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It would not have taken [Pocahontas] long to realize that friend and foe alike held at least one notion in common: she was to them a model, a stick figure, representing a race that was either barbaric or charming, or both, depending on their perspective, but never simply human.

It would be too simple to say that she faced hatred. The British were fascinated by her, adored her exoticism. At first it probably seemed flattering. Only later would she have begun to experience the psychological costs of being a symbol rather than a person.

Explanation and Analysis:

As Pocahontas adjusted to life in London—a life that involved, more often than not, being gawked at by members of London’s high society and gossiped about behind her back—she no doubt felt herself the subject of constant scrutiny, and those fee...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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