Leopold Bloom Quotes in Ulysses
After he woke me last night same dream or was it? Wait. Open hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting it. That man led me, spoke. I was not afraid. The melon he had he held against my face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red carpet spread. You will see who.
—Here, she said. What does that mean?
He leaned downward and read near her polished thumbnail.
—Metempsychosis?
—Yes. Who’s he when he’s at home?
—Metempsychosis, he said, frowning. It’s Greek: from the Greek. That means the transmigration of souls.
—O, rocks! she said. Tell us in plain words.
White horses with white frontlet plumes came round the Rotunda corner, galloping. A tiny coffin flashed by. In a hurry to bury. A mourning coach. Unmarried. Black for the married. Piebald for bachelors. Dun for a nun.
—Sad, Martin Cunningham said. A child.
A dwarf’s face, mauve and wrinkled like little Rudy’s was. Dwarf’s body, weak as putty, in a whitelined deal box. Burial friendly society pays. Penny a week for a sod of turf. Our. Little. Beggar. Baby. Meant nothing. Mistake of nature. If it’s healthy it’s from the mother. If not from the man. Better luck next time.
—Poor little thing, Mr Dedalus said. It’s well out of it.
The carriage climbed more slowly the hill of Rutland square. Rattle his bones. Over the stones. Only a pauper. Nobody owns.
—In the midst of life, Martin Cunningham said.
—But the worst of all, Mr Power said, is the man who takes his own life.
His smile faded as he walked, a heavy cloud hiding the sun slowly, shadowing Trinity’s surly front. Trams passed one another, ingoing, outgoing, clanging. Useless words. Things go on same, day after day: squads of police marching out, back: trams in, out. Those two loonies mooching about. Dignam carted off. Mina Purefoy swollen belly on a bed groaning to have a child tugged out of her. One born every second somewhere. Other dying every second.
[…]
Cityful passing away, other cityful coming, passing away too: other coming on, passing on. Houses, lines of houses, streets, miles of pavements, piledup bricks, stones. Changing hands. This owner, that. Landlord never dies they say. Other steps into his shoes when he gets his notice to quit. They buy the place up with gold and still they have all the gold. Swindle in it somewhere. Piled up in cities, worn away age after age. Pyramids in sand.
[…]
No-one is anything.
Bronze by gold heard the hoofirons, steelyringing.
Imperthnthn thnthnthn.
Chips, picking chips off rocky thumbnail, chips.
Horrid! And gold flushed more.
A husky fifenote blew.
Blew. Blue bloom is on the.
Goldpinnacled hair.
A jumping rose on satiny breast of satin, rose of Castile.
Trilling, trilling: Idolores.
Peep! Who’s in the … peepofgold?
Tink cried to bronze in pity.
And a call, pure, long and throbbing. Longindying call.
Decoy. Soft word. But look: the bright stars fade. Notes chirruping answer.
O rose! Castile. The morn is breaking.
Jingle jingle jaunted jingling.
[…]
Done.
Begin!
—I’m talking about injustice, says Bloom.
—Right, says John Wyse. Stand up to it then with force like men.
[…]
—But it’s no use, says he. Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life.
—What? says Alf.
—Love, says Bloom. I mean the opposite of hatred.
Yes, it was her he was looking at, and there was meaning in his look. His eyes burned into her as though they would search her through and through, read her very soul. Wonderful eyes they were, superbly expressive, but could you trust them? People were so queer. […] Here was that of which she had so often dreamed. It was he who mattered and there was joy on her face because she wanted him because she felt instinctively that he was like no-one else. The very heart of the girlwoman went out to him, her dreamhusband, because she knew on the instant it was him.
And she saw a long Roman candle going up over the trees, up, up, and, in the tense hush, they were all breathless with excitement as it went higher and higher […] it went so high it went out of sight a moment and she was trembling in every limb from being bent so far back that he had a full view high up above her knee […] O! then the Roman candle burst and it was like a sigh of O! and everyone cried O! O! in raptures and it gushed out of it a stream of rain gold hair threads and they shed and ah! they were all greeny dewy stars falling with golden, O so lovely, O, soft, sweet, soft!
But was young Boasthard’s fear vanquished by Calmer’s words? No, for he had in his bosom a spike named Bitterness which could not by words be done away. […] Heard he then in that clap the voice of the god Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard? Why, he could not but hear unless he had plugged him up the tube Understanding (which he had not done). For through that tube he saw that he was in the land of Phenomenon where he must for a certain one day die as he was like the rest too a passing show. And would he not accept to die like the rest and pass away? By no means would he though he must.
THE CRIER: (loudly) Whereas Leopold Bloom of no fixed abode is a wellknown dynamitard, forger, bigamist, bawd and cuckold and a public nuisance to the citizens of Dublin and whereas at this commission of assizes the most honourable …
STEPHEN: Here’s another for you. (he frowns) The reason is because the fundamental and the dominant are separated by the greatest possible interval which …
THE CAP: Which? Finish. You can’t.
STEPHEN: (with an effort) Interval which. Is the greatest possible ellipse. Consistent with. The ultimate return. The octave. Which.
THE CAP: Which?
(Outside the gramophone begins to blare The Holy City.)
STEPHEN: (abruptly) What went forth to the ends of the world to traverse not itself, God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself becomes that self. Wait a moment. Wait a second. Damn that fellow’s noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco!
BLOOM: (mumbles) Awaiting your further orders we remain, gentlemen,…
BELLO: (with a hard basilisk stare, in a baritone voice) Hound of dishonour!
BLOOM: (infatuated) Empress!
BELLO: (his heavy cheekchops sagging) Adorer of the adulterous rump!
BLOOM: (plaintively) Hugeness!
BELLO: Dungdevourer!
BLOOM: (with sinews semiflexed) Magmagnificence!
BELLO: Down! (he taps her on the shoulder with his fan) Incline feet forward! Slide left foot one pace back! You will fall. You are falling. On the hands down!
BLOOM: (her eyes upturned in the sign of admiration, closing, yaps) Truffles!
(With a piercing epileptic cry she sinks on all fours, grunting, snuffling, rooting at his feet: then lies, shamming dead, with eyes shut tight, trembling eyelids, bowed upon the ground in the attitude of most excellent master.)
(Against the dark wall a figure appears slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an Eton suit with glass shoes and a little bronze helmet, holding a book in his hand. He reads from right to left inaudibly, smiling, kissing the page.)
BLOOM: (wonderstruck, calls inaudibly) Rudy!
RUDY: (gazes, unseeing, into Bloom’s eyes and goes on reading, kissing, smiling. He has a delicate mauve face. On his suit he has diamond and ruby buttons. In his free left hand he holds a slim ivory cane with a violet bowknot. A white lambkin peeps out of his waistcoat pocket.)
What reflection concerning the irregular sequence of dates 1884, 1885, 1886, 1888, 1892, 1893, 1904 did Bloom make before their arrival at their destination?
He reflected that the progressive extension of the field of individual development and experience was regressively accompanied by a restriction of the converse domain of interindividual relations.
As in what ways?
From inexistence to existence he came to many and was as one received: existence with existence he was with any as any with any: from existence to nonexistence gone he would be by all as none perceived.
What reason did Stephen give for declining Bloom’s offer?
That he was hydrophobe, hating partial contact by immersion or total by submersion in cold water, (his last bath having taken place in the month of October of the preceding year), disliking the aqueous substances of glass and crystal, distrusting aquacities of thought and language.
What impeded Bloom from giving Stephen counsels of hygiene and prophylactic to which should be added suggestions concerning a preliminary wetting of the head and contraction of the muscles with rapid splashing of the face and neck and thoracic and epigastric region in case of sea or river bathing, the parts of the human anatomy most sensitive to cold being the nape, stomach and thenar or sole of foot?
The incompatibility of aquacity with the erratic originality of genius.
What was Stephen’s auditive sensation?
He heard in a profound ancient male unfamiliar melody the accumulation of the past.
What was Bloom’s visual sensation?
He saw in a quick young male familiar form the predestination of a future.
What were Stephen’s and Bloom’s quasisimultaneous volitional quasisensations of concealed identities?
Visually, Stephen’s: The traditional figure of hypostasis, depicted by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as leucodermic, sesquipedalian with winedark hair.
Auditively, Bloom’s: The traditional accent of the ecstasy of catastrophe.
His (Bloom’s) logical conclusion, having weighed the matter and allowing for possible error?
That it was not a heaventree, not a heavengrot, not a heavenbeast, not a heavenman. That it was a Utopia, there being no known method from the known to the unknown.
He kissed the plump mellow yellow smellow melons of her rump, on each plump melonous hemisphere, in their mellow yellow furrow, with obscure prolonged provocative melonsmellonous osculation.
Supposing I risked having another not off him though still if he was married Im sure hed have a fine strong child but I dont know Poldy has more spunk in him yes thatd be awfully jolly
I thought to myself afterwards it must be real love if a man gives up his life for her that way for nothing I suppose there are a few men like that left its hard to believe in it though unless it really happened to me the majority of them with not a particle of love in their natures to find two people like that nowadays full up of each other that would feel the same way as you do theyre usually a bit foolish in the head his father must have been a bit queer to go and poison himself after her still poor old man I suppose he felt lost
I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
Leopold Bloom Quotes in Ulysses
After he woke me last night same dream or was it? Wait. Open hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting it. That man led me, spoke. I was not afraid. The melon he had he held against my face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red carpet spread. You will see who.
—Here, she said. What does that mean?
He leaned downward and read near her polished thumbnail.
—Metempsychosis?
—Yes. Who’s he when he’s at home?
—Metempsychosis, he said, frowning. It’s Greek: from the Greek. That means the transmigration of souls.
—O, rocks! she said. Tell us in plain words.
White horses with white frontlet plumes came round the Rotunda corner, galloping. A tiny coffin flashed by. In a hurry to bury. A mourning coach. Unmarried. Black for the married. Piebald for bachelors. Dun for a nun.
—Sad, Martin Cunningham said. A child.
A dwarf’s face, mauve and wrinkled like little Rudy’s was. Dwarf’s body, weak as putty, in a whitelined deal box. Burial friendly society pays. Penny a week for a sod of turf. Our. Little. Beggar. Baby. Meant nothing. Mistake of nature. If it’s healthy it’s from the mother. If not from the man. Better luck next time.
—Poor little thing, Mr Dedalus said. It’s well out of it.
The carriage climbed more slowly the hill of Rutland square. Rattle his bones. Over the stones. Only a pauper. Nobody owns.
—In the midst of life, Martin Cunningham said.
—But the worst of all, Mr Power said, is the man who takes his own life.
His smile faded as he walked, a heavy cloud hiding the sun slowly, shadowing Trinity’s surly front. Trams passed one another, ingoing, outgoing, clanging. Useless words. Things go on same, day after day: squads of police marching out, back: trams in, out. Those two loonies mooching about. Dignam carted off. Mina Purefoy swollen belly on a bed groaning to have a child tugged out of her. One born every second somewhere. Other dying every second.
[…]
Cityful passing away, other cityful coming, passing away too: other coming on, passing on. Houses, lines of houses, streets, miles of pavements, piledup bricks, stones. Changing hands. This owner, that. Landlord never dies they say. Other steps into his shoes when he gets his notice to quit. They buy the place up with gold and still they have all the gold. Swindle in it somewhere. Piled up in cities, worn away age after age. Pyramids in sand.
[…]
No-one is anything.
Bronze by gold heard the hoofirons, steelyringing.
Imperthnthn thnthnthn.
Chips, picking chips off rocky thumbnail, chips.
Horrid! And gold flushed more.
A husky fifenote blew.
Blew. Blue bloom is on the.
Goldpinnacled hair.
A jumping rose on satiny breast of satin, rose of Castile.
Trilling, trilling: Idolores.
Peep! Who’s in the … peepofgold?
Tink cried to bronze in pity.
And a call, pure, long and throbbing. Longindying call.
Decoy. Soft word. But look: the bright stars fade. Notes chirruping answer.
O rose! Castile. The morn is breaking.
Jingle jingle jaunted jingling.
[…]
Done.
Begin!
—I’m talking about injustice, says Bloom.
—Right, says John Wyse. Stand up to it then with force like men.
[…]
—But it’s no use, says he. Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life.
—What? says Alf.
—Love, says Bloom. I mean the opposite of hatred.
Yes, it was her he was looking at, and there was meaning in his look. His eyes burned into her as though they would search her through and through, read her very soul. Wonderful eyes they were, superbly expressive, but could you trust them? People were so queer. […] Here was that of which she had so often dreamed. It was he who mattered and there was joy on her face because she wanted him because she felt instinctively that he was like no-one else. The very heart of the girlwoman went out to him, her dreamhusband, because she knew on the instant it was him.
And she saw a long Roman candle going up over the trees, up, up, and, in the tense hush, they were all breathless with excitement as it went higher and higher […] it went so high it went out of sight a moment and she was trembling in every limb from being bent so far back that he had a full view high up above her knee […] O! then the Roman candle burst and it was like a sigh of O! and everyone cried O! O! in raptures and it gushed out of it a stream of rain gold hair threads and they shed and ah! they were all greeny dewy stars falling with golden, O so lovely, O, soft, sweet, soft!
But was young Boasthard’s fear vanquished by Calmer’s words? No, for he had in his bosom a spike named Bitterness which could not by words be done away. […] Heard he then in that clap the voice of the god Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard? Why, he could not but hear unless he had plugged him up the tube Understanding (which he had not done). For through that tube he saw that he was in the land of Phenomenon where he must for a certain one day die as he was like the rest too a passing show. And would he not accept to die like the rest and pass away? By no means would he though he must.
THE CRIER: (loudly) Whereas Leopold Bloom of no fixed abode is a wellknown dynamitard, forger, bigamist, bawd and cuckold and a public nuisance to the citizens of Dublin and whereas at this commission of assizes the most honourable …
STEPHEN: Here’s another for you. (he frowns) The reason is because the fundamental and the dominant are separated by the greatest possible interval which …
THE CAP: Which? Finish. You can’t.
STEPHEN: (with an effort) Interval which. Is the greatest possible ellipse. Consistent with. The ultimate return. The octave. Which.
THE CAP: Which?
(Outside the gramophone begins to blare The Holy City.)
STEPHEN: (abruptly) What went forth to the ends of the world to traverse not itself, God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself becomes that self. Wait a moment. Wait a second. Damn that fellow’s noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco!
BLOOM: (mumbles) Awaiting your further orders we remain, gentlemen,…
BELLO: (with a hard basilisk stare, in a baritone voice) Hound of dishonour!
BLOOM: (infatuated) Empress!
BELLO: (his heavy cheekchops sagging) Adorer of the adulterous rump!
BLOOM: (plaintively) Hugeness!
BELLO: Dungdevourer!
BLOOM: (with sinews semiflexed) Magmagnificence!
BELLO: Down! (he taps her on the shoulder with his fan) Incline feet forward! Slide left foot one pace back! You will fall. You are falling. On the hands down!
BLOOM: (her eyes upturned in the sign of admiration, closing, yaps) Truffles!
(With a piercing epileptic cry she sinks on all fours, grunting, snuffling, rooting at his feet: then lies, shamming dead, with eyes shut tight, trembling eyelids, bowed upon the ground in the attitude of most excellent master.)
(Against the dark wall a figure appears slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an Eton suit with glass shoes and a little bronze helmet, holding a book in his hand. He reads from right to left inaudibly, smiling, kissing the page.)
BLOOM: (wonderstruck, calls inaudibly) Rudy!
RUDY: (gazes, unseeing, into Bloom’s eyes and goes on reading, kissing, smiling. He has a delicate mauve face. On his suit he has diamond and ruby buttons. In his free left hand he holds a slim ivory cane with a violet bowknot. A white lambkin peeps out of his waistcoat pocket.)
What reflection concerning the irregular sequence of dates 1884, 1885, 1886, 1888, 1892, 1893, 1904 did Bloom make before their arrival at their destination?
He reflected that the progressive extension of the field of individual development and experience was regressively accompanied by a restriction of the converse domain of interindividual relations.
As in what ways?
From inexistence to existence he came to many and was as one received: existence with existence he was with any as any with any: from existence to nonexistence gone he would be by all as none perceived.
What reason did Stephen give for declining Bloom’s offer?
That he was hydrophobe, hating partial contact by immersion or total by submersion in cold water, (his last bath having taken place in the month of October of the preceding year), disliking the aqueous substances of glass and crystal, distrusting aquacities of thought and language.
What impeded Bloom from giving Stephen counsels of hygiene and prophylactic to which should be added suggestions concerning a preliminary wetting of the head and contraction of the muscles with rapid splashing of the face and neck and thoracic and epigastric region in case of sea or river bathing, the parts of the human anatomy most sensitive to cold being the nape, stomach and thenar or sole of foot?
The incompatibility of aquacity with the erratic originality of genius.
What was Stephen’s auditive sensation?
He heard in a profound ancient male unfamiliar melody the accumulation of the past.
What was Bloom’s visual sensation?
He saw in a quick young male familiar form the predestination of a future.
What were Stephen’s and Bloom’s quasisimultaneous volitional quasisensations of concealed identities?
Visually, Stephen’s: The traditional figure of hypostasis, depicted by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as leucodermic, sesquipedalian with winedark hair.
Auditively, Bloom’s: The traditional accent of the ecstasy of catastrophe.
His (Bloom’s) logical conclusion, having weighed the matter and allowing for possible error?
That it was not a heaventree, not a heavengrot, not a heavenbeast, not a heavenman. That it was a Utopia, there being no known method from the known to the unknown.
He kissed the plump mellow yellow smellow melons of her rump, on each plump melonous hemisphere, in their mellow yellow furrow, with obscure prolonged provocative melonsmellonous osculation.
Supposing I risked having another not off him though still if he was married Im sure hed have a fine strong child but I dont know Poldy has more spunk in him yes thatd be awfully jolly
I thought to myself afterwards it must be real love if a man gives up his life for her that way for nothing I suppose there are a few men like that left its hard to believe in it though unless it really happened to me the majority of them with not a particle of love in their natures to find two people like that nowadays full up of each other that would feel the same way as you do theyre usually a bit foolish in the head his father must have been a bit queer to go and poison himself after her still poor old man I suppose he felt lost
I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
