Walk Two Moons
by Sharon Creech
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Mrs. Margaret Cadaver Character Analysis

Margaret Cadaver is, for much of the novel, an antagonist in Sal’s eyes. From Sal’s perspective, Margaret appeared suddenly in Dad’s life about the time that Momma died, and she’s the reason why Dad insisted they move from Bybanks, Kentucky to Euclid, Ohio. It also doesn’t help that because of her wild red hair, her last name, and her job as a nurse, Sal’s friend Phoebe insists that Margaret is, if not a witch, at least evil. Phoebe also suspects that Margaret cut up her husband, Mr. Cadaver, and buried him in her backyard. Though Sal finds all of this far-fetched, Phoebe’s stories give Sal a reason to hate Margaret. For her part, Margaret does her best to give Sal her space to grieve and takes Sal’s standoffish attitude in stride. As the novel progresses, Sal learns things about Margaret that start to change how she thinks of the woman: Margaret is Sal’s teacher, Mr. Birkway’s, twin sister, and he reveals that his sister isn’t a murderer. Rather, she was the nurse on duty in the emergency room when her husband and mother (Mrs. Partridge) were brought in on stretchers after being hit by a drunk driver. Her husband was killed, and her mother was left blind by the accident. Learning this makes Sal wonder how Margaret managed to get past her sadness and live her life again. Ultimately, Sal does seek out Margaret and learn how Dad met her. Margaret met Momma when they ended up on the same bus headed west to Lewiston, Idaho. Over the course of the journey, Momma told Margaret all about Sal and Dad. Margaret was the only person to survive the bus accident that killed Momma, and she met Dad while she was hospitalized in Lewiston for her injuries. She assures Sal that she’s not going to marry Dad, at least not any time soon—Dad, she insists, is still grieving for Momma.

Mrs. Margaret Cadaver Quotes in Walk Two Moons

The Walk Two Moons quotes below are all either spoken by Mrs. Margaret Cadaver or refer to Mrs. Margaret Cadaver. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Judgment, Perspective, and Storytelling Theme Icon
).

Chapter 27 Quotes

I knew Phoebe was convinced that her mother was kidnapped because it was impossible for Phoebe to imagine that her mother could leave for any other reason. I wanted to call Phoebe and say that maybe her mother had gone looking for something, maybe her mother was unhappy, maybe there was nothing Phoebe could do about it.

When I told this part to Gram and Gramps, Gramps said, “You mean it had nothing to do with Peeby?” They looked at each other. They didn’t say anything, but there was something in that look that suggested I had just said something important. For the first time, it occurred to me that maybe my mother’s leaving had nothing whatsoever to do with me. It was separate and apart. We couldn’t own our mothers.

Related Characters: Salamanca “Sal” Tree Hiddle (speaker), Gramps (speaker), Gram, Phoebe Winterbottom, Mrs. Winterbottom, Momma/Chanhassen “Sugar” Hiddle, The Lunatic/Mike Bickle, Mrs. Margaret Cadaver
Page Number and Citation: 164
Explanation and Analysis:
As Phoebe continues to look for evidence that Mrs. Winterbottom was kidnapped—maybe the lunatic or by Mrs. Cadaver—Sal sees what Phoebe is doing for what it is: trying to avoid the uncomfortable fact that Mrs. Winterbottom left for reasons entirely unrelated to Phoebe. It's easy for Sal to see that Mrs. Winterbottom’s departure probably didn’t have anything to do with Phoebe because she’s an outsider. This allowed her to see the Winterbottoms’ family more objectively and notice that Mrs. Winterbottom wasn’t particularly happy as a housewife. Phoebe was blind to her mother’s unhappiness, however, so there’s no reason for her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet.

Chapter 33 Quotes

I started wondering if the birds of sadness had built their next in Mrs. Cadaver’s hair afterward, and if so, how she got rid of them. Her husband dying and her mother being blinded were events that would matter in the course of a lifetime. I saw everyone else going on with their own agendas while Mrs. Cadaver was frantically trying to keep her husband and her mother alive. Did she regret anything? Did she know the worth of water before the well was dry?

Related Characters: Salamanca “Sal” Tree Hiddle (speaker), Mr. Cadaver, Mrs. Partridge, Phoebe Winterbottom, Mrs. Margaret Cadaver
Page Number and Citation: 207
Explanation and Analysis:
Sal learned earlier in the day that Mr. Cadaver and Mrs. Partridge were in a car accident that killed Mr. Cadaver and blinded Mrs. Partridge. Mrs. Cadaver, a nurse, was working in the ER when her husband and mother came in on stretchers. Sal is “walking two moons” in Mrs. Cadaver’s shoes here, and she’s trying to develop empathy and understanding for the woman. Up until this point, Sal has treated Mrs. Cadaver as an evil witch who’s trying to steal Dad away from Sal and from Momma’s memory. But with this history, Mrs. Cadaver becomes more human—and more sympathetic—in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad ten
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Mrs. Margaret Cadaver Character Timeline in Walk Two Moons

The timeline below shows where the character Mrs. Margaret Cadaver appears in Walk Two Moons. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
Nature Theme Icon
...and Sal arrive in Euclid, they stop at a house that Dad says belongs to Margaret. All the houses on the street are close together, each with a tiny bit of... (full context)
Chapter 2
Judgment, Perspective, and Storytelling Theme Icon
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
...wants to see Momma but that she’s afraid. And third, Dad wants to be with Margaret Cadaver—he’s already seen Momma on his own. There’s also a fourth, less important reason, which... (full context)
Chapter 3
Judgment, Perspective, and Storytelling Theme Icon
Parents, Children, and Growing Up Theme Icon
During that first visit to Margaret Cadaver’s, Sal sees Phoebe’s face in a window next door. She also meets Mrs. Partridge,... (full context)
Nature Theme Icon
Dad drives Sal two blocks away to their new house. Like Margaret’s house, it sits in a line of other tiny houses. There’s no swimming hole, barn,... (full context)
Judgment, Perspective, and Storytelling Theme Icon
Nature Theme Icon
That week, Dad and Sal eat dinner three times at Margaret’s house. Sal sees Phoebe’s face in the window again, but Phoebe doesn’t wave back when... (full context)
Chapter 4
Judgment, Perspective, and Storytelling Theme Icon
Nature Theme Icon
...Sal over for dinner. Sal is relieved; she doesn’t want to eat with Dad and Margaret again. She wants to be back in Bybanks with the farm animals, and she wants... (full context)
Judgment, Perspective, and Storytelling Theme Icon
...In Phoebe’s world, people are either perfect, or they’re axe murderers. So, after this conversation, Margaret does look spooky to Sal. Sal is relieved to have a reason to hate her.... (full context)
Chapter 11
Judgment, Perspective, and Storytelling Theme Icon
At Phoebe’s driveway, Ben excuses himself. But just then, Margaret pulls up in her yellow Volkswagen and starts pulling bags out of the car. Phoebe... (full context)
Chapter 14
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
Dad acts different at Margaret’s house. At home, he reads old letters, stares at the photo album, and looks lonely.... (full context)
Judgment, Perspective, and Storytelling Theme Icon
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
...her family if she doesn’t like it. At home, Dad hands Sal a package from Margaret. There’s a sweater inside, but Sal doesn’t want it. She tells Dad she doesn’t want... (full context)
Chapter 18
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
...felt he had to leave the farm, and that Sal wanted nothing to do with Margaret. On the day Sal and Dad left the farm, Sal wished that Dad was meaner.... (full context)
Chapter 19
Judgment, Perspective, and Storytelling Theme Icon
...Sal studies Mr. Birkway closely. He’s a lively murderer. Sal hopes he’s in love with Margaret so they can get married, go far away, and let Dad and Sal go back... (full context)
Chapter 22
Judgment, Perspective, and Storytelling Theme Icon
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
Nature Theme Icon
As Sal steps onto Phoebe’s porch, Margaret calls to her—Dad is over, and they’re having dessert. Dad tells her to join them,... (full context)
Chapter 24
Judgment, Perspective, and Storytelling Theme Icon
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
...and Sal to dinner. Dad agrees that Sal can go and suggests he’ll eat with Margaret. (full context)
Chapter 35
Judgment, Perspective, and Storytelling Theme Icon
Parents, Children, and Growing Up Theme Icon
...does—and it’s Sergeant Bickle’s wife. Phoebe says she’ll call back later. While Dad is at Margaret’s later that night, Sal calls Sergeant Bickle. She asks for Sergeant Bickle’s son and says... (full context)
Chapter 38
Judgment, Perspective, and Storytelling Theme Icon
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
Sal is ready to tell Dad the news, but Margaret is with Dad when Sal gets home. When Margaret finally leaves, Sal tells Dad everything.... (full context)
Chapter 40
Judgment, Perspective, and Storytelling Theme Icon
...this message. Mrs. Partridge asks if the girls have enjoyed the notes. She explains that Margaret reads them from the paper, and sometimes, Mrs. Partridge asks her to copy them down.... (full context)
Judgment, Perspective, and Storytelling Theme Icon
Parents, Children, and Growing Up Theme Icon
Grief Theme Icon
Phoebe heads back into her house, and Sal, feeling suddenly courageous, goes to Margaret’s. They talk for a long time, and Sal finally finds out how she met Dad.... (full context)