Unpolished Gem
by Alice Pung

Culture and Assimilation Theme Analysis

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Culture and Assimilation  Theme Icon
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After escaping a state-sponsored genocide led by Pol Pot, Cambodia’s tyrannical leader, protagonist Alice Pung’s parents finally arrive in Victoria, Australia in 1980 after spending a year in a Thai refugee camp. Kuan Pung and his pregnant wife, Kien, are determined to raise their growing family away from the violence and political instability of Southeast Asia and instead claim their own piece of the great Australian Dream—the belief that through hard work and dedication, anybody can own a home and be successful in Australia. Unpolished Gem chronicles the long-term struggles and triumphs of the Pungs as they attempt to assimilate and conform to Australian life and culture, while also maintaining their ethnic Chinese identity. As the first Pung born on Australian soil, Alice is just as out of place in her own family as she is in Australian society, and she soon learns that she does not fit neatly into either culture. Through the writing of her memoir, Alice navigates the duality of her multicultural existence and ultimately argues for the creation and acceptance of a unique Asian Australian identity, one that reflects both her Eastern and Western roots.

When the Pungs arrive in Victoria, they are completely out of place in Australian society. The first time that Kuan and Kien approach a street intersection and crosswalk they are amazed that a “little Green Man” flashes on the streetlight when it is safe to cross. To the Pungs, the flashing Green Man is an “eternal symbol of government existing to serve and protect,” a stark contrast to the genocidal efforts of the Cambodian government. After her first trip to an Australian supermarket, Kien purchases a can of meat which she quickly turns into an impressive stir-fry. Later, through a television advertisement, Kien discovers that the canned meat is dog food. “How lucky to be a dog in this country!” she thinks. Even pet food in Australia is better than the Cambodian canned goods the Pungs are accustomed to. Soon after their arrival, Kuan is offered a job as a translator at the Migrant Hostel. There he must explain to the other “Cambodian migrants that the reason they are so cold in the mornings is because they are meant to sleep under the sheets.” To the Cambodians, the beds are made too nicely, and they don’t want to mess them up. These experiences, which highlight privileges often taken for granted in mainstream Australian society, underscore the differences between Eastern and Western culture.

Over the span of two decades, the Pungs slowly conform to life in Australia. Kuan owns and operates a Retravision franchise, an Australian-based retailer of computers and electronics, and provides his family with a comfortable middle-class life—proof that they have achieved the Australian Dream. While Alice’s grandfather, Chia Teng, turns his Australian backyard into a Chinese vegetable garden, the Pungs’ “Asko side-by-side fridge with the ice dispenser” is “packed with fast food that came two-for-price-of-one.” Instead of a traditional Chinese diet, the Pungs’ diet reflects their modern Australian lifestyle. After Alice’s grandmother, Huyen Thai, moves out of their house in Australia, the Buddhist shrines that litter their home and yard fall into dusty disrepair because they “no longer have Granny to maintain the shine.” In their new Australian life, the Pungs are less observant of their Buddhist faith. When Alice is a teenager, her parents begin construction of a brand-new home, and each weekend the family drives to the building site to assess the progress. “This was our weekly Sunday trip,” Alice says, “to watch the temple being constructed and worship the fruits of our labor.” Instead of Buddha, the Pungs are devoted to the Australian Dream and are fully immersed in Western culture.

However, despite the Pungs’ best efforts to assimilate, Alice remains an outsider in both Eastern and Western culture. While studying Australian history in elementary school, Alice’s class puts on a colonial dress-up parade. When she arrives at school in a Mao suit, a traditional Chinese outfit and the symbol of her Eastern heritage, Alice is not given an apron to wear like the rest of the girls because she doesn’t look like the other children. Even as a young child Alice is acutely aware of her differences, and instead of participating in the parade, she hides in the bathroom. Alice describes herself as a “sort of permanent exchange student” growing up in Australia, and during her high school graduation, Alice and her family sit at a secluded table of migrants. As they watch the other graduates celebrate and mingle, Alice’s parents understand that like them, Alice is merely a “Watcher” of her life. “It must have hit them hard,” Alice says, “that we were still sticking by each other, sticking with each other, and not getting out, not fitting in.” Regardless of her parents’ hard work, Alice is not fully accepted as an Australian. Yet Alice does not feel entirely Chinese either, and she struggles to find her place within her family’s culture as well. Alice begins to “run out of words” when speaking Chinese with her mother, and when her grandmother tells her about Chinese history, her “Chinese ears are not Chinese enough to pick up the sounds and meanings of her words.” Alice is stuck between two conflicting cultures, and while her identity is certainly unique, she is but part of a growing population of Southeast Asians living in Australia’s newly embraced multicultural society. Unpolished Gem highlights Alice’s experiences as an Asian Australian, an inclusive identity that has long been ignored in mainstream Australian society.

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Culture and Assimilation Quotes in Unpolished Gem

Below you will find the important quotes in Unpolished Gem related to the theme of Culture and Assimilation .

Prologue Quotes

He steps out onto the footpath, away from the damp smells of the market. This is the suburb of madcap Franco Cuzzo and his polished furniture, the suburb that made Russell Crowe rich and famous for shaving his head and beating up ethnic minorities, so it doesn’t really matter that these footpaths are not lined with gold but dotted with coruscating black circles where people spat out gum eons ago. “Don’t swallow the rubber candy,” mothers say to their kids. “Spit it out. Spit it out now—that’s right, onto the ground there.” Ah, this wondrous new country where children are scared of dying because they have swallowed some Spearmint Wrigley’s, not because they stepped on a condensed milk tin filled with ammunition!

Related Characters: Alice Pung / Agheare (speaker), Kuan Pung
Related Symbols: Gold
Page Number and Citation: 3-4
Explanation and Analysis:
This quote occurs in the beginning pages of Unpolished Gem, about one month after Kuan arrives in Australia from Cambodia with his pregnant wife, Kien, and his mother and sister. Alice mentions Franco Cuzzo, a local Australian furniture salesman whose iconic television commercials promise low, low prices, and Russell Crowe, a famous Australian actor with a history of racism, because these men are part and parcel of the Footscray experience. This passage serves to underscore the differences between Australian society and Cambodia, and even though the chewed gum that litters the streets is not gold (a symbol of wealth and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta it

Part 1 Quotes

Back where my father came from, cars did not give way to people, people gave way to cars. To have a car in Cambodia you had to be rich. And if you had money, it meant that you could drive at whatever speed you pleased. If the driver zipping down the country road accidentally knocked over a peasant farmer, he knew he had better zoom away quick because the whole village might come and attack him with cleavers. The little Green Man was an eternal symbol of the government existing to serve and protect. And any country that could have a little green flashing man was benign and wealthy beyond imagining.

Related Characters: Alice Pung / Agheare (speaker), Kuan Pung
Page Number and Citation: 8-9
Explanation and Analysis:
Here, Alice is recounting the first day her family arrives in Australia from Cambodia. This passage represents the Pungs’ culture shock and again emphasizes the differences between Cambodian society and Australia. The cars and street lights are both things that many Australians take for granted, but to the Pungs, they are proof that their new country is “wealthy beyond imagining.” Staying alive is a constant struggle in Cambodia at this time—even the government is committed to oppressing and killing citizens—and those who are lucky enough to have some wealth care very little about the poor. The rich driver who strikes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Later that evening, in the bed that fills up the entire small storeroom where they sleep, my mother and father lie thinking about their full tummies. “Wah, who would believe that they feed this good meat to dogs? How lucky to be a dog in this country!” My mother puts her hand on her sticking-out stomach and smiles. Good-oh, she thinks. Her baby is going to be born with lots of Good-O in her. Good stuff.

Related Characters: Alice Pung / Agheare (speaker), Kien Pung, Kuan Pung
Page Number and Citation: 12
Explanation and Analysis:
Here, Kien has just realized that the canned meat she has fed her family for dinner is actually dogfood. Still, Kien is impressed with the food available in Australia, and even the food marketed for dogs is better than the food she is used to in Cambodia. While Kien’s mistake is another example of the culture shock she experiences upon her initial arrival to Australia, this passage also highlights the things typically taken for granted within Australian society. Most Australians are accustomed to good, available food, and most don’t know what it is like to go hungry. In Cambodia, starvation Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem a

“Your father was trying to tell them that the beds were made to be slept in, when suddenly he was told that he was needed at the hospital. Something must have happened to me, your father thought. Why would a hospital need him? He thought about bringing along his acupuncture needles just in case, but there was no time. When he arrived at the hospital, he discovered that the doctors just wanted him to be there to see the baby come out!” In Cambodia the husbands usually find a chair and sit in from of the room where babies were being born until they heard the wahwahwah sounds, and it was only then that they would know that the whole messy business was over and they could find out whether the child had the desired dangly bits or not.

Related Characters: Kien Pung (speaker), Kuan Pung, Alice Pung / Agheare
Page Number and Citation: 13
Explanation and Analysis:
Here Kien tells Alice about the day she was born. This passage is a reflection of the importance of storytelling within Alice’s life and culture, but it also highlights the differences between Australian and Cambodian society. Not only do the immigrants at the hostel not know that the nicely made beds are meant to be slept in, but Kuan never even considers going to the hospital to be present for Alice’s birth because this is simply not done in Cambodia. This underscores the sexist nature of the Pungs’ home culture. Birthing babies, complications and all, is considered below men, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Ve

“Have you thought of a proper name for the baby yet?” my grandmother asks her son. She has nothing but disdain for those parents who do not give their children Chinese names. Did they really think that new whitewashed names would make the world outside see that yellow Rose was just as radiant a flower as white Daisy?

Related Characters: Huyen Thai (speaker), Kuan Pung, Alice Pung / Agheare
Page Number and Citation: 14
Explanation and Analysis:
This quote by Huyen Thai occurs just after Alice is born, and it reflects Huyen Thai’s pride in her Chinese heritage and identity. In Huyen Thai’s opinion, a “proper name” is not the whitewashed English names that Chinese parents give their Australian born babies, but the traditional Chinese names that are a better reflection of their ethnic Teochew roots (meaning they come from the Chaoshan region of eastern Guangdong Province in China). Huyen Thai has a deep contempt for Chinese parents who don’t acknowledge their true heritage, and her dislike for their English names reflects this. This quote also reflects Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut.

Beautiful things do not need to be expensive, and precious things are to be kept hidden in case of burglars, or guests with kleptomaniac fingers. My parents could never understand those houses where the Royal Doulton plates and family antiques were displayed for every eye to see. After war, people learn to keep good things hidden. They learn that nothing is permanent, and that the most beautiful things are not necessarily the most expensive.

Related Characters: Alice Pung / Agheare (speaker), Kuan Pung, Kien Pung
Page Number and Citation: 18
Explanation and Analysis:
This quote, which occurs as the Pungs move into their first home in Footscray, reflects the Pungs’ cultural differences from their new Australian society. Under Pol Pot, anything of value was confiscated and handed over to the state or stolen by another poor and destitute soul, so the Pungs learned early on to keep precious or valuable items hidden. Additionally, life in Cambodia at this time revolved around necessities and survival, so there was not much room or money for things that served only an aesthetic purpose. Because of this, Kien has a difficult time understanding Australians who display their Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accu

Many old folk who became family friends take good care of them, tell them who are the good boys, and the old women watch with a cunning eye to see which young woman would be best suited for the son or cousin of so and so. “Ah Ly, I know a good young man for you.” And they sing the praises of someone’s son or someone’s brother—never mentioned by name, they are always someone’s son or someone’s male relative, because they do not exist in isolation of their family. No one exists in isolation of their family, and if they do, there are plenty of old people to look after them […].

Related Characters: Alice Pung / Agheare (speaker), Ly, Sim
Page Number and Citation: 22
Explanation and Analysis:
Here, Alice’s aunts, Ly and Sim, have just arrived in Australia from Cambodia, and the local Chinese elders take them under their wing. The fact that the local elders adopt the young women and “take good care of them” underscores the importance of family within their culture. Ly and Sim’s parents are still back in Cambodia waiting for their immigration papers to be processed, and in their absence, the local elders step in and keep an eye on the young women. The importance of family is further reflected when the elder women fail to tell Ly and Sim the first Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a dese

When I am a bit older, I don’t know whether [my mother’s] answer is a lament or curse: “Just wait till you get older and have a mother-in-law like mine. Then you will understand. You will understand.” What will I understand? I wonder. Suffering? There are far better things to understand than the inconsolable hardships of life. Constantly sighing and lying and dying—that is what being a Chinese woman means, and I want nothing to do with it.

Related Characters: Alice Pung / Agheare (speaker), Kien Pung, Huyen Thai
Page Number and Citation: 35
Explanation and Analysis:
This quote occurs after one of Kien and Huyen Thai’s frequent fights, and Alice has just asked her mother if she is sad. Kien clearly feels unhappy under the control of her mother-in-law; however, this quote also reflects the sexist assumptions that Alice is growing up with but trying to avoid. Alice assumes that to be a Chinese woman also means that she must always suffer in some way, and she has no interest in this. Alice’s father certainly doesn’t feel this way, and it is clear to Alice that this level of suffering is reserved just for women. Kien Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non invento

My grandmother was possessed of healing powers, or so it was claimed by those who knew her back in Cambodia. Five sons, people exclaimed—seven children, all of them so bright! Of course, everyone chose to forget about the first two babies who died, because they were just girls.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai
Page Number and Citation: 37
Explanation and Analysis:
Here, Alice is remembering her grandmother’s stories about her life in the old country, and while this quote highlights the importance of storytelling within Alice’s life, it also reflects the sexist nature of Cambodian society and her Chinese culture. Huyen Thai is only considered powerful because she has given birth to so many sons. This story would surely be different if Huyen Thai were the mother of five daughters, as a houseful of daughters would likely not bestow her with such admiration and power. The fact that nobody remembers Huyen Thai’s first two dead children “because they were just girls” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Poss

When it came down to childrearing, they were her children, he had nothing to do with such prosaic things. Fathers were only there to plant the seeds, it was mothers who did the watering and the fertilizing. Of course, the paternal influence would occasionally return to lop off a few leaves for good measure, and smirk for photographs in front of his prize garden, but he made sure to leave immediately afterwards in case the cumquats only glowed orange but were black inside. It was never the pa’s fault if the kids went bad.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai, An Pung
Page Number and Citation: 37-8
Explanation and Analysis:
This quote also occurs as Alice remembers her grandmother’s stories from the old country, and it shows An Pung’s approach to “childrearing.” An feels that raising children is “prosaic” and beneath his station and capabilities as a man. This lends insight into how hard it must have been for Huyen Thai to raise all of her children, and mourn those who died, without any help from her husband. Beyond the initial sexual act, or “planting the seed,” An has very little interest in raising his children, expect for occasionally punishing them and smiling for family pictures, which implies that An Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque o

“If you could give me sons, then I wouldn’t need to go over there!”

Related Characters: An Pung (speaker), Huyen Thai
Page Number and Citation: 45
Explanation and Analysis:
This quote, spoken by An Pung, also occurs as Alice remembers her grandmother’s stories from the old country. Huyen Thai is An’s second wife, and this is what An tells his first wife when she complains about him visiting Huyen Thai. An’s first wife is the mother of two daughters and no sons, and An holds this over her head as the reason why he has taken a second wife. Of course, An married Huyen Thai because he loves her, and his first marriage was arranged by his own father and not rooted in any romantic feelings. Still, An tells Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempor

Part 2 Quotes

“She’s built like a boy,” said my grandfather, “and now you’ve given her that terrible name. She’s going to grow up like a boy if you’re not careful, and then no one will want her. Who wants a girl always running about this way and that? Keep that child still, and stop calling her Little Brother! What do you think it is—some kind of joke? Do you think it’s funny hah?”

Related Characters: An Pung (speaker), Huyen Thai, Little Brother
Page Number and Citation: 77
Explanation and Analysis:
Here, Alice is remembering the story of her grandmother’s second daughter, a little girl named MeiHuay whom Huyen Thai calls Little Brother. An is already disappointed that Little Brother was not born a boy, and he is further angered by the fact that she is built like a boy. Ironically, the same characteristics that An finds undesirable in his daughter are the same qualities he would likely applaud were she a boy, and this emphasizes the double standards present within their sexist society. While An certainly desires a son, a girl who acts like a boy is worse than simply Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis.

To raise a girl, I realized, you’d need gallons of Social Conditioner with added Spirit Deflator. Rub onto every limb until limp, put the child into a chair and wait until she sets. When appendages harden, you know you have a perfect young woman—so still and silent and sedate that you could wrap your precious one up in cotton wool and put her in a cabinet. Ah, look at the darling geisha behind glass.

Related Characters: Alice Pung / Agheare (speaker)
Page Number and Citation: 105-5
Explanation and Analysis:
This quote occurs after Alice’s parents ground her as punishment for talking to a boy. This quote reflects just how small and sheltered Alice’s life is. Her parents rarely let her out of the house as it is, and now she is being punished for merely speaking with a boy. The conversation was completely innocent, and Alice did not initiate it, but her parents still react as if she has done something inappropriate. When Alice refers to herself as a “darling geisha behind glass,” she implies that she only exists to please men. A geisha’s main job is to entertain Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferen

Part 3 Quotes

As the house was being built, my father took his only day off work to drive us to its foundations. This was our weekly Sunday trip, to watch the temple being constructed and to worship the fruits of our labour.

Related Characters: Alice Pung / Agheare (speaker), Kuan Pung
Page Number and Citation: 127
Explanation and Analysis:
This quote occurs as the Pungs’ brand-new home is being constructed in Braybrook, another suburb of Melbourne, Australia. First and foremost, this quote confirms that Kuan and Kien have achieved the Great Australian Dream, or the idea that with honest work and dedication, anyone can live a successful life in Australia. At the same time, they are only “successful” in the sense that they can afford a house—not that they are truly accepted by white Australians. Yet they continue to idealize Australian culture and fervently desire to assimilate, as Pung shows when she describes their fancy new house as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia ap

Nothing could look too peasanty. No dark wooden furniture, but rather white and peach and pale green. Family came to visit, not to celebrate but to do the tour so that they could get home-furnishing ideas for their own houses, so that they too would look modern and not too peasanty.

Related Characters: Alice Pung / Agheare (speaker)
Page Number and Citation: 130
Explanation and Analysis:
This quote occurs as the Pungs move into their new home, and it reflects how hard they are trying to assimilate into their new Australian society. As ethnic Teochew originating in the Guangdong Province of China, Kien and Kuan badly want to prove that they are not peasants, and this is why their new home cannot “look too peasanty.” They consider their life in the old country dark and devoid of beauty, so they only decorate their new home in pastels, pale colors that also mirror the pale complexions of their Australian neighbors. The Pungs’ obsession with becoming as Australian Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium es

I sat slumped in the back seat of the car. It was true, I couldn’t. It wasn’t that I couldn’t understand the English, it was that I didn’t have the Chinese terms in me to be able to explain. I was running out of words.

Related Characters: Alice Pung / Agheare (speaker), Kien Pung
Page Number and Citation: 142
Explanation and Analysis:
Kien has just asked Alice to explain a bank statement to her that is written in English, and Kien becomes angry when Alice can’t do this simple task. Kien assumes the Alice can’t explain the statement to her because she doesn’t understand what it means; however, this isn’t true. Alice can’t explain because she doesn’t know enough Chinese, not English. This underscores the duality of Alice’s multicultural existence. Alice was born speaking Chinese as her primary language, but the longer she is immersed in Australian culture, the more she is consumed by English words. When Alice says she’s “running out Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus vol

Part 4 Quotes

“Good. There are some cultures that still do this, aren’t there?” Then she turned to me. “For example, the Chinese. They believe in and worship many Gods. Don’t you, Alice?” And I did not think of my grandmother and her many gods, the chants, the plastic blue meditation mat, the swirls and whorls of the pattern on it - ten thousand shades of blue like a frenzied ocean, the smell of incense in my pores. The red-faced sword-wielding God whom we kept outside. The good-for-business God whom we called Grandfather. The Goddess of Mercy with her China-white face, her royal porcelain contentedness sitting serenely on a lotus surrounded by bald little babies, pouring water out of a vase. And the dust falling on them in the new house, because we no longer had Granny to maintain the shrine, and we no longer needed to light incense to hide the smell of baby pee rising from the carpets.

Related Characters: Alice Pung / Agheare (speaker)
Page Number and Citation: 174
Explanation and Analysis:
This quote occurs as Alice’s class is studying King Lear in school, and the teacher asks the students what paganism means. One student rightly guesses that it is the act of worshipping many gods, and Alice’s teacher assumes that Alice is a pagan simply because she is Chinese. This racist microaggression committed by Alice’s teacher assumes that the monotheistic religions dominant within Australian society, mainly Christianity, are superior to paganism (and further that Alice is “pagan” just because she is Chinese). Ironically, paganism is also a word broadly used to describe the religion of peasants, which is exactly the image Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atqu

“Why don’t you get on stage too?” my parents asked me. As if I could just jump on stage with people I had never spoken three words to all year and insert myself gracefully into their picture. And suddenly the reality must have sunk in for my parents, for all the parents on our table, that their children were not more popular, that we did not talk to the beautiful people. It must have hit them hard—that we were still sticking by each other, sticking with each other, and not getting out, not fitting in. They had thought of this new life in simple cause-and-effect terms: that if they worked their backs off to send their children to the grammar school, then we would automatically mingle with the brightest and fairest of the state.

Related Characters: Kuan Pung (speaker), Kien Pung (speaker), Alice Pung / Agheare
Page Number and Citation: 186-7
Explanation and Analysis:
This quote occurs during Alice’s graduation ceremony, where she sits with her parents at a table full of immigrants and completely avoids her white classmates and teachers. This quote is significant because it represents the moment when Kien and Kuan finally realize that Alice is not fully accepted as an Australian. When Alice states that she does not “mingle with the brightest and fairest of the state,” she implies that she does not mingle with the white kids. Alice frequently establishes throughout Unpolished Gem that her parents want nothing more than their children to be viewed as Australian instead of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi neces

My grandmother was meant to be a part of me forever, so that I would always know that there was a life before me, and a life after me. My grandmother and her stories. What would I do without them? She asserted my existence before I knew I had one—before I was conscious I had a life beyond the present—and she told me my childhood. “Agheare, when you were small you could recite long Teochew songs and poems.” “Agheare, when you were small you could speak in Cantonese.” It seemed as if I could do anything when I was small. We slept in the same bed, and it was always warm. Now there would be no one left to remind me of my roots, no one to tell me to be proud to be part of a thousand-year-old culture, no one to tell me that I was gold not yellow.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai
Related Symbols: Gold
Page Number and Citation: 193
Explanation and Analysis:
This quote occurs after Huyen Thai dies, and it shows the importance of storytelling within Alice’s life. Alice’s grandmother will live on through her stories, and the life of these stories will outlive even Alice. Huyen Thai’s stories have been an important part of Alice’s life for as long as she can remember, and it is through these stories that Alice learns about the old country and what it means to be Chinese. Huyen Thai’s deep respect for the Pungs’ Chinese heritage is evident in her use of Alice’s Chinese name, Agheare, and it is because of Huyen Thai that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserun

Part 5 Quotes

At Footscray Retravision, there was a propensity for some mainland Chinese to refuse to buy items made in China. Whenever they said haughtily, “O, zhonggno zuo de wo buyao”—I don’t want anything made in China—I couldn’t help myself. I would ask with salesgirl innocence, “But sir, aren’t you made in China?” Of course, I always had to feign that little giggle that sounded like two brightly coloured balloons rubbing rapidly up against each other. Unlike my younger sisters, who grew up in tastefully bland pastel dresses, I had spent my childhood with a grandmother who packaged me into padded Mao suits and made me aware that I had to defend myself against all the other blandly dressed banana-children—children who were yellow on the outside but believed they could be completely white inside. My grandmother had warned me that those children grew up to become sour, crumple-faced lemons. I now believed her.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai
Related Symbols: The Mao Suit
Page Number and Citation: 214
Explanation and Analysis:
This quote occurs after the death of Alice’s grandmother. It has already been established that Huyen Thai’s stories have instilled Alice with a great respect for her Chinese heritage and culture, and this passage is significant because it is a direct reflection of this respect. When Chinese customers come into Kuan’s store and reject Chinese items, they also reject their own Chinese identity and heritage by extension. Their refusal of Chinese items suggests that Chinese products aren’t as good as products made in Australia or elsewhere. Alice playfully reminds these customers that they are Chinese as well, and while she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusa

I thought, if I were a young man I would be scared of my parents too. Perhaps not my father so much, because he was able to sit down and reason things out. But my mother—there was no way she would be able to understand an alien, let alone an alien her own daughter had chosen. My mother saw the differences as insurmountable—she was only comfortable with the familiar, yet she still believed that Princess Diana was the most dazzling creature ever to grace the earth, and that white women were more beautiful than we could ever be.

Related Characters: Alice Pung / Agheare (speaker), Michael
Page Number and Citation: 242
Explanation and Analysis:
This quote occurs after Michael, Alice’s white boyfriend, expresses interest in meeting her parents. This passage is significant for several reasons. Of course, Michael is terrified at the prospect of meeting Alice’s parents, and he initially seems more worried about Kuan, Alice’s father. Michael’s assumptions that Kuan is the scarier of the two, and his belief that Kuan’s opinion is more important in the ultimate approval of Michael, reflects a subtle sexism that holds men as more powerful and formidable than women. However, nothing could be further from the truth in Alice’s family. On the contrary, it is Kien who Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores

Epilogue Quotes

Then, four weeks later, I decided that one of the little ones had to go. It was time. I imagined they were quivering in their cotton-wool padded prison, I was so excited. But when the drawer was opened—horror of all horrors, worse than finding my fortunes furtively stolen—ants spilled out and the bunny had melted and the goo that gushed from the eggs had wrecked my box. I didn’t care about the ants that would crawl up my arms, I pulled the whole drawer out of the cupboard and dug my hands in deep. While Alexander and Andrew watched, I started pulling out each egg one by one—or what was left of them—trying in desperation to find one that was not insect-infested, trying to sort through the foil and frustration, not wanting to believe that these squished tragedies were once my pride and joy, the things I had looked forward to most in the world for more than four weeks.

Related Characters: Alice Pung / Agheare (speaker), Alexander Pung, Huyen Thai
Related Symbols: Gold
Page Number and Citation: 281
Explanation and Analysis:
This passage occurs at the end of Unpolished Gem, when Alice reminisces about the chocolates wrapped in gold foil that her grandmother had given to her as a child. Alice had hidden them away, just as her mother has always taught her to do with cherished items, but when she goes to eat them, they are ruined. This passage is significant because it serves as one final warning about the potential dangers of keeping valuables hidden. Alice’s mother is constantly worried that expensive things will be stolen, but as Alice points out, wasting her chocolates from disuse is worse than Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Molliti