, aged and respected statesman Nestor takes up Agamemnon’s words about the vagaries of fortune and expands on them by way of this extended metaphor. Both men want to rouse the Greeks from their self-pity by pointing out that their trials are a test of their mettle and their attitudes. Reading or listening to Nestor’s words, who would want to be classified as a shallow boat? The larger vessels capable of withstanding stormy seas are obviously preferable. Yet, by putting this image in readers’ minds so early on, the play openly asks them to measure everyone’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a des

ULYSSES […] When that the general is not like the hive
To whom the foragers shall all repair,
What honey is expected? Degree being vizarded,
Th’ unworthiest shows as fairly in the mask.
The heavens themselves, the planets, and this center
Observe degree, priority, and place,
Insisture, course, proportion, season, form
Office, and custom, in all line of order.
And therefore is the glorious planet Sol
In noble eminence enthroned and sphered
Amidst the other, whose med’cinable eye
Corrects the influence of evil planets,
And posts, like the commandment of a king,
Sans checks, to good and bad. But when the planets
In evil mixture to disorder wander,
What plagues and what portents what mutiny,
What raging of the sea, shaking of earth,
Commotion in the winds, fights, changes, horrors
Divert and crack, rend and deracinate
The unity and married calm of states
Quite from their fixture!

Related Characters: Ulysses (speaker), Achilles, Cressida , Agamemnon, Nestor
Page Number and Citation: 47
Explanation and Analysis:
Ulysses’s speech on rank, order, and discipline is perhaps the most famous soliloquy from Troilus and Cressida. Ulysses largely dispenses with the interest his fellow leaders (Agamemnon and Nestor) have expressed in the ways that outside forces like fate and fortune impact human lives and decisions. None of that matters, he forcefully declares. The most important thing is whether the Greek forces are observing the immutable laws of society and nature by remaining obedient and respecting rank. Of course they’re losing, he points out, since the entire army isn’t working with one accord to support their general’s plans. To drive Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis c

AENEAS […] “If there be one among the fair’st of Greece
That holds his honor higher than his ease,
That seeks his praise more than he fears his peril,
That knows his valor and knows not his fear,
That loves his mistress more than in confession
With truant vows to her own lips he loves
And dare avow her beauty and her worth
In other arms than hers—to him this challenge.
Hector, in view of Trojans and of Greeks,
Shall make it good, or do his best to do it,
He hath a lady wiser, fairer, truer
Than ever Greek did couple in his arms
And will tomorrow with his trumpet call,
Midway between your tents and walls of Troy,
To rouse a Grecian that is true in love.
If any come, Hector shall honor him […]

Related Characters: Aeneas (speaker), Troilus, Andromache, Patroclus , Achilles, Hector, Cressida
Page Number and Citation: 57
Explanation and Analysis:
The arrival of Aeneas, a high-ranking Trojan lord, interrupts the Greek war council. Aeneas travels under a flag of truce with a challenge issued by the Trojan crown prince, Hector, who wants an exhibition fight against a Greek. Hector’s challenge outlines the contours of what the noble men in the play (and, by extension, the noble members of Shakespeare’s society) considered most important in terms of character: honor, courage, and faithful love. Again, this gives the audience a standard against which to measure the characters’ actions, and many of them are found wanting. Achilles, for one, is avoiding the war Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accu

Act 3, Scene 2 Quotes

CRESSIDA Hard to seem won; but I was won, my lord,
With the first glance that ever—pardon me;
If I confess much, you will play the tyrant.
I love you now, but till now not so much
But I might master it. In faith, I lie;
My thoughts were like unbridled children grown
Too headstrong for their mother. See, we fools!
Why have I blabbed? Who shall be true to us
When we are so unsecret to ourselves?
But though I loved you well, I wooed you not;
And yet, good faith, I wished myself a man;
Or that we women had men’s privilege
Of speaking first. Sweet, bid me hold my tongue,
For in this rapture I shall surely speak
The thing I shall repent. See, see, your silence,
Cunning in dumbness, from my weakness draws
My very soul of counsel! Stop my mouth.

Related Characters: Cressida (speaker), Troilus, Pandarus
Page Number and Citation: 127-129
Explanation and Analysis:
When Pandarus finally brings Troilus to Cressida’s house, she quickly (yet shyly) confesses that she’s returned his affections for quite some time, even if she wasn’t yet willing or able to show it. In this passage, she reflects on the reasons for her reticence. Cressida is acutely aware of how the men around her judge and assign her (and other women) value. She’s also aware of how much of her safety and ability to navigate her world depends on these opinions and valuations. If she seems too eager with Troilus, she worries, he’ll doubt her ability to control herself and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta

Act 4, Scene 2 Quotes

CRESSIDA I will not, uncle. I have forgot my father.
I know no touch of consanguinity,
No kin, no love, no blood, no soul so near me
As the sweet Troilus. O you gods divine,
Make Cressid’s name the very crown of falsehood
If ever she leave Troilus! Time, force, and death
Do to this body what extremes you can,
But the strong base and building of my love
Is as the very center of the earth,
Drawing all things to it. I’ll go in and weep—

PANDARUS Do, do.

CRESSIDA Tear my bright hair, and scratch my praisèd cheeks,
Crack my clear voice with sobs and break my heart
With sounding “Troilus.” I will not go from Troy.

Related Characters: Pandarus (speaker), Cressida (speaker), Troilus, Aeneas, Antenor, Helen, Calchas, Diomedes
Page Number and Citation: 169-171
Explanation and Analysis:
When Aeneas runs ahead of Diomedes to warn Troilus and Cressida that she’s about to be taken to the Greek camp in exchange for Antenor, Cressida has an emotional breakdown. In this passage, she attempts to separate herself from the father that abandoned her and now, cruelly, claims her again when she least wants to leave Troy. She makes an elaborate vow promising that no matter what, she’ll remain faithful to Troilus. But the sense of her powerlessness, combined with the leering way the men in this play have treated Helen and Cressida up to this point, suggest that she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur

Act 4, Scene 4 Quotes

TROILUS I will corrupt the Grecian sentinels
To give thee nightly visitation.
But yet, be true.

CRESSIDA O heavens! “Be true” again?

TROILUS Hear why I speak it, love.
The Grecian youths are full of quality,
Their loving well composed, with gift of nature flowing,
And swelling o’er with arts and exercise.
How novelty may move, and parts with person,
Alas, a kind of godly jealousy—
Which I beseech you call a virtuous sin—
Makes me afeard.

CRESSIDA O heavens, you love me not!

TROILUS Die I a villain then!
In this I do not call your faith in question
So mainly as my merit. I cannot sing,
Nor heel the high lavolt, nor sweeten talk,
Nor play at subtle games—fair virtues all,
To which the Grecians are most prompt and pregnant.
But I can tell that in each grace of these
There lurks a still and dumb-discursive devil
That tempts cunningly. Be not tempted.

Related Characters: Troilus (speaker), Cressida (speaker), Diomedes, Helen
Page Number and Citation: 177-179
Explanation and Analysis:
During their tearful goodbye in Cressida’s house, Troilus reminds Cressida to remember her vow of love and loyalty to him no fewer than three times—an incessant focus that Cressida finds insulting. In the end, the play validates Troilus’s fears not only by placing Cressida in Diomedes’s arms but by having her confess directly to the audience that her feminine inconstancy is to blame. But it’s also worth noting how thin Troilus’s trust of Cressida is to begin with. This, in turn, suggests a misogynistic undercurrent to the play that is informed by Troilus’s view of women like Helen and Cressida Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a de

Act 4, Scene 5 Quotes

PATROCLUS The first was Menelaus’ kiss; this mine
Patroclus kisses you.

MENELAUS O, this is trim!

PATROCLUS Paris and I kiss evermore for him.

MENELAUS I’ll have my kiss, sir.—Lady, by your leave.

CRESSIDA In kissing, do you render or receive?

MENELAUS Both take and give.

CRESSIDA I’ll make my match to live,
The kiss you take is better than you give.
Therefore no kiss.

MENELAUS I’ll give you boot: I’ll give you three for one.

CRESSIDA You are an odd man. Give even, or give none.

MENELAUS An odd man, lady? Every man is odd.

CRESSIDA No, Paris is not, for you know ’tis true
That you are odd, and he is even with you.

MENELAUS You fillip me o’ th’ head.

CRESSIDA No, I’ll be sworn.

ULYSSES It were no match, your nail against his horn.
May I, sweet lady, beg a kiss of you?

CRESSIDA You may.

ULYSSES I do desire it.

CRESSIDA Why, beg two.

Related Characters: Ulysses (speaker), Cressida (speaker), Menelaus (speaker), Patroclus (speaker), Paris, Troilus, Pandarus, Nestor, Helen
Page Number and Citation: 187
Explanation and Analysis:
When Cressida arrives in the Greek camp, the generals take turns kissing her in welcome. Agamemnon goes first, then Nestor. By rank, Menelaus would be next, but the disrespectful Patroclus interposes himself and steals Menelaus’s kiss. Then he—and Cressida—tease the king about being a cuckold, since Paris stole his wife, Helen. His kisses, Cressida observes, must not be that good if they couldn’t please his wife. Then Ulysses asks if he can beg for a kiss, and her answer is that yes, he can beg. The naturally clever and witty Cressida, who practiced her verbal repartee with Pandarus back in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. V

Act 5, Scene 2 Quotes

THERSITES Why, his masculine whore. Now the rotten diseases of the south, the guts-griping, ruptures, catarrhs, loads o’ gravel in the back, lethargies, cold palsies, raw ees, dirt-rotten livers, whissing lungs, bladders full of impostume, sciaticas, limekilns i’ th’ palm, incurable bone-ache, and the rivelled fee-simple of the tetter, take and take again such preposterous discoveries.

PATROCLUS Why, thou damnable box of envy, thou, what means thou to curse thus?

THERSITES Do I curse thee?

PATROCLUS Why, no, your ruinous butt, you whoreson indistinguishable cur, no.

THERSITES No? Why art thou then exasperate, thou idle immaterial skein of sleave-silk, thou green sarsenet flap for a sore eye, thou tassel of a prodigal’s purse, thou? Ah, how the poor world is pestered with such waterflies, diminutives of nature.

Related Characters: Patroclus (speaker), Thersites (speaker), Hecuba, Helen, Troilus, Cressida , Achilles
Page Number and Citation: 211-213
Explanation and Analysis:
When Thersites brings Achilles a letter from Queen Hecuba, he and Achilles’s friend (and, as Thersites alleges, lover) Patroclus trade angry barbs. Thersites, the only non-noble character in the play, is always the mouthpiece it uses to most sharply criticize the hypocrisy and failures of the Greek heroes. And usually, the actions of the men he observes proves his assessment to be accurate. Here he uses a schoolyard technique to annoy Patroclus: after Thersites says all sorts of nasty and mean things in Patroclus’s general direction, Patroclus can’t properly respond. If he does, Thersites says he’ll be acknowledging that he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Tot

ULYSSES May worthy Troilus be half attached
With that which here his passion doth express?

TROILUS Ay, Greek, and that shall be divulged well
In characters as red as Mars his heart
Inflamed with Venus. Never did young man fancy
With so eternal and so fixed a soul.
Hark, Greek: as much as I do Cressid love,
So much by weight hate I her Diomed.
That sleeve is mine that he’ll bear on his helm.
Were it a casque composed by Vulcan’s skill,
My sword should bite it. Not the dreadful spout
Which shipmen do the hurricano call,
Constringed in mass by the almighty sun,
Shall dizzy with more clamor Neptune’s ear
In his descent than shall my prompted sword
Falling in Diomed.

THERSITES He’ll tickle it for his concupy.

TROILUS O Cressid! O false Cressid! False, false false!
Let all untruths stand by thy stained name
And they’ll seem glorious.

Related Characters: Thersites (speaker), Ulysses (speaker), Troilus (speaker), Helen, Cressida , Diomedes
Related Symbols: Sleeve
Page Number and Citation: 233
Explanation and Analysis:
With Ulysses’s help, Troilus locates the tent in the Greek camp where Cressida and her father are staying. He and Ulysses lurk in the shadows outside and watch as Diomedes convinces Cressida to make good on her promise to have sex with him. During this exchange, she gives Diomedes the sleeve that Troilus had previously given her as a lover’s token. Although Troilus grows more and more upset throughout the scene, it isn’t until Diomedes and Cressida have withdrawn into the tent that it dawns on Ulysses that Troilus might be—or, rather, might have been—Cressida’s lover. In this passage, Troilus Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Ap

Act 5, Scene 11 Quotes

PANDARUS Why should our endeavor be so loved and the performance so loathed? What verse for it? What instance for it? Let me see:

Full merrily the humble-bee doth sing,
Till he hath lost his honey and his sting;
And being once subdued in armed tail,
Sweet honey and sweet notes together fail.

Good traders in the flesh, set this in your painted cloths:
As many as be here of panders’ hall,
Your eyes, half out, weep out at Pandar’s fall;
Or if you cannot weep, yet give some groans,
Though not for me, yet for your aching bones.
Brethren and sisters of the hold-door trade,
Some two months hence my will shall here be made.
It should be now, but that my fear is this:
Some galled goose of Winchester would hiss.
Till then I’ll sweat and seek about for eases,
And at that time bequeath you my diseases.

Related Characters: Pandarus (speaker), Hector, Troilus, Cressida , Prologue
Page Number and Citation: 263-265
Explanation and Analysis:
As the Trojan warriors return home at the end of the day with the sad news of Hector’s death, Pandarus greets them at the gate. Troilus curses his erstwhile friend and leaves him standing alone, so Pandarus turns to the audience and closes the play with this soliloquy. As a summation of the play, it is odd, because it ignores the war entirely and focuses primarily on Pandarus’s role in procuring for Troilus sexual access to Cressida. Peering out into the audience, Pandarus claims to see many of his fellows, both sex workers and the men and women who oversee Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit volupt