Twilight: Los Angeles, 1992

Twilight: Los Angeles, 1992

by

Anna Deavere Smith

Teachers and parents! Our Teacher Edition on Twilight: Los Angeles, 1992 makes teaching easy.
Themes and Colors
Police Brutality, Corruption, and Systemic Racism  Theme Icon
Healing, Progress, and Collective Consciousness  Theme Icon
Justice, Perspective, and Ambiguity  Theme Icon
Individuals vs. Institutions Theme Icon
Action vs. Symbolic Gesture  Theme Icon
LitCharts assigns a color and icon to each theme in Twilight: Los Angeles, 1992, which you can use to track the themes throughout the work.
Individuals vs. Institutions Theme Icon

Many of Smith’s interview subjects harbor resentment for wrongs committed against them, either by an unjust system or by individuals who have turned to violence to air their frustrations against this unjust system. Mrs. Young Soon Han, whose South-Central convenience store was destroyed during the riots, struggles with her feelings of anger toward members of the Black community who participated in the riots that destroyed her store and livelihood. Mrs. Han sees the destruction of her store as indicative of how the U.S. has denied Korean Americans the rights and protections it affords its more privileged citizens. She feels bitterness toward Black people, feeling that the riots gave LA’s Black community justice, which remains inaccessible to Korean Americans. Similarly, Paul Parker, chairperson for the Free the LA Four Plus Defense Committee, expresses resentment toward Korean shop owners like Mrs. Han. He uses anti-Semitic language to justify Black protestors’ decision to burn down Korean-owned businesses in South-Central: “The Koreans was like the Jews in the day,” he states, “and we put them in check.” In airing their grievances, both Parker and Han evoke an “us versus them” narrative in which they believe that their respective communities suffer because another community is allowed to flourish. What both parties fail to see, however, is that in blaming another oppressed community, they misdirect blame away from the true source of their oppression: the powerful institutions, such as the corrupt police forces and indifferent or out-of-touch lawmakers, who keep both communities at the periphery of society and silence their voices. In Twilight: Los Angeles, 1992, Smith shows how an “us versus them” narrative pits oppressed communities against each other, distracting them from recognizing and challenging the systems responsible for keeping them impoverished and disenfranchised.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…
Get the entire Twilight: Los Angeles, 1992 LitChart as a printable PDF.
Twilight: Los Angeles, 1992 PDF

Individuals vs. Institutions Quotes in Twilight: Los Angeles, 1992

Below you will find the important quotes in Twilight: Los Angeles, 1992 related to the theme of Individuals vs. Institutions.
Prologue: My Enemy Quotes

I realized I had an enemy
and that enemy was those nice white teachers.

Related Characters: Rudy Salas, Sr. (speaker)
Page Number: 2
Explanation and Analysis:
These Curious People Quotes

Why do I have to be on a side?

Related Characters: Stanley K. Sheinbaum (speaker)
Page Number: 15
Explanation and Analysis:
They Quotes

Who’s They?

Related Characters: Jason Sanford (speaker)
Page Number: 21
Explanation and Analysis:
Lightning But No Rain Quotes

These police officers are just like you and I.
Take that damn uniform off of ‘em,
they the same as you and I.
Why do they have so much power?
Why does the system work for them?
Where can we go
to get the justice that they have?

Related Characters: Theresa Allison
Page Number: 39
Explanation and Analysis:
Where the Water Is Quotes

“You took upper-body-control holds away from us.
Now we’re really gonna show you what you’re gonna get,
with lawsuits and all the other things that are associated with it.”

Related Characters: Sergeant Charles Duke (speaker), Rodney King, Daryl Gates
Page Number: 65
Explanation and Analysis:
Indelible Substance Quotes

“No.”
I said, “We have to stay here
and watch
because this is wrong.”

Related Characters: Josie Morales (speaker), Rodney King
Page Number: 67
Explanation and Analysis:
Your Heads in Shame Quotes

I mean, the jurors as a group, we tossed around:
was this a setup of some sort?
We just feel like we were pawns that were thrown away by the
system.

Related Characters: Anonymous Male Juror (speaker), Rodney King
Page Number: 72
Explanation and Analysis:
Magic Quotes

At least in a courtroom setting
that magic comes in.
You want to believe the officers
because they are there to help you,
the law-abiding citizen,
because most jurors have not had contacts
with police—
if they have
it’s a traffic ticket
or they did a sloppy job
investigating their burglary
but not enough that it sours them on the police.

Related Characters: Gil Garcetti (speaker)
Page Number: 74-75
Explanation and Analysis:
War Zone Quotes

As far as I’m concerned,
nobody is better than me,
I’m not better than anybody else.
People are people.
Black, white, green, or purple, I don’t care,
but what’s happening in South Central now,
I think they’re taking advantage.

Related Characters: Judith Tur (speaker), Rodney King, Reginald Denny
Related Symbols: Violence
Page Number: 97
Explanation and Analysis:
Bubble Gum Machine Man Quotes

Anything is never a problem ‘til the black man gets his hands on it.
It was good for the NRA
to have fully automatic weapons,
but when the Afro-American people got hold of ‘em,
it was a crime!

Related Characters: Allen Cooper “Big Al” (speaker)
Page Number: 101-102
Explanation and Analysis:

This Reginald Denny thing is a joke.
It’s joke.
That’s just a delusion to the real
problem.

Related Characters: Allen Cooper “Big Al” (speaker), Rodney King, Reginald Denny
Related Symbols: Violence
Page Number: 102
Explanation and Analysis:
To Look Like Girls from Little Quotes

If she didn’t caught it in her arm,
me and her would be dead.
See?
So it’s like
open your eyes,
watch what is goin’ on.

Related Characters: Elvira Evers (speaker)
Page Number: 123
Explanation and Analysis:
That’s Another Story Quotes

Who the hell does he think he is?
Oh, but that was another story.
they lootin’ over here,
but soon they loot this store he went to,
oh, he was all pissed.

Related Characters: Katie Miller (speaker)
Related Symbols: Violence
Page Number: 133
Explanation and Analysis:
The Beverly Hills Hotel Quotes

No one can hurt us at the Beverly Hills Hotel
‘cause it was like a fortress.

Related Characters: Elaine Young (speaker)
Related Symbols: Violence
Page Number: 155
Explanation and Analysis:
The Unheard Quotes

riot
is the voice of the unheard.

Related Characters: Maxine Waters (speaker), Rodney King
Related Symbols: Violence
Page Number: 162
Explanation and Analysis:
Trophies Quotes

Because Denny is white,
that’s the bottom line.
If Denny was Latino,
Indian, or black,
they wouldn’t give a damn
they would not give a damn.

Related Characters: Paul Parker (speaker), Rodney King, Reginald Denny
Related Symbols: Violence
Page Number: 172
Explanation and Analysis:

We spoke out on April 29.
Hoo (real pleasure),
it was flavorful,
it was juicy.
It was, uh,
it was good for the soul.

Related Characters: Paul Parker (speaker), Anna Deavere Smith, Maxine Waters, Judith Tur, Elaine Young
Related Symbols: Violence
Page Number: 174
Explanation and Analysis:
Long Day’s Journey into Night Quotes

This is the city we are living in.
It’s our house.
We all live in the same house…
Right, start a fire in the basement
and, you know,
nobody’s gonna be left on the top floor.
It's one house.
And shutting the door in your room,
it doesn’t matter.

Related Characters: Peter Sellars (speaker), Anna Deavere Smith
Related Symbols: Violence
Page Number: 200
Explanation and Analysis:
I Remember Going… Quotes

After a couple of days
I stopped wearing the collar
and I realize that if there’s any protection I needed
it was just whatever love I had in my heart to share with people that
proved to be enough,
the love that God has taught me to share.
That is what came out in the end for me.

Related Characters: Reverend Tom Choi (speaker), Twilight Bey
Page Number: 203
Explanation and Analysis:
A Jungian Collective Unconscious Quotes

you believed
that it actually could change,
and of course
here we are a year later.
(seven-second pause)
didn’t change.
All
the
language
was there,
and all the big gestures
were there[.]

Related Characters: Paula Weinstein (speaker)
Page Number: 210-211
Explanation and Analysis:
Application of the Laws Quotes

and the moral power of those institutions have to be brought to bear
in the public institutions, which in many places are not fair.
To put it mildly.
Right? And the application of the law
before which we are all in theory equal.

Related Characters: Bill Bradley (speaker)
Page Number: 217
Explanation and Analysis:
Screw Through Your Chest Quotes

Is it the truth of Koon and Powell being guilty
or is it the truth of the society
that has to find them
guilty in order to protect itself?

Related Characters: Harland W. Braun (speaker), Rodney King, Officer Theodore J. Briseno, Sergeant Stacey C. Koon
Page Number: 243
Explanation and Analysis:
Swallowing the Bitterness Quotes

In a way I was happy for them
and I felt glad for them.
At leasteh they got something back, you know.
Just let’s forget Korean victims or other victims
who are destroyed by them.
They have fought
for their rights
(One hit simultaneous with the word “rights”)
over to centuries
(One hit simultaneous with “centuries”)
and I have a lot of sympathy and understanding for them.

Related Characters: Mrs. Young Soon Han (speaker)
Related Symbols: Violence
Page Number: 248
Explanation and Analysis:
Limbo/Twilight #2 Quotes

I am a dark individual,
and with me stuck in limbo,
I see darkness as myself.
I see the light as knowledge and the wisdom of the world and
understanding others,
in order for me to be a, to be a true human being,
I can’t forever dwell in darkness,
I can’t forever dwell in the idea,
of just identifying with people like me and understanding me and mine.

Related Characters: Twilight Bey (speaker), Homi Bhabha , Betye Saar
Related Symbols: Twilight
Page Number: 255
Explanation and Analysis: