- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Marc and Yvan rendezvous privately once again, after Yvan has had the chance to take a look at the Antrios painting, Marc expects that Yvan will side with him and agree that the painting is ridiculous, and that Serge has been corrupted by snobbery. When Yvan attempts to tell Marc that the Antrios made him feel something, however—that he did not see it as a ridiculous, offensive, and disturbing purchase—Marc realizes that his opinions, and thus his ego, are perhaps under greater attack than he imagined. Marc is beginning to feel as if he has lost control of his…
