Rudolf Bloom, Jr. Quotes in Ulysses
Episode 15: Circe Quotes
(Against the dark wall a figure appears slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an Eton suit with glass shoes and a little bronze helmet, holding a book in his hand. He reads from right to left inaudibly, smiling, kissing the page.)
BLOOM: (wonderstruck, calls inaudibly) Rudy!
RUDY: (gazes, unseeing, into Bloom’s eyes and goes on reading, kissing, smiling. He has a delicate mauve face. On his suit he has diamond and ruby buttons. In his free left hand he holds a slim ivory cane with a violet bowknot. A white lambkin peeps out of his waistcoat pocket.)
At the very end of “Circe,” Bloom has a vision of his son Rudy as the schoolboy who he would be if he hadn’t died as an infant. During this vision, Bloom is standing over the fallen Stephen Dedalus, who the belligerent English soldier Private Carr has knocked unconscious. Of course, throughout the novel, Joyce has consistently linked Stephen with Rudy. Bloom feels lost and impotent because of Rudy’s death, while Stephen feels abandoned and rejected by his own father. Therefore, early on in the novel, Joyce sets them up as foils for each other—Bloom can give Stephen the father he’s missing and Stephen can take on the role of the son Bloom always wanted. After all, during the first half of the novel, Bloom and Stephen nearly intersect several times. When they finally do meet, Joyce makes it clear that this represents a symbolic union between father and son (in the context of the Odyssey, it represents Odysseus and Telemachus’s long-awaited reunion).
But for the first several hours of their time together, Bloom is frantically chasing after Stephen in an attempt to save him from his worst instincts—drunkenness, sexual impropriety, and extravagant spending. Stephen mostly ignores and runs away from him, until he gets knocked to the ground and Bloom finally gets the opportunity to save the day. Thus, it’s perfectly logical that this is the precise moment when Bloom has his serene vision of Rudy, the son he never got to see grow up.
Of course, this scene is also full of other symbolism. For instance, Bloom is like God standing over the fallen Jesus, waiting to resurrect him. This connects to his desire to resurrect Rudy, who appears as a Stephen-like schoolboy, reading from right to left (which implies that he’s reading the Torah in Hebrew). Bloom sees Rudy in Stephen and Stephen in Rudy, so this is also a notable example of metempsychosis—which is reincarnation, or souls traveling into other bodies. In short, this vision shows Bloom that it’s possible to address his grief over Rudy’s death and anxiety about his ability to father children by transferring those feelings onto another young man. For the time being, it’s Stephen, but the novel implies that he can also go on to have another son. Thus, this vision is Bloom’s great epiphany in the novel: it gives him the feeling of serenity, confidence, and fulfillment that he carries through the rest of Ulysses.