Power and Oppression Theme Analysis

“She’s a despot. A dangerous tyrant,” said the Lion with conviction.

[...] “I hear she’s a champion of home rule for the so-called Winkies.”

“We stand at a crossroads. Idolatry looms. Traditional values in jeopardy. Truth under siege and virtue abandoned.”

He wasn’t talking to her so much as practicing his tirade against the coming spectacle of violence and magic. There was a side to Frex that verged on despair; unlike most men, he was able to channel it to benefit his life’s work.

“But I remember once when a tinker with a funny accent gave me a draft of some heady brew from a green glass bottle. And I had rare expansive dreams, Nanny, of the Other World—cities of glass and smoke—noise and color—I tried to remember.”

“Horrors,” she said again, looking without binocular vision, staring at the glass in which her parents and Nanny could make out nothing but darkness. “Horrors.”

She was, after all, on her way to Shiz because she was smart.

But there was more than one way to be smart.

Animals should be seen and not heard.

She struggled with unnamed conflicts within her. Madame Morrible, for all her upper-class diction and fabulous wardrobe, seemed just a tad—oh—dangerous. [...] Galinda always felt as if she couldn’t see the whole picture.

“And the drought, after a few promising reprieves, continues unabated. The Animals are recalled to the lands of their ancestors, a ploy to give the farmers a sense of control over something anyway. It’s a systematic marginalizing of populations, Glinda, that’s what the Wizard’s all about.”

“We were talking about your childhood,” said Glinda.

“[...] You can’t divorce your particulars from politics.”

“You ask yourselves: [...] How may my talents flourish? How, my dears, how may I help my Oz?”

Elphaba’s foot twisted, caught the edge of a side table, and a cup and saucer fell to the floor and smashed.

“If not immoral, then what word can I use to imply wrong?” said Elphaba.

“Try mysterious and then relax a little. The thing is, my green girlie, it is not for a girl, or a student, or a citizen to assess what is wrong. This is the job of leaders, and why we exist.”

“I was a tool. My dear father used me [...] he used me as an object lesson. Looking as I did, even singing as I can—they trusted him partly as a response to the freakiness of me.”

“I love you so much, Fiyero, you just don’t understand: Being born with a talent or an inclination for goodness is the aberration.”

She was right. He didn’t understand.

Nanny reported that Nessarose had grown to be far cleverer than anyone anticipated. She kept her cards close to her chest and issued vague statements about the revolutionary cause, statements that could be read several ways, depending on the audience.

“But Nessa now thinks she needs no one, to help her stand or help her govern. She listens less than ever. In some ways I think those shoes are dangerous.”

Perhaps Nessie was right. And yet here they were, a dozen years later, two Witches, in a manner of speaking. And Glinda a sorceress for the public good. It was enough to make Elphie go back to Kiamo Ko and burn that Grimmerie, and burn the broom too, for that matter.

“I’m no pawn,” said Glinda. “I take all the credit in the world for my own foolishness. Good gracious, dear, all of life is a spell. You know that. But you do have some choice.”

“People who claim they’re evil are usually no worse than the rest of us.” He sighed. “It’s people who claim that they’re good, or anyway better than the rest of us, that you have to be wary of.”

Elphaba, who had endured Sarima’s refusal to forgive, now begged by a gibbering child for the same mercy always denied her? How could you give such a thing out of your own hollowness?