- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
While reflecting on Setsuko’s recent visit, Ono remembers watching her son, his grandson, impersonating the Lone Ranger and pretending to yell in English. Though Ono does not know who the Lone Ranger is, he understands enough to realize that Ichiro is not impersonating a Japanese hero—something Setsuko soon confirms. Miyamoto Musashi was a famous 16th-century samurai often considered Japan’s greatest swordsman, and implied to be someone many children of Ono’s generation and earlier idolized. The fact that Setsuko took her son to see an American film reflects how drastically values have shifted away from Ono’s professed Japanese nationalism since the…