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[Gauri] knew that the errors she'd made during the first years of Bela’s life were not things she could go back and fix. Her attempts kept collapsing, because the foundation was not there. Over time this feeling ate away at her, exposing only her self-interest, her ineptitude. Her inability to abide herself.

She'd convinced herself that Subhash was her rival, and that she was in competition with him for Bela, a competition that felt insulting, unjust. But of course it had not been a competition, it had been her own squandering. Her own withdrawal, covert, ineluctable. With her own hand she'd painted herself into a corner, and then out of the picture altogether.

Explanation and Analysis:

As Gauri reflects on her life, and her choice to abandon Subhash and Bela while they were visiting Calcutta, she vacillates between sticking to the beliefs she held at the time she left and the wisdom she has, however indignantly, garnered over...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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