- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As he prepares to tell the story of his birth, Trevor Noah explains why being mixed-race in apartheid South Africa was so difficult—it was literally against the law, and he could be taken away from his mother because of his different skin tone—and then, more theoretically, why the apartheid regime had to outlaw race-mixing in order to keep its “divide and conquer” strategy working. In short, he shows that racism only works if racists can convince people that there are essential and unbridgeable differences among races, and that people want to be apart and do better when they don’t interact…