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The wound in the mother’s soul could not heal. Petya’s death tore away half of her life. A month after the news of Petya’s death, which had found her a fresh and cheerful fifty-year-old woman, she came out of her room an old woman— half-dead and taking no part in life. But the same wound that half killed the countess, this new wound called Natasha to life. […]

[A] wound in the soul, like a physical wound, can be healed only by the force of life pushing up from inside. This was the way Natasha’s wound healed. She thought her life was over. But suddenly her love for her mother showed her that the essence of life— love— was still alive in her. Love awoke, and life awoke.

Explanation and Analysis:

Petya Rostov’s death is a turning point in his family’s lives. For Countess Rostov, his death is the thing she’s feared most, and she never recovers. Afterward, she can no longer take part in life the way she used to. But at the same time, Pety...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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