Definition of Verbal Irony
In Chapter 18, Amelia's world threatens to collapse around her when her family is ruined at the outbreak of the Napoleonic wars. Amelia's husband, George, driven by his own greed, refuses to empathize with her predicament—a twist that Thackeray takes as an opportunity to satirize the uneven power dynamics of 19th-century marriage through verbal irony and hyperbole:
To whom could the poor little martyr tell these daily struggles and tortures? Her hero himself only half understood her. She did not dare to own that the man she loved was her inferior; or to feel that she had given her heart away too soon. Given once, the pure bashful maiden was too modest, too tender, too trustful, too weak, too much woman to recall it.
In Chapter 34, Becky and Rawdon Crawley enjoy a lovely winter in Paris: it is 1815, and Napoleon has been defeated at Waterloo—and Becky has made a fortune selling her horses to Jos. Always on the lookout for a way to advance her social standing, Becky tells her newfound acquaintances in Paris that Rawdon and she are in line to inherit the fortune of Miss Crawley, Rawdon's aunt. In a satirical sequence that pokes further fun at the conceitedness of European aristocracy, Thackeray recounts Miss Crawley's ferocious attempt to expose Becky:
Unlock with LitCharts A+Too much shaken to compose a letter in the French language in reply to that of her correspondent, she dictated to Briggs a furious answer in her own native tongue, repudiating Mrs. Rawdon Crawley altogether, and warning the public to beware of her as a most artful and dangerous person. But as Madame the Duchess of X—had only been twenty years in England, she did not understand a single word of the language, and contented herself by informing Mrs. Rawdon Crawley at their next meeting, that she had received a charming letter from that chère Mees […]