- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
When Geof discovers that Jo believes her father was intellectually challenged (what Jo previously called an “idiot”), he finds the idea preposterous and assumes that Helen was lying when she told Jo the story.
Despite Jo’s frequent criticism of her mother and her seemingly lucid knowledge of Helen’s flaws, she is surprised to think that Helen could have lied to her. Jo’s independence of thought thus proves limited, as Geof is capable of making her see her mother—and her own self—from a different perspective. Indeed, Geof proves to Jo that both Helen and she enjoy dramatizing their lives, exaggerating their…