- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Serge flips the tables on Marc, who has been berating him for liking the “piece of shit,” “nothing” Antrios. Serge has a genuine attachment to the painting, and for hours now—days, even—Marc has done nothing but belittle the painting as stupid, ridiculous, and repellent. Sick of the abuse, Serge now, in an attempt to level the playing field and give Marc a taste of his own medicine, invokes Marc’s girlfriend Paula as an object of “repellentness” just for the sake of showing Marc how much it hurts when something one loves is dragged through the mud because…