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Miss Laura’s skin glowed. Now, she was what revenge looked like: fierce and full of purpose, alien to mercy. Humiliation: that’s the word Elizabeth had used to describe Carney’s Dumas rejection. Duke could do what he wanted because he held the money. Foreclose on your property, sit on your business loan, take your envelope and tell you to go fuck yourself.

Pop. That’s how the whole damn country worked, but they had to change the pitch for the Harlem market, and that’s how Duke came to be. The little man was the white system hidden behind a black mask. Humiliation was his currency, but tonight Miss Laura had picked his pocket.

Explanation and Analysis:

Carney watches as Miss Laura positions the unconscious Duke in humiliating positions and Zippo photographs him. Strangely, Carney does not feel satisfied—instead, Miss Laura enacts and embodies the revenge he longs for. Carney describes her as ...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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