Unpolished Gem


Alice Pung

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Culture and Assimilation Theme Analysis

Themes and Colors
Culture and Assimilation  Theme Icon
Language and Storytelling Theme Icon
Gender and Inequality Theme Icon
Family, Love, and Marriage Theme Icon
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After escaping a state-sponsored genocide led by Pol Pot, Cambodia’s tyrannical leader, protagonist Alice Pung’s parents finally arrive in Victoria, Australia in 1980 after spending a year in a Thai refugee camp. Kuan Pung and his pregnant wife, Kien, are determined to raise their growing family away from the violence and political instability of Southeast Asia and instead claim their own piece of the great Australian Dream—the belief that through hard work and dedication, anybody can own a home and be successful in Australia. Unpolished Gem chronicles the long-term struggles and triumphs of the Pungs as they attempt to assimilate and conform to Australian life and culture, while also maintaining their ethnic Chinese identity. As the first Pung born on Australian soil, Alice is just as out of place in her own family as she is in Australian society, and she soon learns that she does not fit neatly into either culture. Through the writing of her memoir, Alice navigates the duality of her multicultural existence and ultimately argues for the creation and acceptance of a unique Asian Australian identity, one that reflects both her Eastern and Western roots.

When the Pungs arrive in Victoria, they are completely out of place in Australian society. The first time that Kuan and Kien approach a street intersection and crosswalk they are amazed that a “little Green Man” flashes on the streetlight when it is safe to cross. To the Pungs, the flashing Green Man is an “eternal symbol of government existing to serve and protect,” a stark contrast to the genocidal efforts of the Cambodian government. After her first trip to an Australian supermarket, Kien purchases a can of meat which she quickly turns into an impressive stir-fry. Later, through a television advertisement, Kien discovers that the canned meat is dog food. “How lucky to be a dog in this country!” she thinks. Even pet food in Australia is better than the Cambodian canned goods the Pungs are accustomed to. Soon after their arrival, Kuan is offered a job as a translator at the Migrant Hostel. There he must explain to the other “Cambodian migrants that the reason they are so cold in the mornings is because they are meant to sleep under the sheets.” To the Cambodians, the beds are made too nicely, and they don’t want to mess them up. These experiences, which highlight privileges often taken for granted in mainstream Australian society, underscore the differences between Eastern and Western culture.

Over the span of two decades, the Pungs slowly conform to life in Australia. Kuan owns and operates a Retravision franchise, an Australian-based retailer of computers and electronics, and provides his family with a comfortable middle-class life—proof that they have achieved the Australian Dream. While Alice’s grandfather, Chia Teng, turns his Australian backyard into a Chinese vegetable garden, the Pungs’ “Asko side-by-side fridge with the ice dispenser” is “packed with fast food that came two-for-price-of-one.” Instead of a traditional Chinese diet, the Pungs’ diet reflects their modern Australian lifestyle. After Alice’s grandmother, Huyen Thai, moves out of their house in Australia, the Buddhist shrines that litter their home and yard fall into dusty disrepair because they “no longer have Granny to maintain the shine.” In their new Australian life, the Pungs are less observant of their Buddhist faith. When Alice is a teenager, her parents begin construction of a brand-new home, and each weekend the family drives to the building site to assess the progress. “This was our weekly Sunday trip,” Alice says, “to watch the temple being constructed and worship the fruits of our labor.” Instead of Buddha, the Pungs are devoted to the Australian Dream and are fully immersed in Western culture.

However, despite the Pungs’ best efforts to assimilate, Alice remains an outsider in both Eastern and Western culture. While studying Australian history in elementary school, Alice’s class puts on a colonial dress-up parade. When she arrives at school in a Mao suit, a traditional Chinese outfit and the symbol of her Eastern heritage, Alice is not given an apron to wear like the rest of the girls because she doesn’t look like the other children. Even as a young child Alice is acutely aware of her differences, and instead of participating in the parade, she hides in the bathroom. Alice describes herself as a “sort of permanent exchange student” growing up in Australia, and during her high school graduation, Alice and her family sit at a secluded table of migrants. As they watch the other graduates celebrate and mingle, Alice’s parents understand that like them, Alice is merely a “Watcher” of her life. “It must have hit them hard,” Alice says, “that we were still sticking by each other, sticking with each other, and not getting out, not fitting in.” Regardless of her parents’ hard work, Alice is not fully accepted as an Australian. Yet Alice does not feel entirely Chinese either, and she struggles to find her place within her family’s culture as well. Alice begins to “run out of words” when speaking Chinese with her mother, and when her grandmother tells her about Chinese history, her “Chinese ears are not Chinese enough to pick up the sounds and meanings of her words.” Alice is stuck between two conflicting cultures, and while her identity is certainly unique, she is but part of a growing population of Southeast Asians living in Australia’s newly embraced multicultural society. Unpolished Gem highlights Alice’s experiences as an Asian Australian, an inclusive identity that has long been ignored in mainstream Australian society.

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Culture and Assimilation Quotes in Unpolished Gem

Below you will find the important quotes in Unpolished Gem related to the theme of Culture and Assimilation .
Prologue Quotes

He steps out onto the footpath, away from the damp smells of the market. This is the suburb of madcap Franco Cuzzo and his polished furniture, the suburb that made Russell Crowe rich and famous for shaving his head and beating up ethnic minorities, so it doesn’t really matter that these footpaths are not lined with gold but dotted with coruscating black circles where people spat out gum eons ago. “Don’t swallow the rubber candy,” mothers say to their kids. “Spit it out. Spit it out now—that’s right, onto the ground there.” Ah, this wondrous new country where children are scared of dying because they have swallowed some Spearmint Wrigley’s, not because they stepped on a condensed milk tin filled with ammunition!

Related Characters: Alice Pung / Agheare (speaker), Kuan Pung
Related Symbols: Gold
Page Number: 3-4
Explanation and Analysis:
Part 1 Quotes

Back where my father came from, cars did not give way to people, people gave way to cars. To have a car in Cambodia you had to be rich. And if you had money, it meant that you could drive at whatever speed you pleased. If the driver zipping down the country road accidentally knocked over a peasant farmer, he knew he had better zoom away quick because the whole village might come and attack him with cleavers. The little Green Man was an eternal symbol of the government existing to serve and protect. And any country that could have a little green flashing man was benign and wealthy beyond imagining.

Related Characters: Alice Pung / Agheare (speaker), Kuan Pung
Page Number: 8-9
Explanation and Analysis:

Later that evening, in the bed that fills up the entire small storeroom where they sleep, my mother and father lie thinking about their full tummies. “Wah, who would believe that they feed this good meat to dogs? How lucky to be a dog in this country!” My mother puts her hand on her sticking-out stomach and smiles. Good-oh, she thinks. Her baby is going to be born with lots of Good-O in her. Good stuff.

Related Characters: Alice Pung / Agheare (speaker), Kien Pung, Kuan Pung
Page Number: 12
Explanation and Analysis:

“Your father was trying to tell them that the beds were made to be slept in, when suddenly he was told that he was needed at the hospital. Something must have happened to me, your father thought. Why would a hospital need him? He thought about bringing along his acupuncture needles just in case, but there was no time. When he arrived at the hospital, he discovered that the doctors just wanted him to be there to see the baby come out!” In Cambodia the husbands usually find a chair and sit in from of the room where babies were being born until they heard the wahwahwah sounds, and it was only then that they would know that the whole messy business was over and they could find out whether the child had the desired dangly bits or not.

Related Characters: Kien Pung (speaker), Alice Pung / Agheare, Kuan Pung
Page Number: 13
Explanation and Analysis:

“Have you thought of a proper name for the baby yet?” my grandmother asks her son. She has nothing but disdain for those parents who do not give their children Chinese names. Did they really think that new whitewashed names would make the world outside see that yellow Rose was just as radiant a flower as white Daisy?

Related Characters: Huyen Thai (speaker), Alice Pung / Agheare, Kuan Pung
Page Number: 14
Explanation and Analysis:

Beautiful things do not need to be expensive, and precious things are to be kept hidden in case of burglars, or guests with kleptomaniac fingers. My parents could never understand those houses where the Royal Doulton plates and family antiques were displayed for every eye to see. After war, people learn to keep good things hidden. They learn that nothing is permanent, and that the most beautiful things are not necessarily the most expensive.

Related Characters: Alice Pung / Agheare (speaker), Kien Pung, Kuan Pung
Page Number: 18
Explanation and Analysis:

Many old folk who became family friends take good care of them, tell them who are the good boys, and the old women watch with a cunning eye to see which young woman would be best suited for the son or cousin of so and so. “Ah Ly, I know a good young man for you.” And they sing the praises of someone’s son or someone’s brother—never mentioned by name, they are always someone’s son or someone’s male relative, because they do not exist in isolation of their family. No one exists in isolation of their family, and if they do, there are plenty of old people to look after them […].

Related Characters: Alice Pung / Agheare (speaker), Ly, Sim
Page Number: 22
Explanation and Analysis:

When I am a bit older, I don’t know whether [my mother’s] answer is a lament or curse: “Just wait till you get older and have a mother-in-law like mine. Then you will understand. You will understand.” What will I understand? I wonder. Suffering? There are far better things to understand than the inconsolable hardships of life. Constantly sighing and lying and dying—that is what being a Chinese woman means, and I want nothing to do with it.

Related Characters: Alice Pung / Agheare (speaker), Kien Pung, Huyen Thai
Page Number: 35
Explanation and Analysis:

My grandmother was possessed of healing powers, or so it was claimed by those who knew her back in Cambodia. Five sons, people exclaimed—seven children, all of them so bright! Of course, everyone chose to forget about the first two babies who died, because they were just girls.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai
Page Number: 37
Explanation and Analysis:

When it came down to childrearing, they were her children, he had nothing to do with such prosaic things. Fathers were only there to plant the seeds, it was mothers who did the watering and the fertilizing. Of course, the paternal influence would occasionally return to lop off a few leaves for good measure, and smirk for photographs in front of his prize garden, but he made sure to leave immediately afterwards in case the cumquats only glowed orange but were black inside. It was never the pa’s fault if the kids went bad.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai, An Pung
Page Number: 37-8
Explanation and Analysis:

“If you could give me sons, then I wouldn’t need to go over there!”

Related Characters: An Pung (speaker), Huyen Thai
Page Number: 45
Explanation and Analysis:
Part 2 Quotes

“She’s built like a boy,” said my grandfather, “and now you’ve given her that terrible name. She’s going to grow up like a boy if you’re not careful, and then no one will want her. Who wants a girl always running about this way and that? Keep that child still, and stop calling her Little Brother! What do you think it is—some kind of joke? Do you think it’s funny hah?”

Related Characters: An Pung (speaker), Huyen Thai, Little Brother
Page Number: 77
Explanation and Analysis:

To raise a girl, I realized, you’d need gallons of Social Conditioner with added Spirit Deflator. Rub onto every limb until limp, put the child into a chair and wait until she sets. When appendages harden, you know you have a perfect young woman—so still and silent and sedate that you could wrap your precious one up in cotton wool and put her in a cabinet. Ah, look at the darling geisha behind glass.

Related Characters: Alice Pung / Agheare (speaker)
Page Number: 105-5
Explanation and Analysis:
Part 3 Quotes

As the house was being built, my father took his only day off work to drive us to its foundations. This was our weekly Sunday trip, to watch the temple being constructed and to worship the fruits of our labour.

Related Characters: Alice Pung / Agheare (speaker), Kuan Pung
Page Number: 127
Explanation and Analysis:

Nothing could look too peasanty. No dark wooden furniture, but rather white and peach and pale green. Family came to visit, not to celebrate but to do the tour so that they could get home-furnishing ideas for their own houses, so that they too would look modern and not too peasanty.

Related Characters: Alice Pung / Agheare (speaker)
Page Number: 130
Explanation and Analysis:

I sat slumped in the back seat of the car. It was true, I couldn’t. It wasn’t that I couldn’t understand the English, it was that I didn’t have the Chinese terms in me to be able to explain. I was running out of words.

Related Characters: Alice Pung / Agheare (speaker), Kien Pung
Page Number: 142
Explanation and Analysis:
Part 4 Quotes

“Good. There are some cultures that still do this, aren’t there?” Then she turned to me. “For example, the Chinese. They believe in and worship many Gods. Don’t you, Alice?” And I did not think of my grandmother and her many gods, the chants, the plastic blue meditation mat, the swirls and whorls of the pattern on it - ten thousand shades of blue like a frenzied ocean, the smell of incense in my pores. The red-faced sword-wielding God whom we kept outside. The good-for-business God whom we called Grandfather. The Goddess of Mercy with her China-white face, her royal porcelain contentedness sitting serenely on a lotus surrounded by bald little babies, pouring water out of a vase. And the dust falling on them in the new house, because we no longer had Granny to maintain the shrine, and we no longer needed to light incense to hide the smell of baby pee rising from the carpets.

Related Characters: Alice Pung / Agheare (speaker)
Page Number: 174
Explanation and Analysis:

“Why don’t you get on stage too?” my parents asked me. As if I could just jump on stage with people I had never spoken three words to all year and insert myself gracefully into their picture. And suddenly the reality must have sunk in for my parents, for all the parents on our table, that their children were not more popular, that we did not talk to the beautiful people. It must have hit them hard—that we were still sticking by each other, sticking with each other, and not getting out, not fitting in. They had thought of this new life in simple cause-and-effect terms: that if they worked their backs off to send their children to the grammar school, then we would automatically mingle with the brightest and fairest of the state.

Related Characters: Kien Pung (speaker), Kuan Pung (speaker), Alice Pung / Agheare
Page Number: 186-7
Explanation and Analysis:

My grandmother was meant to be a part of me forever, so that I would always know that there was a life before me, and a life after me. My grandmother and her stories. What would I do without them? She asserted my existence before I knew I had one—before I was conscious I had a life beyond the present—and she told me my childhood. “Agheare, when you were small you could recite long Teochew songs and poems.” “Agheare, when you were small you could speak in Cantonese.” It seemed as if I could do anything when I was small. We slept in the same bed, and it was always warm. Now there would be no one left to remind me of my roots, no one to tell me to be proud to be part of a thousand-year-old culture, no one to tell me that I was gold not yellow.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai
Related Symbols: Gold
Page Number: 193
Explanation and Analysis:
Part 5 Quotes

At Footscray Retravision, there was a propensity for some mainland Chinese to refuse to buy items made in China. Whenever they said haughtily, “O, zhonggno zuo de wo buyao”—I don’t want anything made in China—I couldn’t help myself. I would ask with salesgirl innocence, “But sir, aren’t you made in China?” Of course, I always had to feign that little giggle that sounded like two brightly coloured balloons rubbing rapidly up against each other. Unlike my younger sisters, who grew up in tastefully bland pastel dresses, I had spent my childhood with a grandmother who packaged me into padded Mao suits and made me aware that I had to defend myself against all the other blandly dressed banana-children—children who were yellow on the outside but believed they could be completely white inside. My grandmother had warned me that those children grew up to become sour, crumple-faced lemons. I now believed her.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai
Related Symbols: The Mao Suit
Page Number: 214
Explanation and Analysis:

I thought, if I were a young man I would be scared of my parents too. Perhaps not my father so much, because he was able to sit down and reason things out. But my mother—there was no way she would be able to understand an alien, let alone an alien her own daughter had chosen. My mother saw the differences as insurmountable—she was only comfortable with the familiar, yet she still believed that Princess Diana was the most dazzling creature ever to grace the earth, and that white women were more beautiful than we could ever be.

Related Characters: Alice Pung / Agheare (speaker), Michael
Page Number: 242
Explanation and Analysis:
Epilogue Quotes

Then, four weeks later, I decided that one of the little ones had to go. It was time. I imagined they were quivering in their cotton-wool padded prison, I was so excited. But when the drawer was opened—horror of all horrors, worse than finding my fortunes furtively stolen—ants spilled out and the bunny had melted and the goo that gushed from the eggs had wrecked my box. I didn’t care about the ants that would crawl up my arms, I pulled the whole drawer out of the cupboard and dug my hands in deep. While Alexander and Andrew watched, I started pulling out each egg one by one—or what was left of them—trying in desperation to find one that was not insect-infested, trying to sort through the foil and frustration, not wanting to believe that these squished tragedies were once my pride and joy, the things I had looked forward to most in the world for more than four weeks.

Related Characters: Alice Pung / Agheare (speaker), Huyen Thai, Alexander Pung
Related Symbols: Gold
Page Number: 281
Explanation and Analysis: