Definition of Imagery
Near the end of the story, after Arnold has been psychologically tormenting Connie from outside of her house for an extended period of time, Connie runs inside and picks up the phone to call the police. The narrator captures Connie’s panic in this moment using imagery, as seen in the following passage:
Something roared in her ear, a tiny roaring, and she was so sick with fear that she could do nothing but listen to it—the telephone was clammy and very heavy and her fingers groped down to the dial but were too weak to touch it. She began to scream into the phone, into the roaring. She cried out, she cried for her mother, she felt her breath start jerking back and forth in her lungs as if it were something Arnold Friend was stabbing her with again and again with no tenderness.
When introducing readers to Connie at the beginning of the story, the narrator uses imagery, as seen in the following passage:
Unlock with LitCharts A+Everything about her had two sides to it, one for home and one for anywhere that was not home: her walk, which could be childlike and bobbing, or languid enough to make anyone think she was hearing music in her head; her mouth, which was pale and smirking most of the time, but bright and pink on these evenings out; her laugh, which was cynical and drawling at home—“Ha, ha, very funny”—but highpitched and nervous anywhere else, like the jingling of the charms on her bracelet.