- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Freed from prison and brought before the King, Posthumus—who hears Iachimo’s confession and flies into a rage—strikes the page boy that he thinks is interrupting him. Pisanio comforts the fallen Fidele, addressing “him” as Imogen. At that point, Imogen’s identity is revealed, and she and her husband reconcile. Jupiter’s promise is fulfilled here with the reunion of Imogen and Posthumus. The audience gets the sense that Cymbeline has come full-circle: the play began with the couple’s separation, and it will end with their reunion. This reflects the play’s genre of tragicomedy: after struggles, the characters’ stories will end on a…