- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Billy fantasizes about accepting Kathryn's help and deserting the Army, he tries to make the fantasy as real as possible. This is a poignant example of Billy rejecting the Fantasy Industrial Complex, as he does his very best to consider what it would actually mean to desert, not what the best-case, sugar-coated scenario would be. He's able to do this because of his firsthand experiences in the war, which have taught him that the sense of family he found with Bravo is stronger than any familial relationships he has at home. This realization makes the war even more real…