What the Eyes Don’t See

What the Eyes Don’t See

by

Mona Hanna-Attisha

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What the Eyes Don’t See: Chapter 17 Summary & Analysis

Summary
Analysis
Mona had high expectations for her meeting with the mayor—she assumed that after she showed him her study results, he’d rush to release a health advisory that would urge Flint’s citizens to stop drinking their tap water. She worried that because Walling had overseen the switch, he might be reticent to admit his own fault in the crisis—but she was also buoyed by the fact that he was a Democrat, and she hoped he held the same progressive values and desire to confront the state that she did.
Mona had been so horrified by the news about the water crisis for so long that she had no doubt that anyone hearing about it—especially someone in charge of caring for Flint’s citizens—would feel the same call to action that she did. But Mona didn’t account for the ways in which corruption and concealment often take precedence over the truth. 
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In the conference room where the meeting was to take place, Mona sat at the head of the table. The mayor, Dayne Walling, greeted her warmly. But across the table, Natasha Henderson (the Flint city manager) and Howard Croft (the head of the public works department) were icy and distant. As meeting attendees filed into their seat, Mona felt bolstered by the presence of a number of colleagues and fellow physicians—including Jenny.
This passage shows that while Mona was excited for the meeting, she was up against some skeptics who had a vested interest in keeping the water crisis covered up. This scene suggests that despite all of Mona’s hard work and preparation, she still had a long fight ahead. 
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After some introductions, Mona began giving her presentation on the lead exposure in Flint, and how it was a failure of primary prevention measures. To bring the data in her presentation to life, Mona created a composite character based on many of her real-life patients: an infant named Makayla. Mona used the story of “Makayla” to explain how healthy-seeming infants and children can still be tormented slowly by lead’s insidious neurotoxic properties. Mona explained the real risks—biological and social—associated with prolonged lead exposure. She looked around the room and noticed that many of the meeting’s attendees looked “shaken.”
In this passage, the book shows how Mona attempted to appeal to the emotions of the group of officials before her in order to force them to take action on the water crisis. And her emotional angle seemed to have worked—by putting a face on the water crisis and showing how children are especially vulnerable to lead poisoning, Mona was reminding these officials of what was really at stake.
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Mona ended her presentation with a list of directives for the city and county’s next moves, then she showed one more picture of the little girl she called Makayla. She warned her listeners that inaction would mean pain and suffering for an entire generation of Flint residents. Walling spoke, thanking Mona for bringing Flint’s very real problem to light. Then Dr. Reynolds spoke, urging the city officials in attendance to take immediate action.
This passage seems to suggest that Mona’s presentation was a success, and that Flint’s city officials would finally start listening to doctors, parents, and Black residents of Flint and working together with them to find a solution.
Themes
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Mona was surprised when the mayor spoke up again to say that a meeting with the EPA and MDEQ suggested that there wasn’t a corrosion issue, but simply a problem with many residents’ homes having old pipes. Mona was shocked and disturbed. One by one, the city officials in attendance began suggesting that the flushing measures already in place were enough. Natasha Henderson spoke up and reiterated that the water was fine, and that there was no chance of switching back to the Detroit pipeline.
This passage represents a swift turnaround—even though the people in attendance at Mona’s presentation had visible emotional reactions, others were determined to hold the line and refuse to admit that anything was wrong. This illustrates the deep, widespread corruption within the Flint local government, as well as their lack of empathy for the low-income and Black residents of Flint. 
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Sensing the city officials’ reticence to act, Mona essentially delivered an ultimatum. Addressing the mayor directly, she told Walling that if his office did not make an announcement that there was a lead crisis in Flint, she and her team would hold a press conference and do so themselves. She said if she didn’t hear from the mayor’s office by Wednesday at noon, she’d go forward with her own statement. The mayor said Wednesday might be difficult for him—he was scheduled to go to D.C. to meet with the pope. Mona underscored how urgent the situation was, and the mayor promised to be in touch.
This passage shows that even the mayor of Flint was largely disinterested in finding immediate solutions to the issues affecting the community he was charged with taking care of and looking out for. When officials like Walling abandoned their duties to their community, it was up to Mona and her team to take care of their community on their own.
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As soon as the meeting was over, Mona and her colleagues began hatching a plan. They realized they couldn’t count on the mayor—he was mayor in name only, and it was clear that the power belonged with other city officials, none of whom seemed motivated to face the crisis. But Senator Ananich was on Mona’s side, and Mona struggled not to blame herself for failing to capture more city officials’ attentions.
Even though it was clear that the mayor didn’t see Flint as a priority, there were deeper issues at play. The mayor knew that he didn’t have any real power—Flint’s future was in the hands of its emergency manager. In this failure of government, an individual who was charged with making decisions based on austerity and cutting costs was deciding the futures of thousands of vulnerable, poor, marginalized Flint residents.
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Marc Edwards, meanwhile, had been hard at work writing the mayor, the health department, the governor’s office, and more, as well as sending in Freedom of Information Act (FOIA) requests to obtain state and EPA email records in hopes of finding some answers about what was really going on. But his work was slow-moving. On a phone call with Marc, Mona blasted the Republicans in control of Michigan, but Marc retorted that he himself was a Republican. Mona was forced to consider the idea that no political party had a “monopoly” on care and action—and that regardless of his political affiliation, Marc was on her side. 
This passage shows that Mona was learning many lessons about the people on her team and the politics of care. Marc was different from her in many ways—but his passion for helping the people of Flint and uncovering the truth was undeniable.
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As Tuesday went by, Mona still hadn’t heard anything from the mayor’s office. She gave yet another presentation to a county medical society group and found that it was much easier to convince a group of doctors of what her research said about the situation in Flint. At the end of the meeting, the doctors passed a resolution pledging their support for Mona and her team—the city and state might be behind schedule, but at least Mona had a group of colleagues at her side.
This passage shows, once again, how when the officials elected or appointed to care for a community abandon that community’s needs, it’s up to everyday citizens to step up and commit to a fight for justice.
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Andy Leavitt, Ananich’s chief of staff, contacted The Washington Post about their developing story, knowing that a report from a national newspaper would make it difficult for the state to discredit Mona’s work. Marc Edwards also sent the story to a local newspaper, The Flint Journal. Mona was concerned about a sudden flood of press—but with the mayor still refusing to back Mona’s team, she knew that she had to do all she could to rally support from other sources.
Mona’s team knew that the fight ahead of them was about to get ugly—and that they needed to rally all the supporters they could to ready themselves against the state’s inaction (and a potential attack in the press). Mona’s team was prepared for the worst—for Flint’s government to continue denying that there was a problem at all.
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On Wednesday morning—the deadline Mona had given the mayor—Mona took Bebe to the hospital for a minor eye surgery. After the procedure, Mona brought Bebe home and got her into bed. Bebe asked Mona what was going on. Mona didn’t give her mother any specifics, but she explained that she was doing “the kind of thing [Bebe] taught [her] to do.” Mona looked at her phone and noticed that it was noon—the deadline had passed, and there was still no word from Walling.
This passage shows that Mona continued to draw strength from her family in the darkest moments of her fight for Flint. Even though the mayor’s deadline had passed—and with it had come the crushing realization that the government was not going to stand behind her—Mona had an important revelation in this moment: she was working every day to uphold her family’s values and fight for her community. 
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