Twelfth Night
by William Shakespeare

Twelfth Night Quotes

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Act 1, scene 1 Quotes

If music be the food of love, play on,
Give me excess of it; that, surfeiting,
The appetite may sicken, and so die.
Related Characters: Orsino (speaker)
Related Literary Devices:
Page Number and Citation: 1.1.1-3
Explanation and Analysis:
The play opens with Orsino, the Duke of Illyria, listening to music and lamenting about love. Twelfth Night is a play about excess, as during Shakespeare's time, people would celebrate Christmas for twelve nights, partying and drinking. It is also a play about the overbearing nature of love and the madness that comes from it. From the very first line of the play, Orsino's language is over the top. He desires so much love that it makes him melancholy, even sick. As he sits in his court, he stops the music playing in the background, claiming it makes him too sad Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum d
So full of shapes is fancy
That it alone is high fantastical.
Related Characters: Orsino (speaker)
Related Symbols: Hallucination
Page Number and Citation: 1.1.14-15
Explanation and Analysis:
In his first speech, Orsino laments the melancholy nature of love. He notes that love can manifest itself in many different ways, making it magical. Thus, he argues, love "alone" is the only true form of imagination. This moment gives readers an insight into Orsino's views on love, and also foreshadows the "shapes" and disguises characters will take on throughout Twelfth Night. Orsino's speech is dramatic and excessive. While he enjoys talking about love,we will learn that his feelings are actually quite fickle. He loves the idea of love as well as performing the act of being melancholy and heartbroken. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita d

Act 1, scene 3 Quotes

I am a great eater of beef, and I believe that does harm to my wit.
Related Characters: Sir Andrew Aguecheek (speaker)
Page Number and Citation: 1.3.85-86
Explanation and Analysis:
Act 1 Scene 3 introduces us to Maria, a clever lady-in-waiting of Olivia's, Sir Toby Belch, Olivia's uncle and a drunkard, and Sir Andrew, a rich, foolish man who hopes to marry Olivia. During this scene Sir Andrew and Maria enter into a verbal warfare, teasing and taunting each other's sexual appeal. After being outmatched by Maria's wit, Sir Andrew has a moment alone with Toby. Toby is shocked that Maria has outsmarted them both and Sir Andrew replies with this line. Calling himself an "eater of beef" is Sir Andrew's way of calling himself dimwitted. During Shakespeare's time it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo
I would I had bestowed that time in the tongues, that I have in fencing, dancing and bear-baiting: O, had I but followed the arts!
Related Characters: Sir Andrew Aguecheek (speaker)
Page Number and Citation: 1.3.91-94
Explanation and Analysis:
After a failed attempt to woo Olivia, Sir Andrew tells Toby that he is going to leave Illyria. Toby asks him why, saying "Pourquoi," and Sir Andrew replies with this quote. Sir Andrew doesn't understand the meaning of the french word, and laments that he wished he had focused more on the arts. He has spent his time fencing and training dogs to kill bears for sport instead of learning the language of love or studying literature. Thus, he blames himself for his own inability to get Olivia to marry him. Here art, flourishing language, and impressive creative gestures are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volupta

Act 1, scene 4 Quotes

Thy small pipe
Is as the maiden's organ, shrill and sound,
And all is semblative a woman's part.
Related Characters: Orsino (speaker), Viola (Cesario)
Related Literary Devices:
Page Number and Citation: 1.4.35-37
Explanation and Analysis:
Viola has disguised herself as a young pageboy named Cesario, and now resides in Orsino's court. Orsino has begun to rely on Cesario for advice and information on Olivia. He asks her to go to Olivia's home and woo her for him using any means necessary. In this moment Orsino tells Cesario that she may be able to persuade Olivia because she resembles and sounds like a woman, suggesting that Olivia may be more comfortable in the presence of a prepubescent boy than Orsino himself. Here Shakespeare notes the confusing nature of Viola's disguise and how it plays to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Act 1, scene 5 Quotes

Better a witty fool than a foolish wit.
Related Characters: Feste (speaker)
Page Number and Citation: 1.5.34
Explanation and Analysis:
Maria and Feste the fool have just finished speaking with each other. He pokes fun at her, and she calls him a troublemaker and exits. Feste is left alone on stage and tries to think up more funny, witty things to say. He then reflects on the made-up philosopher Quinapulus, saying that it is better to be witty and a fool than to simply be a foolish person.Feste is a crucial character in Twelfth Night. As the fool in the court, he has privileged information about and access toboth the masters and the servants. He is allowed to poke fun Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas
He is very well-favored and he speaks very shrewishly; one would think his mother's milk were scarce out of him.
Related Characters: Malvolio (speaker), Viola (Cesario)
Related Symbols: Costumes
Page Number and Citation: 1.5.159-161
Explanation and Analysis:
Disguised as a man (Cesario), Viola visits Olivia in order to woo her for Duke Orsino. Olivia's steward, Malvolio, tells Olivia that there is a young man at the door. Olivia asks Malvolio to describe him and he responds with this quote. Here, he tells Olivia that her visitor (Viola) is "well-favored" or attractive, and speaks in a high-pitched voice ("shrewishly") as if he were a child.In this moment, Malvolio notes the gender ambiguity of Cesario without realizing he is in fact a woman. He writes off Cesario's femininity as a product of youth. This is a comedic moment for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt d
Lady, you are the cruell'st she alive
If you will lead these graces to the grave
And leave the world no copy.
Related Characters: Viola (Cesario) (speaker), Olivia
Related Literary Devices:
Page Number and Citation: 1.5.240-242
Explanation and Analysis:
Viola enters Olivia's home dressed as Cesario, in order to attempt to woo her for Duke Orsino. The two begin a playful tete-a-tete. Here, Viola tries to appeal to Olivia by telling her how beautiful she is—so beautiful that it would be a disservice to the world not to produce an heir (and thus a new "copy" of her beauty). In a grand performance, Viola compliments Olivia's physical beautify in order to gain her trust and influence her to fall for Orsino. She also speaks in the convention of "poetic blazon," a form often used in sonnets, where the speaker Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciu
Make me a willow cabin at your gate
And call upon my soul within the house;
Write loyal cantons of contemned love
And sing them loud even in the dead of night;
Halloo your name to the reverberate hills
And make the babbling gossip of the air
Cry out 'Olivia!' O, You should not rest
Between the elements of air and earth
But you should pity me.
Related Characters: Viola (Cesario) (speaker), Olivia, Orsino
Related Literary Devices:
Page Number and Citation: 1.5.271-279
Explanation and Analysis:
In an attempt to get Olivia to fall in love with Orsino, Cesario (Viola) describes what he would do if he loved Olivia as much as Orsino. In a beautiful speech he tells her that he would write endless poems of his love, sing them through the night and scream her name so loudly that the air would echo the sound of "Olivia." In her speech, Viola-As-Cesario does something Orsino cannot; she says the right thing to make Olivia fall in love. Juxtaposed against Orsino's cliche speeches on love and lust, Viola's are much more creative and subtle. She performs Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nos

Act 2, scene 3 Quotes

What is love? Tis not hereafter;
Present mirth hath present laughter:
What's to come is still unsure.
In delay there lies no plenty;
Then come kiss me, sweet and twenty:
Youth's a stuff will not endure.
Related Characters: Feste (speaker)
Page Number and Citation: 2.3.48-53
Explanation and Analysis:
Feste, Sir Toby Belch, and Sir Andrew Aguecheek are drinking and singing together, and Feste begins to sing a song about love. He sings about how love must be taken advantage of in the moment, as it is a youthful and passionate game. Feste's song on love is another example of the performative nature of love and desire in Twelfth Night. It also examines the difference in behavior between members of the court and the servants. Orsino performs his feelings of love through his flourishing, over the top, cliched language, and Viola does so with beautiful poetry. Here, Feste, a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntu
My purpose, indeed, is a horse of that color.
Related Characters: Maria (speaker)
Page Number and Citation: 2.3.66
Explanation and Analysis:
Malvolio enters and berates Sir Toby Belch and Sir Andrew for drinking in Olivia's home. After Malvolio leaves, Maria tells them that she has discovered a way to trick him. She will mimic Olivia's handwriting and write Malvolio a love letter. Sir Toby is thrilled by this plot, and Maria responds with this line. She confirms the layout of the prank, by agreeing that her "horse" or "idea" is exactly of the kind ("color") Sir Toby is probably imagining. This moment brings reveals how deception and disguise can be used against an individual, to hurt instead of the help. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eli

Act 2, scene 4 Quotes

Let still the woman take
An elder than herself: so wears she to him,
So sways she level in her husband's heart:
For, boy, however we do praise ourselves,
Our fancies are more giddy and unfirm,
More longing, wavering, sooner lost and worn,
Than women's are.
Related Characters: Orsino (speaker), Viola (Cesario)
Related Literary Devices:
Page Number and Citation: 2.4.34-40
Explanation and Analysis:
Cesario (Viola) and Orsino sit listening to music, and Orsino asks Casario if he has ever been in love. Cesario says yes. Not knowing that under the disguise Viola is confessing her love for him, Orsino tells Viola-as-Cesario that whoever this woman is, she is not worthy of his love because she is older than he is. Orsino encourages Cesario to instead marry someone younger than himelf. The reasoning he gives for this is that men are more wavering with love, they become less attracted to older women, and their feelings change and are "unfirm." Orsino points out that men Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus
Now the melancholy god protect thee, and the tailor make thy doublet of changeable taffeta, for thy mind is a very opal.
Related Characters: Feste (speaker), Orsino
Related Literary Devices:
Page Number and Citation: 2.4.80-82
Explanation and Analysis:
Feste sings a song to Orsino, and when Orsino asks him to leave, Feste sings this final segment, in which he mocks Orsino's melancholy nature. He calls upon Saturn, the Roman god associated with "melancholy," o protect him. He tells Orsino that he hopes he can find a tailor that can make him clothing that changes color, because his mind is "opal," an iridescent, cloudy stone, and he never seems to know what he wants. Because of his position as the fool, Feste has the ultimate freedom to poke fun at the masters without getting in trouble. Here he comments Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor aspe
Viola: My father had a daughter loved a man,
As it might be, perhaps, were I a woman,
I should your lordship.
Orsino: And what's her history?
Viola: A blank, my lord. She never told her love,
But let concealment, like a worm i' the bud,
Feed on her damask cheek: she pined in thought,
And with a green and yellow melancholy
She sat like patience on a monument,
Smiling at grief. Was not this love indeed?
Related Characters: Viola (Cesario) (speaker), Orsino (speaker)
Related Symbols: Costumes
Page Number and Citation: 2.4.118-127
Explanation and Analysis:
The self-absorbed Orsino tells Cesario (Viola) that no woman could ever love a man as much as he loves Olivia. Cesario disagrees. She then tells him her own story (of the love she has for Orsino) in a roundabout way, pretending it is the story of her sister. Orsino is blinded once again by Viola's disguise, unaware of the irony of the situation. She is confessing her love for him, but is shielded by the mask of Cesario. Her own love also mimics Orsino's in its strength and melancholy—but it's also suggested that, contrary to Orsino's sexist declaration about women's Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Qui

Act 2, scene 5 Quotes

Now is the woodcock near the gin.
Related Characters: Fabian (speaker), Malvolio
Related Symbols: Hunting
Page Number and Citation: 2.5.85
Explanation and Analysis:
Because of his self-righteous behavior towards the other servants, Maria decides to play a prank on Malvolio. She writes a love letter to him from an anonymous lover, but does so in Olivia's handwriting, and she riddles the letter with obvious clues that point toward Olivia as the author. Here Malvolio finds the letter, and Maria and the other servants hide in a tree to watch him read it. Fabian says then says this line in hiding, calling Malvolio a "woodcock." During Shakespeare's time the woodcock was known to be a particularly stupid breed of bird, and easy to catch Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium
I may command where I adore.
Related Characters: Malvolio (speaker)
Page Number and Citation: 2.5.107
Explanation and Analysis:
In an effort to embarass Malvolio, Maria writes a letter in Olivia's handwriting, telling him that she is in love with him. The letter is only signed with what seems to be the letters of an initial. Here, Malvolio reads lines of the letter aloud, which he will later deconstruct, in order to find out if it was Olivia that wrote it. This line is the first major hint that it could be Olivia. The person who wrote the letter both commands and loves the same person, suggesting that it is a master who loves her servant (Malvolio).The love letter Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe
Be not afraid of greatness: Some are born great, some achieve greatness, and some have greatness thrust upon 'em.
Related Characters: Malvolio (speaker), Olivia (speaker)
Page Number and Citation: 2.5.148-150
Explanation and Analysis:
Malvolio reads the love letter that he thinks is from Olivia, as Maria, its true author, hides in a tree with Sir Andrew and Sir Toby, watching Malvolio embarrass himself. This iconic quote happens toward the end of the letter as an attempt to reveal who the author could be. Malvolio interprets this section to mean that he is one who could "achieve" greatness by marrying the noble-born Olivia (one who was "born great"). Thus the joke being played on Malvolio isn't just getting him to think someone loves him, but also getting him to attempt to rise above his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commod

Act 3, scene 1 Quotes

This fellow's wise enough to play the fool,
And to do that well craves a kind of wit.
Related Characters: Viola (Cesario) (speaker), Feste
Page Number and Citation: 3.1.61-62
Explanation and Analysis:
Viola, dressed as Cesario, arrives at Olivia's home to speak to her on behalf of Orsino once again. When she arrives she meets Feste, who mocks Orsino's love for Olivia. After he exits, Viola says this line. Here, Viola comments on Feste's performance as a fool. She sees his behavior as an act, and she explains that only wise and witty people can be true "fools," as they see things that others can't see, and they are intuitive and insightful. Thus, the fools are very much un-foolish, quite possibly making them the wisest people in the court (as is often Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volupt
O world! how apt the poor are to be proud.
Related Characters: Olivia (speaker)
Page Number and Citation: 3.1.134
Explanation and Analysis:
Cesario and Olivia are alone. When Olivia asks him to introduce himself once again, he says he is a humble "servant." This leads Olivia into a series of wordplays on the idea of servitude, as she uses Cesario's own position as a servant as a mode of flirtation. Olivia admits her love for Cesario (not knowing he is actually Viola) and Cesario tries to politely turn her down. Olivia replies with this line, suggesting that the poor, or in this case, a servant, should not be too proud to accept the sexual advances of a noble lady like herself. Here, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas de

Act 3, scene 4 Quotes

Why, this is very midsummer madness.
Related Characters: Olivia (speaker), Malvolio
Page Number and Citation: 3.4.61
Explanation and Analysis:
Malvolio is love stricken with Olivia, and thinks that she has written him a love letter with instructions for how he should dress and comport himself (the letter was actually written by Maria). Here Malvolio enters, wearing yellow cross-gartered stockings and grinning from ear to ear (as the letter told him to do). Olivia, confused, asks Malvolio to stop, but he won't. Convinced her steward has gone mad, she then says this line. During Shakespeare's time the summer moon was thought to be a major influence on madness and insanity. Thus, having a "midsummer madness" was considered a kind of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident e
Go hang yourselves all! You are idle shallow things; I am not of your element.
Related Characters: Malvolio (speaker), Fabian, Sir Toby, Maria, Sir Andrew Aguecheek, Feste
Page Number and Citation: 3.4.132-133
Explanation and Analysis:
Maria, Sir Toby, Sir Andrew, and Fabian have entered the scene, all pretending to be concerned about Malvolio's state of mind (although they all know that he has in fact become the subject of a cruel joke). They express their concerns and Malvolio responds with this quote, telling them that they don't understand what he is going through. This shows that Malvolio is still as rude and arrogant as he was at the beginning of the play, and now even more so because of his sense of confidence in Olivia's love, and the letter's instructions to look down upon and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error
If this were played upon a stage now, I could condemn it as an improbable fiction.
Related Characters: Fabian (speaker)
Page Number and Citation: 3.4.236-137
Explanation and Analysis:
After Malvolio tells the other servants that he is not of their "element," or is now above them in social class because he is supposedly worthy of Olivia's love, Fabian says this quote. Here he suggests that if this scene were a performance it would likely be considered fiction, as it is too ironic and unrealistic. Malvolio is chastising his fellow servants for being low class and stupid while he is dressed in the ridiculous clothing that the letter requested him to wear. Once again, performance becomes an important theme in this moment. Many of the characters in Twelfth Nightfeel Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus

Act 5, scene 1 Quotes

Give me thy hand
And let me see thee in thy woman's weeds.
Related Characters: Orsino (speaker), Viola (Cesario)
Related Symbols: Costumes
Page Number and Citation: 5.1.285-286
Explanation and Analysis:
After finally identifying herself as a woman of noble blood to Orsino, Viola tells the court that she will return to the captain of her ship who will rightly identify her and return her clothes to her. Orsino then takes her hand and asks to see her in her "woman's weeds," or women's clothing. Here we see how fickle or performative Orsino's love for Olivia truly is. The moment Viola reveals herself and identifies herself as not only a woman but a high class woman, he falls in love with her. This could simply be a result of the fact Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia
Why have you suffered me to be imprisoned,
Kept in a dark house, visited by the priest,
And made the most notorious geck and gull
That e'er invention played on? Tell me why.
Related Characters: Malvolio (speaker), Olivia
Page Number and Citation: 5.1.363-366
Explanation and Analysis:
Malvolio continues to be called mad and is mocked by the members of the court—even locked in a dark room (a traditional "treatment" for mental illness at the time). During this moment, Malvolio finally confronts Olivia about the writing of the love letter. After this speech, Olivia discovers that it was in fact Maria who wrote the letter, forging her handwriting, and the Fool who was in fact the "priest" visiting Malvolio.Malvolio's plotline makes clear the connection between love and madness, and emphasizes the nature of revelry and wildness in the environment of Twelfth Night. At the same time, it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accu
I'll be revenged on the whole pack of you.
Related Characters: Malvolio (speaker), Feste, Fabian, Maria, Sir Toby, Sir Andrew Aguecheek
Page Number and Citation: 5.1.401
Explanation and Analysis:
By the end of the play all of the disguises have been taken off and the deception has been revealed. While disguising oneself has worked in favor for Viola and even Olivia (who marries Sebastian), Malvolio realizes how thoroughly and cruelly he has been tricked, and remains a single negative voice among the happy lovers. In his last moments on stage, Malvolio says this line to the others and storms off, threatening to take revenge on those who embarrassed him.Malvolio's unresolved plot-line is the only thing disrupting the otherwise traditional comic ending to the play (i.e., everyone is happy, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti s
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