- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
When discussing the pervasive continuation of school shootings in America—and the escalating death tolls of these killings, which are almost always designed as “spectacles”—Cullen notes that many killers directly reference Columbine in manifestos or plans left behind after their attacks. The shooter in the Virginia Tech massacre in 2007 made specific and repeat reference to Eric Harris and Dylan Klebold in his “disoriented” manifesto as well. Yet Cullen makes it clear that the “glory and elation” many mass murderers describe trying to achieve was not a characteristic of Columbine, despite the intense and prolonged media attention Columbine received. Columbine was…