- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, the story makes Louisa’s fears about her marriage to Joe clear. Louisa is very worried that she will have to live with Joe (and his mother) on his homestead, and that Joe’s “masculine” behavior will get in the way of her doing all of the things that she loves so much, like calmly sewing or taking her time making tea. By setting Louisa’s interests directly against Joe’s “masculine rudeness,” the story seems to be doubling down on Louisa as a radical female character: in other words, Louisa doesn’t want to live alone because she is unfeminine, she…