- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In their meta-narrative conversation about how Eggers has chosen to tell his story (and his parents’ stories), Toph upholds that his older brother feels “guilty” about the entire project of his memoir. He knows that his mother and father “would hate it” if they knew he was writing about them, since they were always private people. However, Toph also cuts Eggers some slack, admitting that his guilt also probably has to do with “the house in which [he was] raised.” Although his father was an atheist, his mother was Catholic, a religion that encourages believers to periodically confess their sins…