White Noise
by Don DeLillo
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Chapter 2 Quotes

Babette and I do our talking in the kitchen. The kitchen and the bedroom are the major chambers around here, the power haunts, the sources. She and I are alike in this, that we regard the rest of the house as storage space for furniture, toys, all the unused objects of earlier marriages and different sets of children, the gifts of lost in-laws, the hand-me-downs and rummages. Things, boxes. Why do these possessions carry such sorrowful weight? There is a darkness attached to them, a foreboding. They make me wary not of personal failure and defeat but of something more general, something large in scope and content.

Related Characters: Jack Gladney (speaker), Babette
Related Literary Devices:
Page Number and Citation: 6
Explanation and Analysis:
In describing the house he lives in, Jack evokes the clutter surrounding him and Babette. They are both clearly affected by the vestiges of their past lives, as evidenced by his remark that the objects of previous marriages and different family configurations carry “sorrowful weight.” These old possessions remind him of the person he used to be, highlighting the changing nature of life. As somebody who naturally resists change because of the uncertainty it produces, Jack is depressed and even a little frightened by the “darkness attached” to objects that remind him that his life—and even his identity—are in a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. V

Chapter 4 Quotes

Who will die first?

This question comes up from time to time, like where are the car keys. It ends a sentence, prolongs a glance between us. I wonder if the thought itself is part of the nature of physical love, a reverse Darwinism that awards sadness and fear to the survivor. Or is it some inert element in the air we breathe, a rare thing like neon, with a melting point, an atomic weight?

Related Characters: Jack Gladney (speaker), Babette
Page Number and Citation: 15
Explanation and Analysis:
Jack’s conversations with Babette about which one of them will die first prompt him to consider the nature of “physical love.” In referencing Darwinism, Jack gives rise to the notion of natural selection, which is an evolutionary process whereby the animals best adapted to their environments survive and produce more offspring than lesser-equipped animals. By calling his and Babette’s conversation a form of reverse Darwinism, then, Jack recognizes that their mutual desire to die first runs contrary to evolution; furthermore, in this model of thinking, whoever survives the other person’s death will not carry on life-enhancing qualities, but will rather Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrup

Chapter 6 Quotes

Our senses? Our senses are wrong a lot more often than they’re right. This has been proved in the laboratory. Don’t you know about all those theorems that say nothing is what it seems?

Related Characters: Heinrich (speaker), Jack Gladney
Page Number and Citation: 23
Explanation and Analysis:
Heinrich says this to Jack in an attempt to fluster him by forcing him into a position of uncertainty. This is effective because, as Heinrich knows, uncertainty is perhaps the most upsetting thing in the world to Jack, who is obsessed with control, authority, and the possession of knowledge. Heinrich’s argument that human senses are an inherently flawed way of perceiving of the world ultimately foreshadows Jack’s discomfort with the fact that he can’t actually feel the effects of Nyodene D. in his body. If “nothing is what it seems,” then Jack has no hope of being able to control Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio u

Chapter 7 Quotes

Most of her students are old. It isn’t clear to me why they want to improve their posture. We seem to believe it is possible to ward off death by following rules of good grooming. Sometimes I go with my wife to the church basement and watch her stand, turn, assume various heroic poses, gesture gracefully. She makes references to yoga, kendo, trance-walking. She talks of Sufi dervishes, Sherpa mountaineers. The old folks nod and listen. Nothing is foreign, nothing too remote to apply. I am always surprised at their acceptance and trust, the sweetness of their belief. Nothing is too doubtful to be of use to them as they seek to redeem their bodies from a lifetime of bad posture. It is the end of skepticism.

Related Characters: Jack Gladney (speaker), Babette
Page Number and Citation: 27
Explanation and Analysis:
Jack thinks this in relation to Babette’s class on posture, the purpose of which he has trouble understanding. At the same time, he recognizes the impulse to “ward off death by following rules of good grooming” because he himself is interested in finding practical ways of keeping death psychologically at bay. Jack portrays Babette’s elderly students as somewhat desperate, perhaps seeing in them a future version of himself; having gone through a life of bad posture, they’re willing to try anything to “redeem their bodies.” When he says that this represents the “end of skepticism,” he seems to both admire Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volup

Love helps us develop an identity secure enough to allow itself to be placed in another’s care and protection. Babette and I have turned our lives for each other’s thoughtful regard, turned them in the moonlight in our pale hands, spoken deep into the night about fathers and mothers, childhood, friendships, awakenings, old loves, old fears (except fear of death). No detail must be left out, not even a dog with ticks or a neighbor’s boy who ate an insect on a dare.

Related Characters: Jack Gladney (speaker), Babette
Page Number and Citation: 29
Explanation and Analysis:
In this passage, Jack frames his relationship with Babette as incredibly open and honest. He portrays love as something that can overcome peoples’ insecurities, enabling them to become vulnerable. When he says that love allows people to be “placed in another’s care and protection,” he puts his relationship with Babette into a context of safety and security. His marriage is something he seeks refuge in and it is clearly something upon which he greatly depends. Of course, this makes it all the more devastating when he later discovers that Babette has neglected to tell him about her fear of death, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis

Chapter 9 Quotes

Everything is concealed in symbolism, hidden by veils of mystery and layers of cultural material. But it is psychic data, absolutely. The large doors slide open, they close unbidden. Energy waves, incident radiation. All the letters and numbers are here, all the colors of the spectrum, all the voices and sounds, all the code words and ceremonial phrases. It is just a question of deciphering, rearranging, peeling off the layers of unspeakability. Not that we would want to, not that any useful purpose would be served.

Related Characters: Murray Jay Siskin (speaker), Jack Gladney, Babette
Related Symbols: The Supermarket
Page Number and Citation: 37
Explanation and Analysis:
Murray says this about the vast collection of “symbolism” contained in the supermarket, a place he views as a mecca of cultural and spiritual information. His wide-ranging list of what the building contains contributes a sense of profundity to the supermarket as a whole; “all the letters and numbers are here, all the colors of the spectrum, all the voices and sounds, all the code words and ceremonial phrases,” he says. The repeated use of “all” is significant in this moment, as it gives an impression of the supermarket’s totality, building it up as a place capable of containing the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissim

Chapter 10 Quotes

Who knows what I want to do? Who knows what anyone wants to do? How can you be sure about something like that? Isn’t it all a question of brain chemistry, signals going back and forth, electrical energy in the cortex? How do you know whether something is really what you want to do or just some kind of nerve impulse in the brain? […] It’s all this activity in the brain and you don’t know what’s you as a person and what’s some neuron that just happens to fire or just happens to misfire. Isn’t that why Tommy Roy killed those people?

Related Characters: Heinrich (speaker), Jack Gladney, Tommy Roy Foster, Janet Savory
Page Number and Citation: 45
Explanation and Analysis:
Heinrich gives this speech as a way of sidestepping his father’s question regarding whether or not he wants to visit Janet Savory, his mother who now goes by Mother Devi and lives on an ashram in Montana. Once again, Heinrich attacks the notion of philosophical certainty, which he knows his father is so desperate to maintain. By debunking the idea of free will, he argues that humans are subject to the influence of neurochemical reactions, reactions that happen involuntarily. Jack, of course, hates to hear this: if everything he does is the result of “electrical energy in [his] cortex,” he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessi

In the morning I walked to the bank. I went to the automated teller machine to check my balance. I inserted my card, entered my secret code, tapped out my request. The figure on the screen roughly corresponded to my independent estimate, feebly arrived at after long searches through documents, tormented arithmetic. Waves of relief and gratitude flowed over me. The system had blessed my life. I felt its support and approval. The system hardware, the mainframe sitting in a locked room in some distant city. What a pleasing interaction. I sensed that something of deep personal value, but not money, not that at all, had been authenticated and confirmed. […] The system was invisible, all the more disquieting to deal with. But we were in accord, at least for now. The networks, the circuits, the streams, the harmonies.

Related Characters: Jack Gladney (speaker)
Page Number and Citation: 45
Explanation and Analysis:
In deriving such pleasure from the fact that his account balance accords with his estimates, Jack recognizes the influence of the ATM on his own self-perception. Struggling in so many other areas of his life to attain certainty and to comfortably establish a sense of identity, he looks to “the system” for existential support. And it provides him with this support by validating his estimations. In other words, he feels that his identity is “authenticated and confirmed” by “the networks, the circuits, the streams, the harmonies.” It’s worth noting that in this latter phrase Jack begins by listing tangible entities—“the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciu

Chapter 11 Quotes

[…] I’ve been sitting in this room for more than two months, watching TV into the early hours, listening carefully, taking notes. A great and humbling experience, let me tell you. Close to mystical. […] I’ve come to understand that the medium is a primal force in the American home. Sealed-off, timeless, self-contained, self-referring. It’s like a myth being born right there in our living room, like something we know in a dreamlike and preconscious way.

Related Characters: Murray Jay Siskin (speaker), Jack Gladney, Babette
Related Symbols: Television
Page Number and Citation: 50-1
Explanation and Analysis:
Murray says this to Jack and Babette while they eat dinner in his tiny boarding house room. By equating TV to myth-making, Murray further explores his previous idea that there are important messages buried deep in the media he consumes. When he watches TV “into the early hours, listening carefully, taking notes,” he’s mining these “sealed-off” messages. He notes that TV is a “primal force in the American home,” a statement confirmed by Jack and Babette’s own family rituals, such as their weekly Friday-night TV binges, which captivate them and the children and, ultimately, usurp the role of conversation and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Vel

Chapter 14 Quotes

All this time she’d been turned away from me. There were plot potentials in this situation, chances for people to make devious maneuvers, secret plans.

Related Characters: Jack Gladney (speaker), Denise, Babette
Page Number and Citation: 62
Explanation and Analysis:
Jack thinks this while Denise and he are talking about Babette’s mysterious use of Dylar. This is, of course, a meta-fictional statement, since Jack himself exists in a novel and is part of a plot. As such, DeLillo slyly comments on the very process he uses to shape White Noise’s narrative, lightly making fun of the novelist’s tendency to see “plot potentials” in even the smallest, most everyday things. This sort of meta-commentary is characteristic of postmodern fiction, which as a genre is self-conscious and eager to transcend the rigid narrative rules put in place by past literary movements. At Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Ac

[…] it’s not a question of greatness. It’s not a question of good and evil. I don’t know what it is. Look at it this way. Some people always wear a favorite color. Some people carry a gun. Some people put on a uniform and feel bigger, stronger, safer. It’s in this area that my obsessions dwell.

Related Characters: Jack Gladney (speaker), Babette, Denise
Related Symbols: Hitler
Page Number and Citation: 63
Explanation and Analysis:
This is something Jack says to Denise when she asks him why he’s so interested in Hitler and the Germans. She points out that Hitler and the Germans lost World War II, so they can’t have been that great. Jack’s response has everything to do with his preoccupation with power, even admitting that his “obsessions dwell” in the realm of “uniform[s]” that make people feel “bigger, stronger, safer.” This statement is significant because Jack himself wears a uniform; when he puts on his academic robe and his thick dark glasses, he apparently feels the same kind of relief he’s interested Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debit

Words, pictures, numbers, facts, graphics, statistics, specks, waves, particles, motes. Only a catastrophe gets our attention. We want them, we need them, we depend on them. As long as they happen somewhere else. This is where California comes in. Mud slides, brush fires, coastal erosion, earthquakes, mass killings, et cetera. We can relax and enjoy these disasters because in our hearts we feel that California deserves what it gets. Californians invented the concept of life-style. This alone warrants their doom.

Related Characters: Alfonse Stampanato (speaker), Jack Gladney, Murray Jay Siskin
Page Number and Citation: 66
Explanation and Analysis:
In this passage, the chairman of the American Environments department, Alfonse Stampanato, explains to Jack why disaster footage is so compelling even to kind, good-hearted people. The first sentence here is particularly noteworthy, as it helps define the kind of messaging Murray believes humans are constantly receiving from TV and other products of consumerist culture. Once again, DeLillo begins with tangible entities (“words, pictures, numbers, facts, graphics, statistics”) and then moves to less easily-recognizable phenomena (“specks, waves, particles, motes”). This emphasizes the vastness of the “psychic data” humans must sift through in order to find meaning. Catastrophe, then, is strong Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Chapter 16 Quotes

We looked at each other. Behind that dopey countenance, a complex intelligence operated. […] The inconsolable crying went on. I let it wash over me, like rain in sheets. I entered it, in a sense. I let it fall and tumble across my face and chest. I began to think he had disappeared inside this wailing noise and if I could join him in his lost and suspended place we might together perform some reckless wonder of intelligibility. I let it break across my body. It might not be so terrible, I thought, to have to sit here for four more hours, with the motor running and the heater on, listening to this uniform lament.

Related Characters: Jack Gladney (speaker), Wilder
Page Number and Citation: 78
Explanation and Analysis:
In this passage, Jack observes Wilder, who has been crying for hours on end with no signs of stopping. As he does with most things, Jack looks for meaning and significance in Wilder’s “inconsolable” sobbing, letting it “wash over [him]” and delighting in its raw and nearly mystical effect. This experience recalls the idea of white noise, an indiscriminate sound that can almost become meditative, just like the steady hum of the expressway below Jack and Babette’s bedroom window at night. For somebody so obsessed with being in control—of his identity, of his fears, of his body—Jack exhibits a rare Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitati

We were halfway home when the crying stopped. It stopped suddenly, without a change in tone and intensity. Babette said nothing, I kept my eyes on the road. He sat between us, looking into the radio. I waited for Babette to glance at me behind his back, over his head, to show relief, happiness, hopeful suspense. I didn’t know how I felt and wanted a clue. But she looked straight ahead as if fearful that any change in the sensitive texture of sound, movement, expression would cause the crying to break out again.

Related Characters: Jack Gladney (speaker), Wilder, Babette
Page Number and Citation: 79
Explanation and Analysis:
Wilder’s state of being after his prolific crying stint is, in this passage, perceived by Jack as extremely delicate. He senses Babette’s belief that even the slightest movement could send the child back into hysterics while also seeming to adopt a similar sensitivity as the boy himself, as illustrated by his confession, “I didn’t know how I felt and wanted a clue.” This statement shows the extent to which Jack depends on Babette; confounded by Wilder’s sudden silence, he looks to Babette to tell him how he should feel, exhibiting a dependency first observable in his earlier statement that he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecat

Chapter 18 Quotes

Certain elements in the crew had decided to pretend that it was not a crash but a crash landing that was seconds away. After all, the difference between the two is only one word. Didn’t this suggest that the two forms of flight termination were more or less interchangeable? How much could one word matter? An encouraging question under the circumstances, if you didn’t think about it too long, and there was no time to think right now. The basic difference between a crash and a crash landing seemed to be that you could sensibly prepare for a crash landing, which is exactly what they were trying to do.

Related Characters: Jack Gladney (speaker)
Page Number and Citation: 90
Explanation and Analysis:
This passage explains the events of a near-plane crash, as narrated by Jack, who learned the information secondhand from one of the passengers. Jack notes the ways in which language can seem as if it is capable of changing reality. When he argues that the question of the difference between the phrases “crash” and “crash landing” is an “encouraging” one given the dire circumstances, he reveals his belief that semantics give people something to cling to in times of extreme danger and duress. When he faces his fear of death, it is exactly this kind of “encouraging” logic he’d like Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut

Chapter 21 Quotes

It seems that danger assigns to public voices the responsibility of a rhythm, as if in metrical units there is a coherence we can use to balance whatever senseless and furious event is about to come rushing around our heads. […] What people in an exodus fear most immediately is that those in positions of authority will long since have fled, leaving us in charge of our own chaos.

Related Characters: Jack Gladney (speaker)
Page Number and Citation: 117
Explanation and Analysis:
When a fire captain drives by the Gladneys’ house during the airborne toxic event and announces that everybody in the area must evacuate, Jack pauses to consider the nuances of public speech in times of disaster. The idea that public voices assume “the responsibility of a rhythm” indicates Jack’s belief that whoever is in charge must give listeners the impression that everything is organized and under control, an idea that can be conveyed through “metrical units,” as if there is “a coherence” between the speaker’s cadence and the situation at hand. Authority, then, becomes a chiefly linguistic matter, a matter Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt

Could a nine-year-old girl suffer a miscarriage due to the power of suggestion? Would she have to be pregnant first? Could the power of suggestion be strong enough to work backward in this manner, from miscarriage to pregnancy to menstruation to ovulation? Which comes first, menstruation or ovulation? Are we talking about mere symptoms or deeply entrenched conditions? Is a symptom a sign or a thing? What is a thing and how do we know it’s not another thing?

I turned off the radio, not to help me think but to keep me from thinking.

Related Characters: Jack Gladney (speaker), Steffie
Page Number and Citation: 123
Explanation and Analysis:
Jack asks himself these questions in the car (while fleeing the airborne toxic event) after Steffie exhibits signs of experiencing déjà vu, a possible side effect of exposure to Nyodene D. Again, the power of language comes to the forefront of White Noise, this time calling into question the chain of causality inherent between language and feeling. It is typical of Jack, who constantly seeks clarification and certainty, to work himself into a place of doubt over even the most obvious matters—namely, that language can obviously not cause a little girl to have a miscarriage. When he asks himself if Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debiti

Our fear was accompanied by a sense of awe that bordered on the religious. It is surely possible to be awed by the thing that threatens your life, to see it as a cosmic force, so much larger than yourself, more powerful, created by elemental and willful rhythms. This was a death made in the laboratory, defined and measurable, but we thought of it at the time in a simple and primitive way, as some seasonal perversity of the earth like a flood or tornado, something not subject to control. Our helplessness did not seem compatible with the idea of a man-made event.

Related Characters: Jack Gladney (speaker)
Page Number and Citation: 124
Explanation and Analysis:
Jack thinks this while driving away from the toxic cloud and glimpsing its massive power. Inherent in the word “awe” is a feeling of reverence, an idea that is in keeping with White Noise’s tendency to approach secular entities—like, for example, TV and the supermarket—with a religious outlook. At the same time, though, Jack’s nearly religious respect for the toxic cloud is undermined by the cloud’s manmade origins; “This was death made in the laboratory, defined and measurable.” The precision of this form of death is troubling to Jack, who yearns for certainty only when he feels confident he will Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. U

Chapter 27 Quotes

The more we rehearse disaster, the safer we’ll be from the real thing. Life seems to work that way, doesn’t it? […] If reality intrudes in the form of a car crash or a victim falling off a stretcher, it is important to remember that we are not here to mend broken bones or put out real fires. We are here to simulate.

Related Characters: SIMUVAC Leader (speaker), Jack Gladney, Steffie
Page Number and Citation: 195-6
Explanation and Analysis:
Jack overhears a SIMUVAC leader say this to a group of volunteers during a simulated disaster in which Steffie is taking part. When the leader says, “The more we rehearse disaster, the safer we’ll be from the real thing,” he presents the simulation not as a way of making sure the town of Blacksmith is ready when disaster strikes, but rather as an actual preventive measure. Here again, reality is put aside in the name of devoting attention to theory. This is a manifestation of Murray and Jack’s tendency to spin themselves into ludicrous conclusions when talking about intellectual ideas, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut o

Chapter 29  Quotes

The sense of failed expectations was total. A sadness and emptiness hung over the scene. A dejection, a sorry gloom. We felt it ourselves, my son and I, quietly watching. It was in the room, seeping into the air from pulsing streams of electrons. The reporter seemed at first merely apologetic. But as he continued to discuss the absence of mass graves, he grew increasingly forlorn, gesturing at the diggers, shaking his head, almost ready to plead with us for sympathy and understanding.

I tried not to feel disappointed.

Related Characters: Jack Gladney (speaker)
Related Symbols: Television
Page Number and Citation: 211
Explanation and Analysis:
After two corpses were found in a backyard, a breaking news story developed around the scene as workers went about digging up the entire yard in search of more bodies. In this moment, when the entire yard has been completely excavated, a newscaster reports that there are no more bodies to be found. The “sadness,” “dejection,” and “gloom” that Jack and Heinrich pick up on is in keeping with Alfonse Stompanato’s earlier theory about disaster footage—namely, that people yearn to see catastrophe meted out unto others because it helps define their own lives and gives meaning to their personal safety. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore.

Chapter 30 Quotes

[…] I think it’s a mistake to lose one’s sense of death, even one’s fear of death. Isn’t death the boundary we need? Doesn’t it give a precious texture to life, a sense of definition? You have to ask yourself whether anything you do in this life would have beauty and meaning without the knowledge you carry of a final line, a border or limit.

Related Characters: Winnie Richards (speaker), Jack Gladney
Page Number and Citation: 217
Explanation and Analysis:
Winnie says this to Jack when he tells her that Dylar was designed to rid people of their fear of death. The “sense of definition” she references is in accord with Alfonse’s theory of disaster footage, how people need such horrible viewing material in order to define their own lives. It’s also in step with Murray’s later line, delivered to Jack after talking about death: “Better you than me.” Winnie essentially tries to get Jack to see that there is no beauty without horror, and vice versa, because each tacitly implies the other. This is exactly the kind of thinking Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas

Chapter 31 Quotes

We all got in the car and went out to the commercial strip in the no man’s land beyond the town boundary. The never-ending neon. I pulled in at a place that specialized in chicken parts and brownies. We decided to eat in the car. The car was sufficient for our needs. We wanted to eat, not look around at other people. We wanted to fill our stomachs and get it over with. We didn’t need light and space. We certainly didn’t need to face each other across a table as we ate, building a subtle and complex cross-network of signals and codes. We were content to eat facing in the same direction, looking only inches past our hands.

Related Characters: Jack Gladney (speaker)
Page Number and Citation: 220
Explanation and Analysis:
In this passage, DeLillo explores the shift of family patterns in the 20th century. Before the mid-1900s, fast-food dining didn’t exist, meaning that families ate dinner together every night around the same table. As such, eating was a communal activity, a time set aside for familial bonding. In stark contrast to this model, the Gladneys gorge themselves in this moment, chiefly focused on eating and not wanting to “look around at other people.” Instead of eating together in an act of communion, they make a pilgrimage to a “commercial strip,” where they ignore each other by gluttonously feasting. They are, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam volupta

Chapter 33 Quotes

He would be Death, or death’s errand-runner, a hollow-eyed technician from the plague era, from the era of inquisitions, endless wars, of bedlams and leporsariums. He would be an aphorist of last thing, giving me the barest glance—civilized, ironic—as he spoke his deft and stylish line about my journey out. I watched for a long time, waiting for him to move a hand. His stillness was commanding. I felt myself getting whiter by the second. What does it mean to become white? How does it feel to see Death in the flesh, come to gather you in? I was scared to the marrow. […] So much remained. Every word and thing a beadwork of bright creation. My own plain hand, crosshatched and whorled in a mesh of expressive lines, a life terrain, might itself be the object of a person’s study and wonder for years. A cosmology against the void.

Related Characters: Jack Gladney (speaker), Vernon Dickey
Page Number and Citation: 232
Explanation and Analysis:
In this passage, Jack looks out the window into the backyard and thinks that Vernon Dickey, his father-in-law, is a figure of death who’s come to take him away. Looking down at his “own plain hand,” he appears to be grappling with his very existence, marveling at the beautiful complexities of life. This appreciation of something as simple as a hand seems to prove Winnie Richard’s earlier point that the fear of death lends life a “sense of definition”; if Jack didn’t think death was outside his backdoor waiting for him, he wouldn’t stop to appreciate his hand and notice Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam c

Chapter 39 Quotes

There was something redemptive here. Dragging him foot-first across the tile, across the medicated carpet, through the door and into the night. Something large and grand and scenic. Is it better to commit evil and attempt to balance it with an exalted act than to live a resolutely neutral life? I know I felt virtuous, I felt blood-stained and stately, dragging the badly wounded man through the dark and empty street.

Related Characters: Jack Gladney (speaker), Willie Mink (Mr. Gray)
Page Number and Citation: 299
Explanation and Analysis:
Jack thinks this while dragging Willie Mink across the floor of the motel and into his car, an attempt to save the man’s life after having shot him twice in the stomach. His question, “Is it better to commit evil and attempt to balance it with an exalted act than to live a resolutely neutral life?” relies on flawed logic, for he ignores the fact that by shooting Willie in the stomach, he has unleashed a trauma unto the poor man. More simply put, he’s only thinking of himself and what he can gain from this experience. This line of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Co

Our pretense is dedication. Someone must appear to believe. Our lives are no less serious than if we professed real faith, real belief. As belief shrinks from the world, people find it more necessary than ever that someone believe. Wild-eyed men in caves. Nuns in black. Monks who do not speak. We are left to believe. […] Hell is when no one believes. There must always be believers.

Related Characters: Sister Hermann Marie (speaker), Jack Gladney
Page Number and Citation: 304
Explanation and Analysis:
Sister Hermann Marie says this to Jack after treating the bullet wound in his wrist. Her confession to not believing in the religion she supposedly represents evokes the same fear set forth by Jack during the airborne toxic event, namely that “those in positions of authority” will abandon their roles of responsibility. Sister Hermann Marie appears to recognize this fear, coming to terms with the fact that “there must always be believers” in order for everybody else go on living comfortable lives. However, it is only necessary that these people “appear to believe”; this, it seems, is good enough to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicab
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