Olivia Character Analysis in Twelfth Night

A beautiful noblewoman in Illyria. At the beginning of the play, she has rejected both Orsino and her ridiculous suitor, Sir Andrew Aguecheek. In mourning for her recently deceased brother, she has vowed not to receive any man, or to go outside, for seven years. However, when she meets Cesario (Viola in her male costume) she falls in love and forgets these oaths. Olivia's mourning for her brother therefore resembles Orsino's love-melancholy: it seems more like a performance than a real, deeply felt emotion. Like Orsino, she seems to enjoy indulging in misery, and also has no problem shifting the object of love from one person to the next.

Olivia Quotes in Twelfth Night

The Twelfth Night quotes below are all either spoken by Olivia or refer to Olivia. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:

Lady, you are the cruell'st she alive
If you will lead these graces to the grave
And leave the world no copy.

Related Characters: Viola (Cesario) (speaker), Olivia

Related Literary Devices:

Page Number and Citation: 1.5.240-242

Explanation and Analysis:

Viola enters Olivia's home dressed as Cesario, in order to attempt to woo her for Duke Orsino. The two begin a playful tete-a-tete. Here, Viola tries to appeal to Olivia by telling her how beautiful she is—so beautiful that it would be a disservice to the world not to produce an heir (and thus a new "copy" of her beauty). In a grand performance, Viola compliments Olivia's physical beautify in order to gain her trust and influence her to fall for Orsino. She also speaks in the convention of "poetic blazon," a form often used in sonnets, where the speaker Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciu

Make me a willow cabin at your gate
And call upon my soul within the house;
Write loyal cantons of contemned love
And sing them loud even in the dead of night;
Halloo your name to the reverberate hills
And make the babbling gossip of the air
Cry out 'Olivia!' O, You should not rest
Between the elements of air and earth
But you should pity me.

Related Characters: Viola (Cesario) (speaker), Olivia, Orsino

Related Literary Devices:

Page Number and Citation: 1.5.271-279

Explanation and Analysis:

In an attempt to get Olivia to fall in love with Orsino, Cesario (Viola) describes what he would do if he loved Olivia as much as Orsino. In a beautiful speech he tells her that he would write endless poems of his love, sing them through the night and scream her name so loudly that the air would echo the sound of "Olivia." In her speech, Viola-As-Cesario does something Orsino cannot; she says the right thing to make Olivia fall in love. Juxtaposed against Orsino's cliche speeches on love and lust, Viola's are much more creative and subtle. She performs Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nos

Be not afraid of greatness: Some are born great, some achieve greatness, and some have greatness thrust upon 'em.

Related Characters: Malvolio (speaker), Olivia (speaker)

Page Number and Citation: 2.5.148-150

Explanation and Analysis:

Malvolio reads the love letter that he thinks is from Olivia, as Maria, its true author, hides in a tree with Sir Andrew and Sir Toby, watching Malvolio embarrass himself. This iconic quote happens toward the end of the letter as an attempt to reveal who the author could be. Malvolio interprets this section to mean that he is one who could "achieve" greatness by marrying the noble-born Olivia (one who was "born great"). Thus the joke being played on Malvolio isn't just getting him to think someone loves him, but also getting him to attempt to rise above his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commod

O world! how apt the poor are to be proud.

Related Characters: Olivia (speaker)

Page Number and Citation: 3.1.134

Explanation and Analysis:

Cesario and Olivia are alone. When Olivia asks him to introduce himself once again, he says he is a humble "servant." This leads Olivia into a series of wordplays on the idea of servitude, as she uses Cesario's own position as a servant as a mode of flirtation. Olivia admits her love for Cesario (not knowing he is actually Viola) and Cesario tries to politely turn her down. Olivia replies with this line, suggesting that the poor, or in this case, a servant, should not be too proud to accept the sexual advances of a noble lady like herself. Here, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas de

Why, this is very midsummer madness.

Related Characters: Olivia (speaker), Malvolio

Page Number and Citation: 3.4.61

Explanation and Analysis:

Malvolio is love stricken with Olivia, and thinks that she has written him a love letter with instructions for how he should dress and comport himself (the letter was actually written by Maria). Here Malvolio enters, wearing yellow cross-gartered stockings and grinning from ear to ear (as the letter told him to do). Olivia, confused, asks Malvolio to stop, but he won't. Convinced her steward has gone mad, she then says this line. During Shakespeare's time the summer moon was thought to be a major influence on madness and insanity. Thus, having a "midsummer madness" was considered a kind of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident e

Why have you suffered me to be imprisoned,
Kept in a dark house, visited by the priest,
And made the most notorious geck and gull
That e'er invention played on? Tell me why.

Related Characters: Malvolio (speaker), Olivia

Page Number and Citation: 5.1.363-366

Explanation and Analysis:

Malvolio continues to be called mad and is mocked by the members of the court—even locked in a dark room (a traditional "treatment" for mental illness at the time). During this moment, Malvolio finally confronts Olivia about the writing of the love letter. After this speech, Olivia discovers that it was in fact Maria who wrote the letter, forging her handwriting, and the Fool who was in fact the "priest" visiting Malvolio.Malvolio's plotline makes clear the connection between love and madness, and emphasizes the nature of revelry and wildness in the environment of Twelfth Night. At the same time, it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accu

Olivia Character Timeline in Twelfth Night

The timeline below shows where the character Olivia appears in Twelfth Night. The colored dots and icons indicate which themes are associated with that appearance.

...he will he come hunt "hart" (male deer). Orsino jokes that, since he first saw Olivia, he himself has been like a hart, hunted by his own desires. (full context)

Deception, Disguise, and Performance Theme Icon

Valentine, another attendant, returns from Olivia's palace, where Orsino has sent him. He reports that Olivia is deep in mourning for... (full context)

...governed by a Duke Orsino, a bachelor who is in love with a noblewoman named Olivia. Olivia, herself the orphaned daughter of a count, who out of "dear love" (1.2.39) for... (full context)

At Olivia's palace, Olivia's crass uncle, Sir Toby Belch, has just returned from a night of drinking.... (full context)

Cesario departs for Olivia's house with four or five attendants. But, privately, Viola remarks to herself that she is... (full context)

In Olivia's house, Maria is chiding Feste, the clown, for a recent unexplained absence. Feste responds by... (full context)

Olivia enters, wearing mourning clothes and attended by her steward, Malvolio. Olivia first instructs her attendants... (full context)

Maria returns to announce that a young man at the gate wishes to speak with Olivia. Olivia asks if he has been sent by Orsino. Maria doesn't know. Olivia sends Malvolio... (full context)

Malvolio returns and informs Olivia that the young man outside will not leave. Olivia asks what he is like. Malvolio... (full context)

Cesario enters and recites ornate poetry about Olivia's "unmatchable beauty" (1.5.158). Olivia instructs him to get to the point. Cesario protests that he... (full context)

Cutting Cesario off, Olivia asks what his own background is. Cesario replies that he is a gentleman by birth,... (full context)

Once she is alone, Olivia admits to herself that she is extremely attracted to Cesario. She lists his beautiful features—"Thy... (full context)

Malvolio catches up with Cesario. He gives Cesario the ring from Olivia and explains that Olivia doesn't want it and has nothing more to say to the... (full context)

Alone, Viola picks up the ring and realizes that Olivia has fallen in love with "Cesario," and that by taking on her disguise she has... (full context)

...Belch and Sir Andrew Aguecheek are up late, eating and drinking in a room in Olivia's house. Feste soon joins them, and they are all raucously singing together, when Maria shows... (full context)

...Maria that if she respected her mistress, she would reprimand these lowlifes. Threatening to tell Olivia everything, he storms off. Maria is annoyed at Malvolio, but begs Sir Toby and Sir... (full context)

...has a great idea for a prank on Malvolio. She boasts that she can imitate Olivia's handwriting perfectly, and will drop in Malvolio's way a love letter that Malvolio, in his... (full context)

...that, if he is ever in love, he must remember and imitate Orsino's passion for Olivia. Noticing that Cesario seems moved by the music, Orsino then asks whether he is not... (full context)

Orsino instructs Cesario to go woo Olivia once again on his behalf. Cesario suggests that Orsino give up. What if a woman... (full context)

As Sir Toby, Sir Andrew, and Fabian, one of Olivia's attendants, wait in Olivia's garden, Maria runs in and instructs them all to conceal themselves... (full context)

Malvolio enters, talking to himself. As it happens, he already believes that Olivia fancies him. Hiding in the tree, Sir Toby, Sir Andrew, and Fabian try to suppress... (full context)

Cesario arrives at Olivia's palace (following Orsino's instructions in 2.4). Outside he finds Feste, who clowns a bit and... (full context)

When they are alone, Cesario says that he is Olivia's servant: he is Orsino's servant and Orsino belongs to Olivia. So, by extension, he does... (full context)

Cesario responds that he pities Olivia but cannot love her—because, as he tells her, "I am not what I am" (3.1.138).... (full context)

In another room of Olivia's house, Sir Andrew tells Sir Toby that he has finally decided to give up and... (full context)

...instructed in Maria's letter, and making himself entirely ridiculous in the process. Maria comments that Olivia will probably hit Malvolio for his idiotic behavior and that, when she does, Malvolio will... (full context)

In her garden, Olivia consults with Maria on how best to woo Cesario, who has agreed to come back... (full context)

Malvolio enters wearing yellow cross-gartered stockings, smiling idiotically. Olivia scolds him for this behavior. However, he continues grinning and alluding to the letter which... (full context)

...about Malvolio. Maria implies to Malvolio that he is acting crazily and reminds him that Olivia wanted him to remain in Sir Toby's care. Quickly losing patience, Malvolio dismisses the others... (full context)

...to deliver it. When they learn from Maria that Cesario is at that moment visiting Olivia and is about to depart, Sir Toby convinces Sir Andrew to go lie in wait... (full context)

Olivia enters with Cesario, apologizing for having said too much: she is so in love, she... (full context)

Once Olivia has gone, Sir Toby and Fabian approach Cesario. Using all sorts of double entendre's about... (full context)

Near Olivia's house, Feste runs into Sebastian, whom he mistakes for Cesario. Feste asks Sebastian to return... (full context)

Olivia rushes in, ordering Sir Toby to stop. Olivia sends Toby away, while begging "Cesario" (in... (full context)

Back at Olivia's house, Maria and Toby have locked Malvolio in a dark chamber to cure his "madness."... (full context)

...in Maria that they must find a way out of this prank to avoid irritating Olivia any further. The two sneak off to Sir Toby's bedroom. (full context)

...him a candle, pen, ink, and paper, so that he can write a letter asking Olivia for help. Feste agrees to deliver the letter, but first dallies for a while, teasing... (full context)

In another room in Olivia's palace, Sebastian is wandering around, trying to make sense of what has happened. Sebastian wishes... (full context)

Sebastian's thoughts are interrupted when Olivia enters with a priest. She begs Sebastian to agree to marry her secretly at once.... (full context)

In front of Olivia's house, Feste holds the letter that Malvolio has written begging for Olivia's help. As Fabian... (full context)

Olivia demands to know where Cesario has been. Has he broken his marriage promises to her... (full context)

...upon the group. Sir Toby, also bleeding, enters with Feste and joins in accusing Cesario. Olivia sends them away to have their injuries tended and demands to know who is actually... (full context)

At this moment, Sebastian rushes in, apologizing to Olivia, begging her pardon for having hurt her kinsman. Everyone is astonished. Orsino exclaims that Sebastian... (full context)

Sebastian turns to Olivia to explain: all that time, she wanted to marry a woman. Orsino reassures Olivia, telling... (full context)

Olivia instantly agrees to take care of this minor detail—which reminds her that, distracted by her... (full context)

Waiting for them to return, Olivia asks Orsino to think of her as a sister and offers to host a wedding... (full context)

Malvolio enters with Fabian. Fuming, he presents Olivia with Maria's trick letter. After a quick examination, Olivia replies that the handwriting is Maria's,... (full context)

Orsino says that when the Captain has given his account, he and Viola and Olivia and Sebastian will be properly married. Aside, he adds that as long as Viola is... (full context)

Olivia Character Analysis

Olivia Quotes in Twelfth Night

Act 1, scene 5 Quotes

Act 2, scene 5 Quotes

Act 3, scene 1 Quotes

Act 3, scene 4 Quotes

Act 5, scene 1 Quotes

Olivia Character Timeline in Twelfth Night