Washington Black

by Esi Edugyan

George Washington “Wash” Black Character Analysis

The protagonist of the novel, Wash begins the book as an 11-year-old boy who’s enslaved on Faith Plantation in Barbados. Life on the plantation takes a turn for the worse when Wash’s master, Richard Black, dies, and the brutally violent Erasmus Wilde takes over. Wash’s closest ally is Big Kit, an older enslaved woman on the plantation who protects him. Around this time, Wash meets Erasmus’s brother, Titch, who enlists Wash as his manservant. Although Wash is terrified at the prospect of living with this new man, it’s with Titch that Wash gradually comes to learn how to read, and write, gets an appreciation for science, and discovers his talent for sketching. Over time, Wash realizes how much Titch has stoked his curiosity, but also how this education has separated him from the other enslaved people on the plantation. Wash also receives severe burns after a scientific test goes wrong, making him even more different from others. Then, when Wash witnesses Philip’s suicide, Titch escapes with Wash in the Cloud-cutter because Wash will likely be blamed for the incident. Together, they take a circuitous route to the Arctic to find Titch’s father, but Titch abandons Wash by walking out into a snowstorm alone. This is a major turning point for Wash, who feels aimless without the person who essentially became a father figure to him. Wash travels to Nova Scotia, but he always feels the specter of John Willard, a bounty hunter whom Erasmus has set out for him. In Nova Scotia, Wash befriends Goff and his daughter, Tanna, both of whom are marine zoologists, and Wash and Tanna become lovers. In the latter half of the book, Wash tries to confront his past in several ways. He discovers that Big Kit has died on Faith Plantation—and that she was actually his mother, which devastates him. He also goes on a wild goose chase all over Europe for Titch, ultimately landing him in Morocco. There, he confronts Titch about his abandonment, but he doesn’t receive any satisfactory answers, and Wash ends the book seemingly still unsettled in his life, demonstrating how past trauma is often inescapable.

George Washington “Wash” Black Quotes in Washington Black

The Washington Black quotes below are all either spoken by George Washington “Wash” Black or refer to George Washington “Wash” Black. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Freedom vs. Captivity Theme Icon
).

Part 1, Chapter 2 Quotes

I could feel the day’s exhaustion descending on me. “What it like, Kit? Free?”

I felt her shift in the dirt, and then she was gathering me in close, her hot breath at my ear. “Oh, child, it like nothing in this world. When you free, you can do anything.”

“You go wherever it is you wanting?”

“You go wherever it is you wanting. You wake up any time you wanting. When you free,” she whispered, “someone ask you a question, you ain’t got to answer. You ain’t got to finish no job you don’t want to finish. You just leave it.”

Related Characters: Big Kit (speaker), George Washington “Wash” Black (speaker), Philip, Christopher “Titch” Wilde
Page Number and Citation: 9
Explanation and Analysis:

Part 1, Chapter 4 Quotes

We had lived in blood for years, my entire life. But something about that evening—the gleaming beauty of the master’s house, the refinements, the lazy elegance—made me feel a profound, unsettling sense of despair. It was not only William’s mutilation that day, knowing his head stared out over the fields even now, in the darkness. What I felt at that moment, though I then lacked the language for it, was the raw, violent injustice of it all.

Related Characters: George Washington “Wash” Black (speaker), Big Kit, William, Erasmus Wilde
Page Number and Citation: 26
Explanation and Analysis:

Part 1, Chapter 7 Quotes

And as I began to draw what I saw with a clean accuracy, I realized I was troubled by the enormous beauty of that place, of the jewel-like fields below us, littered as I knew them to be with broken teeth. The hot wind snapped at my papers, and in a kind of ghostly sound beneath this I thought I heard the cry of a baby. For the few women who gave birth here were turned immediately back into the fields, and they would set their tender-skinned newborns down in the furrows to wail against the hot sun. I craned out at the fields; I could see nothing. Far out at sea, a great flock of seagulls rose and turned, the late afternoon light flaring on the undersides of their wings.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde
Page Number and Citation: 54
Explanation and Analysis:

Part 1, Chapter 9 Quotes

Three cracked ribs. Her kick had been that harsh, that swift. I refused to tell the overseers who had done it, and in this way Kit was spared. But the pain was immense and suffocating, and I was several nights in the hothouse before returning again to our huts.

She avoided my eye as I was led in, my chest still in bandages.

That evening, as I drifted into sleep, there came a touch at my face. I heard soft weeping, and realized with alarm it was Big Kit. She was running a cold palm across my forehead, whispering.

“Oh my son,” I heard her say, over and over again. “My son.”

I understood then that she had not meant to strike me so hard, and that my days away had pained her greatly. I closed my eyes, feeling the coolness of her skin on my brow.

Related Characters: George Washington “Wash” Black (speaker), Big Kit, Christopher “Titch” Wilde
Page Number and Citation: 81
Explanation and Analysis:

Part 1, Chapter 10 Quotes

She was much changed, it was true, maimed terribly, grown thinner, the hair at her temples silver as flies' wings. Aged, now, as though decades had separated us. But I was the more changed; that was the uglier truth.

I gripped anxiously at my hands, staring at Kit's tall figure. How solicitous she was with the boy. I saw now how she kept a careful eye on his posture, his manners. I knew instinctively what this meant, the great angry love she held that boy inside, like a fist. I tried to imagine what he might be like. He could not have been older than six or seven years, I thought. I wondered at the sudden pain coming up in me.

Related Characters: George Washington “Wash” Black (speaker), Big Kit, Erasmus Wilde, Christopher “Titch” Wilde, Philip
Page Number and Citation: 90
Explanation and Analysis:

Part 1, Chapter 11 Quotes

“Perhaps it is easier for you,” he said again. “Everything is taken care of for you. You needn’t worry about what the coming days will hold, as every day is the same. Your only expectations are the expectations your master lays out for you. It is a simple-enough life, what.”

It was as though he had spoken the words to determine their truth. He shook his head irritably.

I stilled my face. I said nothing.

He exhaled harshly, dragging the gun up his thighs. I looked at his hands, the pallor of them on the dark metal.

“I am sorry.” His voice was so soft I barely heard him. He gestured with his chin. “Your face.”

Related Characters: George Washington “Wash” Black (speaker), Philip (speaker), Christopher “Titch” Wilde
Page Number and Citation: 108-109
Explanation and Analysis:

Part 1, Chapter 12 Quotes

What did I feel? What would anyone feel, in such a place? My chest ached with anguish and wonder, an astonishment that went on and on, and I could not catch my breath. The Cloud-cutter spun, turned gradually faster, rising ever higher. I began to cry—deep, silent, racking sobs, my face turned away from Titch, staring out onto the boundlessness of the world. The air grew colder, crept in webs across my skin. All was shadow, red light, storm-fire and frenzy. And up we went into the eye of it, untouched, miraculous.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, Erasmus Wilde
Related Symbols: The Cloud-cutter
Page Number and Citation: 119
Explanation and Analysis:

Part 2, Chapter 2 Quotes

Titch explained we would be entering Chesapeake Bay, and would therefore soon be leaving the ship. We would also, however, find ourselves subject to the laws of American freedom. “Freedom, Wash, is a word with different meanings to different people,” he said, as though I did not know the truth of this better than he.

Related Characters: Christopher “Titch” Wilde (speaker), George Washington “Wash” Black (speaker)
Page Number and Citation: 141
Explanation and Analysis:

Part 2, Chapter 3 Quotes

It had happened so gradually, but these months with Titch had schooled me to believe I could leave all misery behind, I could cast off all violence, outrun a vicious death. I had even begun thinking I’d been born for a higher purpose, to draw the earth’s bounty, and to invent; I had imagined my existence a true and rightful part of the natural order. How wrong-headed it had all been. I was a black boy, only—I had no future before me, and little grace or mercy behind me. I was nothing, I would die nothing, hunted hastily down and slaughtered.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, John Willard, Erasmus Wilde
Page Number and Citation: 151
Explanation and Analysis:

Part 2, Chapter 4 Quotes

I suppose I believed there to be some bravery in this choice. I suppose it struck my boyhood self as an act of fidelity, gratitude, a return of the kindness I had been shown and never grown used to. Perhaps I felt Titch to be the only sort of family I had left. Perhaps, perhaps; even now I cannot speak with any certainty. I know only that in that moment I was terrified to my very core, and that the idea of embarking on a perilous journey without Titch filled me with a panic so savage it felt as if I were being asked to perform some brutal act upon myself to sever my own throat.

Related Characters: George Washington “Wash” Black (speaker), Edgar Farrow, Christopher “Titch” Wilde
Page Number and Citation: 167
Explanation and Analysis:

Part 2, Chapter 5 Quotes

The air clenched to ice, stinging our cheeks. It began to pinch. Sailing, we glimpsed in the passing black waters eerie, exquisite cathedrals of ice. I had not ever seen ice before, not in its immensities: I stared into the refracted light like a creature entranced. How beautiful it was, how sad, how sacred! I attempted to express the awe of it in my drawings. For it felt very much as though we were leaving the world of the living and entering a world of spirits and the dead. I felt free, invincible, beyond Mister Willard’s reach.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, John Willard
Page Number and Citation: 174
Explanation and Analysis:

Part 2, Chapter 7 Quotes

But my true study remained, I understand now, the curious person of Titch. He was, I feared, becoming increasingly lost within himself. I suppose there must have been a deep love between him and his father, a love I could get no sense for because of its reticence. But as with most loves, it was shadowy, and painful, and confusing, and Titch seemed to me overly eager and too often hurt.

I could see a sadness coming over him, a kind of slow despair. I understood he was anguished over his father—over his failure to ever impress the man, over how to explain that Philip had killed himself and that we were now in hiding.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, Mr. James Wilde (Titch’s Father), Philip, Erasmus Wilde
Page Number and Citation: 193-194
Explanation and Analysis:

A haze of pale light was furred around Kit's head, like a halo, and I could not make out her face. She reached forward and held my hand, and her touch was terribly cold. I gave her a pair of thick fur-lined mittens. Then somehow we were standing in the snow, the world so white around us. Kit’s face looked wondrous to me, dark, sombre, beautiful. I studied it.

“You be my eyes, Wash,” she said to me.

And reaching up and with her fingers, she forcibly pressed her own eyes in. A wide blue light shone out from the sockets.

I felt—and this is the peculiar truth—a sense of peace and well-being come over me. I understood a great gift of trust was being extended to me.

When I awoke in the darkness, I was crying.

Related Characters: George Washington “Wash” Black (speaker), Big Kit (speaker), Christopher “Titch” Wilde
Page Number and Citation: 194
Explanation and Analysis:

“You are like a ghost,” Titch hollered to me. “Go back.”

The roar of the wind and snow was increasing. It would be sometime past mid-afternoon by now, but the light had not dimmed, only shifted. We stood in that obliterating whiteness, as though the world had vanished.

“You will not leave me, Wash,” he shouted. “Even when I am gone. That is what breaks my heart.”

Related Characters: Christopher “Titch” Wilde (speaker), George Washington “Wash” Black
Page Number and Citation: 198
Explanation and Analysis:

Part 3, Chapter 2 Quotes

But I cooked always behind a curtain, unseen, my scarred face being, the owner feared, repugnant. The schedule was demanding, and after some months of this I gave up drawing altogether, finding no extra hours in my day. Though I did not know it then, I had begun the months of my long desolation. I became a boy without identity, a walking shadow, and with each new month I fell deeper into strangeness. For there could be no belonging for a creature such as myself, anywhere: a disfigured black boy with a scientific turn of mind and a talent on canvas, running, always running, from the dimmest of shadows.

Related Characters: George Washington “Wash” Black (speaker), John Willard, Christopher “Titch” Wilde
Page Number and Citation: 211
Explanation and Analysis:

Part 3, Chapter 6 Quotes

“It was I who had failed in my understanding, you see. Life holds a sanctity for them we can scarcely begin to imagine; it therefore struck them as absurd that someone would choose to end it. A great ludicrous act. In any case, it was then I recognized that my own values—the tenets I hold dear as an Englishman—they are not the only, nor the best, values in existence. I understood there were many ways of being in the world, that to privilege one rigid set of beliefs over another was to lose something. Everything is bizarre, and everything has value. Or if not value, at least merits investigation.”

I thought it wonderful for a man of science to speak so. Staring at his bright chewing face, I realized how profoundly I liked him.

Related Characters: Mr. Goff (speaker), George Washington “Wash” Black (speaker), Tanna Goff, Christopher “Titch” Wilde
Page Number and Citation: 239
Explanation and Analysis:

Part 3, Chapter 7 Quotes

The octopus arranged itself in a smatter of algae, its body hanging blackly before me. When I came forward to touch it, it sent out a surge of dark ink. We paused, watching each other, the grey rag of ink hanging between us. Then it shot off through the water, stopping short to radiate like a cloth set afire, its arms unfurling and vibrating. There was something playful in the pause, as if it expected me to ink it back. I held my hands out towards it, gently; the creature hovered in the dark waters, almost totally still. Then, shyly, it began to pulse towards me, stopping just inches away, its small, gelatinous eyes taking me in. Then it swam directly into my hands.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, Tanna Goff, Mr. Goff
Related Symbols: The Octopus
Page Number and Citation: 251
Explanation and Analysis:

Part 3, Chapter 11 Quotes

So this was him: my ghost. This man small and calm and emboldened by outlandish morality tales and borrowed quotations. This was he, the one from whom I had been running these three years, the creature of nightmare who had driven me through landscapes of heat and wind and snow, whose shadow had forced me aboard boats and carriages and even a shuddering Cloud-cutter by night, whose face I’d pictured so many waking days and imagined so many sleepless nights, the man who’d forced me away from all I had known, so that I was obliged to claw out a life for myself in a country that did not want me, a country vast and ferocious and crusted in hard snow, with little space, little peace for me.

Related Characters: George Washington “Wash” Black (speaker), John Willard
Related Symbols: The Cloud-cutter
Page Number and Citation: 267
Explanation and Analysis:

Part 4, Chapter 4 Quotes

As I stared into the makeshift tank, watching her, a strangeness came over me: I began to feel that everything I put my hand to ended just this way, in ashes. I had been a slave, I had been a fugitive, I had been extravagantly abandoned in the Arctic as though trapped in some strange primal dream, and I had survived it only to let the best of my creations be taken from me, the gallery of aquatic life. And I felt then a sudden urge to reject it, to cast all of this away, as if the great effort it was taking, and the knowledge that it would never in the end be mine, obliterated its worth. I looked at the octopus, and I saw not the miraculous animal but my own slow, relentless extinction.

Related Characters: George Washington “Wash” Black (speaker)
Related Symbols: The Octopus
Page Number and Citation: 310
Explanation and Analysis:

Part 4, Chapter 5 Quotes

For years she had ignored me, until I had turned up suddenly in her hut, and then with a ferocity that terrified she’d fought off all who would cause me harm. She had cared for me and cursed me and cracked my ribs and clutched me so tight in her love that I thought she might break them again. She’d damned my father as cruel and my mother as foolish, and when I said she could know nothing of their natures she struck me hard in the face. […] She told me I was born of stupidity, that it must be blood-deep, and also that I was brilliant, that there would never again be a mind like mine. She loved me with a viciousness that kept me from ever feeling complacent, with the reminder that nothing was permanent, that we would one day be lost to each other, She loved me with the terror of separation, as someone who had lost all the riches of a scorched life. She loved me in spite of those past losses, as if to say, I will not surrender this time, you will not take this from me.

Related Characters: George Washington “Wash” Black (speaker), Big Kit
Page Number and Citation: 316-317
Explanation and Analysis:

Part 4, Chapter 11 Quotes

How could he have treated me so, he who congratulated himself on his belief that I was his equal? I had never been his equal. To him, perhaps, any deep acceptance of equality was impossible. He saw only those who were there to be saved, and those who did the saving.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, Mr. Goff, Tanna Goff
Page Number and Citation: 294-295
Explanation and Analysis:

Part 4, Chapter 12 Quotes

I felt, in those moments of looking around, ferociously proud—of this strange, exquisite place where people could come to view creatures they believed nightmarish, to understand these animals were in fact beautiful and nothing to fear. But a part of me felt also somehow anguished, ravaged, torn at. For I glimpsed, in each and every display, all my elaborate calculations, my late nights of feverish labour. I saw my hand in everything—in the size and material of the tanks, in the choice of animal specimens, even in the arrangement of the aquatic plants. I had sweated and made gut-wrenching mistakes, and in the end my name would be nowhere. Did it matter? I did not know if it mattered. I understood only that I would have to find a way to make peace with the loss, or I would have to leave the whole enterprise behind and everyone connected with it.

Related Characters: George Washington “Wash” Black (speaker), Tanna Goff, Mr. Goff
Related Symbols: The Octopus
Page Number and Citation: 354-355
Explanation and Analysis:

Part 4, Chapter 15 Quotes

Even as I spoke these words, I could hear what a false picture they painted, and also how they were painfully true. […]

Again he shook his head. “I treated you as family.”

How strange, I thought, looking upon his sad, kind face, that this man had once been my entire world, and yet we could come to no final understanding of one another. He was a man who’d done far more than most to end the suffering of a people whose toil was the very source of his power; he had risked his own good comfort, the love of his family, his name. He had saved my very flesh, taken me away from certain death. His harm, I thought, was in not understanding that he still had the ability to cause it.

Related Characters: Christopher “Titch” Wilde (speaker), George Washington “Wash” Black (speaker)
Page Number and Citation: 374
Explanation and Analysis:

Part 4, Chapter 17 Quotes

I looked instead to my hands, thinking of the years spent running, after Philip’s death. And I thought of what it was I had been running from, my own certain death at the hands of Erasmus. I thought of my existence before Titch’s arrival, the brutal hours in the field under the crushing sun, the screams, the casual finality edging every slave’s life, as though each day could very easily be the last. And that, it seemed to me clearly, was the more obvious anguish—that life had never belonged to any of us, even when we’d sought to reclaim it by ending it. We had been estranged from the potential of our own bodies, from the revelation of everything our bodies and minds could accomplish.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, Philip, Erasmus Wilde
Page Number and Citation: 382
Explanation and Analysis:

How astonishing to have discovered Titch here, among these meagre possessions, his only companion the boy. His guilt was nothing to do with me—all these years I had lain easy on his conscience. But what did it matter anymore. He had suffered other sorrows. And these wounds had arrested him in boyhood, in a single draining urge to re-create our years at Faith, despite their brutality. Someone else might have looked upon his life here and seen only how different it was from all that had come before. I saw only what remained the same: the scattered furniture, as if no real home could ever be made here; the mess of instruments that would only measure and never draw a single conclusion; the friendship with a boy who, in days, months, years, would find himself abandoned in a place so far from where he had begun that he’d hardly recognize himself, would struggle to build a second life. I imagined the boy nameless and afraid, clawing his way through a world of ice.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, Tanna Goff
Related Symbols: The Cloud-cutter
Page Number and Citation: 383
Explanation and Analysis:

I stepped out onto the threshold, the sand stinging me, blinding my eyes. Behind me I thought I heard Tanna call my name, but I did not turn, could not take my gaze from the orange blur of the horizon. I gripped my arms about myself, went a few steps forward. The wind across my forehead was like a living thing.

Related Characters: George Washington “Wash” Black (speaker), Christopher “Titch” Wilde, Tanna Goff
Page Number and Citation: 384
Explanation and Analysis:
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George Washington “Wash” Black Character Timeline in Washington Black

The timeline below shows where the character George Washington “Wash” Black appears in Washington Black. The colored dots and icons indicate which themes are associated with that appearance.
Part 1, Chapter 1
Freedom vs. Captivity Theme Icon
George Washington “Wash” Black is 10 or 11 years old when his first master, Richard Black, dies.... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
Family, Love, and Pain Theme Icon
The master’s nephew, Erasmus Wilde, arrives 18 weeks later. Wash watches with Big Kit—they are inseparable when he is a child—as Erasmus emerges from his... (full context)
Part 1, Chapter 2
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
Family, Love, and Pain Theme Icon
Wash flashes back to when he is five years old, when the quarters-woman first sends him... (full context)
Racism, Humanity, and Cruelty Theme Icon
...to run away. Other killings follow—they hang, whip, and shoot the slaves. Witnessing these deaths, Wash cries at night, but Big Kit does not. (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
Journeying and the Past Theme Icon
...Big Kit, death is a door, and she does not fear it. She explains to Wash that in her faith, the dead are reborn in their homelands to walk free. One... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
Days pass, and the atmosphere at the plantation grows harsher, but Big Kit doesn’t kill Wash yet. She tells him that it has to be done under a certain phase of... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
...he will do this to every person who commits suicide. Looking up at Big Kit, Wash sees the despair in her eyes. (full context)
Part 1, Chapter 3
Journeying and the Past Theme Icon
Wash then realizes he needs to begin again, for the record. He was born in 1818—or... (full context)
Freedom vs. Captivity Theme Icon
Journeying and the Past Theme Icon
At two years old, Wash starts weeding and tending the cane fields. When he turns nine, he gets a straw... (full context)
Part 1, Chapter 4
Freedom vs. Captivity Theme Icon
Art, Science, and Curiosity Theme Icon
Wash meets Titch for the first time the night of William’s desecration, when Immanuel and Émilie... (full context)
Racism, Humanity, and Cruelty Theme Icon
As Wash and Big Kit walk through the front hall, the porter, Gaius, greets them. Gaius speaks... (full context)
Racism, Humanity, and Cruelty Theme Icon
In the kitchen, Wash immediately notices pastries near the door and feels desire for the first time. Maria, the... (full context)
Racism, Humanity, and Cruelty Theme Icon
Art, Science, and Curiosity Theme Icon
This is the closest Wash has ever been to Erasmus, but he takes more notice of the other man at... (full context)
Racism, Humanity, and Cruelty Theme Icon
...in England. Erasmus grows frustrated, annoyed that the man is as judgmental as their father. Wash is surprised to hear that the second man is related to Erasmus. The two men... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
...amongst the slaves and just the sight of him will make them defecate. Erasmus asks Wash if Christopher’s sight would make him soil himself, and Wash croaks out an assent. (full context)
Racism, Humanity, and Cruelty Theme Icon
...goes over to Big Kit and dabs at the blood on her face. Glancing at Wash, Christopher asks what Wash’s name is, but Wash simply begins cleaning up the broken plate.... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
Big Kit and Wash mop up Big Kit’s blood as Erasmus and Christopher eat dessert. Wash can tell Big... (full context)
Freedom vs. Captivity Theme Icon
Wash asks if this means he and Big Kit won’t be going to Dahomey together, and... (full context)
Freedom vs. Captivity Theme Icon
Big Kit and Wash walk back to the huts, and he splashes his face with water. Big Kit gives... (full context)
Freedom vs. Captivity Theme Icon
Christopher is staying at an old overseer’s house on the estate. When Wash arrives, Christopher asks him to come in. Wash observes the house, which is strewn with... (full context)
Racism, Humanity, and Cruelty Theme Icon
Art, Science, and Curiosity Theme Icon
Christopher beckons Wash to his reflector scope and asks Wash to observe the harvest moon. As Wash looks... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
Christopher asks for Wash’s name, and Wash gives it. In return, Wash can call Christopher “Titch”—what his closest friends... (full context)
Part 1, Chapter 5
Racism, Humanity, and Cruelty Theme Icon
Wash wakes the next day and realizes that he won’t be returning to Big Kit or... (full context)
Racism, Humanity, and Cruelty Theme Icon
Journeying and the Past Theme Icon
Wash looks through the house and finds Titch in the kitchen with a plate of eggs... (full context)
Freedom vs. Captivity Theme Icon
...mother, and that the West Indies are also a perfect place to test his Cloud-cutter. Wash is amazed that Titch has so little regard for his mother and yet seems like... (full context)
Racism, Humanity, and Cruelty Theme Icon
Art, Science, and Curiosity Theme Icon
Procuring a paper and pencil, Titch sketches a fantastical kind of boat with wings. Wash watches in amazement as his artistry, realizing that he wants to be able to draw... (full context)
Part 1, Chapter 6
Art, Science, and Curiosity Theme Icon
Wash settles into his new routine: in the mornings, he and Titch examine the flora on... (full context)
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Titch never mistreats Wash, but this isn’t a kindness, as Wash knows at some point he will have to... (full context)
Racism, Humanity, and Cruelty Theme Icon
Art, Science, and Curiosity Theme Icon
At night, Titch also teaches Wash to write, but Wash starts to draw when Titch isn’t around. Each night, he burns... (full context)
Family, Love, and Pain Theme Icon
...evening, Titch asks about the woman who served with him at the Great House, and Wash says that Big Kit is like a mother to him. Titch says that Wash must... (full context)
Part 1, Chapter 7
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
One day, Titch announces that he and Wash will be climbing Corvus Peak, a mountain on the edge of the estate. It is... (full context)
Racism, Humanity, and Cruelty Theme Icon
Journeying and the Past Theme Icon
The mountain quickly becomes steep, and the dirt crumbles beneath them. Wash slips several times, and suddenly he falls five feet, colliding with rocks. He assures Titch... (full context)
Racism, Humanity, and Cruelty Theme Icon
Art, Science, and Curiosity Theme Icon
Titch tells Wash about a time when he fell climbing in the Andes, above 14,000 feet. At a... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
Wash and Titch reach the top of Corvus Peak in late afternoon. Wash is amazed to... (full context)
Part 1, Chapter 8
Racism, Humanity, and Cruelty Theme Icon
Titch needs one more thing to begin his experiment: workers. He and Wash visit the Great House to ask Erasmus for spare slaves. They wait in the hall... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
As Titch and Wash walk deeper into the house, Wash spots Émilie cleaning. At first he doesn’t recognize her,... (full context)
Freedom vs. Captivity Theme Icon
Racism, Humanity, and Cruelty Theme Icon
Titch and Wash walk through the door to find Erasmus pressing a cotton blue shirt. Wash is amazed... (full context)
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...mountain, constructing a rough pulley system for hauling heavy objects. Titch works with them while Wash conducts some of Titch’s ongoing experiments. (full context)
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Wash asks one of the men—Black Jim—if Big Kit has any “secret missives” for him. Jim... (full context)
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The day Philip arrives, Wash feels dread, realizing that another white master in the house will likely change his and... (full context)
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As the carriage approaches Bridge Town, Wash looks out the carriage and takes in the city, which he has never visited before.... (full context)
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...arrives at the boardwalk, Titch gets out to fetch Philip. When the men return together, Wash observes that Philip is fat, and he looks cautious and skeptical. Wash instructs the porters... (full context)
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As the carriage rolls through Broad Street, Wash notices several slaves in cages. He knows that these slaves are runaways, and they’ll likely... (full context)
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Over the next few days, Wash observes Philip, who is often in a somber mood. Philip accompanies Titch and Wash on... (full context)
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Despite Philip’s mildness, Wash is constantly afraid of him. Philip often critiques Wash’s cooking, instructing him to use less... (full context)
Part 1, Chapter 9
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...business across the island, but he comes back very ill and refuses to see anyone. Wash prays that Erasmus dies of a fever. Around the same time, they start to assemble... (full context)
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...says that he’s going to give a demonstration of the gas. He tells Philip and Wash to wait several paces away. When Wash approaches Philip, Philip asks Wash to fetch the... (full context)
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Wash runs over to the sandwiches, thinking that he can collect them before Titch begins. But... (full context)
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...was more deficient in oxygen, and that he could do a demonstration—but he was wrong. Wash lifts a hand to his bandaged face, and Titch assures him that his body is... (full context)
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The last time Wash was wounded, he recalls, Big Kit did it. When she accidentally cut him with the... (full context)
Part 1, Chapter 10
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Weeks pass, and Titch insists that Wash rest. Every day, Wash can see a little more, and his facial wounds scar over;... (full context)
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One day, Titch asks if Wash imagined he died and was back in Africa when he first opened his eyes after... (full context)
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When Philip first sees Wash’s burns, he is startled, commenting that Wash is an ugly thing now. Philip says that... (full context)
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When Erasmus finally recovers his strength, he invites Philip and Titch to dine with him. Wash is disappointed to learn of Erasmus’s recovery, knowing that his death would have spared many... (full context)
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Erasmus discusses Titch’s progress with the Cloud-cutter before noticing Wash’s scar. He asks what the boy did for Titch to punish him, but Titch assures... (full context)
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...Erasmus immediately grows more interested, but Titch, who is despondent, simply gets up and leaves. Wash feels he should follow, but he doesn’t want to draw attention. (full context)
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Just then, the older slave woman turns towards Wash, and he realizes in horror that it is Big Kit. He wonders how he didn’t... (full context)
Part 1, Chapter 11
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Wash runs back to Titch’s residence and notices a light on in the study. He leaves... (full context)
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Wash leaves to prepare breakfast, but Titch stops him, showing him a paper: Preliminary Remarks Regarding... (full context)
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Titch also notes that he saw Big Kit last night, and Wash grows upset. Wash doesn’t want to tell Titch that he didn’t recognize Big Kit, or... (full context)
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...this will keep them from their heaven. Titch says he will ask Erasmus to release Wash permanently, and Wash is shocked. Titch asks if he’d rather be Erasmus’s property, and Wash... (full context)
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...their late father’s memory. The next day, they go hunting together along with Philip and Wash, and Titch posits that he and Wash could go to Granbourne instead of Erasmus. Erasmus... (full context)
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...doesn’t answer, and Erasmus points out that Titch is just sullen because he didn’t let Wash go. He wonders why Titch likes him so much—asking if Titch is “unnatural” with Wash.... (full context)
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Philip tells Erasmus to sell Wash to Titch, but Erasmus says that Wash’s illustrations could be of great value—a doctor is... (full context)
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The next day, a storm brews, but Titch and his workers continue. Wash knows that hurricane season is approaching, and Titch won’t be able to continue working. Titch... (full context)
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...hours later, a cry rings out from the field, and Titch decides that he and Wash should hike down the mountain earlier than usual. At the base of the peak, Esther... (full context)
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As Wash and Esther are returning to the house, Philip comes down the path with a gun... (full context)
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Less than an hour later, Wash and Philip sit at the base of Corvus Peak. Philip hasn’t taken a single shot,... (full context)
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Then, suddenly, Philip stands and shoots himself in the head. Wash cowers, feeling blood on his face, teeth shards on his arm. He is terrified that... (full context)
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Back at Titch’s house, Wash stammers out an explanation for his bloody condition, trying to convince Titch that he did... (full context)
Part 1, Chapter 12
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From a distance, Philip’s body looks whole, but as Titch and Wash approach, they see bits of fabric hanging off nearby branches, Philip’s torn face, the explosion... (full context)
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Wash can’t sleep that night, feeling his heart thumping in his chest. He knows that death... (full context)
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That night, Wash hears a noise, and he gets out of bed to find Titch awake in the... (full context)
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Wash flees with Titch in the half moonlight, increasingly afraid that they will be discovered and... (full context)
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The sky howls as they rise, and Wash aches with anguish and wonder, sobbing as he stares out into the boundlessness of the... (full context)
Part 2, Chapter 1
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An hour later, the squall strikes Titch and Wash, a sudden force roaring into them. Both of them are thrown around the Cloud-cutter’s basket,... (full context)
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...guide ropes, and suddenly a ship rolls into view. As the ocean swells drench them, Wash realizes that Titch is aiming directly for the ship. They crash brutally into the mast... (full context)
Part 2, Chapter 2
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...Benedikt Kinast. He is at least 60, with extravagant wrinkles and red hands. He drags Wash and Titch down into the hold, yelling at them for damaging the ship. He asks... (full context)
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...names. When Titch hesitates, Benedikt suspects that they’re fugitives. Titch introduces himself, and says that Wash is his property. He explains Wash is an excellent scientific illustrator and that the crew... (full context)
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Wash’s scalp is bleeding, and Benedikt gives them directions to the surgeon’s cabin before leaving the... (full context)
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Theo starts to bandage up Wash’s cut, joking that Titch and Wash gave the sailors a scare, dropping out of the... (full context)
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In the morning, the waters are calm. The night before, Titch fell asleep immediately, but Wash didn’t sleep at all. Wash thinks about Titch’s lie that Wash is his property—this rattled... (full context)
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Later, at breakfast, Theo explains that Titch and Wash can accompany them to Haiti, unless they want to go all the way to Virginia... (full context)
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The rest of the day, Wash and Titch peruse the ship (called the Ave Maria), and the next day, Wash goes... (full context)
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One day, Titch approaches Wash and discusses their plans in America, explaining that they will likely catch a ship for... (full context)
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Though Benedikt never speaks to Wash, Theo explains some of their family history—they were German but their father fought against the... (full context)
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...the putridness and couldn’t continue. And then, he says dreamily, he met a woman, but Wash doesn’t fully understand what he means. (full context)
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Wash sees less of Titch as the days pass, as Titch grows closer to Benedikt. Wash... (full context)
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The night before they strike land, Wash stands on the upper deck when suddenly Benedikt appears behind Wash, smoking. Benedikt asks if... (full context)
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Benedikt tells Wash that he knows he’s a runaway slave, and that Titch is a thief. He says... (full context)
Part 2, Chapter 3
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...deck hands, but it’s nevertheless a grand city. Benedikt and Theo don’t give Titch and Wash any trouble as they leave, only asking that they be discreet and not mention their... (full context)
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On the dock, Wash looks in amazement as men walk freely, but not all men have the same freedom—not... (full context)
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When a nearby shop door opens, Wash is struck by the smell of his old life: sugar. He presses his face against... (full context)
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...paper he saw in the post office. It advertises a reward of 1,000 pounds for Wash, giving a description of him and of Titch. It is signed John Willard, acting agent... (full context)
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Wash asks if Titch could take him to England or if he could pay the bounty... (full context)
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Soon Wash and Titch arrive at St. John’s, and when Edgar answers the door, Titch introduces himself,... (full context)
Part 2, Chapter 4
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Inside, Wash notices wet soil on Edgar’s palms, and a sour vinegar smell in the air. Edgar... (full context)
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Studying Wash, Edgar says that he doesn’t care for childhood because it is a state of terrible... (full context)
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...sexton’s office. There, they see a severed woman’s arm preserved in liquid in a washbasin. Wash asks if they have to stay, saying that Edgar is a madman and that he’d... (full context)
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...God infused the knowledge into his flesh. He notes that everyone’s bodies carry history, like Wash’s burns, or Titch’s scar across his mouth. Edgar says that it was caused between the... (full context)
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...then explains their adventures: the storm, the Ave Maria, Philip’s death, and the bounty on Wash’s head—describing Willard’s soft voice, small stature, and blond hair to Edgar so he knows to... (full context)
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...a year at Faith, meaning that the letter is very recent. Titch is bewildered, and Wash can see that the hope his father may be alive is almost too much for... (full context)
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That evening, Titch falls promptly asleep, but Wash cannot. Both Edgar and the description of John Willard leave him unsettled. He can imagine... (full context)
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Peering in, Wash sees that what he mistook for a coffin was actually a lid covering a ladder... (full context)
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...a risky journey, but that it seems like a risk worth taking. Titch says that Wash should go north with the men to save his life—Titch plans to go to the... (full context)
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Wash realizes that Titch is saying that if Wash doesn’t go to Canada, he’ll likely die.... (full context)
Part 2, Chapter 5
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Every night, Wash wonders about this choice—what might have happened if he went with those men. The morning... (full context)
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Titch and Wash board the Calliope. The captain, Michael Holloway, was raised in Chattanooga, Tennessee, and has clear... (full context)
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Titch and Wash settle back into the routine of ship life, and Wash starts to feel like he’s... (full context)
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Wash has never seen ice before, and as the ship sails past ice formations, he is... (full context)
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Finally, the ship arrives at the Arctic trading post, and Titch and Wash bid the ship goodbye. Titch asks the trader at the outpost about his father’s camp,... (full context)
Part 2, Chapter 6
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Titch, Peter, and Wash journey through the piercing cold and snow. Wash marvels at the snow’s changing color and... (full context)
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The sled stops at five enormous igloos, which Titch explains are insulated from the cold. Wash doubts this, but he understands that a lot of the world is unfathomable (though he... (full context)
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...his father leads him out to the fifth igloo. Mr. Wilde understands that Titch and Wash are there because they thought he was dead. Mr. Wilde acknowledges that he heard the... (full context)
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As Titch and his father talk in the smoky warmth, Wash drifts off. When he wakes, he and Titch receive heavy furs for sleeping and a... (full context)
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In the morning, Wash and Titch eat breakfast with Mr. Wilde, though Wash is disgusted by the greyish cubes... (full context)
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...asks where it is. When Titch says that it’s at the bottom of the ocean, Wash chimes in, assuring the man that this is only because of the storm and that... (full context)
Part 2, Chapter 7
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...mornings, Mr. Wilde works on his experiments and specimens in the fourth igloo. One day, Wash sketches a specimen, and he is astounded at his own skill—how much he has grown... (full context)
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In the afternoons, Wash walks with Mr. Wilde and Titch, and Wash can see that Titch is eager with... (full context)
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That night, Wash dreams of Big Kit standing at the edge of the cane fields with a halo... (full context)
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The next day, Wash lets Titch go with his father alone and sketches the igloos. When Titch returns, he... (full context)
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...he doesn’t want to stay in America, or England, or the Indies, or the Arctic. Wash assures Titch that he’ll go wherever Titch wants. Clasping Wash’s hands, Titch says that he... (full context)
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Wash crawls out of the igloo after Titch. He can tell that Titch is trying to... (full context)
Part 3, Chapter 1
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Wash begins to cry, and then panic, as he realizes that he won’t be able to... (full context)
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...no news. Mr. Wilde curses, calling Titch a foolish boy who was always running away. Wash recognizes that Mr. Wilde doesn’t expect his son to come back. (full context)
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Mr. Wilde says that Wash will be all right, putting his hand on the boy’s shoulder. But some hours later,... (full context)
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What Titch tried to prevent is now reality: Mr. Wilde’s fake death is now real. Wash realizes then that he doesn’t want to stay in that place—the cold doesn’t suit him.... (full context)
Part 3, Chapter 2
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Titch often spoke of the Loyalists in Nova Scotia, and Wash resolves to go there. Wash arranges passage on a vessel, terrified to be a small... (full context)
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Wash travels by boat, cart, and carriage until he arrives in Shelburne, which is wet and... (full context)
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Over time, Wash grows bitter and hard (though he is only 15), and he knows he has to... (full context)
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When Wash is 16, he realizes that he has to improve his circumstances or he will die.... (full context)
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During Wash’s lowest days, he is unloading a sailing vessel when he sees jellyfish glowing yellow and... (full context)
Part 3, Chapter 3
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Wash realizes how much he has let curiosity and wonder out of his life. He finds... (full context)
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When Wash hears news of the English establishing an apprenticeship system in the Indies (thus ending slavery),... (full context)
Part 3, Chapter 4
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Wash tries to avoid conflict, but this is difficult with an aggressive friend like Medwin, so... (full context)
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Wash’s art is his one pure pleasure and his one freedom, when he is able to... (full context)
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The woman introduces herself as Tanna Goff, and Wash introduces himself as well. She jokes about his name, while Wash simply stares at her... (full context)
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Every morning, Wash and Tanna wade out into the tide pools together. He points out the sea creatures... (full context)
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Wash is surprised at how much he grows to enjoy Tanna’s company. One day, he is... (full context)
Part 3, Chapter 5
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Later, Medwin tells Wash to stay away from white women, but Wash isn’t sure that Tanna is white. Medwin... (full context)
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Medwin then tells Wash that a small, soft-voiced white man came looking for Wash, but Medwin said he didn’t... (full context)
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Rising, Wash begins to pack his tools and walks toward the beach. He scans the horizon for... (full context)
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Days pass, and despite knocks on Wash’s door, he never answers. Towards the week’s end, he runs out of food and fasts... (full context)
Part 3, Chapter 6
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Some days later, Wash has to deliver an order for a Mr. Goff, and he realizes in despair that... (full context)
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Wash sets the parcels down and picks up the books, noticing that one of them is... (full context)
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The next day, Wash joins Tanna and Goff at the cove, and when Tanna sees him, she stares at... (full context)
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On the boat, Wash makes sketches of the fish they pass, which Goff admires. Later, while they eat lunch,... (full context)
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Goff and Wash continue to talk: Goff tells Wash how death is a different thing to different cultures.... (full context)
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Wash spends the following Saturday with the Goffs, and Tanna softens a little. Wash can see... (full context)
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Wash also senses Goff’s disapproval whenever he catches Wash staring at Tanna. Wash knows that Goff... (full context)
Part 3, Chapter 7
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One morning, Wash is leaving his rooming house to go out to work when Tanna appears. He asks... (full context)
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...saying that when she’s with him she’s not always able to say what she means. Wash stares at the paper, and Tanna realizes that he can’t read. He says that he... (full context)
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Tanna explains that Goff said Wash was a slave, and she told her father that Wash could never be a slave,... (full context)
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...them because of her wrist, and her father can’t dive because he is too old. Wash realizes that this is why she sought him out. She corrects him, saying that she... (full context)
Part 3, Chapter 8
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The following Saturday, Wash returns to the harbor, where Goff and Tanna have moored a small seafaring vessel. Goff... (full context)
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When Tanna is below decks, Goff notes that Tanna is young. Wash points out that he is younger than she is, and Goff replies, “in years, yes.”... (full context)
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When Wash hits the water, he is shocked at the cold, but he sinks lower, observing all... (full context)
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An approaching poisonous jellyfish rouses Wash from his stupor, and he propels himself along, keeping the helmet upright. He sees a... (full context)
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The sun is low when Wash surfaces, after collecting the octopus and several other specimens. Wash gasps for air, and Goff... (full context)
Part 3, Chapter 9
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Later, Wash joins Goff and Tanna in their home to eat—Wash is surprised to be invited in.... (full context)
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...which has wounded her. He says that he doesn’t wish her any more hardship, and Wash understands that what he fears for both of them is social disdain—under different circumstances, he... (full context)
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Tanna returns just as Wash agrees to illustrate the book, and she glances at Goff. Goff, meanwhile, moves on to... (full context)
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After Wash uses the restroom, Goff tells him that he is leaving Tanna and Wash the following... (full context)
Part 3, Chapter 10
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A few days later, Wash gets an idea, and he goes down to the shores to dredge specimens. When he... (full context)
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Wash travels with Medwin to Halifax, where finds an old builder to help him think through... (full context)
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The next evening, Wash goes to a rundown restaurant, and as he trudges to an empty stool, he feels... (full context)
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The man comments that Wash enjoys equations, and Wash feels like he’s being slowly submerged underwater. The man has blond... (full context)
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...St. Joseph’s—he says that he knows hard work better than anyone from being raised there. Wash recalls his last moments with Philip, and his conclusion that life was simplified by slavery.... (full context)
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The man tells Wash of a trip he made recently to a village in America, where he found a... (full context)
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Wash looks at the exit, and John Willard addresses him for the first time: Mr. Black.... (full context)
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Willard says that he is shocked to find Wash in Nova Scotia, just after giving up on finding him. Wash caused him a lot... (full context)
Part 3, Chapter 11
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Wash sits in the restaurant, shocked at having met the man who’d caused him so many... (full context)
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Wash breathes for a few moments before leaving with his ledger. He thinks about Willard quoting... (full context)
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Wash falls to the ground as a second blow lands on his collarbone. White hands grab... (full context)
Part 3, Chapter 12
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Wash staggers to the Goffs’ house, where Tanna answers the door in her nightgown. She’s stocked... (full context)
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After Tanna finishes the wounds, she notes that Wash thinks her fire is bad. He asks to fix it, but she refuses, instructing him... (full context)
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Later, as Wash and Tanna lie on the floor, they watch the rain pound at the windows. Wash... (full context)
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As Tanna turns away, Wash notes three birthmarks on her lower back, and she says she hates her birthmarks as... (full context)
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As Wash gathers Tanna closer to him, she says that she always felt she was different, and... (full context)
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Wash says he feels life with Titch wasn’t real—but he was afraid of returning to the... (full context)
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Tanna says that Wash has to come with them to London—he’ll be more protected there. Wash points out that... (full context)
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Wash notes that Erasmus is dead now, and Willard said that he saw Titch in Liverpool.... (full context)
Part 4, Chapter 1
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The building for Goff’s exhibition is lovely, and Wash is amazed they have been granted anything given their outlandish plans. London’s Zoological Committee offered... (full context)
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The Goffs give Wash their small garden house behind their main house. It is cramped, but Wash adores it—he... (full context)
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Goff also defended Wash on the ship to London from a lady who suggested that Wash was better kept... (full context)
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...less hardy animals began to die. The octopus grew colorless and lethargic, and Goff and Wash descended to the lower hold to gather clean sea water, sometimes tasting it themselves. Occasionally... (full context)
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In the dark afternoons Tanna sat next to Wash on the deck and listened to him read. She made no corrections, and soon his... (full context)
Part 4, Chapter 2
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Weeks after arriving in London, Wash catches a chill, and within hours he is too weak to stand. Tanna creeps in... (full context)
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Some time later, Wash wakes, his fever finally broken. He goes out for a walk and thinks again of... (full context)
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Wash returns home to a note from Tanna inviting him to dine in the main house.... (full context)
Part 4, Chapter 3
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Wash realizes that he has to find Titch, to know if he lives and to confront... (full context)
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Tanna and Wash argue, but ultimately Wash still decides to go. Tanna tells him the days he should... (full context)
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The next week, Wash and Tanna set out for Granbourne together. As their carriage approaches the estate, they see... (full context)
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When Tanna and Wash arrive at the old house, it is forbidding, grand, and crumbling. An old manservant steps... (full context)
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Mrs. Wilde welcomes Wash formally, and Wash bows to her. She then crosses to sit on a bench, and... (full context)
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Mrs. Wilde then asks Wash if he was with Mr. Wilde when he died, and Wash says yes. Wash realizes... (full context)
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Later, as Tanna and Wash leave, the manservant tells Wash that Titch visited two years earlier and left quite upset.... (full context)
Part 4, Chapter 4
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...the Abolitionist Society for the Betterment and Integration of Former Slaves. On the morning that Wash and Tanna are to visit, the octopus falls sick, laying curled in a ball dejectedly... (full context)
Part 4, Chapter 5
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...have sailed out of Liverpool, but the woman knows nothing about his trip. Tanna and Wash step into a small reading room with the crate of Titch’s papers. Wash looks at... (full context)
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Wash opens a second log, this time with records of births by Wash’s first master, Richard... (full context)
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In his mind, Wash sees Big Kit on a boat from Africa, on a long walk to the coast.... (full context)
Part 4, Chapter 6
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When Tanna pulls away, Wash sees a man has entered the room. The man introduces himself as Robert Solander, explaining... (full context)
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...that he received a letter from Titch about 15 months earlier. He gives it to Wash, who is amazed to see that the letter was posted from a home in Amsterdam—an... (full context)
Part 4, Chapter 7
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The next weeks pass painfully as the revelations about Big Kit weigh on Wash. Tanna tries to comfort him, but she only ends up annoying him by never leaving... (full context)
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But gradually, things ease between Tanna and Wash, and they rekindle their love as they go daily into the city to inspect new... (full context)
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Wash and Tanna arrive at Wolcott and Sons to see the completed tanks, and Tanna admires... (full context)
Part 4, Chapter 8
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...winter picnic, and so they dine outside at Regent’s Park. After visiting Walcott’s, Tanna and Wash wandered silently through the city, unable to talk about the hanging. On a blanket, Goff... (full context)
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As Tanna, Goff, and Wash eat, Wash feels that his mind is elsewhere. Tanna and Goff reminisce about Tanna’s favorite... (full context)
Part 4, Chapter 9
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Wednesday arrives slowly, and Wash and Tanna decide to go to the hanging. Wash knows he could never accept the... (full context)
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...for theft and arson, and John Francis Willard, for the crime of murdering a Freeman. Wash wonders if Willard killed another man, believing the man to be Wash, or if he... (full context)
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Wash and Tanna push forward through the crowd, which is angry and tense. Vendors sell snacks;... (full context)
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Willard steps up to the noose. Wash can see the fear in his eyes just before a hangman sets a bag over... (full context)
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Just beyond Tanna’s head, Wash sees a figure in the crowd. He is tall, with a long face and a... (full context)
Part 4, Chapter 10
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Over the next few days, the hanging haunts Wash. He doesn’t rejoice at the brutality of it, even though Willard deserved it. Willard wasted... (full context)
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Tanna insists on accompanying Wash to Amsterdam, and they are excited to go away on a trip without Goff. Tanna... (full context)
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The day that Tanna and Wash travel to Peter Haas’s address, it rains. Up until that point, their journey has been... (full context)
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After arriving at Haas’s house, Tanna and Wash meet the very young master of the house, who is not the Peter that Wash... (full context)
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The elder Peter Haas takes Wash into his arms and then begins to sign while his son interprets. Peter is glad... (full context)
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...recount events of what happened at the camp after his disappearance. Titch said he knew Wash was present at Mr. Wilde’s death. Wash doesn’t understand, noting that Titch is a man... (full context)
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Wash asks where Titch went, and Peter explains that he is in Morocco, outside Marrakesh. Peter... (full context)
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When Wash asks what’s in the box, Peter explains: his first expedition, in Tahiti, was meant to... (full context)
Part 4, Chapter 11
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Later, Tanna and Wash lie naked in their room in Haarlem. Kissing Tanna, Wash says he admires her lack... (full context)
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As Wash lies back, Tanna says that Peter’s story had the opposite effect than the one intended... (full context)
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Tanna asks if Wash is running away from her and Goff because Wash feels that her father stole his... (full context)
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Tanna tells Wash softly of her Uncle Sunshine, who was very morose and delighted in his misery. When... (full context)
Part 4, Chapter 12
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Tanna and Wash return together to England with the specimen, and Goff gives them his blessing to go... (full context)
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Weeks pass as Wash and Tanna make arrangements for their journey, and they continue their work at Ocean House.... (full context)
Part 4, Chapter 13
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Peter Haas arranged for a guide to meet Tanna and Wash in Marrakesh, but the guide is nowhere to be found when they arrive, so they... (full context)
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One morning a few days later, near the markets, a man introduces himself to Wash—he is the original guide who was supposed to lead them to Titch. He explains that... (full context)
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...and the heat drops dramatically as small buildings rise up in the distance. Tanna and Wash disembark and see the town—which is really a few scattered stone dwellings. A boy steps... (full context)
Part 4, Chapter 14
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Titch leads Tanna and Wash inside to his front room, draped with local tapestries and baskets but also European-style furniture.... (full context)
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Tanna, Wash, Titch, the young boy, and Wash’s guide sit in the front room, eating vegetable stew.... (full context)
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Titch comments that Tanna and Wash’s arrival was well-timed, as a storm is due. As they continue to talk, Wash peers... (full context)
Part 4, Chapter 15
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Wash wakes with a start and tries to find the front door, but instead he finds... (full context)
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Tanna asks if this is what Wash imagined, and he says no. He understands what she doesn’t want to ask—if he has... (full context)
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Just then, Wash notices a door beyond Tanna’s cot, and he walks out into the night, gazing at... (full context)
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...process works much better with human faces. He wants the moon images to be sharper. Wash notes that human faces are more interesting, and Titch counters that looking at one face... (full context)
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Wash asks if Titch is happy, and Titch says that there are many kinds of happiness,... (full context)
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Titch says he was glad that Wash was with Mr. Wilde as he died. He notes that Erasmus died two years earlier... (full context)
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...to clean up Faith and put its records in London. He notes that Kit was Wash’s mother and that she died naturally, but Wash doesn’t want to talk about this wound... (full context)
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Wash stops Titch, and asks what he saw in Wash the night he was serving dinner—if... (full context)
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Wash says that Titch took in a young Black boy and educated him like an English... (full context)
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Wash waits for a response, and Titch only says that he treated Wash as family. Wash... (full context)
Part 4, Chapter 16
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Titch leads Wash to the front courtyard. There on the ground, Wash sees a two-man boat with white... (full context)
Part 4, Chapter 17
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Later, Wash and Titch sit on the floor in the dark, drinking tea. Wash asks how far... (full context)
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Wash tells Titch about Ocean House, and Wash knows as he describes it that he will... (full context)
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After some silence, Wash says that John Willard died and Wash attended the hanging. He says that he thought... (full context)
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Wash thinks about his years running after Philip’s death, and about his existence before Titch’s arrival.... (full context)
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Titch asks if Wash is disgusted with what he did, and  Wash says to Titch that it’s hard to... (full context)
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Titch and Wash sit like this for some moments until Wash takes his hand away, and Titch lies... (full context)
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Wash thinks he hears Tanna rising, but she never comes to the front room. At the... (full context)