White Noise

Note: all page numbers and citation info for the quotes below refer to the Penguin Books edition of White Noise published in 2009.
Chapter 2 Quotes

Babette and I do our talking in the kitchen. The kitchen and the bedroom are the major chambers around here, the power haunts, the sources. She and I are alike in this, that we regard the rest of the house as storage space for furniture, toys, all the unused objects of earlier marriages and different sets of children, the gifts of lost in-laws, the hand-me-downs and rummages. Things, boxes. Why do these possessions carry such sorrowful weight? There is a darkness attached to them, a foreboding. They make me wary not of personal failure and defeat but of something more general, something large in scope and content.

Related Characters: Jack Gladney (speaker), Babette
Page Number: 6
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Chapter 4 Quotes

Who will die first?

This question comes up from time to time, like where are the car keys. It ends a sentence, prolongs a glance between us. I wonder if the thought itself is part of the nature of physical love, a reverse Darwinism that awards sadness and fear to the survivor. Or is it some inert element in the air we breathe, a rare thing like neon, with a melting point, an atomic weight?

Related Characters: Jack Gladney (speaker), Babette
Page Number: 15
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Chapter 6 Quotes

Our senses? Our senses are wrong a lot more often than they’re right. This has been proved in the laboratory. Don’t you know about all those theorems that say nothing is what it seems?

Related Characters: Heinrich (speaker), Jack Gladney
Page Number: 23
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Chapter 7 Quotes

Most of her students are old. It isn’t clear to me why they want to improve their posture. We seem to believe it is possible to ward off death by following rules of good grooming. Sometimes I go with my wife to the church basement and watch her stand, turn, assume various heroic poses, gesture gracefully. She makes references to yoga, kendo, trance-walking. She talks of Sufi dervishes, Sherpa mountaineers. The old folks nod and listen. Nothing is foreign, nothing too remote to apply. I am always surprised at their acceptance and trust, the sweetness of their belief. Nothing is too doubtful to be of use to them as they seek to redeem their bodies from a lifetime of bad posture. It is the end of skepticism.

Related Characters: Jack Gladney (speaker), Babette
Page Number: 27
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Love helps us develop an identity secure enough to allow itself to be placed in another’s care and protection. Babette and I have turned our lives for each other’s thoughtful regard, turned them in the moonlight in our pale hands, spoken deep into the night about fathers and mothers, childhood, friendships, awakenings, old loves, old fears (except fear of death). No detail must be left out, not even a dog with ticks or a neighbor’s boy who ate an insect on a dare.

Related Characters: Jack Gladney (speaker), Babette
Page Number: 29
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Chapter 9 Quotes

Everything is concealed in symbolism, hidden by veils of mystery and layers of cultural material. But it is psychic data, absolutely. The large doors slide open, they close unbidden. Energy waves, incident radiation. All the letters and numbers are here, all the colors of the spectrum, all the voices and sounds, all the code words and ceremonial phrases. It is just a question of deciphering, rearranging, peeling off the layers of unspeakability. Not that we would want to, not that any useful purpose would be served.

Related Characters: Murray Jay Siskin (speaker), Jack Gladney, Babette
Related Symbols: The Supermarket
Page Number: 37
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Chapter 10 Quotes

Who knows what I want to do? Who knows what anyone wants to do? How can you be sure about something like that? Isn’t it all a question of brain chemistry, signals going back and forth, electrical energy in the cortex? How do you know whether something is really what you want to do or just some kind of nerve impulse in the brain? […] It’s all this activity in the brain and you don’t know what’s you as a person and what’s some neuron that just happens to fire or just happens to misfire. Isn’t that why Tommy Roy killed those people?

Related Characters: Heinrich (speaker), Jack Gladney, Janet Savory, Tommy Roy Foster
Page Number: 45
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In the morning I walked to the bank. I went to the automated teller machine to check my balance. I inserted my card, entered my secret code, tapped out my request. The figure on the screen roughly corresponded to my independent estimate, feebly arrived at after long searches through documents, tormented arithmetic. Waves of relief and gratitude flowed over me. The system had blessed my life. I felt its support and approval. The system hardware, the mainframe sitting in a locked room in some distant city. What a pleasing interaction. I sensed that something of deep personal value, but not money, not that at all, had been authenticated and confirmed. […] The system was invisible, all the more disquieting to deal with. But we were in accord, at least for now. The networks, the circuits, the streams, the harmonies.

Related Characters: Jack Gladney (speaker)
Page Number: 45
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Chapter 11 Quotes

[…] I’ve been sitting in this room for more than two months, watching TV into the early hours, listening carefully, taking notes. A great and humbling experience, let me tell you. Close to mystical. […] I’ve come to understand that the medium is a primal force in the American home. Sealed-off, timeless, self-contained, self-referring. It’s like a myth being born right there in our living room, like something we know in a dreamlike and preconscious way.

Related Characters: Murray Jay Siskin (speaker), Jack Gladney, Babette
Related Symbols: Television
Page Number: 50-1
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Chapter 14 Quotes

All this time she’d been turned away from me. There were plot potentials in this situation, chances for people to make devious maneuvers, secret plans.

Related Characters: Jack Gladney (speaker), Babette, Denise
Page Number: 62
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[…] it’s not a question of greatness. It’s not a question of good and evil. I don’t know what it is. Look at it this way. Some people always wear a favorite color. Some people carry a gun. Some people put on a uniform and feel bigger, stronger, safer. It’s in this area that my obsessions dwell.

Related Characters: Jack Gladney (speaker), Babette, Denise
Related Symbols: Hitler
Page Number: 63
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Words, pictures, numbers, facts, graphics, statistics, specks, waves, particles, motes. Only a catastrophe gets our attention. We want them, we need them, we depend on them. As long as they happen somewhere else. This is where California comes in. Mud slides, brush fires, coastal erosion, earthquakes, mass killings, et cetera. We can relax and enjoy these disasters because in our hearts we feel that California deserves what it gets. Californians invented the concept of life-style. This alone warrants their doom.

Related Characters: Alfonse Stampanato (speaker), Jack Gladney, Murray Jay Siskin
Page Number: 66
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Chapter 16 Quotes

We looked at each other. Behind that dopey countenance, a complex intelligence operated. […] The inconsolable crying went on. I let it wash over me, like rain in sheets. I entered it, in a sense. I let it fall and tumble across my face and chest. I began to think he had disappeared inside this wailing noise and if I could join him in his lost and suspended place we might together perform some reckless wonder of intelligibility. I let it break across my body. It might not be so terrible, I thought, to have to sit here for four more hours, with the motor running and the heater on, listening to this uniform lament.

Related Characters: Jack Gladney (speaker), Wilder
Page Number: 78
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We were halfway home when the crying stopped. It stopped suddenly, without a change in tone and intensity. Babette said nothing, I kept my eyes on the road. He sat between us, looking into the radio. I waited for Babette to glance at me behind his back, over his head, to show relief, happiness, hopeful suspense. I didn’t know how I felt and wanted a clue. But she looked straight ahead as if fearful that any change in the sensitive texture of sound, movement, expression would cause the crying to break out again.

Related Characters: Jack Gladney (speaker), Babette, Wilder
Page Number: 79
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Chapter 18 Quotes

Certain elements in the crew had decided to pretend that it was not a crash but a crash landing that was seconds away. After all, the difference between the two is only one word. Didn’t this suggest that the two forms of flight termination were more or less interchangeable? How much could one word matter? An encouraging question under the circumstances, if you didn’t think about it too long, and there was no time to think right now. The basic difference between a crash and a crash landing seemed to be that you could sensibly prepare for a crash landing, which is exactly what they were trying to do.

Related Characters: Jack Gladney (speaker)
Page Number: 90
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Chapter 21 Quotes

It seems that danger assigns to public voices the responsibility of a rhythm, as if in metrical units there is a coherence we can use to balance whatever senseless and furious event is about to come rushing around our heads. […] What people in an exodus fear most immediately is that those in positions of authority will long since have fled, leaving us in charge of our own chaos.

Related Characters: Jack Gladney (speaker)
Page Number: 117
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Could a nine-year-old girl suffer a miscarriage due to the power of suggestion? Would she have to be pregnant first? Could the power of suggestion be strong enough to work backward in this manner, from miscarriage to pregnancy to menstruation to ovulation? Which comes first, menstruation or ovulation? Are we talking about mere symptoms or deeply entrenched conditions? Is a symptom a sign or a thing? What is a thing and how do we know it’s not another thing?

I turned off the radio, not to help me think but to keep me from thinking.

Related Characters: Jack Gladney (speaker), Steffie
Page Number: 123
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Our fear was accompanied by a sense of awe that bordered on the religious. It is surely possible to be awed by the thing that threatens your life, to see it as a cosmic force, so much larger than yourself, more powerful, created by elemental and willful rhythms. This was a death made in the laboratory, defined and measurable, but we thought of it at the time in a simple and primitive way, as some seasonal perversity of the earth like a flood or tornado, something not subject to control. Our helplessness did not seem compatible with the idea of a man-made event.

Related Characters: Jack Gladney (speaker)
Page Number: 124
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Chapter 27 Quotes

The more we rehearse disaster, the safer we’ll be from the real thing. Life seems to work that way, doesn’t it? […] If reality intrudes in the form of a car crash or a victim falling off a stretcher, it is important to remember that we are not here to mend broken bones or put out real fires. We are here to simulate.

Related Characters: SIMUVAC Leader (speaker), Jack Gladney, Steffie
Page Number: 195-6
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Chapter 29  Quotes

The sense of failed expectations was total. A sadness and emptiness hung over the scene. A dejection, a sorry gloom. We felt it ourselves, my son and I, quietly watching. It was in the room, seeping into the air from pulsing streams of electrons. The reporter seemed at first merely apologetic. But as he continued to discuss the absence of mass graves, he grew increasingly forlorn, gesturing at the diggers, shaking his head, almost ready to plead with us for sympathy and understanding.

I tried not to feel disappointed.

Related Characters: Jack Gladney (speaker)
Related Symbols: Television
Page Number: 211
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Chapter 30 Quotes

[…] I think it’s a mistake to lose one’s sense of death, even one’s fear of death. Isn’t death the boundary we need? Doesn’t it give a precious texture to life, a sense of definition? You have to ask yourself whether anything you do in this life would have beauty and meaning without the knowledge you carry of a final line, a border or limit.

Related Characters: Winnie Richards (speaker), Jack Gladney
Page Number: 217
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Chapter 31 Quotes

We all got in the car and went out to the commercial strip in the no man’s land beyond the town boundary. The never-ending neon. I pulled in at a place that specialized in chicken parts and brownies. We decided to eat in the car. The car was sufficient for our needs. We wanted to eat, not look around at other people. We wanted to fill our stomachs and get it over with. We didn’t need light and space. We certainly didn’t need to face each other across a table as we ate, building a subtle and complex cross-network of signals and codes. We were content to eat facing in the same direction, looking only inches past our hands.

Related Characters: Jack Gladney (speaker)
Page Number: 220
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Chapter 33 Quotes

He would be Death, or death’s errand-runner, a hollow-eyed technician from the plague era, from the era of inquisitions, endless wars, of bedlams and leporsariums. He would be an aphorist of last thing, giving me the barest glance—civilized, ironic—as he spoke his deft and stylish line about my journey out. I watched for a long time, waiting for him to move a hand. His stillness was commanding. I felt myself getting whiter by the second. What does it mean to become white? How does it feel to see Death in the flesh, come to gather you in? I was scared to the marrow. […] So much remained. Every word and thing a beadwork of bright creation. My own plain hand, crosshatched and whorled in a mesh of expressive lines, a life terrain, might itself be the object of a person’s study and wonder for years. A cosmology against the void.

Related Characters: Jack Gladney (speaker), Vernon Dickey
Page Number: 232
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Chapter 39 Quotes

There was something redemptive here. Dragging him foot-first across the tile, across the medicated carpet, through the door and into the night. Something large and grand and scenic. Is it better to commit evil and attempt to balance it with an exalted act than to live a resolutely neutral life? I know I felt virtuous, I felt blood-stained and stately, dragging the badly wounded man through the dark and empty street.

Related Characters: Jack Gladney (speaker), Willie Mink (Mr. Gray)
Page Number: 299
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Our pretense is dedication. Someone must appear to believe. Our lives are no less serious than if we professed real faith, real belief. As belief shrinks from the world, people find it more necessary than ever that someone believe. Wild-eyed men in caves. Nuns in black. Monks who do not speak. We are left to believe. […] Hell is when no one believes. There must always be believers.

Related Characters: Sister Hermann Marie (speaker), Jack Gladney
Page Number: 304
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