Where the Crawdads Sing

Where the Crawdads Sing

by Delia Owens

Pa (Kya’s Father) Character Analysis

An angry man with a drinking problem, Pa is Kya’s abusive father. Pa served in the trenches of World War II, sustaining an injury and receiving an honorable discharge, though he’s the only one who knows that his injury was the result of the fact that he was too cowardly to move from his place on the battlefield. With this in mind, he goes through life feeling like a failure, though he manages to successfully court Kya’s future mother by spending all of the money to his name taking her out to fancy restaurants. By the time they get married, he has no more money and starts drinking heavily—a habit that never dies, especially when the couple moves the marshlands of North Carolina, where Pa owns property. Over the years, he becomes increasingly violent, drinking heavily and living off of the disability checks he receives from the military. Eventually, Ma leaves him, as do all of his children except Kya, who manages for a short while to quell his anger by treating him with kindness. During this period, Pa and Kya go fishing together, and he refrains from getting too drunk. When Pa receives a letter from Ma, though, he resumes his angry ways and starts drinking again, disappearing for long stretches of time until, one day, he simply never comes home.

Pa (Kya’s Father) Quotes in Where the Crawdads Sing

The Where the Crawdads Sing quotes below are all either spoken by Pa (Kya’s Father) or refer to Pa (Kya’s Father). For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Survival, Necessity, and Violence Theme Icon
).

Chapter 1 Quotes

“A ma don’t leave her kids. It ain’t in ’em.”

“You told me that fox left her babies.”

“Yeah, but that vixen got ’er leg all tore up. She’d’ve starved to death if she’d tried to feed herself ’n’ her kits. She was better off to leave ’em, heal herself up, then whelp more when she could raise ’em good. Ma ain’t starvin’, she’ll be back.” Jodie wasn’t nearly as sure as he sounded, but said it for Kya.

Related Characters: Kya (Catherine Danielle Clark) (speaker), Jodie (speaker), Ma (Kya’s Mother), Pa (Kya’s Father)
Page Number and Citation: 6
Explanation and Analysis:

Chapter 2 Quotes

A gnawing hunger—such a mundane thing—surprised her. She walked to the kitchen and stood at the door. All her life the room had been warmed from baking bread, boiling butter beans, or bubbling fish stew. Now, it was stale, quiet, and dark. “Who’s gonna cook?” she asked out loud. Could have asked, Who’s gonna dance?

She lit a candle and poked at hot ashes in the woodstove, added kin­dling. Pumped the bellows till a flame caught, then more wood.

Related Characters: Kya (Catherine Danielle Clark), Jodie, Ma (Kya’s Mother), Pa (Kya’s Father)
Page Number and Citation: 14
Explanation and Analysis:

Chapter 4 Quotes

Ma used to soak wounds in salt water and pack them with mud mixed with all kinds of potions. There was no salt in the kitchen, so Kya limped into the woods toward a brackish slipstream so salty at low tide, its edges glistened with brilliant white crystals. She sat on the ground, soaking her foot in the marsh’s brine, all the while moving her mouth: open, close, open, close, mocking yawns, chewing motions, anything to keep it from jamming up. After nearly an hour, the tide receded enough for her to dig a hole in the black mud with her fingers, and she eased her foot gently into the silky earth. The air was cool here, and eagle cries gave her bearing.

Related Characters: Kya (Catherine Danielle Clark), Jodie, Ma (Kya’s Mother), Pa (Kya’s Father)
Page Number and Citation: 33
Explanation and Analysis:

Chapter 7 Quotes

“Ah swannee, girl, what’s a’ this? Looks like ya went an’ got all growed up. Cookin’ and all.” He didn’t smile, but his face was calm. He was unshaven, with dark unwashed hair hanging across his left temple. But he was sober; she knew the signs.

“Yessir. I fixed cornbread too, but it didn’t come out.”

“Well, ah thankee. That’s a mighty good girl. Ah’m plumb wore out and hungry as a wallow-hog.” He pulled out a chair and sat, so she did the same.

Related Characters: Pa (Kya’s Father) (speaker), Kya (Catherine Danielle Clark) (speaker)
Page Number and Citation: 53
Explanation and Analysis:

Chapter 9 Quotes

Kya had never eaten restaurant food; had never set foot inside. Her heart thumped as she brushed dried mud from her way-too-short overalls and patted down her tangled hair. As Pa opened the door, every customer paused mid­ bite. A few men nodded faintly at Pa; the women frowned and turned their heads. One snorted, “Well, they prob’ly can’t read the shirt and shoes required.”

Related Characters: Pa (Kya’s Father), Kya (Catherine Danielle Clark)
Page Number and Citation: 64
Explanation and Analysis:

Chapter 13 Quotes

But they backed down the steps, ran into the trees again, hooting and hollering with relief that they had survived the Marsh Girl, the Wolf Child, the girl who couldn’t spell dog. Their words and laughter carried back to her through the forest as they disappeared into the night, back to safety. She watched the relit candles, bobbing through the trees. Then sat staring into the stone-quiet darkness. Shamed.

Related Characters: Kya (Catherine Danielle Clark), Pa (Kya’s Father)
Related Literary Devices:
Page Number and Citation: 91
Explanation and Analysis:

Chapter 33 Quotes

“It happens in humans, too. Some behaviors that seem harsh to us now ensured the survival of early man in what­ ever swamp he was in at the time. Without them, we wouldn’t be here. We still store those instincts in our genes, and they express themselves when certain circumstances prevail. Some parts of us will always be what we were, what we had to be to survive—way back yonder.

“Maybe some primitive urge—some ancient genes, not appropriate anymore—drove Ma to leave us because of the stress, the horror and real danger of living with Pa. That doesn’t make it right; she should have chosen to stay. But knowing that these tendencies are in our bio­ logical blueprints might help one forgive even a failed mother. That may explain her leaving, but I still don’t see why she didn’t come back.”

Related Characters: Kya (Catherine Danielle Clark) (speaker), Jodie, Ma (Kya’s Mother), Pa (Kya’s Father)
Page Number and Citation: 238
Explanation and Analysis:
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Pa (Kya’s Father) Character Timeline in Where the Crawdads Sing

The timeline below shows where the character Pa (Kya’s Father) appears in Where the Crawdads Sing. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1. Ma: 1952
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
To Kya’s dismay, Ma doesn’t return. Pa, for his part, barely notices, though he grumbles about wanting dinner when he sees that... (full context)
Chapter 2. Jodie: 1952
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
...departure, Kya’s oldest brother leaves, too, followed by her two older sisters. They’re tired of Pa’s alcoholic furies and unpredictable violence, and they’re almost old enough to leave home anyway. Over... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...on, she wonders who is going to cook now that everyone but she and her Pa have left. Getting up, she prepares a sad, unappetizing bowl of leftover grits and waits... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Pa doesn’t return for three days. While waiting, Kya eats turnips from Ma’s garden for every... (full context)
Prejudice, Intolerance, and Acceptance Theme Icon
Pa receives disability checks each week because he was injured in World War II. Slapping the... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...some collard greens. She also starts doing laundry and cleaning the house, all while avoiding Pa. (full context)
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...the exact date of her birthday, she realizes that it must be around this time. Pa doesn’t say anything, but Kya guesses that she must be seven now. She takes some... (full context)
Chapter 4. School: 1952
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
...jumps from a tree and lands on a rusty nail. Instantly, she calls out to Pa, but he’s nowhere to be found. As she reels in pain, she remembers what Jodie... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
...this for the next several days, until it becomes clear that she doesn’t have tetanus. Pa still hasn’t come home, so she survives on Crisco and saltines. Meanwhile, she listens intently... (full context)
Chapter 6. A Boat and a Boy: 1952
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
Pa dresses in his nicest clothes one morning and informs Kya that he will be gone... (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
...how much gas she used, knowing that she’ll have to fill it back up before Pa returns. She also thinks about how scared she was when she was alone and facing... (full context)
Chapter 7. The Fishing Season: 1952
Independence vs. Human Connection Theme Icon
...she talks to the seagulls more than any actual person, so she fantasizes about borrowing Pa’s boat to see Tate from time to time, though she knows that Pa would never... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
When Pa finally comes home after four days, Kya runs into the kitchen and presents him with... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
The next day, Kya and Pa go fishing again. Kya finds a rare feather from a horned owl floating in the... (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
Throughout the winter, Kya and Pa go fishing and Kya thinks about Tate, wishing they could be friends. One day, she... (full context)
Chapter 9. Jumpin’: 1952
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
With Pa in the motorboat, Kya goes to get gas from a black man named Jumpin’, who... (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
After the meal, Kya goes outside while Pa pays. As she waits, a young girl says hello to her and reaches out for... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Pa and Kya start playing cards at night, and Kya fantasizes about her mother returning so... (full context)
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...the words, but she identifies Ma’s handwriting, so she rushes home to show it to Pa. Because he’s not there, though, she sets it on the table and waits for him... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Pa stays away for two days, and when he finally returns, he’s drunk and mean. Kya... (full context)
Chapter 11. Croker Sacks Full: 1956
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
By the time Kya is 10, Pa comes home less frequently. Entire weeks go by without him returning to the shack, and... (full context)
Independence vs. Human Connection Theme Icon
The one saving grace about Pa’s disappearance is that he left on foot, leaving Kya the boat. This proves helpful, since... (full context)
Chapter 12. Pennies and Grits: 1956
Survival, Necessity, and Violence Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...catches as many fish as she can and then smokes them in the smokehouse that Pa used to use. The following day, she brings a large bucket of smoked fish to... (full context)
Chapter 33. The Scar: 1968
Independence vs. Human Connection Theme Icon
...close, she recognizes a scar on his face and knows instantly that it’s Jodie, whom Pa once slashed across the face with a fire poker when Jodie tried to protect Ma... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
...to Kya for abandoning her, saying that he shouldn’t have left her with their violent father. She accepts his apology and reminds him that he was only a kid, but he... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Ma’s sister helped her write a letter to Pa, Jodie tells Kya. The letter implored him to let their children come to New Orleans... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
...Tate used to come around quite often. Once, he even tried to defend Kya against Pa, and Pa hit him in the face.  (full context)
Chapter 43. A Microscope: 1969
Survival, Necessity, and Violence Theme Icon
...distinct sound of Chase’s motorboat, and she knows she has to leave. From dealing with Pa, she understands that men like Chase always need to have the final say in an... (full context)