- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Because the four sisters (May, Judy, Fern, and Lark) were adults with lives, husbands, and children by the time they all reconnected, they chose not to tell their individual families about their relationship. For Judy, at least, this also helped protect the Stafford family name. The sisters thought it would be “enough” for each sister to know the others were okay, but, as Avery notes, it wasn’t. By keeping their relationship and shared history a secret, the sisters had to pretend to be different people in their public lives. Because of this, they were never as happy or fulfilled as…