- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this scene, Barbara, Karen, and Ivy discuss their anger—or lack of it—with their father for taking his own life. Ivy, whose ideas about family and familial responsibility are warped through years of abuse and isolation, believes that Beverly’s choice was valid—and perhaps even noble. Ivy is willing to admit that perhaps her father never liked her—never liked anything about his life—and had every right to take control of it and leave. Barbara doesn’t buy into this philosophy, but Ivy—whose whole life has been lived in service to her toxic parents—sees Beverly’s death as an escape or a release, and…