Where the Crawdads Sing

Where the Crawdads Sing

by Delia Owens
Jodie is Kya’s brother, and is the closest to her in age of all their siblings. When Ma leaves, he tries to make her feel better by insisting that she’ll return, pointing out that mothers never abandon their young. However, Kya reminds Jodie that they recently saw a female fox leave her cubs, but he says this was only because the fox was hurt and knew she wouldn’t survive if she stayed. Because Ma isn’t trying to save her own life, Jodie assures Kya, she will certainly come back. Unfortunately, though, Jodie is wrong to think that Ma isn’t leaving home as a means of survival, since her decision to escape Pa’s wrath is nothing but a means of self-preservation. In fact, Jodie himself secretly recognizes this, but he doesn’t say anything about his misgivings because he wants to soothe Kya—a sign that he’s an empathetic person who wants to do what he can to make his little sister feel better. But despite this determination, he decides after his siblings follow their mother’s footsteps that he, too, must leave home, thereby abandoning Kya. In the coming years, Kya thinks about Jodie quite often, since he taught her how to sneak around the marsh and how to hide from strangers, so she recalls his advice on a regular basis. To her surprise, he actually returns as an adult after having completed two military tours in Vietnam, and he apologizes for ever leaving Kya. He also tells her that he recently discovered that their mother died two years ago. For the rest of Jodie’s life, he lives near the marsh, visiting Kya often and supporting her whenever he can.

Jodie Quotes in Where the Crawdads Sing

The Where the Crawdads Sing quotes below are all either spoken by Jodie or refer to Jodie. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Survival, Necessity, and Violence Theme Icon
).

Chapter 1 Quotes

“A ma don’t leave her kids. It ain’t in ’em.”

“You told me that fox left her babies.”

“Yeah, but that vixen got ’er leg all tore up. She’d’ve starved to death if she’d tried to feed herself ’n’ her kits. She was better off to leave ’em, heal herself up, then whelp more when she could raise ’em good. Ma ain’t starvin’, she’ll be back.” Jodie wasn’t nearly as sure as he sounded, but said it for Kya.

Related Characters: Kya (Catherine Danielle Clark) (speaker), Jodie (speaker), Ma (Kya’s Mother), Pa (Kya’s Father)
Page Number and Citation: 6
Explanation and Analysis:

Chapter 2 Quotes

A gnawing hunger—such a mundane thing—surprised her. She walked to the kitchen and stood at the door. All her life the room had been warmed from baking bread, boiling butter beans, or bubbling fish stew. Now, it was stale, quiet, and dark. “Who’s gonna cook?” she asked out loud. Could have asked, Who’s gonna dance?

She lit a candle and poked at hot ashes in the woodstove, added kin­dling. Pumped the bellows till a flame caught, then more wood.

Related Characters: Kya (Catherine Danielle Clark), Jodie, Ma (Kya’s Mother), Pa (Kya’s Father)
Page Number and Citation: 14
Explanation and Analysis:

Chapter 4 Quotes

Ma used to soak wounds in salt water and pack them with mud mixed with all kinds of potions. There was no salt in the kitchen, so Kya limped into the woods toward a brackish slipstream so salty at low tide, its edges glistened with brilliant white crystals. She sat on the ground, soaking her foot in the marsh’s brine, all the while moving her mouth: open, close, open, close, mocking yawns, chewing motions, anything to keep it from jamming up. After nearly an hour, the tide receded enough for her to dig a hole in the black mud with her fingers, and she eased her foot gently into the silky earth. The air was cool here, and eagle cries gave her bearing.

Related Characters: Kya (Catherine Danielle Clark), Jodie, Ma (Kya’s Mother), Pa (Kya’s Father)
Page Number and Citation: 33
Explanation and Analysis:

Chapter 13 Quotes

As Kya had crept closer, she saw it was a hen turkey on the ground, and the birds of her own flock were pecking and toe-scratching her neck and head. Somehow she’d managed to get her wings so tangled with briars, her feathers stuck out at strange angles and she could no longer fly. Jodie had said that if a bird becomes different from the others—disfigured or wounded—it is more likely to attract a predator, so the rest of the flock will kill it, which is better than drawing in an eagle, who might take one of them in the bargain.

[…]

Kya ran into the clearing, throwing her arms around. “Hey, what ya doing? Git outta here. Stop it!” The flurry of wings kicked up more dust as the turkeys scattered into brush, two of them flying heavy into an oak. But Kya was too late.

Related Characters: Kya (Catherine Danielle Clark) (speaker), Jodie, Tate
Page Number and Citation: 88
Explanation and Analysis:

Chapter 33 Quotes

“It happens in humans, too. Some behaviors that seem harsh to us now ensured the survival of early man in what­ ever swamp he was in at the time. Without them, we wouldn’t be here. We still store those instincts in our genes, and they express themselves when certain circumstances prevail. Some parts of us will always be what we were, what we had to be to survive—way back yonder.

“Maybe some primitive urge—some ancient genes, not appropriate anymore—drove Ma to leave us because of the stress, the horror and real danger of living with Pa. That doesn’t make it right; she should have chosen to stay. But knowing that these tendencies are in our bio­ logical blueprints might help one forgive even a failed mother. That may explain her leaving, but I still don’t see why she didn’t come back.”

Related Characters: Kya (Catherine Danielle Clark) (speaker), Jodie, Ma (Kya’s Mother), Pa (Kya’s Father)
Page Number and Citation: 238
Explanation and Analysis:
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Jodie Character Timeline in Where the Crawdads Sing

The timeline below shows where the character Jodie appears in Where the Crawdads Sing. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1. Ma: 1952
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Seeing her concern, Jodie, who is the closest to Kya in age, stands next to Kya and assures her... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...return while her older siblings do the necessary cooking and house maintenance. Observing Kya’s melancholy, Jodie offers to play with her, despite the fact that he recently told her he was... (full context)
Chapter 2. Jodie: 1952
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
That evening, Jodie finds Kya sitting on the beach and tells her that he, too, must leave. As... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...never made them from scratch, since she’s been eating the leftovers from the breakfast that Jodie made before he left. Now, though, she makes a pot of her own, and though... (full context)
Chapter 4. School: 1952
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...her hand, and Kya hesitates to take it because she hasn’t touched anyone else since Jodie left. After a moment, though, she puts her hand in Mrs. Culpepper’s.  (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
...Pa, but he’s nowhere to be found. As she reels in pain, she remembers what Jodie told her about lockjaw, suddenly worrying that the nail will give her tetanus, which is... (full context)
Chapter 6. A Boat and a Boy: 1952
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...keeps his small, beat-up motorboat. Although she used to go out in the boat with Jodie, she has never taken it out on her own, though this doesn’t stop her from... (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
Kya starts the engine and putters into the marsh, remembering that Jodie instructed her to go left at every fork in the water in order to reach... (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
...sometimes. The boy also mentions that he knows Kya, since he used to fish with Jodie. (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
...Kya meets in the swamp knows where she lives because he used to fish with Jodie, so he leads her home in his boat. When they arrive, he introduces himself as... (full context)
Chapter 7. The Fishing Season: 1952
Independence vs. Human Connection Theme Icon
...because it’s his only form of transportation. However, she remembers that he used to let Jodie fish in it, and though Kya doesn’t know how to fish, she wonders if she... (full context)
Chapter 13. Feathers: 1960
Survival, Necessity, and Violence Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...turkeys murdering one of their own because it had gotten injured. She knew from what Jodie had told her that turkeys kill each other if they’re hurt because incapacitated birds are... (full context)
Chapter 33. The Scar: 1968
Independence vs. Human Connection Theme Icon
...him up close, she recognizes a scar on his face and knows instantly that it’s Jodie, whom Pa once slashed across the face with a fire poker when Jodie tried to... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Jodie apologizes to Kya for abandoning her, saying that he shouldn’t have left her with their... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Ma’s sister helped her write a letter to Pa, Jodie tells Kya. The letter implored him to let their children come to New Orleans to... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Jodie tells Kya that Ma died of leukemia, which might have been treatable if she hadn’t... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
When Jodie asks Kya about her life and how she learned to read, she tells him about... (full context)
Chapter 35. The Compass: 1969
Independence vs. Human Connection Theme Icon
...delights Kya, though she still can’t bring herself to make things right with Tate, despite Jodie’s advice to forgive him. That evening, Kya sees Tate in the marsh but doesn’t approach,... (full context)
Chapter 50. The Journal: 1970
Independence vs. Human Connection Theme Icon
...courtroom the next day, Kya experiences a moment of hope and private joy upon seeing Jodie, who is sitting next to Tate, Mabel, and Jumpin’. At the same time, though, Kya... (full context)
Chapter 54. Vice Versa: 1970
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
Tom lets Tate, Jodie, Scupper, and Robert Foster wait for the verdict together in a small room in the... (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
...fact that Kya—the “little swamp truant”—has escaped once more. As for Kya herself, she lets Jodie drive her home, though not before grazing Sunday Justice’s tale with her hand and appreciating... (full context)
Chapter 55. Grass Flowers: 1970
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
Jodie tells Kya on their way back that she’ll soon be fine, adding that she just... (full context)
Independence vs. Human Connection Theme Icon
Jodie finally leaves, though not before making Kya a chicken pot pie and leaving it on... (full context)