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National culture under colonial domination is a culture under interrogation whose destruction is sought systematically. Very quickly it becomes a culture condemned to clandestinity. This notion of clandestinity can immediately be perceived in the reactions of the occupier who interprets this complacent attachment to traditions as a sign of loyalty to the national spirit and a refusal to submit. This persistence of cultural expression condemned by colonial society is already a demonstration of nationhood.

Explanation and Analysis:

This quote occurs in Fanon’s chapter on culture and the nation as well, and it is significant because it underscores the racism and oppression of colonial society, but it further underscores Fanon’s central argument that one’s culture is found ...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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